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Queen Charlotte Collection

Queen Charlotte, the beloved Queen of Great Britain, was a woman of elegance and grace. Her portrait by Thomas Frye captures her regal beauty and noble presence

Background imageQueen Charlotte Collection: The Court at Brighton a La Chinese - 1816 by George Cruikshank (1792-1878) British

The Court at Brighton a La Chinese - 1816 by George Cruikshank (1792-1878) British Museum This painting satirises the Prince Regents passion for Chinoiserie which culminated in the building of

Background imageQueen Charlotte Collection: Portrait of Princess Charlotte of Mecklenburg-Strelitz (1744-1818), Queen of Great Britain, 1762

Portrait of Princess Charlotte of Mecklenburg-Strelitz (1744-1818), Queen of Great Britain, 1762. Found in the collection of Nationalmuseum Stockholm

Background imageQueen Charlotte Collection: The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804

The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804
NCO190174 The King of Brobdingnag and Gulliver (Plate 2d) published by Hannah Humphrey in 1804 (etching with engraving & w/c on paper) by Gillray

Background imageQueen Charlotte Collection: Queen Charlotte, nee Duchess Sophia Charlotte of Mecklenburg-Strelitz, 1744 to 1818

Queen Charlotte, nee Duchess Sophia Charlotte of Mecklenburg-Strelitz, 1744 to 1818
3062113 Queen Charlotte, nee Duchess Sophia Charlotte of Mecklenburg-Strelitz, 1744 to 1818.; Private Collection; (add.info.: Queen consort of George III of the United Kingdom. Hand writing sample.)

Background imageQueen Charlotte Collection: Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3

Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6
FLO4689308 Portraits of King George III and Queen Charlotte. King George by John Flaxman 1,3, Queen Charlotte by John Flaxman 2,6, the king as a young man 4

Background imageQueen Charlotte Collection: The bombardment of Algiers, 1816 (colour aquatint)

The bombardment of Algiers, 1816 (colour aquatint)
1579752 The bombardment of Algiers, 1816 (colour aquatint); (add.info.: Coloured aquatint of the bombardment of Algiers on the quarterdeck of the Queen Charlotte. Print by J. Jenkins)

Background imageQueen Charlotte Collection: The Battle R-L, published June 3, 1816. Creator: William Heath

The Battle R-L, published June 3, 1816. Creator: William Heath
The Battle R[oya]L, published June 3, 1816. Tug of war over a pair of breeches. [The Prince Regent:] Pull away my boy pull away, my Rib wanted to wear mine by they would not Fit her, hold fast Mc!!

Background imageQueen Charlotte Collection: A Frontispiece to the New Red Book, published June 13, 1816. Creator: William Heath

A Frontispiece to the New Red Book, published June 13, 1816. Creator: William Heath
A Frontispiece to the New Red Book, published June 13, 1816. John Bull: Well you have got it all, Pray what do you all do for it'; Napoleon

Background imageQueen Charlotte Collection: George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886

George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. Creator: Unknown
George III. and the Royal Family at the private view of the Royal Academy Exhibition, 1788, 1886. From "The Graphic. An Illustrated Weekly Newspaper Volume 33. January to June, 1886"

Background imageQueen Charlotte Collection: The Obelisk under the Liberty Tree, Boston, 1766 (printed 1973). Creator: Paul Revere

The Obelisk under the Liberty Tree, Boston, 1766 (printed 1973). Creator: Paul Revere
The Obelisk under the Liberty Tree, Boston, 1766 (printed 1973)

Background imageQueen Charlotte Collection: The Mysterious Fair One, published May, 1819. Creator: Isaac Robert Cruikshank

The Mysterious Fair One, published May, 1819. Creator: Isaac Robert Cruikshank
The Mysterious Fair One, published May, 1819

Background imageQueen Charlotte Collection: Her Most Excellent Majesty Charlotte, Queen of Great Britain, 1762. Creator: Thomas Frye

Her Most Excellent Majesty Charlotte, Queen of Great Britain, 1762. Creator: Thomas Frye
Her Most Excellent Majesty Charlotte, Queen of Great Britain, 1762

Background imageQueen Charlotte Collection: Portrait of King George III of England, his wife Queen Charlotte and their family in 1770

Portrait of King George III of England, his wife Queen Charlotte and their family in 1770. On the far left, Prince William (holding a parrot) future King William IV of England

Background imageQueen Charlotte Collection: The harbor in the village of Queen Charlotte, Graham Island (Haida Gwaii), British Columbia

The harbor in the village of Queen Charlotte, Graham Island (Haida Gwaii), British Columbia, Canada, North America

Background imageQueen Charlotte Collection: Frogmore House, Windsor, 1823 (engraving)

Frogmore House, Windsor, 1823 (engraving)
5912720 Frogmore House, Windsor, 1823 (engraving) by British School, (19th century); (add.info.: Frogmore House, Windsor, bequeathed by Queen Charlotte to Princess Augusta)

Background imageQueen Charlotte Collection: A New Mode of Presenting Two Addresses at Once, published February 1818

A New Mode of Presenting Two Addresses at Once, published February 1818

Background imageQueen Charlotte Collection: Queen Charlotte, 1806 (colour litho)

Queen Charlotte, 1806 (colour litho)
619436 Queen Charlotte, 1806 (colour litho) by English School, (19th century); Private Collection; (add.info.: Charlotte of Mecklenburg-Strelitz (1744-1818)

Background imageQueen Charlotte Collection: Pears Soap (engraving)

Pears Soap (engraving)
816405 Pears Soap (engraving) by English School, (19th century); Private Collection; (add.info.: Shopping in sedan chairs in the last century)

Background imageQueen Charlotte Collection: A prospect of the inside of Westminster Hall showing how the King and Queen

A prospect of the inside of Westminster Hall showing how the King and Queen, with the nobility and others
584574 A prospect of the inside of Westminster Hall showing how the King and Queen, with the nobility and others, did sit at dinner on the day of the Coronation (engraving) by English School

Background imageQueen Charlotte Collection: Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond

Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond
651792 Portrait of Queen Charlotte, Seated by a Table with a Landscape Beyond, 1784 (black and white chalk, stump and watercolour, paper laid on line) by Dowman

Background imageQueen Charlotte Collection: Queen Charlotte, Consort of King George III, with their baby son

Queen Charlotte, Consort of King George III, with their baby son, the future Prince Regent and King George IV
6029712 Queen Charlotte, Consort of King George III, with their baby son, the future Prince Regent and King George IV, 1762 (engraving) by English School

Background imageQueen Charlotte Collection: The entry of the Champion, attended by the Lord High Constable and the Earl Marshal

The entry of the Champion, attended by the Lord High Constable and the Earl Marshal
584588 The entry of the Champion, attended by the Lord High Constable and the Earl Marshal, through the Triumphal Arch (engraving) by English School

Background imageQueen Charlotte Collection: Old Fashioned Sporting Pictures (colour litho)

Old Fashioned Sporting Pictures (colour litho)
729113 Old Fashioned Sporting Pictures (colour litho) by Rowlandson, Thomas (1756-1827) (after); Private Collection; (add.info.: Old Fashioned Sporting Pictures, and the Road in Byegone Days)

Background imageQueen Charlotte Collection: Shopping in Sedan Chairs in the Last Century (colour litho)

Shopping in Sedan Chairs in the Last Century (colour litho)
2775517 Shopping in Sedan Chairs in the Last Century (colour litho) by English School, (19th century); Private Collection; (add.info.: Shopping in Sedan Chairs in the Last Century)

Background imageQueen Charlotte Collection: Queen Charlotte (engraving)

Queen Charlotte (engraving)
3630966 Queen Charlotte (engraving) by Wale, Samuel (1721-86) (after); Private Collection; (add.info.: Queen Charlotte. Illustration for A New and Complete History of England by Temple Sydney)

Background imageQueen Charlotte Collection: Reception of Queen Charlotte in the Pump Room, Bath, 1817 AD (colour litho)

Reception of Queen Charlotte in the Pump Room, Bath, 1817 AD (colour litho)
3643321 Reception of Queen Charlotte in the Pump Room, Bath, 1817 AD (colour litho) by English School, (20th century); Private Collection; (add.info.: Reception of Queen Charlotte in the Pump Room)

Background imageQueen Charlotte Collection: Portrait of Queen Charlotte (engraving)

Portrait of Queen Charlotte (engraving)
982195 Portrait of Queen Charlotte (engraving) by Beechey, William (1753-1839) (after); Private Collection; (add.info.: Her Majesty Queen Charlotte, from an original picture by Sir William Beechey)

Background imageQueen Charlotte Collection: Models of Ships in the South Kensington Museum (engraving)

Models of Ships in the South Kensington Museum (engraving)
1610191 Models of Ships in the South Kensington Museum (engraving) by Weedon, Edwin (1819-79); Private Collection; (add.info.: Models of Ships in the South Kensington Museum)

Background imageQueen Charlotte Collection: Miss Hannah Thatcher (engraving)

Miss Hannah Thatcher (engraving)
609976 Miss Hannah Thatcher (engraving) by English School, (19th century); Private Collection; (add.info.: Miss Hannah Thatcher, born deaf and dumb)

Background imageQueen Charlotte Collection: The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

Background imageQueen Charlotte Collection: Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast

Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast
NCO189787 Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

Background imageQueen Charlotte Collection: Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)

Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint)
NCO189770 Affability, published by Hannah Humphrey in 1795 (hand-coloured etching with aquatint) by Gillray, James (1757-1815); 34.5x24.5 cm; Courtesy of the Warden and Scholars of New College

Background imageQueen Charlotte Collection: The battle of the First of June, 1794 (line engraving)

The battle of the First of June, 1794 (line engraving)
1579732 The battle of the First of June, 1794 (line engraving) by Fittler, James (1758-1835); (add.info.: Line engraving of the battle of the First of June)

Background imageQueen Charlotte Collection: First meeting of George III. and the Princess (afterwards Queen) Charlotte (engraving)

First meeting of George III. and the Princess (afterwards Queen) Charlotte (engraving)
654611 First meeting of George III. and the Princess (afterwards Queen) Charlotte (engraving) by English School, (19th century); Private Collection; (add.info.: First meeting of George III)

Background imageQueen Charlotte Collection: Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress

Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress
651844 Portrait of Queen Charlotte, Small Half Length Wearing a Blue and White Dress, Her Crown Beside Her, 1787 (pencil, watercolour and stump with touches of white heightening) by Dowman

Background imageQueen Charlotte Collection: Charlotte of Mecklenburg-Strelitz, Queen Consort of King George III (engraving)

Charlotte of Mecklenburg-Strelitz, Queen Consort of King George III (engraving)
5233728 Charlotte of Mecklenburg-Strelitz, Queen Consort of King George III (engraving) by Meyer, Henri (1841-99) (after); Private Collection; (add.info.: Charlotte of Mecklenburg-Strelitz)

Background imageQueen Charlotte Collection: Figureheads of Famous Warships (engraving)

Figureheads of Famous Warships (engraving)
5212832 Figureheads of Famous Warships (engraving) by English School, (19th century); Private Collection; (add.info.: Figureheads of Famous Warships)

Background imageQueen Charlotte Collection: State Jugglers, pub. 1788 (hand coloured engraving)

State Jugglers, pub. 1788 (hand coloured engraving)
2966797 State Jugglers, pub. 1788 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

Background imageQueen Charlotte Collection: King George III. and Queen Charlotte at Cheltenham (engraving)

King George III. and Queen Charlotte at Cheltenham (engraving)
654643 King George III. and Queen Charlotte at Cheltenham (engraving) by English School, (19th century); Private Collection; (add.info.: King George III. and Queen Charlotte at Cheltenham)

Background imageQueen Charlotte Collection: The Jubilee of George III (engraving)

The Jubilee of George III (engraving)
1050477 The Jubilee of George III (engraving) by English School, (19th century); Private Collection; (add.info.: The Jubilee of George III)

Background imageQueen Charlotte Collection: Queen Charlotte, Conseort of George III (engraving)

Queen Charlotte, Conseort of George III (engraving)
655428 Queen Charlotte, Conseort of George III (engraving) by English School, (19th century); Private Collection; (add.info.: Queen Charlotte, Consort of George III)

Background imageQueen Charlotte Collection: Ancient Music, pub. 1787 (hand coloured etching)

Ancient Music, pub. 1787 (hand coloured etching)
2636964 Ancient Music, pub. 1787 (hand coloured etching) by Gillray, James (1757-1815); Private Collection; (add.info.: Accompanied by verse attributed to Peter Pinder (1738 - 1819);

Background imageQueen Charlotte Collection: Queen Charlotte (engraving)

Queen Charlotte (engraving)
5220819 Queen Charlotte (engraving) by English School, (19th century); Private Collection; (add.info.: Queen Charlotte. Illustration for The History of England by George Courtney Lyttleton)

Background imageQueen Charlotte Collection: The Guelph Exhibition (engraving)

The Guelph Exhibition (engraving)
1062216 The Guelph Exhibition (engraving) by English School, (19th century); Private Collection; (add.info.: The Guelph Exhibition)

Background imageQueen Charlotte Collection: Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress

Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress
824224 Portrait of Queen Charlotte, Three-Quarter Length, in a White Dress, a Yellow Shawl and Black Mantilla, Holding a Maltese Dog, in the Grounds of Frogmore House, (oil on canvas) by Beechey

Background imageQueen Charlotte Collection: The Queens Lodge, Windsor, in 1786 (engraving)

The Queens Lodge, Windsor, in 1786 (engraving)
1057908 The Queens Lodge, Windsor, in 1786 (engraving) by Ward, Edgar Melville (1839-1915) (after); Private Collection; (add.info.: The Queens Lodge, Windsor, in 1786)

Background imageQueen Charlotte Collection: Farmer George and his Wife : George III caricature

Farmer George and his Wife : George III caricature
3787588 Farmer George and his Wife : George III caricature by Gillray, James (1757-1815); (add.info.: Farmer George and his Wife)



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Queen Charlotte, the beloved Queen of Great Britain, was a woman of elegance and grace. Her portrait by Thomas Frye captures her regal beauty and noble presence. Born as Princess Charlotte of Mecklenburg-Strelitz in 1744, she ascended to the throne in 1762 when she married King George III. In this enchanting painting titled "The Court at Brighton a La Chinese, " created by George Cruikshank in 1816, we see Queen Charlotte surrounded by opulent Chinese-inspired decor. The vibrant colors and intricate details reflect her love for art and culture. Another remarkable depiction can be found in Johann Zoffany's painting from 1770. Here, we witness a tender family moment as King George III sits beside his wife with their children gathered around them. Prince William holds a parrot while Prince George looks on with curiosity. This portrayal showcases the strong bond within their royal household. Frogmore House, depicted in an engraving from 1823, served as Queen Charlotte's private retreat where she indulged in her passion for horticulture and landscape design. The serene gardens surrounding the house were meticulously maintained under her watchful eye. Not only did Queen Charlotte leave her mark on British soil but also across continents. In Graham Island (Haida Gwaii), British Columbia, Canada stands the village named after this illustrious queen—a testament to her global influence. Even advertisements featured images of Queen Charlotte; one such example is Pears Soap's engraving that highlights both its product and Her Majesty's endorsement—an indication of her popularity among the people. Westminster Hall witnessed many grand events during Queen Charlotte's reign including coronation feasts captured beautifully in an engraving titled "A prospect of the inside of Westminster Hall. " It portrays how King George III and his queen dined alongside nobility amidst great splendor—a true spectacle fit for royalty. Queen Charlotte's legacy lives on through these captivating artworks and historical records.