Sheeps Collection (page 5)

Collector's picture series The Zodiac, March and April, Aries and Taurus
7279176 Collector's picture series The Zodiac, March and April, Aries and Taurus by Unknown Artist, (19th century); Private Collection; (add.info.: Collector's picture series The Zodiac)

Adoration of the Shepherds, 1554 (oil on canvas)
7292754 Adoration of the Shepherds, 1554 (oil on canvas) by Bassano, Jacopo (Jacopo da Ponte) (1510-92); Galleria Borghese, Rome, Lazio, Italy; (add.info.: by Jacopo Bassano); Ghigo Roli

Sheep on Lake Constance, Germany, Couple Watching the Animals
7279505 Sheep on Lake Constance, Germany, Couple Watching the Animals by Unknown Artist, (19th century); Private Collection; (add.info.: Sheep on Lake Constance, Germany, Couple Watching the Animals)

The Ball of the Animals, a Monkey Dances with a Sheep
7279826 The Ball of the Animals, a Monkey Dances with a Sheep by Unknown Artist, (19th century); Private Collection; (add.info.: The Ball of the Animals, a Monkey Dances with a Sheep, Historic)

The Love Letter, 1750 (oil on canvas)
7295964 The Love Letter, 1750 (oil on canvas) by Boucher, Francois (1703-70); 81.2x75.2 cm; National Gallery of Art, Washington DC

Four hours of the day: Morning, 1774 (oil on canvas)
904885 Four hours of the day: Morning, 1774 (oil on canvas) by Watteau, Louis Joseph (1731-98) (Watteau de Lille)(attr. to); 65x84 cm; Musee des Beaux-Arts, Valenciennes

View in Surrey, about 1863-1890 (Watercolour and gouache)
7290956 View in Surrey, about 1863-1890 (Watercolour and gouache) by Foster, Myles Birket (1825-99); 23x35.5 cm; Tyne & Wear Archives & Museums; (add.info)

View of the Roman Campagna (oil on canvas)
904737 View of the Roman Campagna (oil on canvas) by Dughet, Gaspard Poussin (1615-75); Palais des Beaux-Arts de Lille, France; (add.info.: by Gaspard Dughet (1615 - 1675))

A hunted hare is betrayed by farmyard animals. 1811 (etching)
7235868 A hunted hare is betrayed by farmyard animals. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: An exhausted hare chased by hounds is betrayed by farmyard animals)

Nativity, c. 1160 (miniature)
LRI4597703 Nativity, c.1160 (miniature) by Unknown Artist, (12th century); Osterreichische Nationalbibliothek, Vienna, Austria; (add.info.: Nativite Antiphonary of St. Peter. Lighted page (Cod. ser)

The Court of Doves, 1927 (oil on canvas)
885537 The Court of Doves, 1927 (oil on canvas) by Garbari, Tullio (1892-1931); Private Collection; (add.info.: by Tullio Garbari (1892-1931))

The Keeper of the Herd, 1871 (oil on canvas)
5863029 The Keeper of the Herd, 1871 (oil on canvas) by Millet, Jean-Francois (1814-75); 71.7--91.5 cm; The Art Institute of Chicago, IL, USA; (add.info.: by Jean Francois Millet (1814-1875))

398341 by Penfield, Edward (1866-1925); JMK Archiv, Bremen, Germany; JMK Archiv

A flock of sheep wait for slaughter by a butcher. 1811 (etching)
7235872 A flock of sheep wait for slaughter by a butcher. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A flock of sheep wait for slaughter by a butcher)

A jackdaw sings on the back of a ram. 1811 (etching)
7235857 A jackdaw sings on the back of a ram. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A jackdaw sings on the back of a ram)

Ram, ewe and lambs of the Lincoln Longwool. 1792 (engraving)
7235928 Ram, ewe and lambs of the Lincoln Longwool. 1792 (engraving) by Dodd, Daniel (fl.1760-90) (after); (add.info.: Ram, ewe and lambs of the Lincoln Longwool or Lincolnshire sheep breed)

A courtcase between animals, with lion and tiger as judges. 1811 (etching)
7235845 A courtcase between animals, with lion and tiger as judges. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A courtcase between animals, with a lion and tiger as judges)

A wounded wolf under a tree asks a sheep for water. 1811 (etching)
7235822 A wounded wolf under a tree asks a sheep for water. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A wounded wolf under a tree asks a sheep for water. Sheep and the hunted wolf)

DDE-90032456
Italy, Tuscany, food, tuscan cheeses, traditional Date: 05/05/2005

DDE-90032455
Italy, Tuscany, food, pecorino cheese, traditional Date: 05/05/2005

flock
Paulo Nogueira

Shepherd with donkey
Garik

Autumn, November 1927 (gouache on paper)
7262411 Autumn, November 1927 (gouache on paper) by Hunter, Edmund (1866-1937); Private Collection; Edmund & Alec Hunter Collection

Boughton Aluph Church, 19th century (Watercolour)
7261311 Boughton Aluph Church, 19th century (Watercolour) by British School, (19th century); Maidstone Museum and Art Gallery, Kent

Maidstone 1760, 1801-1760 (Watercolour)
7261293 Maidstone 1760, 1801-1760 (Watercolour) by Shrubsole, William George (1856-89); Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Taken after Francis Groves Print of Maidstone 1760)

Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century)
7230067 Fray Pedro Gocial museum in San Franciscos convent, Quito, Ecuador. Good shepherd statue (17th century, anonymous)(photography) by Unknown Artist

The Sower, c. 1575 (oil on canvas)
XAM65692 The Sower, c.1575 (oil on canvas) by Bassano, Francesco (Francesco da Ponte) (1549-92); 30x40 cm; Kunsthistorisches Museum, Vienna

Sweet Summer Time, 1869 (oil on panel)
BAL8712 Sweet Summer Time, 1869 (oil on panel) by Redgrave, Richard (1804-88); 21.6x34.9 cm; Victoria & Albert Museum, London, UK; (add.info.: by Richard Redgrave (1804-88))

Coniston, Wharfedale, Yorkshire, 1914 (Watercolour)
7261397 Coniston, Wharfedale, Yorkshire, 1914 (Watercolour) by Smith, Arthur Reginald (c.1872-c.1934); 24.5x36 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Coniston, Wharfedale)

The Sussex Downs (Autumn), 1906 (Watercolour)
7261392 The Sussex Downs (Autumn), 1906 (Watercolour) by Thorne-Waite, Robert (1842-1935); 34.5x50.7 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: The Sussex Downs (Autumn); 1906

Conway Castle [3], 1800-59 (Watercolour)
7261342 Conway Castle [3], 1800-59 (Watercolour) by Cox, David (1783-1859); 18.5x25.5 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Conway Castle (3); Watercolour; Cox

Lambs, Nantucket, 1874 (oil on board)
7262385 Lambs, Nantucket, 1874 (oil on board) by Johnson, Eastman (1824-1906); 48.2--39.6 cm; National Gallery of Art, Washington DC, USA; (add.info.: Eastman Johnson (1824-1906))

Two Sheep and a Goat (animal studies), 1625-54 (Chalk)
7261596 Two Sheep and a Goat (animal studies), 1625-54 (Chalk) by Potter, Paulus (1625-54); 10.5x17 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Two Sheep and a Goat (animal studies)

Nettlestead Church, Kent from Bow Bridge, 1800-65 (Watercolour)
7261345 Nettlestead Church, Kent from Bow Bridge, 1800-65 (Watercolour) by Pretty, Edward (1792-1865); 32.3x47.4 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Nettlestead Church)

Peasant leading her cow and sheep to the fields, 1863 (pastel)
BRM347373 Peasant leading her cow and sheep to the fields, 1863 (pastel) by Millet, Jean-Francois (1814-75); Private Collection

Sunset on the Coast of Cornwall, 1848-73 (Watercolour)
7261506 Sunset on the Coast of Cornwall, 1848-73 (Watercolour) by Goodwin, Frank (1848-73); 39x72.8 cm; Maidstone Museum and Art Gallery, Kent

Landscape, 1808 (oil on canvas)
XHC409201 Landscape, 1808 (oil on canvas) by Bidauld, Jean Joseph Xavier (1758-1846); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: Jean Joseph Xavier Bidauld (1758-1846))

Landscape, 1822 (oil on canvas)
XHC409200 Landscape, 1822 (oil on canvas) by Bidauld, Jean Joseph Xavier (1758-1846); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: Jean Joseph Xavier Bidauld (1758-1846))

The Large Sheepfold, 1881 (oil on canvas)
XIR223201 The Large Sheepfold, 1881 (oil on canvas) by Jacque, Charles Emile (1813-94); 100x156 cm; Musee d Orsay, Paris, France; (add.info.: by Charles Emile Jacque (1813-94))

Landscape (oil on canvas)
XHC383910 Landscape (oil on canvas) by Weenix, Jan Baptist (1621-c.1664); Musee d Art Thomas Henry, Cherbourg, France; (add.info.: by Jan Baptist Weenix (1621-c.1664))

The Sheep Shearer (pencil on paper)
XOU16855 The Sheep Shearer (pencil on paper) by Segantini, Giovanni (1858-99); Musee des Beaux-Arts, Rouen, France; (add.info.: by Giovanni Segantini (1858-99))

Haruspex reading the entrails of a sacrificed sheep, ancient Rom 1796 (engraving)
7236782 Haruspex reading the entrails of a sacrificed sheep, ancient Rom 1796 (engraving) by Labrousse, L.F. (fl.1796); Private Collection; (add.info)

A Distant View of Arundel Castle (pencil and w / c)
6867102 A Distant View of Arundel Castle (pencil and w/c) by Palmer, Harold Sutton (1854-1933); 54.6x76.2 cm; Private Collection

Kenilworth Castle, Warwickshire, c. 1867-70 (oil on panel)
7240845 Kenilworth Castle, Warwickshire, c.1867-70 (oil on panel) by Bridgeman, Gerald Orlando Manners (1847-70); 41x57.5 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: Two figures)

Diana and Endymion, 1752 (marble)
449810 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449807 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

Diana and Endymion, 1752 (marble)
449814 Diana and Endymion, 1752 (marble) by Plura, Joseph the Younger (fl.1750-86); The Holburne Museum, Bath, UK; (add.info.: Diana, goddess of the moon)

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"Sheeps: A Timeless Connection with Nature" The serene beauty has been captured in various art forms throughout history. From the tranquil coastal scene depicted in "By The Sea, 1881" to the majestic alpine setting portrayed in "Mezzogiorno sulle Alpi (Noon in the Alps), 1891, " these artworks transport us to idyllic landscapes where sheep roam freely. In "Flock of sheep grazing under a rainbow, Otago, South Island, New Zealand, " we witness nature's enchanting display as a vibrant rainbow arches over a peaceful flock. This image reminds us of the harmonious coexistence between humans and animals. Moving back centuries, we encounter religious symbolism intertwined with sheep imagery. In "Polyptych of Conversano, detail of the Nativity, 1475, " sheep surround baby Jesus and his family, representing purity and innocence. Similarly, "The Virgin and Child with Saints John the Baptist, Mary Magdalene and George (possibly), c. 1524" showcases divine figures accompanied by gentle lambs. Beyond traditional artwork lies an appreciation for everyday life captured through lithographs like "Bangor" or "Penryn. " These prints depict rural scenes where sheeps graze peacefully amidst picturesque countryside settings—a testament to their enduring presence in our lives. Transportation also played a role in showcasing sheeps' significance. In works such as "Great Western Railway Kelston Bridge near Bath" or "Mold (from Argoed), " artists immortalize moments when flocks were transported across bridges or vast landscapes—an essential part of agricultural practices that shaped communities. Lastly, we delve into intimate portrayals like that found in "The Shepherd and his Family. " This etching from 1644 depicts not only sheep but also emphasizes familial bonds forged while tending to them—highlighting how these creatures have long provided sustenance and livelihoods for generations.