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Plan Collection (page 11)

"Unveiling the Blueprint of Success: The Power of a Well-Crafted Plan" In every era, plans have shaped destinies and transformed history

Background imagePlan Collection: Eltham Palace, Buildings NW of former Green Court, now Nos 32-38, The Courtyard (litho)

Eltham Palace, Buildings NW of former Green Court, now Nos 32-38, The Courtyard (litho)
8661835 Eltham Palace, Buildings NW of former Green Court, now Nos 32-38, The Courtyard (litho) by English School, (20th century); Private Collection; (add.info.: Eltham Palace)

Background imagePlan Collection: The Cathedral Church of St Saviour, Southwark (litho)

The Cathedral Church of St Saviour, Southwark (litho)
8661834 The Cathedral Church of St Saviour, Southwark (litho) by English School, (20th century); Private Collection; (add.info.: The Cathedral Church of St Saviour, Southwark)

Background imagePlan Collection: Bishopsgate, Church of St Ethelburga, Arms of the City of London, in SE window of Chancel

Bishopsgate, Church of St Ethelburga, Arms of the City of London, in SE window of Chancel
8661832 Bishopsgate, Church of St Ethelburga, Arms of the City of London, in SE window of Chancel, late 17th century (colour photo) by English Photographer

Background imagePlan Collection: Eltham Lodge (litho)

Eltham Lodge (litho)
8661830 Eltham Lodge (litho) by English School, (20th century); Private Collection; (add.info.: Eltham Lodge. Illustration for An Inventory of the Historical Monuments in London, Vol V)

Background imagePlan Collection: The Priory of St Bartholomew the Great (litho)

The Priory of St Bartholomew the Great (litho)
8661829 The Priory of St Bartholomew the Great (litho) by English School, (20th century); Private Collection; (add.info.: The Priory of St Bartholomew the Great)

Background imagePlan Collection: Bishopsgate, Church of St Helen, Monument of Sir William Pickering, 1574 (b/w photo)

Bishopsgate, Church of St Helen, Monument of Sir William Pickering, 1574 (b/w photo)
8661824 Bishopsgate, Church of St Helen, Monument of Sir William Pickering, 1574 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Bishopsgate, Church of St Helen)

Background imagePlan Collection: Bishopsgate, Church of St Helen, Nuns' Quire, looking SE, showing 15th-century arcade (b/w photo)

Bishopsgate, Church of St Helen, Nuns' Quire, looking SE, showing 15th-century arcade (b/w photo)
8661822 Bishopsgate, Church of St Helen, Nuns' Quire, looking SE, showing 15th-century arcade (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Bishopsgate)

Background imagePlan Collection: Bishopsgate, Church of St Helen, Monument of Sir John Spencer, 1609, and Alice his wife (b/w photo)

Bishopsgate, Church of St Helen, Monument of Sir John Spencer, 1609, and Alice his wife (b/w photo)
8661818 Bishopsgate, Church of St Helen, Monument of Sir John Spencer, 1609, and Alice his wife (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Bishopsgate)

Background imagePlan Collection: Castle Baynard, St Paul's Cathedral, Organ-case, 1694, N side (b/w photo)

Castle Baynard, St Paul's Cathedral, Organ-case, 1694, N side (b/w photo)
8661811 Castle Baynard, St Paul's Cathedral, Organ-case, 1694, N side (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Castle Baynard, St Paul's Cathedral)

Background imagePlan Collection: Castle Baynard, St Paul's Cathedral, Monument of Dr John Donne, 1631 (b/w photo)

Castle Baynard, St Paul's Cathedral, Monument of Dr John Donne, 1631 (b/w photo)
8661810 Castle Baynard, St Paul's Cathedral, Monument of Dr John Donne, 1631 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Castle Baynard)

Background imagePlan Collection: Cripplegate Within, Brewers' Hall, Entrance Doorway, late 17th-century (b/w photo)

Cripplegate Within, Brewers' Hall, Entrance Doorway, late 17th-century (b/w photo)
8661800 Cripplegate Within, Brewers' Hall, Entrance Doorway, late 17th-century (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Cripplegate Within)

Background imagePlan Collection: Cripplegate Within, Brewers' Hall, Livery Hall looking E, 1670-1673 (b/w photo)

Cripplegate Within, Brewers' Hall, Livery Hall looking E, 1670-1673 (b/w photo)
8661798 Cripplegate Within, Brewers' Hall, Livery Hall looking E, 1670-1673 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Cripplegate Within)

Background imagePlan Collection: Dowgate, Skinners' Hall, Fireplace in the Cedar Room, 1670 (b/w photo)

Dowgate, Skinners' Hall, Fireplace in the Cedar Room, 1670 (b/w photo)
8661794 Dowgate, Skinners' Hall, Fireplace in the Cedar Room, 1670 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Dowgate, Skinners' Hall)

Background imagePlan Collection: Farringdon Within, Christ Church Newgate Street, 1677-1691, Interior, looking W (b/w photo)

Farringdon Within, Christ Church Newgate Street, 1677-1691, Interior, looking W (b/w photo)
8661788 Farringdon Within, Christ Church Newgate Street, 1677-1691, Interior, looking W (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Farringdon Within)

Background imagePlan Collection: Farringdon Without, Church of St Bride Fleet Street, 1670-1684, Interior, looking E (b/w photo)

Farringdon Without, Church of St Bride Fleet Street, 1670-1684, Interior, looking E (b/w photo)
8661782 Farringdon Without, Church of St Bride Fleet Street, 1670-1684, Interior, looking E (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Farringdon Without)

Background imagePlan Collection: Church of St Katharine Cree (litho)

Church of St Katharine Cree (litho)
8661769 Church of St Katharine Cree (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Katharine Cree)

Background imagePlan Collection: Church of St Mary at Hill (litho)

Church of St Mary at Hill (litho)
8661765 Church of St Mary at Hill (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Mary at Hill)

Background imagePlan Collection: Church of the Austin Friars, now the Dutch Church of Jesus Temple (litho)

Church of the Austin Friars, now the Dutch Church of Jesus Temple (litho)
8661762 Church of the Austin Friars, now the Dutch Church of Jesus Temple (litho) by English School, (20th century); Private Collection; (add.info.: Church of the Austin Friars)

Background imagePlan Collection: Church of St Lawrence Jewry (litho)

Church of St Lawrence Jewry (litho)
8661751 Church of St Lawrence Jewry (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Lawrence Jewry)

Background imagePlan Collection: Church of St Peter, Cornhill (litho)

Church of St Peter, Cornhill (litho)
8661743 Church of St Peter, Cornhill (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Peter, Cornhill)

Background imagePlan Collection: Church of St Vedast, Foster Lane (litho)

Church of St Vedast, Foster Lane (litho)
8661735 Church of St Vedast, Foster Lane (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Vedast, Foster Lane)

Background imagePlan Collection: Church of St Nicholas Cole Abbey (litho)

Church of St Nicholas Cole Abbey (litho)
8661721 Church of St Nicholas Cole Abbey (litho) by English School, (20th century); Private Collection; (add.info.: Church of St Nicholas Cole Abbey)

Background imagePlan Collection: Plan of the Temple of Diana at Ephesus (engraving)

Plan of the Temple of Diana at Ephesus (engraving)
8663134 Plan of the Temple of Diana at Ephesus (engraving) by English School, (19th century); Private Collection; (add.info.: Plan of the Temple of Diana at Ephesus)

Background imagePlan Collection: Christopher Columbus and the egg, 1899 (print)

Christopher Columbus and the egg, 1899 (print)
2913940 Christopher Columbus and the egg, 1899 (print); Private Collection; (add.info.: Christopher Columbus replying to his critics)

Background imagePlan Collection: Plan of London, England c. 1300. From Historical Atlas, published 1923

Plan of London, England c. 1300. From Historical Atlas, published 1923
2603529 Plan of London, England c. 1300. From Historical Atlas, published 1923..

Background imagePlan Collection: Plan and elevation of a blast furnace, showing the blowing engine, water blast regulator

Plan and elevation of a blast furnace, showing the blowing engine, water blast regulator
5309366 Plan and elevation of a blast furnace, showing the blowing engine, water blast regulator, and the tuyeres supplying the blast to the furnace; (add.info)

Background imagePlan Collection: Pagoda of Chidambaram, Hindu temple, with illustration of the gopuram tower

Pagoda of Chidambaram, Hindu temple, with illustration of the gopuram tower and plan of the central structure
FLO4623824 Pagoda of Chidambaram, Hindu temple, with illustration of the gopuram tower and plan of the central structure. Handcoloured copperplate drawn

Background imagePlan Collection: Plan of the volcano Mt. Vesuvius after an eruption, and path of lava flow through Torre del Greco

Plan of the volcano Mt. Vesuvius after an eruption, and path of lava flow through Torre del Greco, Naples
FLO4574376 Plan of the volcano Mt. Vesuvius after an eruption, and path of lava flow through Torre del Greco, Naples. Handcoloured copperplate engraving from Bertuch's " Bilderbuch fur

Background imagePlan Collection: Architecture: plan for the project of the Mesola, fortified fortress of Ferrara

Architecture: plan for the project of the Mesola, fortified fortress of Ferrara, by Bastianino Serlio, 16th century
VEN5028133 Architecture: plan for the project of the Mesola, fortified fortress of Ferrara, by Bastianino Serlio, 16th century

Background imagePlan Collection: Bronze statues of house gods from the Thermae bathhouse at Regio IX, Insula IV, 5

Bronze statues of house gods from the Thermae bathhouse at Regio IX, Insula IV, 5. Chromolithograph by J.G
FLO4687178 Bronze statues of house gods from the Thermae bathhouse at Regio IX, Insula IV, 5. Chromolithograph by J.G. Bach after an illustration by Miss Amy Butts from Emile Presuhn (1844-1878)

Background imagePlan Collection: Floor mosaic from the House of Epigrams, Regio V, Insula 1, 18

Floor mosaic from the House of Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an
FLO4687154 Floor mosaic from the House of Epigrams, Regio V, Insula 1, 18. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imagePlan Collection: Floor mosaic from the new fullonica (fuller's shop), Regio VI, Insula XIV, 21

Floor mosaic from the new fullonica (fuller's shop), Regio VI, Insula XIV, 21
FLO4687150 Floor mosaic from the new fullonica (fuller's shop), Regio VI, Insula XIV, 21. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn

Background imagePlan Collection: Marble bust of the owner from the House of Vesonius Primus, a fuller

Marble bust of the owner from the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an
FLO4687114 Marble bust of the owner from the House of Vesonius Primus, a fuller. Chromolithograph by Victor Steeger after an illustration by Geremia Discanno from Emile Presuhn (1844-1878)

Background imagePlan Collection: Fountain from Regio VII.II.45, House of the Bear, Pompeii. Venus reclines above a blue sea of fishes

Fountain from Regio VII.II.45, House of the Bear, Pompeii. Venus reclines above a blue sea of fishes
FLO4686913 Fountain from Regio VII.II.45, House of the Bear, Pompeii. Venus reclines above a blue sea of fishes, with cupids in attendance

Background imagePlan Collection: Curious wall painting in muted colours from the oecus (salon)

Curious wall painting in muted colours from the oecus (salon) of the Casa del Meleagro or the House of Meleager, Reg
FLO4686886 Curious wall painting in muted colours from the oecus (salon) of the Casa del Meleagro or the House of Meleager, Reg. VI, Ins. IX, No. 2

Background imagePlan Collection: Map of Asia circa 1810. Handcoloured copperplate engraving by Andrea Bernieri from Giulio

Map of Asia circa 1810. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient
FLO4622502 Map of Asia circa 1810. Handcoloured copperplate engraving by Andrea Bernieri from Giulio Ferrario's Ancient and Modern Costumes of all the Peoples of the World

Background imagePlan Collection: gut9896

gut9896
PCT5618415 gut9896; (add.info.: Crue de la Seine a Paris en janvier 1910 : plan de l'inondation en aglomeration dresse par M. Jules Petit, geometre en chef de la Ville de Paris)

Background imagePlan Collection: 'Lord Nelson explaining to the Officers the Plan of Attack previous to the Battle of Trafalgar'

'Lord Nelson explaining to the Officers the Plan of Attack previous to the Battle of Trafalgar'
7341799 'Lord Nelson explaining to the Officers the Plan of Attack previous to the Battle of Trafalgar', 1806 (coloured aquatint) by Craig

Background imagePlan Collection: Pottery kiln, vertical and horizontal sections, 18th century

Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an
FLO4593602 Pottery kiln, vertical and horizontal sections, 18th century. Copperplate engraving by Wilson Lowry after an illustration by J

Background imagePlan Collection: Astronomical chart of the constellation of Orion. Copperplate engraving by Milton after a drawing

Astronomical chart of the constellation of Orion. Copperplate engraving by Milton after a drawing by L
FLO4594430 Astronomical chart of the constellation of Orion. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imagePlan Collection: Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L

Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L
FLO4594211 Astronomical chart of the Northern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imagePlan Collection: Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L

Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L
FLO4594202 Astronomical chart of the Southern hemisphere. Copperplate engraving by Milton after a drawing by L. Hebert from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imagePlan Collection: Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773

Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773
FLO4592322 Plan and section of the great wheel of Jesse Ramsden (1735-1800)'s circular dividing engine, 1773. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal

Background imagePlan Collection: Plans and elevations for a furnace, early 19th century. Copperplate engraving by Wilson Lowry

Plans and elevations for a furnace, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John
FLO4591586 Plans and elevations for a furnace, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or Universal Dictionary of

Background imagePlan Collection: Plans and views of a magnetic variation compassed, early 19th century

Plans and views of a magnetic variation compassed, early 19th century. Copperplate engraving by Wilson Lowry
FLO4591566 Plans and views of a magnetic variation compassed, early 19th century. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts

Background imagePlan Collection: Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry

Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees'
FLO4591536 Plans and views of a variety of magnetic compasse. Copperplate engraving by Wilson Lowry from Abraham Rees' Cyclopedia or Universal Dictionary of Arts, Sciences and Literature

Background imagePlan Collection: Plan and elevation of an oil mill designed by John Smeaton, early 19th century

Plan and elevation of an oil mill designed by John Smeaton, early 19th century
FLO4590901 Plan and elevation of an oil mill designed by John Smeaton, early 19th century. Copperplate engraving by Wilson Lowry after a drawing by John Farey from Abraham Rees' Cyclopedia or

Background imagePlan Collection: Plan of Babylon

Plan of Babylon
6117877 Plan of Babylon; (add.info.: Imaginary plan of Babylon, Mesopotamia. Modern day Iraq. 18th century engraving by Johann Adam Delsenbach, 1687-1765 from Entwurff einer historischen Architectur)



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"Unveiling the Blueprint of Success: The Power of a Well-Crafted Plan" In every era, plans have shaped destinies and transformed history. From the meticulously detailed Swindon Works Map in the 1940s to the strategic D-Day Map of 1944, maps have guided armies towards victory and nations towards liberation. The grandeur of empires is etched on maps like the British Empire's expansive territories, reminding us that meticulous planning can forge vast dominions. Even legendary figures like Admiral Nelson relied on precise battle plans to secure triumph at Trafalgar in 1805. Beyond military conquests, plans have given rise to architectural marvels. Filippo Brunelleschi's ingenious design for Santa Maria del Fiore Cathedral in Florence showcased his visionary plan through Lodovico Cardi da Cigoli's contemporary drawing. This cross-section blueprint exemplifies how careful planning can manifest breathtaking beauty. Yet not all plans come to fruition unscathed. The Titanic blueprint serves as a haunting reminder that even with meticulous preparations, unforeseen circumstances may arise. Nevertheless, it underscores the importance of thorough planning and risk assessment. From historic battles such as Waterloo or Chancellorsville during the US Civil War where General Lee and General Jackson strategized their moves before engaging in combat, we witness how well-executed they can turn tides amidst chaos and uncertainty. Even ancient times bear testament to strategic brilliance; Hannibal's Battle of Cannae plan from 216 BC showcases his tactical genius by encircling enemy forces—an enduring lesson in outmaneuvering adversaries. Plans extend beyond warfare; they shape our world at large. Whether it be mapping zoological wonders like London Zoo in 1929 or charting geographical landscapes like an old map detailing the majestic Alps—plans enable exploration and understanding of our surroundings while fostering conservation efforts for future generations. In essence, these diverse examples remind us that behind every triumph, there lies a well-crafted plan.