Saul Collection (page 7)

Studenting (engraving)
1063551 Studenting (engraving) by English School, (19th century); Private Collection; (add.info.: Studenting. Illustration for The Graphic)

Jesse Sends David to His Brothers and Saul, 1548. Creator: Augustin Hirschvogel
Jesse Sends David to His Brothers and Saul, 1548

David is Welcomed after Killing Goliath, and Sauls Jealousy, 1547

David with the Head of Goliath before Saul, 1627. Creator
David with the Head of Goliath before Saul, 1627. Found in the collection of Art Museum Basel

Saints Paul and Barnabas at Lystra, First Half of 16th cen. Found in the collection of Szepmuveszeti Muzeum, Budapest

The Conversion of Paul (Predella Panel), ca 1370. Creator: Veneziano
The Conversion of Paul (Predella Panel), ca 1370. Found in the collection of Staatliche Museen, Berlin

Saul and David, ca 1655-1658. Creator: Rembrandt van Rhijn (1606-1669)
Saul and David, ca 1655-1658. Found in the collection of The Mauritshuis, The Hague

David playing the harp before Saul, 1531. Creator: Christoph Bockstorffer
David playing the harp before Saul, 1531

David Brought Before Saul, from "The Art Journal, "opposite p. 100, April 1871
David Brought Before Saul, from " The Art Journal, " opposite p. 100, April 1871. [David Presents the Head of Goliath to King Saul]

Plate 18: Sauls Suicide after His Defeat by the Philistines, from The Battl... ca
Plate 18: Sauls Suicide after His Defeat by the Philistines, from The Battles of the Old Testament, ca. 1590-ca. 1610

The conversion of Saul, who lies on the ground surrounded by horses and soldiers as Christ appears above him, 1583

Conversion of Saul, from Michelangelos fresco in the Pauline Chapel at the Vatican, ca. 1545-60

Gloucester GL2 7 Map
Postcode Sector Map of Gloucester GL2 7

The Conversion of Saint Paul, 1545. Creator: Salviati (Rossi), Francesco (1510-1563)
The Conversion of Saint Paul, 1545. Found in the Collection of Pinacoteca Repossi, Chiari

David took a harp and played with his hand, mid 19th century. Creator: William Holl
David took a harp and played with his hand, mid 19th century. Biblical scene, from 1 Samuel 16: 23: And it came to pass, when the evil spirit from God was upon Saul, that David took an harp

The Sermon of Saint Paul among the ruins, 1744. Creator: Pannini (Panini), Giovanni Paolo
The Sermon of Saint Paul among the ruins, 1744. Found in the Collection of State Hermitage, St. Petersburg

The Men of Jabesh Mourning Over the Grave of Saul and Jonathan, 1890. Creator: Unknown
The Men of Jabesh Mourning Over the Grave of Saul and Jonathan, 1890. King Saul fell on his sword to avoid capture in the battle against the Philistines at Mount Gilboa

The Battle of Michmash, 1890. Creator: Unknown
The Battle of Michmash, 1890. The Battle of Michmash, c1025 BC, fought between Israelites under Jonathan, son of King Saul, armed with pickaxes and outnumbered by the Philistines. (Samuel: 13)

The Apostles Saint Peter and Saint Paul, c. 1605. Creator: Reni, Guido (1575-1642)
The Apostles Saint Peter and Saint Paul, c. 1605. Found in the Collection of Pinacoteca di Brera, Milan

Saint Paul preaching at Campagna, ca 1735. Creator: Pannini (Panini), Giovanni Paolo (1691-1765)
Saint Paul preaching at Campagna, ca 1735. Found in the Collection of Slovak National Gallery, Bratislava

The Apostle Paul, c. 1617. Creator: Reni, Guido (1575-1642)
The Apostle Paul, c. 1617. Found in the Collection of Museo del Prado, Madrid

The ecstasy of Saint Paul, 1650. Creator: Poussin, Nicolas (1594-1665)
The ecstasy of Saint Paul, 1650. Found in the Collection of Musee du Louvre, Paris

The Conversion of Saint Paul, ca. 1600. Found in the Collection of Collezione Odescalchi Balbi

The Four Evangelists (Manuscript illumination from the Gospel Book), ca 1401. Found in the Collection of State History Museum, Moscow

The Four Evangelists (Manuscript illumination from the Matenadaran Gospel), 1368. Found in the Collection of Mesrop Mashtots Institute of Ancient Manuscripts (Matenadaran), Yerevan

Saint Paul. From the Altarpiece for the Santa Maria del Carmine in Pisa, 1426. Found in the Collection of Museo di San Matteo, Pisa

The Four Evangelists, 1614. Found in the Collection of Sanssouci, Potsdam

David playing on the harp before Saul, 1658-59 (oil on canvas)
3247746 David playing on the harp before Saul, 1658-59 (oil on canvas) by Rembrandt Harmensz. van Rijn (1606-69); 130.5x164 cm; Mauritshuis, The Hague

The Conversion of Saul, c1810-c1844. Artist: Henry Corbould
The Conversion of Saul, c1810-c1844

David defeats Goliath and meets Saul. Bible scene (Samuel 17: 1-58). Facsimile from a 15th century printed book of the German School

The Conversion of Saul, Between 1542 and 1545. Found in the Collection of Apostolic Palace, Vatican

David and Saul, 1878. Found in the collection of Nationalmuseum Stockholm

The Conversion of Saint Paul, 1767. Private Collection

The Conversion of Saint Paul. Found in the Collection of Museo della Fondazione Querini Stampalia, Venezia

The Four Evangelists. Found in the Collection of Art History Museum, Vienne

Christ Appears to the Apostles Peter and Paul. Found in the Collection of Art History Museum, Vienne

Virgin and Child with Saints John the Baptist, Dominic, Francis and Paul, c. 1425
Virgin and Child with Saints John the Baptist, Dominic, Francis and Paul, c.1425. Found in the collection of Galleria Nazionale, Parma

Virgin and Child with Saints John the Baptist, Cosmas and Damian, Catherine and Paul, ca 1506-1507. Found in the collection of Galleria Nazionale, Parma

The Conversion of Saint Paul. Artist: Bruegel (Brueghel), Pieter, the Elder (ca 1525-1569)
The Conversion of Saint Paul. Found in the collection of Art History Museum, Vienne

Saul and the Witch of Endor. Detail: Grimoire, 1526. Artist: Cornelisz van Oostsanen, Jacob (ca. 1470-1533)
Saul and the Witch of Endor. Detail: Grimoire, 1526. Found in the collection of Rijksmuseum, Amsterdam

Saul and the Witch of Endor, 1526. Artist: Cornelisz van Oostsanen, Jacob (ca. 1470-1533)
Saul and the Witch of Endor, 1526. Found in the collection of Rijksmuseum, Amsterdam

Reclining Figures (David in Sauls Camp), c1905. Artist: John Singer Sargent
Reclining Figures (David in Sauls Camp), c1905. Held in the Museum of Fine Arts Boston, Boston. From The Studio Volume 19. [London Offices of the Studio, London, 1900]

The Conversion of Saint Paul, 1592. Artist: Palma il Giovane, Jacopo, the Younger (1544-1628)
The Conversion of Saint Paul, 1592. Found in the collection of the Museo del Prado, Madrid

The Shade of Samuel Invoked by Saul, c. 1655. Artist: Cavallino, Bernardo (1616-1656)
The Shade of Samuel Invoked by Saul, c. 1655. Found in the collection of the J. Paul Getty Museum, Los Angeles

The Conversion on the Way to Damascus, 1590-1595. Artist: Scarsellino (Scarsella), Ippolito (1551-1620)
The Conversion on the Way to Damascus, 1590-1595. Found in the collection of the Musei Capitolini, Rome

The Conversion of Saint Paul, ca 1528. Artist: Parmigianino (1503-1540)
The Conversion of Saint Paul, ca 1528. Found in the collection of the Art History Museum, Vienne

The Conversion of Saint Paul, 1662. Artist: Dujardin, Karel (1622-1678)
The Conversion of Saint Paul, 1662. Found in the collection of the National Gallery, London

Landscape with David at the Cave of Adullam, 1658. Artist: Lorrain, Claude (1600-1682)
Landscape with David at the Cave of Adullam, 1658. Found in the collection of the National Gallery, London

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"Saul: From Persecutor to Apostle, a Journey of Faith and Redemption" In the Icon of SS. Peter and Paul, we witness Saul's transformation from a zealous persecutor of Christians to one of the greatest apostles in history. The Apostle Paul, depicted in 1627, stands as a testament to his unwavering dedication and profound impact on Christianity. However, before his conversion, Saul was known for seeking guidance from the Witch of Endor (Rosa), delving into dark practices that contrasted with his later devotion. It was during The Conversion of St. Paul or, The Road to Damascus that he experienced a life-altering encounter with Jesus Christ himself. The painting depicting the Conversion of St. Paul on the road to Damascus captures this pivotal moment when Saul hears the voice saying "Saul, Saul, why persecutest thou me?" This divine intervention led him down a new path filled with faith and purpose. Just as Noah and Rest disembarked onto dry land after surviving the Great Flood, so did Saul embark on a spiritual journey towards salvation. His anointment as King by Samuel solidified his role in shaping Israel's destiny alongside Jonathan. David Riding On A Lion showcases both David's bravery and Saul's jealousy towards him – highlighting their complex relationship within biblical narratives. Yet despite these challenges, it is important not to overlook how much God worked through Saul during his time as king. Paul the Apostle exemplifies Romanesque style artistry while representing an individual who played an instrumental role in spreading Christianity throughout ancient Rome. Beyond religious contexts lies Sir Saul Samuel and Sir Alfred Stephen – two prominent figures whose names echo echoes those found within biblical tales but are unrelated otherwise. Lastly, we cannot ignore how tragedy struck when both Saul and Jonathan met their defeat and death together—a poignant reminder that even great leaders face mortal limitations.