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Coniston, Wharfedale, Yorkshire, 1914 (Watercolour)
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Coniston, Wharfedale, Yorkshire, 1914 (Watercolour)
7261397 Coniston, Wharfedale, Yorkshire, 1914 (Watercolour) by Smith, Arthur Reginald (c.1872-c.1934); 24.5x36 cm; Maidstone Museum and Art Gallery, Kent, UK; (add.info.: Coniston, Wharfedale, Yorkshire; Watercolour; Smith, A Reginald; 1914; 20th century.); © Maidstone Museum and Bentlif Art Gallery
Media ID 25300985
© Maidstone Museum and Bentlif Art Gallery / Bridgeman Images
Common Roads Coniston Ecosystem Enviroment Ewes Flock Of Sheep Flocks Fresh Air Hills Hilly Landscapes Representations Lane Natures North Yorkshire Residential Road Sheeps South Yorkshire Trail Walls Yorkshire 1900 1910 Years 10 10s 1910 1919 1910 1919 Years 10 10s C European Economic Community C European Union Landcape Landscaoe Wharfedale Years 1910 Years 10 Years Ten
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EDITORS COMMENTS
Coniston, Wharfedale, Yorkshire, 1914 (Watercolour) by Arthur Reginald Smith captures the serene beauty of the English countryside in the early twentieth century. This exquisite watercolor print measures 24.5x36 cm and is housed in the Maidstone Museum and Art Gallery in Kent, UK. The painting depicts a picturesque scene of Coniston, a charming village nestled amidst rolling hills. The vibrant colors bring to life the lush greenery that blankets the landscape. A winding road leads us through this idyllic setting, inviting us to explore its hidden treasures. In the foreground, a flock of sheep peacefully grazes on an old stone wall. Their presence adds a touch of rustic charm to this bucolic scene. These farm animals symbolize harmony with nature and evoke feelings of tranquility. Smith's attention to detail is evident in every brushstroke; from the intricate textures of each building to the delicate play of light on distant hillsides. His mastery as an artist transports us back in time and allows us to experience Yorkshire's timeless beauty. This watercolor painting serves as both a historical record and an artistic masterpiece—a testament to Smith's talent and his ability to capture not only what he saw but also what he felt during his visit to Coniston over a century ago.
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