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Pointillism Collection (page 12)

Discover the mesmerizing art of pointillism, a technique that revolutionized the world of painting

Background imagePointillism Collection: SIGNAC: ST TROPEZ, 1896. Paul Signac: View of St Tropez. Oil on canvas, 1896

SIGNAC: ST TROPEZ, 1896. Paul Signac: View of St Tropez. Oil on canvas, 1896

Background imagePointillism Collection: The Seine at La Grande Jatte 1888. Oil on canvas. Georges Seurat (1859-1891)

The Seine at La Grande Jatte 1888. Oil on canvas. Georges Seurat (1859-1891) French Post-Impressionist painter. France Water River Seine Rower Boat Sail Summer

Background imagePointillism Collection: SIGNAC, Paul. Port of La Rochelle

SIGNAC, Paul. Port of La Rochelle
SIGNAC, Paul (1863-1935). Port of La Rochelle. Pointillism. Oil on canvas. FRANCE. LORRAINE. MEURTHE-ET-MOSELLE. Nancy. Fine Arts Museum

Background imagePointillism Collection: SIGNAC, Paul. Entrance to the Port

SIGNAC, Paul. Entrance to the Port
SIGNAC, Paul (1863-1935). Entrance to the Port of Marseille. 1918. Pointillism. Oil on canvas. FRANCE. Ό E-DE-FRANCE. Paris

Background imagePointillism Collection: Morning Interior 1890 Oil canvas 25 1 / 2 x 31 7 / 8

Morning Interior 1890 Oil canvas 25 1 / 2 x 31 7 / 8
Artokoloro

Background imagePointillism Collection: Clarification 1932 Oil canvas 27 3 / 4 x 37 7 / 8

Clarification 1932 Oil canvas 27 3 / 4 x 37 7 / 8
Clarification, 1932, Oil, canvas, 27 3/4 x 37 7/8, 70.5 96.2 cm, Paintings, Paul Klee, German, born Switzerland, Mnchenbuchsee, 18791940, Muralto-Locarno, October, 1931, Klee, teaching

Background imagePointillism Collection: The Red Tower (entrance of the Port of Marseille), 1913 (oil on canvas)

The Red Tower (entrance of the Port of Marseille), 1913 (oil on canvas)
XIR897572 The Red Tower (entrance of the Port of Marseille), 1913 (oil on canvas) by Signac, Paul (1863-1935); 73x92.5 cm; Museum Folkwang, Essen

Background imagePointillism Collection: Three Yellow Masts, 1931 (oil on canvas)

Three Yellow Masts, 1931 (oil on canvas)
XIR895981 Three Yellow Masts, 1931 (oil on canvas) by Signac, Paul (1863-1935); 73x92 cm; Private Collection; (add.info.: Trois-mAts jaune Catalogue " Signac", Paris, Louvre, 1964); French

Background imagePointillism Collection: Seascape at Port-en-Bessin, Normandy, 1888 (oil on canvas)

Seascape at Port-en-Bessin, Normandy, 1888 (oil on canvas)
XOS744794 Seascape at Port-en-Bessin, Normandy, 1888 (oil on canvas) by Seurat, Georges Pierre (1859-91); 65.1 x 80.9 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imagePointillism Collection: The Models, 1888 (oil on canvas)

The Models, 1888 (oil on canvas)
XIR699 The Models, 1888 (oil on canvas) by Seurat, Georges Pierre (1859-91); 39.4x48.7 cm; Private Collection; (add.info.: Les Poseuses; poseuse; poser; ); French, out of copyright

Background imagePointillism Collection: View of Fort Samson, 1885 (oil on canvas)

View of Fort Samson, 1885 (oil on canvas)
BAL385529 View of Fort Samson, 1885 (oil on canvas) by Seurat, Georges Pierre (1859-91); State Hermitage Museum, St. Petersburg, Russia; French, out of copyright

Background imagePointillism Collection: 2962699; out of copyright

2962699; out of copyright

Background imagePointillism Collection: Ile la Comtesse, Pontrieux, 1888 (oil on canvas)

Ile la Comtesse, Pontrieux, 1888 (oil on canvas)
XMV2639970 Ile la Comtesse, Pontrieux, 1888 (oil on canvas) by Signac, Paul (1863-1935); Private Collection; French, out of copyright

Background imagePointillism Collection: An Indian Man, c. 1878-9 (graphite)

An Indian Man, c. 1878-9 (graphite)
XOS1766138 An Indian Man, c.1878-9 (graphite) by Seurat, Georges Pierre (1859-91); 48.4x28.5 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imagePointillism Collection: Madame Seurat, the Artists Mother, c. 1882-3 (conte crayon on Michallet paper)

Madame Seurat, the Artists Mother, c. 1882-3 (conte crayon on Michallet paper)
XOS1766137 Madame Seurat, the Artists Mother, c.1882-3 (conte crayon on Michallet paper) by Seurat, Georges Pierre (1859-91); 30.5x23.3 cm; J

Background imagePointillism Collection: Une Elegante, Woman strolling, c. 1884 (conte crayon on michalett paper)

Une Elegante, Woman strolling, c. 1884 (conte crayon on michalett paper)
XOS1766136 Une Elegante, Woman strolling, c.1884 (conte crayon on michalett paper) by Seurat, Georges Pierre (1859-91); 32.8x24 cm; J. Paul Getty Museum, Los Angeles, USA; French, out of copyright

Background imagePointillism Collection: Study for La Grande Jatte, 1884-5 (oil on wood)

Study for La Grande Jatte, 1884-5 (oil on wood)
XOS1765966 Study for " La Grande Jatte", 1884-5 (oil on wood) by Seurat, Georges Pierre (1859-91); 15.9x25 cm; National Gallery of Art, Washington DC, USA; French, out of copyright

Background imagePointillism Collection: Afternoon at Pardigon, Var, 1907 (oil on canvas)

Afternoon at Pardigon, Var, 1907 (oil on canvas)
XIR131314 Afternoon at Pardigon, Var, 1907 (oil on canvas) by Cross, Henri-Edmond (1856-1910); 81x65 cm; Musee d Orsay, Paris, France; French, out of copyright

Background imagePointillism Collection: Bank of the Seine, 1887 (oil on canvas)

Bank of the Seine, 1887 (oil on canvas)
XOS1765653 Bank of the Seine, 1887 (oil on canvas) by Gogh, Vincent van (1853-90); 32x46 cm; Van Gogh Museum, Amsterdam, The Netherlands; Dutch, out of copyright

Background imagePointillism Collection: PISSARO: HAY HARVEST, 1887. The Hay Harvest, Eragny. Oil on canvas, Camille Pissarro

PISSARO: HAY HARVEST, 1887. The Hay Harvest, Eragny. Oil on canvas, Camille Pissarro, 1887

Background imagePointillism Collection: Beach at Gravelines, 1890. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter

Beach at Gravelines, 1890. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imagePointillism Collection: Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French

Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imagePointillism Collection: Clothing on the grass. Study for Bathers at Asnieres. Georges-Pierre Seurat

Clothing on the grass. Study for Bathers at Asnieres. Georges-Pierre Seurat (1859-1891) French Neo-Impressionist painter. Pointillism

Background imagePointillism Collection: PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). Broken

PELLIZZA DA VOLPEDO, Giuseppe (1868-1901). Broken Flower. 1896-1902. Pointillism. Oil on canvas. FRANCE. Paris. Mus饠 d Orsay (Orsay Museum)

Background imagePointillism Collection: SEURAT, GEORGES (1859-1891). AN

SEURAT, GEORGES (1859-1891). AN

Background imagePointillism Collection: NORSEMEN: ROLLO, 885 A. D. Rollo (c860-c931) and his fleet of Norsemen attack the walled city of

NORSEMEN: ROLLO, 885 A. D. Rollo (c860-c931) and his fleet of Norsemen attack the walled city of Paris in 885 A. D
NORSEMEN: ROLLO, 885 A.D. Rollo (c860-c931) and his fleet of Norsemen attack the walled city of Paris in 885 A.D. Wood engraving, 19th century

Background imagePointillism Collection: CROSS: CYPRESSES, 1896. Gouache drawing by Henri-Edmond Cross, 1896

CROSS: CYPRESSES, 1896. Gouache drawing by Henri-Edmond Cross, 1896

Background imagePointillism Collection: SEURAT: PEASANT, 1882. Georges Seurat: Peasant with a Hoe. Canvas, 1882

SEURAT: PEASANT, 1882. Georges Seurat: Peasant with a Hoe. Canvas, 1882

Background imagePointillism Collection: SEURAT: SEATED BOY, 1883-4. Georges-Pierre Seurat: Seated Boy with Straw Hat

SEURAT: SEATED BOY, 1883-4. Georges-Pierre Seurat: Seated Boy with Straw Hat. Crayon / paper, 1883 / 4
SEURAT: SEATED BOY, 1883-4. Georges-Pierre Seurat: Seated Boy with Straw Hat. Crayon/paper, 1883/4

Background imagePointillism Collection: SEURAT: LA PARADE. Georges Seurat: la Parage. Canvas, 1887-88

SEURAT: LA PARADE. Georges Seurat: la Parage. Canvas, 1887-88

Background imagePointillism Collection: SEURAT: GRAY WEATHER. Georges Seurat: Gray Weather, Grand Jatte. Oil on canvas, c1888

SEURAT: GRAY WEATHER. Georges Seurat: Gray Weather, Grand Jatte. Oil on canvas, c1888

Background imagePointillism Collection: SEURAT: FARM WOMEN, c1882. Georges Seurat: Farm Women at Work. Canvas, c1882

SEURAT: FARM WOMEN, c1882. Georges Seurat: Farm Women at Work. Canvas, c1882

Background imagePointillism Collection: SEURAT: CHAHUT STUDY, 1889. Study for Le Chahut. Oil on panel, 1889, by Georges Seurat

SEURAT: CHAHUT STUDY, 1889. Study for Le Chahut. Oil on panel, 1889, by Georges Seurat

Background imagePointillism Collection: SEURAT: PORT-en-BESSIN. Georges Seurat: Port-en-Bessin at High Tide. Oil on canvas, 1888

SEURAT: PORT-en-BESSIN. Georges Seurat: Port-en-Bessin at High Tide. Oil on canvas, 1888

Background imagePointillism Collection: SIGNAC: MONTMARTRE, 1884. Mills at Montmartre. Oil on canvas, 1884, by Paul Signac

SIGNAC: MONTMARTRE, 1884. Mills at Montmartre. Oil on canvas, 1884, by Paul Signac
SIGNAC: MONTMARTRE, 1884. " Mills at Montmartre." Oil on canvas, 1884, by Paul Signac

Background imagePointillism Collection: SEURAT: CIRCUS, 1891. Georges Seurat: The Circus. Oil on canvas, 1891

SEURAT: CIRCUS, 1891. Georges Seurat: The Circus. Oil on canvas, 1891

Background imagePointillism Collection: SEURAT: MODEL, c1887. Georges Seurat: Model in Frontal Pose. c1887

SEURAT: MODEL, c1887. Georges Seurat: Model in Frontal Pose. c1887

Background imagePointillism Collection: SEURAT: GRANDE JATTE, 1884. Study for Sunday Afternoon at the Island of la Grande Jatte

SEURAT: GRANDE JATTE, 1884. Study for Sunday Afternoon at the Island of la Grande Jatte. Oil on canvas by Georges Seurat, c1884

Background imagePointillism Collection: SEURAT: MODEL, 1887. Georges Seurat: Model in Profile. Oil on canvas, 1887

SEURAT: MODEL, 1887. Georges Seurat: Model in Profile. Oil on canvas, 1887

Background imagePointillism Collection: SEURAT: MODEL, c1887. Georges Seurat: Model from the Back. c1887

SEURAT: MODEL, c1887. Georges Seurat: Model from the Back. c1887

Background imagePointillism Collection: SIGNAC: VENICE, 1904. The Green Sail (Venice). Oil on canvas, 1904, by Paul Signac

SIGNAC: VENICE, 1904. The Green Sail (Venice). Oil on canvas, 1904, by Paul Signac

Background imagePointillism Collection: SIGNAC: ST. TROPEZ HARBOR. Oil on canvas, 1899, by Paul Signac

SIGNAC: ST. TROPEZ HARBOR. Oil on canvas, 1899, by Paul Signac



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Discover the mesmerizing art of pointillism, a technique that revolutionized the world of painting. Pioneered by Georges Seurat in the late 19th century, this style involves creating images using tiny dots of color. One of Seurat's most famous works is 'A Sunday Afternoon on the Island of La Grande Jatte, ' where he meticulously applied countless dots to depict Parisians enjoying their leisure time. Another remarkable piece is 'Bathers at Asnieres, ' which showcases Seurat's mastery in capturing light and shadow through carefully placed dots. In his study for 'A Sunday on La Grande Jatte, ' we witness Seurat's meticulous planning and attention to detail before executing his final masterpiece. It also found its way into landscapes, as seen in Theo van Rysselberghe's 'The Red Sail' and Henri Edmond Cross' 'Le Bois ou Nu sous bois. ' These artists embraced pointillism to convey vibrant scenes with a unique texture and luminosity. Seurat even ventured beyond traditional subjects, immortalizing iconic landmarks like the Eiffel Tower in his work titled simply 'Eiffel Tower. ' The precision and patience required for it can evident here as well. Other artists such as Cross explored different settings like beaches, exemplified by Seurat's 'Beach at Gravelines' and Cross' own depiction called 'The Beach of Vignasse. ' Pointillism continued to evolve over time, with artists experimenting with new techniques while staying true to its core principles. Henri Edmond Cross showcased this evolution in his later work such as 'Le Jardin du Vert-Galant, ' where he employed brighter colors and looser brushwork while still maintaining the essence of pointillism. Step into a world where every dot matters; explore these captivating artworks that capture moments frozen in time through an intricate web of colorful points.