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Simile Collection

"Simile: Unveiling the Enigmatic World of Comparisons" Step into a world where words paint vivid pictures, as vibrant as an artist's brushstroke

Background imageSimile Collection: Table Service of a Lady of Quality (chromolitho)

Table Service of a Lady of Quality (chromolitho)
668481 Table Service of a Lady of Quality (chromolitho) by French School, (19th century); Private Collection; (add.info.: Table Service of a Lady of Quality)

Background imageSimile Collection: The White Lodge in Richmond Park (b / w photo)

The White Lodge in Richmond Park (b / w photo)
1055929 The White Lodge in Richmond Park (b/w photo) by English photographer, (19th century) (after); Private Collection; (add.info.: The White Lodge in Richmond Park)

Background imageSimile Collection: Interior of an Hostelry (engraving)

Interior of an Hostelry (engraving)
668474 Interior of an Hostelry (engraving) by French School, (19th century); Private Collection; (add.info.: Interior of an Hostelry.-Fac-simile of a Woodcut in a folio edition of Virgil)

Background imageSimile Collection: Carpenters (engraving)

Carpenters (engraving)
668464 Carpenters (engraving) by French School, (19th century); Private Collection; (add.info.: Carpenters.-Fac-simile of a Miniature in the " Chroniques de Hainaut)

Background imageSimile Collection: A Court-Fool, of 15th Century (chromolitho)

A Court-Fool, of 15th Century (chromolitho)
668449 A Court-Fool, of 15th Century (chromolitho) by French School, (19th century); Private Collection; (add.info.: A Court-Fool, of 15th Century, Fac-simile of a miniature from a ms. in the Bibl)

Background imageSimile Collection: The Great Drinkers of the North (engraving)

The Great Drinkers of the North (engraving)
668424 The Great Drinkers of the North (engraving) by French School, (19th century); Private Collection; (add.info.: The Great Drinkers of the North.-Fac-simile of a Woodcut of the " Histoires)

Background imageSimile Collection: Interior of Italian Kitchen (engraving)

Interior of Italian Kitchen (engraving)
668418 Interior of Italian Kitchen (engraving) by French School, (19th century); Private Collection; (add.info.: Interior of Italian Kitchen.-Fac-simile of a Woodcut in the Book on Cookery of)

Background imageSimile Collection: Interior of a Kitchen of the Sixteenth Century (engraving)

Interior of a Kitchen of the Sixteenth Century (engraving)
668403 Interior of a Kitchen of the Sixteenth Century (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: Quartier des Halles en 1550, fac-simile du plan d Olivier Truschet (engraving)

Quartier des Halles en 1550, fac-simile du plan d Olivier Truschet (engraving)
963149 Quartier des Halles en 1550, fac-simile du plan d Olivier Truschet (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier des Halles en 1550)

Background imageSimile Collection: Le pont Notre-Dame de Jean Joconde, fac-simile d une planche inachevee de Du Cerceau (engraving)

Le pont Notre-Dame de Jean Joconde, fac-simile d une planche inachevee de Du Cerceau (engraving)
963038 Le pont Notre-Dame de Jean Joconde, fac-simile d une planche inachevee de Du Cerceau (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: Le bourg Saint-Germain, fac-simile du plan de Gomboust, 1652 (engraving)

Le bourg Saint-Germain, fac-simile du plan de Gomboust, 1652 (engraving)
963108 Le bourg Saint-Germain, fac-simile du plan de Gomboust, 1652 (engraving) by French School, (19th century); Private Collection; (add.info.: Le bourg Saint-Germain)

Background imageSimile Collection: Eglise des Minimes, construite en 1610; fac-simile d une gravure de I Marot (engraving)

Eglise des Minimes, construite en 1610; fac-simile d une gravure de I Marot (engraving)
963512 Eglise des Minimes, construite en 1610; fac-simile d une gravure de I Marot (engraving) by French School, (19th century); Private Collection; (add.info.: Eglise des Minimes)

Background imageSimile Collection: Place Royale en 1645; fac-simile d une gravure de Sylvestre (engraving)

Place Royale en 1645; fac-simile d une gravure de Sylvestre (engraving)
963509 Place Royale en 1645; fac-simile d une gravure de Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: Fac-simile des pierres placees en 1376 a Sainte-Catherine du Val des Escoliers

Fac-simile des pierres placees en 1376 a Sainte-Catherine du Val des Escoliers
963499 Fac-simile des pierres placees en 1376 a Sainte-Catherine du Val des Escoliers, conservees depuis 1877 a Saint-Denis (engraving) by French School

Background imageSimile Collection: Entree de l hotel du grand prieur, rue du Temple, construite en 1667

Entree de l hotel du grand prieur, rue du Temple, construite en 1667, par Jacques de Souvre; d apres les plans de l
963482 Entree de l hotel du grand prieur, rue du Temple, construite en 1667, par Jacques de Souvre; d apres les plans de l architecte Delisle

Background imageSimile Collection: Explosion de la machine infernale, rue Saint-Nicaise, le 3 nivose an IX

Explosion de la machine infernale, rue Saint-Nicaise, le 3 nivose an IX, fac-simile d une gravure du temps communiquee
963291 Explosion de la machine infernale, rue Saint-Nicaise, le 3 nivose an IX, fac-simile d une gravure du temps communiquee par M A Bonnardot (engraving) by French School

Background imageSimile Collection: La Porte-Neuve et la tour du Bois; fac-simile d un dessin contemporain

La Porte-Neuve et la tour du Bois; fac-simile d un dessin contemporain, appartenant a M Destailleurs (engraving)
963258 La Porte-Neuve et la tour du Bois; fac-simile d un dessin contemporain, appartenant a M Destailleurs (engraving) by French School

Background imageSimile Collection: La Bastille, du cote de la Ville, fac-simile d une planche de Du Cerceau, 1575 (engraving)

La Bastille, du cote de la Ville, fac-simile d une planche de Du Cerceau, 1575 (engraving)
963239 La Bastille, du cote de la Ville, fac-simile d une planche de Du Cerceau, 1575 (engraving) by French School, (19th century); Private Collection; (add.info.: La Bastille, du cote de la Ville)

Background imageSimile Collection: The Extraction of Metals (engraving)

The Extraction of Metals (engraving)
668475 The Extraction of Metals (engraving) by French School, (19th century); Private Collection; (add.info.: The Extraction of Metals.-Fac-simile of a Woodcut in the " Cosmographie)

Background imageSimile Collection: The Jews Passover (chromolitho)

The Jews Passover (chromolitho)
668465 The Jews Passover (chromolitho) by French School, (19th century); Private Collection; (add.info.: The Jews Passover)

Background imageSimile Collection: The Infant Richard crucified by the Jews, at Pontoise (engraving)

The Infant Richard crucified by the Jews, at Pontoise (engraving)
668445 The Infant Richard crucified by the Jews, at Pontoise (engraving) by French School, (19th century); Private Collection; (add.info.: The Infant Richard crucified by the Jews)

Background imageSimile Collection: The Pond Fisherman (engraving)

The Pond Fisherman (engraving)
668423 The Pond Fisherman (engraving) by French School, (19th century); Private Collection; (add.info.: The Pond Fisherman.-Fac-simile of a Woodcut of the " Cosmographie Universelle" of)

Background imageSimile Collection: A Court Concert (engraving)

A Court Concert (engraving)
668336 A Court Concert (engraving) by French School, (19th century); Private Collection; (add.info.: A Court Concert. Illustration for The Arts in the Middle Ages by Paul Lacroix (Bickers, c 1890)

Background imageSimile Collection: Quartier de l Hotel de Ville sous Henri II, 1550, Fac-simile du Plan d Olivier Truchet (engraving)

Quartier de l Hotel de Ville sous Henri II, 1550, Fac-simile du Plan d Olivier Truchet (engraving)
962901 Quartier de l Hotel de Ville sous Henri II, 1550, Fac-simile du Plan d Olivier Truchet (engraving) by French School

Background imageSimile Collection: Quartier du Temple, en 1652; fac-simile du plan de Gomboust (engraving)

Quartier du Temple, en 1652; fac-simile du plan de Gomboust (engraving)
963479 Quartier du Temple, en 1652; fac-simile du plan de Gomboust (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier du Temple)

Background imageSimile Collection: Eglise et charniers du Temple, fac-simile d une gravure de I Sylvestre (engraving)

Eglise et charniers du Temple, fac-simile d une gravure de I Sylvestre (engraving)
963474 Eglise et charniers du Temple, fac-simile d une gravure de I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Eglise et charniers du Temple)

Background imageSimile Collection: Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving)

Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving)
963461 Le Pont-Rouge, en 1650; fac-simile d une gravure d I Sylvestre (engraving) by French School, (19th century); Private Collection; (add.info.: Le Pont-Rouge)

Background imageSimile Collection: Plan du quartier en 1550, Fac-simile du plan de du Cerceau (engraving)

Plan du quartier en 1550, Fac-simile du plan de du Cerceau (engraving)
963432 Plan du quartier en 1550, Fac-simile du plan de du Cerceau (engraving) by French School, (19th century); Private Collection; (add.info.: Plan du quartier en 1550)

Background imageSimile Collection: Le quartier Saint-Paul, en 1552, fac-simile du plan de Truschet (engraving)

Le quartier Saint-Paul, en 1552, fac-simile du plan de Truschet (engraving)
963219 Le quartier Saint-Paul, en 1552, fac-simile du plan de Truschet (engraving) by French School, (19th century); Private Collection; (add.info.: Le quartier Saint-Paul, en 1552)

Background imageSimile Collection: Monument romain eleve au confluent de la Seine et de la Marne, Fac-simile d une gravure de 1575

Monument romain eleve au confluent de la Seine et de la Marne, Fac-simile d une gravure de 1575
963209 Monument romain eleve au confluent de la Seine et de la Marne, Fac-simile d une gravure de 1575, de la Cosmographie universelle de Thevet (engraving) by French School

Background imageSimile Collection: Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving)

Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving)
963146 Le cimetiere des Innocents en 1640, Fac-simile de deux gravures de La Bella (engraving) by French School, (19th century); Private Collection; (add.info.: Le cimetiere des Innocents en 1640)

Background imageSimile Collection: Visit of HRH the Princess Louise to Carlisle (engraving)

Visit of HRH the Princess Louise to Carlisle (engraving)
1049686 Visit of HRH the Princess Louise to Carlisle (engraving) by English School, (19th century); Private Collection; (add.info.: Visit of HRH the Princess Louise to Carlisle)

Background imageSimile Collection: Whale-Fishing (engraving)

Whale-Fishing (engraving)
668417 Whale-Fishing (engraving) by French School, (19th century); Private Collection; (add.info.: Whale-Fishing.-Fac-simile of a Woodcut in the " Cosmographie Universelle" of Thevet)

Background imageSimile Collection: A Young Mothers Retinue (chromolitho)

A Young Mothers Retinue (chromolitho)
668392 A Young Mothers Retinue (chromolitho) by French School, (19th century); Private Collection; (add.info.: A Young Mothers Retinue)

Background imageSimile Collection: Representation of a Ballet before Henri III and his Court, in the Gallery of the Louvre (engraving)

Representation of a Ballet before Henri III and his Court, in the Gallery of the Louvre (engraving)
668460 Representation of a Ballet before Henri III and his Court, in the Gallery of the Louvre (engraving) by French School

Background imageSimile Collection: The Receiver of Taxes (engraving)

The Receiver of Taxes (engraving)
668400 The Receiver of Taxes (engraving) by French School, (19th century); Private Collection; (add.info.: The Receiver of Taxes.-Fac-simile of a Woodcut in Damhouderes " Praxis Rerum)

Background imageSimile Collection: Une salle de l Hotel-Dieu de Paris (engraving)

Une salle de l Hotel-Dieu de Paris (engraving)
963455 Une salle de l Hotel-Dieu de Paris (engraving) by French School, (19th century); Private Collection; (add.info.: Une salle de l Hotel-Dieu de Paris, Fac-simile d une gravure sur bois)

Background imageSimile Collection: Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608 (engraving)

Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608 (engraving)
963381 Quartier Saint-Benoit, fac-simile du plan de Quesnel, 1608 (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier Saint-Benoit, fac-simile du plan de Quesnel)

Background imageSimile Collection: Le Temple, en 1734; fac-simile du plan de Turgot (engraving)

Le Temple, en 1734; fac-simile du plan de Turgot (engraving)
963480 Le Temple, en 1734; fac-simile du plan de Turgot (engraving) by French School, (19th century); Private Collection; (add.info.: Le Temple, en 1734; fac-simile du plan de Turgot)

Background imageSimile Collection: Enclos du Temple en 1610; fac-simile d une gravure du temps, par Claude Chastillon (engraving)

Enclos du Temple en 1610; fac-simile d une gravure du temps, par Claude Chastillon (engraving)
963469 Enclos du Temple en 1610; fac-simile d une gravure du temps, par Claude Chastillon (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving)

Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving)
963439 Place du Parvis en 1650, Fac-simile d une gravure de Van Merlen (engraving) by French School, (19th century); Private Collection; (add.info.: Place du Parvis en 1650)

Background imageSimile Collection: Place du Carrousel en 1680, fac-simile d une gravure de Perelle (engraving)

Place du Carrousel en 1680, fac-simile d une gravure de Perelle (engraving)
963280 Place du Carrousel en 1680, fac-simile d une gravure de Perelle (engraving) by French School, (19th century); Private Collection; (add.info.: Place du Carrousel en 1680)

Background imageSimile Collection: Le palais et le jardin des Tuileries en 1615, Fac-simile du plan de Mathieu Merian (engraving)

Le palais et le jardin des Tuileries en 1615, Fac-simile du plan de Mathieu Merian (engraving)
963275 Le palais et le jardin des Tuileries en 1615, Fac-simile du plan de Mathieu Merian (engraving) by French School, (19th century); Private Collection; (add.info)

Background imageSimile Collection: La Grand Salle du Palais, Fac-simile d une gravure de Du Cerceau (engraving)

La Grand Salle du Palais, Fac-simile d une gravure de Du Cerceau (engraving)
963162 La Grand Salle du Palais, Fac-simile d une gravure de Du Cerceau (engraving) by French School, (19th century); Private Collection; (add.info.: La Grand Salle du Palais)

Background imageSimile Collection: Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving)

Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving)
963091 Le faubourg Saint-Germain en 1615, fac-simile du plan de Mathieu Merian (engraving) by French School, (19th century); Private Collection; (add.info.: Le faubourg Saint-Germain en 1615)

Background imageSimile Collection: Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving)

Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving)
963008 Quartier du Louvre en 1714, fac-simile du plan de Boudan (engraving) by French School, (19th century); Private Collection; (add.info.: Quartier du Louvre en 1714, fac-simile du plan de Boudan)

Background imageSimile Collection: Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps

Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps, communique par M Albert Lenoir (engraving)
963006 Facade occidentale du Louvre vers 1660, fac-simile d un dessin du temps, communique par M Albert Lenoir (engraving) by French School

Background imageSimile Collection: Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre

Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre, Fac-simile d une miniature des Chroniques de
962984 Ferrant de Portugal, comte de Flandres, prisonnier, conduit au Louvre, Fac-simile d une miniature des Chroniques de Hainaut, ms du XVe siecle, Bibl de Bourgogne



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"Simile: Unveiling the Enigmatic World of Comparisons" Step into a world where words paint vivid pictures, as vibrant as an artist's brushstroke. Just like a movable iron cage that holds its prisoners captive, similes have the power to confine our thoughts within their grasp, and are the executioners of language, decapitating mundane descriptions and replacing them with captivating imagery. Like an empaler piercing through flesh, similes impale our minds with striking comparisons. They transform ordinary moments into extraordinary experiences, just as a table service fit for a lady of quality elevates any meal to regal heights. But beware. Like the water torture that slowly drips upon one's sanity, poorly crafted they can drown meaning in a sea of confusion. Yet when wielded skillfully, they become windows into worlds we never knew existed - much like glimpsing at the ethereal beauty of The White Lodge in Richmond Park captured in black and white. Within these pages lie engravings etched by masters who saw life through poetic lenses. Step inside an ancient hostelry bustling with activity or witness carpenters crafting dreams from wood; each scene is brought to life by these linguistic magicians. Travel back in time and encounter jesters whose antics bring laughter even across centuries - their colorful existence preserved on chromolitho prints. And let us not forget those legendary drinkers from the North whose thirst for merriment echoes through history's halls. Delve deeper still and find yourself amidst Italian kitchens or sixteenth-century culinary chaos; these engraved interiors transport you to eras long gone but forever immortalized within their frames. So embrace this literary journey where every sentence becomes an adventure waiting to unfold – for within each comparison lies a hidden treasure begging to be discovered. Open your mind and let simile guide you towards new realms of understanding – where words dance together like harmonious melodies composing symphonies only the imagination can hear.