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Mortar, 1545?, (1881). Creator: W. W. McCarty

Mortar, 1545?, (1881). Creator: W. W. McCarty


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Mortar, 1545?, (1881). Creator: W. W. McCarty

Mortar, 1545?, (1881). Etching of a mortar of base metal, possibly made in Germany or Flanders in the mid 16th century. From " The South Kensington Museum", a book of engraved illustrations, with descriptions, of the works of art in the collection of the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). [Sampson Low, Marston, Searle and Rivington, London, 1881]

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Media ID 19299777

© The Print Collector/Heritage Images

Handle Handles Marston Mccarty Mortar Museum Of Ornamental Art Sampson Low Searle And Rivington South Kensington Museum The South Kensington Museum V And A V And A Museum Victoria Albert Museum Victoria And Albert Museum


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> Arts > Literature > Books

> Arts > Literature > Illustration

> Arts > Literature

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Museums > V&A (Victoria & Albert)

> Europe > United Kingdom > England > London > Towns > Kensington

> Europe > United Kingdom > England > London > Towns > South Kensington


EDITORS COMMENTS
This photo print, titled "Mortar, 1545?, (1881)", takes us back in time to the Renaissance era. Created by W. W. McCarty, this etching showcases a remarkable mortar made of base metal, possibly originating from Germany or Flanders during the mid-16th century. The intricate details and craftsmanship of this artifact are beautifully captured in black and white. The print is featured in "The South Kensington Museum", a book that offers engraved illustrations and descriptions of the exquisite works of art housed at the Victoria & Albert Museum in London (formerly known as the South Kensington Museum). Published in 1881 by Sampson Low, Marston, Searle and Rivington, this literary masterpiece allows art enthusiasts to delve into history through visual storytelling. With its ornate handles and historical significance, this mortar stands as a testament to the artistic prowess of its time. Its presence evokes curiosity about how it was used centuries ago and what stories it could tell if only it could speak. As we admire this photograph today, we can appreciate both W. W. McCarty's skillful rendering and the enduring allure of ancient artifacts preserved within museum walls. This image serves as a reminder that art has no boundaries when it comes to transcending time and connecting us with our rich cultural heritage.

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