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Rembrandt Harmenszoon Van Rijn Collection (page 5)

Rembrandt Harmenszoon van Rijn, a Dutch artist of the 17th century, left an indelible mark on the world of art with his masterful creations

Background imageRembrandt Harmenszoon Van Rijn Collection: Three Orientals, 1641 (Etching)

Three Orientals, 1641 (Etching)
7393371 Three Orientals, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 5 x 11, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The martyrdom of Saint Stephen, 1635 (Etching)

The martyrdom of Saint Stephen, 1635 (Etching)
7393370 The martyrdom of Saint Stephen, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 12, 4 x 10, 4 cm; Fondation Glenat, Grenoble, France; (add.info.: By Rembrandt); © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt and Saskia, 1636 (Etching)

Rembrandt and Saskia, 1636 (Etching)
7393357 Rembrandt and Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 4 x 9, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Naked woman sitting with her feet in the water, 1658 (Etching)

Naked woman sitting with her feet in the water, 1658 (Etching)
7393345 Naked woman sitting with her feet in the water, 1658 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16 x 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt with a Falling Bonnet, c. 1631 (Etching)

Rembrandt with a Falling Bonnet, c. 1631 (Etching)
7393425 Rembrandt with a Falling Bonnet, c. 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Little Resurrection of Lazarus, 1642 (Etching)

The Little Resurrection of Lazarus, 1642 (Etching)
7393417 The Little Resurrection of Lazarus, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 7 x 12, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Self-portrait with his mother, 1631 (Etching)

Self-portrait with his mother, 1631 (Etching)
7393412 Self-portrait with his mother, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 10, 4 x 9, 5 cm; Fondation Glenat, Grenoble

Background imageRembrandt Harmenszoon Van Rijn Collection: Bald man with a short beard, profile portrait, 1635 (Etching)

Bald man with a short beard, profile portrait, 1635 (Etching)
7393402 Bald man with a short beard, profile portrait, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 6 x 5, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Second eastern head, 1635 (Etching)

Second eastern head, 1635 (Etching)
7393398 Second eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15 x 12, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Pieter Haringh the Younger, 1655 (Etching)

Pieter Haringh the Younger, 1655 (Etching)
7393394 Pieter Haringh the Younger, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 9 x 14, 7 cm; Fondation Glenat, Grenoble, France; (add.info.: Pieter Haaringh (1609-1685)

Background imageRembrandt Harmenszoon Van Rijn Collection: Young man sitting and thinking (Petrus Sylvius), 1637 (Etching)

Young man sitting and thinking (Petrus Sylvius), 1637 (Etching)
7393393 Young man sitting and thinking (Petrus Sylvius), 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 7 x 8, 3 cm; Fondation Glenat, Grenoble, France; (add.info.: Petrus Sylvius)

Background imageRembrandt Harmenszoon Van Rijn Collection: Man with chain and cross, 1641 (Etching)

Man with chain and cross, 1641 (Etching)
7393387 Man with chain and cross, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 4 x 10, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Man under an Arbor, 1642 (Etching)

The Man under an Arbor, 1642 (Etching)
7393384 The Man under an Arbor, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 2 x 5, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Sleeping Shepherd, 1644 (Etching)

The Sleeping Shepherd, 1644 (Etching)
7393382 The Sleeping Shepherd, 1644 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 8 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Return of the Prodigal Son, 1636 (Etching)

The Return of the Prodigal Son, 1636 (Etching)
7393369 The Return of the Prodigal Son, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Rest on the Flight into Egypt: in line, 1645 (Etching)

Rest on the Flight into Egypt: in line, 1645 (Etching)
7393365 Rest on the Flight into Egypt: in line, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 1 x 11, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Flight into Egypt, 1654 (Etching)

The Flight into Egypt, 1654 (Etching)
7393364 The Flight into Egypt, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 4 x 14, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt in a stuffed cap and white coat, 1630 (Etching)

Rembrandt in a stuffed cap and white coat, 1630 (Etching)
7393358 Rembrandt in a stuffed cap and white coat, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 4 x 5, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Self-portrait with sling around the neck, 1633 (Etching)

Self-portrait with sling around the neck, 1633 (Etching)
7393356 Self-portrait with sling around the neck, 1633 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13, 2 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Grand Jewish Bride, 1635 (Etching)

The Grand Jewish Bride, 1635 (Etching)
7393350 The Grand Jewish Bride, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 22, 1 x 17 cm; Fondation Glenat, Grenoble

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt with the sword and the egret, 1634 (Etching)

Rembrandt with the sword and the egret, 1634 (Etching)
7393426 Rembrandt with the sword and the egret, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 13 x 18 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Doctor Faustus, 1652 (Etching)

Doctor Faustus, 1652 (Etching)
7393422 Doctor Faustus, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 16 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Peasant with Woman and Child, 1652 (Etching)

The Peasant with Woman and Child, 1652 (Etching)
7393420 The Peasant with Woman and Child, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 4 x 9, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Blind Tobias, 1651 (Etching)

Blind Tobias, 1651 (Etching)
7393419 Blind Tobias, 1651 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 1 x 12, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Old man in a fur cap, looking down, 1635 (Etching)

Old man in a fur cap, looking down, 1635 (Etching)
7393415 Old man in a fur cap, looking down, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 5 x 10, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Grotesque head, 1631 (Etching)

Grotesque head, 1631 (Etching)
7393407 Grotesque head, 1631 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 3, 8 x 2, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Smiling self-portrait, 1630 (etching)

Smiling self-portrait, 1630 (etching)
7393405 Smiling self-portrait, 1630 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 5 x 4, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Fourth eastern head, 1635 (Etching)

Fourth eastern head, 1635 (Etching)
7393400 Fourth eastern head, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 8 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Golfer, 1654 (Etching)

The Golfer, 1654 (Etching)
7393374 The Golfer, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 5 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Goldsmith, 1655 (Etching)

The Goldsmith, 1655 (Etching)
7393373 The Goldsmith, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 7 x 5, 7 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Pilgrims of Emmaus, 1654 (Etching)

The Pilgrims of Emmaus, 1654 (Etching)
7393368 The Pilgrims of Emmaus, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21 x 15, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Tribut, also called Le Denier de Cesar, 1635 (Etching)

The Tribut, also called Le Denier de Cesar, 1635 (Etching)
7393367 The Tribut, also called Le Denier de Cesar, 1635 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 7, 3 x 10, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Triumph of Mordecai, 1641 (Etching)

The Triumph of Mordecai, 1641 (Etching)
7393363 The Triumph of Mordecai, 1641 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 4 x 21, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Abraham speaking to Isaac, 1645 (Etching)

Abraham speaking to Isaac, 1645 (Etching)
7393360 Abraham speaking to Isaac, 1645 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 6 x 13 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Rembrandt with three mustaches, 1634 (Etching)

Rembrandt with three mustaches, 1634 (Etching)
7393355 Rembrandt with three mustaches, 1634 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 5, 1 x 4, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Mischievous or the Flute Player, 1642 (Etching)

The Mischievous or the Flute Player, 1642 (Etching)
7393351 The Mischievous or the Flute Player, 1642 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 11, 6 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Academic figures of men, 1646 (Etching)

Academic figures of men, 1646 (Etching)
7393347 Academic figures of men, 1646 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 19, 5 x 12, 9 cm; Fondation Glenat, Grenoble, France; (add.info.: In the background)

Background imageRembrandt Harmenszoon Van Rijn Collection: Six studies of heads including those of Saskia, 1636 (Etching)

Six studies of heads including those of Saskia, 1636 (Etching)
7393346 Six studies of heads including those of Saskia, 1636 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 15, 2 x 12, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Medea, or The Marriage of Jason and Creuse, 1648 (Etching)

Medea, or The Marriage of Jason and Creuse, 1648 (Etching)
7393418 Medea, or The Marriage of Jason and Creuse, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 24 x 17, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: David praying, 1652 (Etching)

David praying, 1652 (Etching)
7393421 David praying, 1652 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 14, 1 x 9, 6 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: The Circumcision, 1630 (Etching)

The Circumcision, 1630 (Etching)
7393414 The Circumcision, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 8, 9 x 6, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Sleeping Old Woman, 1637 (Etching)

Sleeping Old Woman, 1637 (Etching)
7393413 Sleeping Old Woman, 1637 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 7 x 5, 2 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Old man with a long beard, 1630 (Etching)

Old man with a long beard, 1630 (Etching)
7393403 Old man with a long beard, 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 9, 6 x 8, 1 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Bald old man in profile, facing right (the father for some), 1630 (Etching)

Bald old man in profile, facing right (the father for some), 1630 (Etching)
7393401 Bald old man in profile, facing right (the father for some), 1630 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 6, 9 x 5, 8 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Third eastern head, (Etching)

Third eastern head, (Etching)
7393399 Third eastern head, (Etching) by Rembrandt Harmensz. van Rijn (1606-69); Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Old man wearing a fur hat, 1640 (Etching)

Old man wearing a fur hat, 1640 (Etching)
7393390 Old man wearing a fur hat, 1640 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 16, 3 x 14, 4 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageRembrandt Harmenszoon Van Rijn Collection: Jan Antonides van der Linden, 1655 (Etching)

Jan Antonides van der Linden, 1655 (Etching)
7393389 Jan Antonides van der Linden, 1655 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17, 2 x 10, 5 cm; Fondation Glenat, Grenoble

Background imageRembrandt Harmenszoon Van Rijn Collection: Beggars receiving alms at the door of a house, 1648 (Etching)

Beggars receiving alms at the door of a house, 1648 (Etching)
7393380 Beggars receiving alms at the door of a house, 1648 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 17 x 13, 5 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat



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Rembrandt Harmenszoon van Rijn, a Dutch artist of the 17th century, left an indelible mark on the world of art with his masterful creations. From his iconic painting "The Night Watch" to his intimate self-portraits, Rembrandt's work continues to captivate audiences even today. In "The Return of the Prodigal Son, " painted around 1668, Rembrandt portrays a powerful narrative of forgiveness and redemption. The emotional depth in this piece is palpable as he skillfully captures the moment when a wayward son returns home seeking solace. Another notable masterpiece by Rembrandt is "Aristotle with a Bust of Homer, " completed in 1653. This thought-provoking painting showcases Aristotle contemplating the legacy left behind by Homer, symbolizing the eternal connection between philosophy and literature. Through portraits like "Portrait of Aechje Claesdr" from 1634 or his own self-portraits such as "Self Portrait at the Age of 63" created in 1669, Rembrandt reveals not only technical brilliance but also an ability to convey profound introspection and vulnerability. "The Anatomy Lesson of Dr Nicolaes Tulp, " painted in 1632, demonstrates Rembrandt's fascination with human anatomy and scientific exploration. This groundbreaking artwork depicts Dr Tulp conducting an autopsy while surrounded by attentive students—an early example of medical illustration combined with artistic mastery. Rembrandt's versatility shines through various genres as well. In pieces like "Sick woman in a bed" or "Half-Naked Woman by a Stove, " he delves into capturing intimate scenes that evoke empathy and curiosity about human experiences beyond traditional portraiture or historical narratives. Not limited to people-centric subjects alone, Rembrandt also excelled at landscapes such as "Landscape with two cottages. " With meticulous attention to detail and atmospheric effects, he transports viewers to serene countryside settings, showcasing his ability to capture the beauty of nature.