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Ostrich Feathers Collection (page 3)

"Captivating Ostrich Feathers

Background imageOstrich Feathers Collection: Design for a Yellow Book Cover, 1894-1895. Creator: Aubrey Beardsley

Design for a Yellow Book Cover, 1894-1895. Creator: Aubrey Beardsley
Design for a Yellow Book Cover, 1894-1895. A woman holding a muff looks at a pile of books: Story of Venus and Tannhauser, Discords, Shakespeare, The Yellow Book, Dickens. This design was not used

Background imageOstrich Feathers Collection: Mr. Bannister and Miss Orser, c1780-1825. Creator: Thomas Rowlandson

Mr. Bannister and Miss Orser, c1780-1825. Creator: Thomas Rowlandson
Mr. Bannister and Miss Orser, c1780-1825. John Bannister was born at Deptford [London], May 12, 1760. He was the son of Charles Bannister, noted English actor

Background imageOstrich Feathers Collection: The Rivals, c1780-1825. Creator: Thomas Rowlandson

The Rivals, c1780-1825. Creator: Thomas Rowlandson
The Rivals, c1780-1825. These two young men, one a dashing young officer, the other a gallant but unattractive adventurer, are displaying their simulated affections to the complacent rich dowager

Background imageOstrich Feathers Collection: Fan, France, 1875 / 1880. Creator: Unknown

Fan, France, 1875 / 1880. Creator: Unknown
Fan, France, 1875/1880

Background imageOstrich Feathers Collection: Panel (Furnishing Fabric), England, c. 1785. Creator: Sir Robert Peel and Co

Panel (Furnishing Fabric), England, c. 1785. Creator: Sir Robert Peel and Co
Panel (Furnishing Fabric), England, c. 1785. Lady and gentleman, turbanned groom with horses, riders and hunting dogs. After Daniel Mytens the elder, manufactured by Sir Robert Peel

Background imageOstrich Feathers Collection: Abundantia, from The Four Continents and Related Allegories, Brussels, c. 1680 / 1700

Abundantia, from The Four Continents and Related Allegories, Brussels, c. 1680 / 1700
Abundantia, from The Four Continents and Related Allegories, Brussels, c. 1680/1700. Woven at the workshop of Albert Auwercx, after a cartoon by Lodewijk van Schoor and Pieter Spierinckx

Background imageOstrich Feathers Collection: Coffin with Cobra (Atum) and Ostrich Feather of Goddess Maat on the Top, Egypt

Coffin with Cobra (Atum) and Ostrich Feather of Goddess Maat on the Top, Egypt, Late Period-Ptolemaic Period (664-30 BCE)

Background imageOstrich Feathers Collection: The Resurrection, 1619 / 20. Creator: Cecco del Caravaggio

The Resurrection, 1619 / 20. Creator: Cecco del Caravaggio
The Resurrection, 1619/20

Background imageOstrich Feathers Collection: Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn

Old Man with a Gold Chain, 1631. Creator: Rembrandt Harmensz van Rijn
Old Man with a Gold Chain, 1631

Background imageOstrich Feathers Collection: The Family Concert, 1666. Creator: Jan Steen

The Family Concert, 1666. Creator: Jan Steen
The Family Concert, 1666

Background imageOstrich Feathers Collection: King Solomon Receiving the Queen of Sheba, 1515 / 20. Creator

King Solomon Receiving the Queen of Sheba, 1515 / 20. Creator
King Solomon Receiving the Queen of Sheba, 1515/20

Background imageOstrich Feathers Collection: Portrait of a Young Woman, c. 1690. Creator: Aert de Gelder

Portrait of a Young Woman, c. 1690. Creator: Aert de Gelder
Portrait of a Young Woman, c. 1690

Background imageOstrich Feathers Collection: Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790

Mrs. John Nicholson (Hannah Duncan) and John Nicholson, Jr. 1790

Background imageOstrich Feathers Collection: The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger

The Count, from The Dance of Death, ca. 1526, published 1538. Creator: Hans Lützelburger
The Count, from The Dance of Death, ca. 1526, published 1538

Background imageOstrich Feathers Collection: David looking at the head of Goliath, 1620-30. Creator: Giuseppe Caletti

David looking at the head of Goliath, 1620-30. Creator: Giuseppe Caletti
David looking at the head of Goliath, 1620-30

Background imageOstrich Feathers Collection: The Eleven Ages of Man, mid 17th century. Creator: Gerhard Altzenbach

The Eleven Ages of Man, mid 17th century. Creator: Gerhard Altzenbach
The Eleven Ages of Man, mid 17th century

Background imageOstrich Feathers Collection: David standing with crossed legs and holding the head of Goliath on a pedestal at l

David standing with crossed legs and holding the head of Goliath on a pedestal at left, a sword on the ground, after Reni, ca. 1635-45

Background imageOstrich Feathers Collection: The Eleven Ages of Woman, mid 17th century. Creator: Gerhard Altzenbach

The Eleven Ages of Woman, mid 17th century. Creator: Gerhard Altzenbach
The Eleven Ages of Woman, mid 17th century

Background imageOstrich Feathers Collection: The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering

The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice, 1720-30

Background imageOstrich Feathers Collection: Autruche (Ostrich), 1770-86. Creator: Francois Nicolas Martinet

Autruche (Ostrich), 1770-86. Creator: Francois Nicolas Martinet
Autruche (Ostrich), 1770-86. From " Histoire Naturelle Des Oiseaux" edited by Georges Louis Leclerc, le comte de Buffon

Background imageOstrich Feathers Collection: Americanorum Rex, Guisius, from Courses de Testes et de Bagues Faittes par Roy et par

Americanorum Rex, Guisius, from Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l annee 1662 (Grand Carrousel), 1662-70

Background imageOstrich Feathers Collection: Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy

Castrorum Praefectus Americanus, from Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l annee 1662 (Grand Carrousel), 1662-70

Background imageOstrich Feathers Collection: Armiger, Ephebus, Americani, from Courses de Testes et de Bagues Faittes par Roy et pa

Armiger, Ephebus, Americani, from Courses de Testes et de Bagues Faittes par Roy et par les Princes et Signeurs de sa Cour, en l annee 1662 (Grand Carrousel), 1662-70

Background imageOstrich Feathers Collection: Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain

Rinaldo abandoning Armida, 1720-62. Creator: Francois Joullain
Rinaldo abandoning Armida, 1720-62

Background imageOstrich Feathers Collection: Merry Company in a Park, 1614 (oil on panel)

Merry Company in a Park, 1614 (oil on panel)
5672007 Merry Company in a Park, 1614 (oil on panel) by Velde, Esaias I van de (1587-1630); 28x39.8 cm; Mauritshuis, The Hague, The Netherlands; Dutch, out of copyright

Background imageOstrich Feathers Collection: The Fashionable Mamma, or The Convenience of Modern Dress, pub

The Fashionable Mamma, or The Convenience of Modern Dress, pub
872451 The Fashionable Mamma, or The Convenience of Modern Dress, pub. London in 1796 (hand-coloured engraving) by Gillray, James (1757-1815); Private Collection; The Stapleton Collection; English

Background imageOstrich Feathers Collection: Coats of arms on stone pulpit of Bristol Cathedral (w / c on paper)

Coats of arms on stone pulpit of Bristol Cathedral (w / c on paper)
2831285 Coats of arms on stone pulpit of Bristol Cathedral (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageOstrich Feathers Collection: Equestrian Portrait of Anne of Denmark (1574-1619) engraved by the artist, pub

Equestrian Portrait of Anne of Denmark (1574-1619) engraved by the artist, pub
STC95235 Equestrian Portrait of Anne of Denmark (1574-1619) engraved by the artist, pub. by Compton Holland, 1616 (engraving) by Passe

Background imageOstrich Feathers Collection: The Glengary Habit, fashion plate from Ackermanns Repository of Arts

The Glengary Habit, fashion plate from Ackermanns Repository of Arts
STC102901 The Glengary Habit, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: The Princess of the Asturias

The Princess of the Asturias
LLM462218 The Princess of the Asturias by English Photographer; Private Collection; (add.info.: The Princess of the Asturias)

Background imageOstrich Feathers Collection: Costume for Neptune in several operas, engraved by Rene Gaillard (c. 1719-90) c

Costume for Neptune in several operas, engraved by Rene Gaillard (c. 1719-90) c
STC94438 Costume for Neptune in several operas, engraved by Rene Gaillard (c.1719-90) c.1780 (engraving) by Martin, Jean Baptiste (18th century) (after)

Background imageOstrich Feathers Collection: King Carlos I of Portugal (colour litho)

King Carlos I of Portugal (colour litho)
2796000 King Carlos I of Portugal (colour litho) by French School, (20th century); Private Collection; (add.info.: King Carlos I of Portugal. Les hotes de la France)

Background imageOstrich Feathers Collection: King Edward VII (colour litho)

King Edward VII (colour litho)
2795621 King Edward VII (colour litho) by French School, (20th century); Private Collection; (add.info.: King Edward VII. Le Roi Edouard VII)

Background imageOstrich Feathers Collection: Portrait of Mrs Walter Derham, 1892 (oil on canvas)

Portrait of Mrs Walter Derham, 1892 (oil on canvas)
2829548 Portrait of Mrs Walter Derham, 1892 (oil on canvas) by Herkomer, Hubert von (1849-1914); Bristol Museum and Art Gallery, UK; eBristol Museums, Galleries & Archives; Given by Miss H

Background imageOstrich Feathers Collection: La Fleur d Or, from a Collection of Fashion Plates, 1920 (pochoir print)

La Fleur d Or, from a Collection of Fashion Plates, 1920 (pochoir print)
3437159 La Fleur d Or, from a Collection of Fashion Plates, 1920 (pochoir print) by French School, (20th century); Private Collection; (add.info.: Robe du Soir)

Background imageOstrich Feathers Collection: The Fashionable Mamma, or The Convenience of Modern Dress

The Fashionable Mamma, or The Convenience of Modern Dress
NCO188255 The Fashionable Mamma, or The Convenience of Modern Dress, published in 1796 (coloured engraving) by Gillray, James (1757-1815)

Background imageOstrich Feathers Collection: Portrait of the Actress Friederike Seyler (1738-89) (oil on canvas)

Portrait of the Actress Friederike Seyler (1738-89) (oil on canvas)
XKH191606 Portrait of the Actress Friederike Seyler (1738-89) (oil on canvas) by Graff, Anton (1736-1813); 80.5x63 cm; Hamburger Kunsthalle, Hamburg, Germany; Swiss, out of copyright

Background imageOstrich Feathers Collection: A Lady in a Levantine hat, a tiered skirt and a velvet jacket

A Lady in a Levantine hat, a tiered skirt and a velvet jacket
AFC90692 A Lady in a Levantine hat, a tiered skirt and a velvet jacket, plate 6 from the Incroyable et merveilleuse series of fashion plates

Background imageOstrich Feathers Collection: Elegant Woman in a Dress a l Anglaise Drinking Coffee

Elegant Woman in a Dress a l Anglaise Drinking Coffee
STC94417 Elegant Woman in a Dress a l Anglaise Drinking Coffee, plate 183 from Galerie des Modes et Costumes Francais, engraved by Bacquoy, 1778 (engraving) by Le Clerc

Background imageOstrich Feathers Collection: Costume for Venus in several operas, engraved by the artist, c. 1780 (engraving)

Costume for Venus in several operas, engraved by the artist, c. 1780 (engraving)
STC94436 Costume for Venus in several operas, engraved by the artist, c.1780 (engraving) by Martin, Jean Baptiste (18th century); Private Collection; The Stapleton Collection; French, out of copyright

Background imageOstrich Feathers Collection: The Triumphal Arch of Emperor Maximilian I of Germany (1459-1519)

The Triumphal Arch of Emperor Maximilian I of Germany (1459-1519)
XAM77574 The Triumphal Arch of Emperor Maximilian I of Germany (1459-1519): detail of portal column base bearing a carved relief of a male figure carrying a standard and a crowned coat of arms, pub

Background imageOstrich Feathers Collection: Portrait of a Lady, 1889 (pastel)

Portrait of a Lady, 1889 (pastel)
ACI80683 Portrait of a Lady, 1889 (pastel) by Boldini, Giovanni (1842-1931); 183x120 cm; Gaetano Marzotto Collection, Italy; Italian, out of copyright

Background imageOstrich Feathers Collection: Gertrude - a Study (pastel on paper)

Gertrude - a Study (pastel on paper)
2956899 Gertrude - a Study (pastel on paper) by Sandys, Winifred (1875-1944); 58.42x43.18 cm; Private Collection; (add.info.: Winifred Sandys, eldest of seven daughters and three sons of Frederick)

Background imageOstrich Feathers Collection: Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102812 Court dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)

Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving)
STC102803 Evening dress, fashion plate from Ackermanns Repository of Arts (coloured engraving) by English School, (19th century); Private Collection; (add.info)

Background imageOstrich Feathers Collection: Ah! Sure such a pair was never seen so justly form d to meet by nature, pub

Ah! Sure such a pair was never seen so justly form d to meet by nature, pub
2655348 Ah! Sure such a pair was never seen so justly form d to meet by nature, pub. 1820 (hand coloured engraving) by Cruikshank

Background imageOstrich Feathers Collection: Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint)

Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint)
2629152 Elizabeth, Duchess of Hamilton, Brandon and Argyll, after C. Read, 1770 (mezzotint) by Finlayson, John (1730-1776); 51x35.5 cm; Private Collection; Photo eChristies Images; English



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"Captivating Ostrich Feathers: A Timeless Symbol of Elegance and Power" From the grand portraits of historical figures like Field Marshal Lord Roberts to the mythical heroes depicted by Hendrik Goltzius, they have long held a place in art and culture. These magnificent plumes, with their graceful curves and ethereal softness, have been used throughout history to adorn garments and accessories, symbolizing status, strength, and beauty. In Lucas Cranach the Elder's masterpiece "Saint Maurice, " we see the regal figure adorned with a majestic ostrich feather headdress, signifying his noble stature. Similarly, in the 19th-century depiction of "A Wellington Boot- or the Head of the Armye, " an imposing military leader proudly wears an ostentatious hat embellished with these luxurious feathers as a mark of authority. But they can not limited to formal occasions alone. In more lighthearted depictions such as "The Featherd Fair in a Fright" or Kate Carney's Lambeth Walk performance at London's music hall, they add a touch of whimsy and playfulness to entertain audiences. Beyond artistry lies cultural significance. The Pokot warriors celebrate their Atelo ceremony by adorning themselves with cheetah skin while surrounded by young women; here too, ostrich feathers find their place amidst this vibrant display of tradition and community spirit. Even fashion has embraced these enchanting plumes. Princess Charlotte Augusta dons them gracefully in her 19th-century portrait captured by Henry Thomas Ryall while Mrs. Bryan Cooke exudes elegance wearing an exquisite gown accentuated by delicate feather details created by George Romney. Throughout centuries and across continents, from Renaissance engravings depicting male costumes to pochoir prints showcasing Les Belles Sauvagesses de 1920 or Le Depart pour le Casino pub. , they have remained timeless symbols of allure and grandeur.