Pointillism Collection (page 4)

Street Scene in Paris; Scene de Rue a Paris, 1935-37 (oil on canvas)
825439 Street Scene in Paris; Scene de Rue a Paris, 1935-37 (oil on canvas) by Luce, Maximilien (1858-1941); 33.4x52.7 cm; Private Collection; (add.info.: Street Scene in Paris; Scene de Rue a Paris)

Walking, c. 1882 (Conte crayon on paper)
CH376578 Walking, c.1882 (Conte crayon on paper) by Seurat, Georges Pierre (1859-91); 30.5x23 cm; Private Collection; Photo eChristies Images; French, out of copyright

An August afternoon at the Luxembourg, 1886 (oil on canvas)
CH402539 An August afternoon at the Luxembourg, 1886 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info)

Mother playing with her Child, c. 1897 (oil on canvas)
CH402535 Mother playing with her Child, c.1897 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info.: Mere jouant avec son Enfant; ); Photo eChristies Images; French

Nymphs, 1906 (oil on canvas)
CH402533 Nymphs, 1906 (oil on canvas) by Cross, Henri-Edmond (1856-1910); Private Collection; (add.info.: Nymphes; ); Photo eChristies Images; French, out of copyright

The Port of Volendam, 1896 (oil on canvas)
CH401805 The Port of Volendam, 1896 (oil on canvas) by Signac, Paul (1863-1935); Private Collection; (add.info.: Le Port de Volendam; ); Photo eChristies Images; French, out of copyright

La Balustrade, (oil on canvas)
656743 La Balustrade, (oil on canvas) by Rysselberghe, Theo van (1862-1926); 81x116 cm; Private Collection; (add.info.: La Balustrade. Theo van Rysselberghe (1862-1926). Oil on canvas

Haystacks by the Sea; Meules au Bord de la Mer, 1914 (oil on board)
656117 Haystacks by the Sea; Meules au Bord de la Mer, 1914 (oil on board) by Luce, Maximilien (1858-1941); Private Collection; (add.info.: Haystacks by the Sea; Meules au Bord de la Mer)

Les Batteurs de Pieux, 1900 (oil on canvas)
653291 Les Batteurs de Pieux, 1900 (oil on canvas) by Luce, Maximilien (1858-1941); 73x92 cm; Private Collection; (add.info.: Les Batteurs de Pieux. Maximilien Luce (1858-1941). Oil on canvas

The Seine in front of the Trocadero; La Seine devant Le Trocadero
653254 The Seine in front of the Trocadero; La Seine devant Le Trocadero, (watercolour and pencil on paper) by Cross, Henri-Edmond (1856-1910); 18.4x28.4 cm; Private Collection; (add.info)

Vase de Fleurs, (oil on canvas)
653183 Vase de Fleurs, (oil on canvas) by Lauge, Achille (1861-1944); 19x16in cm; Private Collection; (add.info.: Vase de Fleurs. Achille Lauge (1861-1944). Oil on canvas

La Chaine des Maures, June, 1906-April 1907 (oil on canvas)
652794 La Chaine des Maures, June, 1906-April 1907 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 65.1x81.3 cm; Private Collection; (add.info.: La Chaine des Maures)

La Seine au Jardin des Plantes, 1884 (oil on canvas)
652781 La Seine au Jardin des Plantes, 1884 (oil on canvas) by Signac, Paul (1863-1935); 45x81.2 cm; Private Collection; (add.info.: La Seine au Jardin des Plantes. Paul Signac (1863-1935)

Notre Dame, (watercolour and gouache over black chalk on pape)
652738 Notre Dame, (watercolour and gouache over black chalk on pape) by Signac, Paul (1863-1935); 31.1x26.7 cm; Private Collection; (add.info.: Notre Dame. Paul Signac (1863-1935)

La Dogana, 1909 (oil on canvas)
652552 La Dogana, 1909 (oil on canvas) by Signac, Paul (1863-1935); 73x92 cm; Private Collection; (add.info.: La Dogana. Paul Signac (1863-1935). Oil on canvas. Painted in Venice, 1909

Paris, Le Pont Neuf, (oil on panel)
652441 Paris, Le Pont Neuf, (oil on panel) by Luce, Maximilien (1858-1941); 22.3x28 cm; Private Collection; (add.info.: Paris, Le Pont Neuf. Maximilien Luce (1858-1941). Oil on panel

Boats at Groix; Bateaux a Groix, (watercolour over black on paper)
652278 Boats at Groix; Bateaux a Groix, (watercolour over black on paper) by Signac, Paul (1863-1935); 26.4x41.6 cm; Private Collection; (add.info.: Boats at Groix; Bateaux a Groix)

House at Dusk, 1881-82 (conte crayon)
3931608 House at Dusk, 1881-82 (conte crayon) by Seurat, Georges Pierre (1859-91); Metropolitan Museum of Art, New York, USA; French, out of copyright

Boulevard (oil on board)
3959939 Boulevard (oil on board) by Cross, Henri-Edmond (1856-1910); 46.5 x 60 cm; Kunstmuseum, Basel, Switzerland; French, out of copyright

Le Pont Neuf, c. 1912-14 (w / c and gouache on paper)
3613998 Le Pont Neuf, c.1912-14 (w/c and gouache on paper) by Petitjean, Hippolyte (1854-1929); 25x19 cm; Metropolitan Museum of Art, New York

Landscape, c. 1904 (w / c and crayon on paper)
3614087 Landscape, c.1904 (w/c and crayon on paper) by Cross, Henri-Edmond (1856-1910); 17.5x24.8 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Garden of the Painter at Saint Clair, 1908 (w / c over graphite)
3472263 Garden of the Painter at Saint Clair, 1908 (w/c over graphite) by Cross, Henri-Edmond (1856-1910); 17.1x24.1 cm; Metropolitan Museum of Art, New York, USA; French, out of copyright

Le Port au soleil couchant, Opus 236 (Saint-Tropez), 1892 (oil on canvas)
5949510 Le Port au soleil couchant, Opus 236 (Saint-Tropez), 1892 (oil on canvas) by Signac, Paul (1863-1935); 65x81.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

Portrait of Mrs Marie Jeannette de Lange, c. 1900 (oil on canvas)
5916335 Portrait of Mrs Marie Jeannette de Lange, c.1900 (oil on canvas) by Toorop, Jan Theodore (1858-1928); 70.5x77.4 cm; Rijksmuseum, Amsterdam

Comblat-le-Chateau, the Meadow, Opus 161, June-July 1887 (oil on canvas)
1072535 Comblat-le-ChAteau, the Meadow, Opus 161, June-July 1887 (oil on canvas) by Signac, Paul (1863-1935); 62.9x77.1 cm; Dallas Museum of Art, Texas

Two Women in a Seascape, c. 1900 (oil on paper on canvas)
873852 Two Women in a Seascape, c.1900 (oil on paper on canvas) by Cross, Henri-Edmond (1856-1910); 26.99 x34.29 cm; San Diego Museum of Art, USA; eSan Diego Museum of Art; Gift of Richard T

Le Pont-Neuf sous la neige (oil on canvas)
3247650 Le Pont-Neuf sous la neige (oil on canvas) by Dubois-Pillet, Albert (1846-90); 37.5x54.4 cm; Private Collection; French, out of copyright

Forest, 1923 (oil on board)
2957138 Forest, 1923 (oil on board) by Cross, Henri-Edmond (1856-1910); 26x20 cm; Private Collection; French, out of copyright

Trees (study for La Grande Jatte), 1884 (conte crayon on paper laid down on board)
2972775 Trees (study for La Grande Jatte), 1884 (contecrayon on paper laid down on board) by Seurat, Georges Pierre (1859-91); 62x47.5 cm; The Art Institute of Chicago, IL

The Buoy, 1894 (litho)
CEC128120 The Buoy, 1894 (litho) by Signac, Paul (1863-1935); 40.3x32.7 cm; The Higgins Art Gallery & Museum, Bedford, UK; eThe Higgins Art Gallery & Museum; French, out of copyright

Man leaning on a parapet (oil on cardboard)
PHD30500 Man leaning on a parapet (oil on cardboard) by Seurat, Georges Pierre (1859-91); 59x80 cm; Private Collection; French, out of copyright

Le Palais du Louvre, 1910 (watercolour over pencil on paper)
656086 Le Palais du Louvre, 1910 (watercolour over pencil on paper) by Signac, Paul (1863-1935); 25x38 cm; Private Collection; (add.info.: Le Palais du Louvre. Paul Signac (1863-1935)

The Pond at Marquayrol; Le Basin de Marquayrol, c. 1930 (oil on canvas)
652384 The Pond at Marquayrol; Le Basin de Marquayrol, c.1930 (oil on canvas) by Martin, Henri (1860-1943); 79.6x112.5 cm; Private Collection; (add.info)

Les Balises, Saint-Briac, 1890 (oil on canvas)
476073 Les Balises, Saint-Briac, 1890 (oil on canvas) by Signac, Paul (1863-1935); 65.4x82 cm; Private Collection; Photo eChristies Images; French, out of copyright

Spring in Sussex, (oil on panel)
657472 Spring in Sussex, (oil on panel) by Manson, James Bolivar (1879-1945); Private Collection; (add.info.: Spring in Sussex. James Bolivar Manson (1879-1945). Oil on panel

The Sea at Grandcamp; La Mer a Grandcamp, 1885 (oil on panel)
656825 The Sea at Grandcamp; La Mer a Grandcamp, 1885 (oil on panel) by Seurat, Georges Pierre (1859-91); 15.9x25.1 cm; Private Collection; (add.info.: The Sea at Grandcamp; La Mer a Grandcamp)

Tuna Boat Entering the Port of La Rochelle, Setting; Le Thonier Entrant dans le Port de
656712 Tuna Boat Entering the Port of La Rochelle, Setting; Le Thonier Entrant dans le Port de La Rochelle, Couchant, 1927 (oil on canvas) by Signac

Quai de Seine, (watercolour and pencil on paper)
656461 Quai de Seine, (watercolour and pencil on paper) by Signac, Paul (1863-1935); 28.5x43.2 cm; Private Collection; (add.info.: Quai de Seine. Paul Signac (1863-1935)

Bragozzo, Venice, 1905 (oil on canvas)
653106 Bragozzo, Venice, 1905 (oil on canvas) by Signac, Paul (1863-1935); 47x55.6 cm; Private Collection; (add.info.: Bragozzo, Venice. Paul Signac (1863-1935). Oil on canvas. Signed and dated 1905

The Three Graces; Les Trois Graces, 1917 (oil on canvas)
652792 The Three Graces; Les Trois Graces, 1917 (oil on canvas) by Petitjean, Hippolyte (1854-1929); 73x59 cm; Private Collection; (add.info.: The Three Graces; Les Trois Graces)

Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper)
652737 Le Pont de Lezardrieux, 1922 (brush and black ink over charcoal on tan paper) by Signac, Paul (1863-1935); 72.7x91.7 cm; Private Collection; (add.info.: Le Pont de Lezardrieux)

Woman with a Chair; Femme au Fauteuil, (oil on canvas)
652440 Woman with a Chair; Femme au Fauteuil, (oil on canvas) by Petitjean, Hippolyte (1854-1929); 81.3x65.8 cm; Private Collection; (add.info.: Woman with a Chair; Femme au Fauteuil)

The Grey Windmill; Le Moulin Gris, 1914 (oil on canvas)
652388 The Grey Windmill; Le Moulin Gris, 1914 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 65.5x81.5 cm; Private Collection; (add.info.: The Grey Windmill; Le Moulin Gris)

Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper. )
652358 Departing Trawlers; Le Depart des Chalutiers, 1930-1934 (oil over black chalk on paper.) by Luce, Maximilien (1858-1941); 26.1x34.2 cm; Private Collection; (add.info)

Barges on the Seine; Les Peniches sur la Seine, (oil on board laid down on panel)
652277 Barges on the Seine; Les Peniches sur la Seine, (oil on board laid down on panel) by Luce, Maximilien (1858-1941); 41.9x54 cm; Private Collection; (add.info)

Notre Dame, c. 1895 (oil on canvas)
825342 Notre Dame, c.1895 (oil on canvas) by Petitjean, Hippolyte (1854-1929); 54.3x70.8 cm; Private Collection; (add.info.: Notre Dame. Hippolyte Petitjean (1854-1929). Oil on canvas

At Treport Beach, c. 1939 (oil on canvas)
1769116 At Treport Beach, c.1939 (oil on canvas) by Luce, Maximilien (1858-1941); 49.2x65.1 cm; Private Collection; (add.info.: At Treport Beach. Maximilien Luce (1858-1941). Oil on canvas

La Corne d Or (Constantinople), 1907 (oil on canvas)
1768437 La Corne d Or (Constantinople), 1907 (oil on canvas) by Signac, Paul (1863-1935); 89x116.3 cm; Private Collection; (add.info.: La Corne d Or (Constantinople). Paul Signac (1863-1935)

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Discover the mesmerizing art of pointillism, a technique that revolutionized the world of painting. Pioneered by Georges Seurat in the late 19th century, this style involves creating images using tiny dots of color. One of Seurat's most famous works is 'A Sunday Afternoon on the Island of La Grande Jatte, ' where he meticulously applied countless dots to depict Parisians enjoying their leisure time. Another remarkable piece is 'Bathers at Asnieres, ' which showcases Seurat's mastery in capturing light and shadow through carefully placed dots. In his study for 'A Sunday on La Grande Jatte, ' we witness Seurat's meticulous planning and attention to detail before executing his final masterpiece. It also found its way into landscapes, as seen in Theo van Rysselberghe's 'The Red Sail' and Henri Edmond Cross' 'Le Bois ou Nu sous bois. ' These artists embraced pointillism to convey vibrant scenes with a unique texture and luminosity. Seurat even ventured beyond traditional subjects, immortalizing iconic landmarks like the Eiffel Tower in his work titled simply 'Eiffel Tower. ' The precision and patience required for it can evident here as well. Other artists such as Cross explored different settings like beaches, exemplified by Seurat's 'Beach at Gravelines' and Cross' own depiction called 'The Beach of Vignasse. ' Pointillism continued to evolve over time, with artists experimenting with new techniques while staying true to its core principles. Henri Edmond Cross showcased this evolution in his later work such as 'Le Jardin du Vert-Galant, ' where he employed brighter colors and looser brushwork while still maintaining the essence of pointillism. Step into a world where every dot matters; explore these captivating artworks that capture moments frozen in time through an intricate web of colorful points.