Neo Classicism Collection (page 26)

Portrait of Angelica Kauffmann, bust length (oil on canvas)
990071 Portrait of Angelica Kauffmann, bust length (oil on canvas) by Maron, Anton von (1733-1808) (attr. to); 31.4x32.5 cm; Private Collection; Photo eChristies Images; Australian, out of copyright

A View of Saint Peters Square Under Berninis Columns
827613 A View of Saint Peters Square Under Berninis Columns, the Sistine Chapel and Papal Palace Beyond; Une Vue de la Place Saint Pierre de Dessous les Colonnades du Bernin

Sweet Briar, c. 1808 (watercolour and graphite on wove paper)
3526203 Sweet Briar, c.1808 (watercolour and graphite on wove paper) by Birch, William Russell (1755-1834); 17.15x25.08 cm; Corcoran Collection, National Gallery of Art, Washington D.C

Lucia (oil on canvas)
3472189 Lucia (oil on canvas) by Leighton, Frederic (1830-96); 37.8x25.4 cm; Metropolitan Museum of Art, New York, USA; English, out of copyright

Venus and Cupid, 1798-99 (terracotta)
3493105 Venus and Cupid, 1798-99 (terracotta) by Canova, Antonio (1757-1822); 50 long cm; Metropolitan Museum of Art, New York, USA; Italian, out of copyright

Paris, c. 1822-23 (marble)
3492981 Paris, c.1822-23 (marble) by Canova, Antonio (1757-1822) (studio of); 203.2 high cm; Metropolitan Museum of Art, New York, USA; (add.info.: The mortal Paris, in Phrygian cap)

Cupid and Psyche (marble)
XIR83466 Cupid and Psyche (marble) by Canova, Antonio (1757-1822); height: 150 cm; Louvre, Paris, France; Italian, out of copyright

Architectural Sketch from Travels in England, c. 1766 (pencil on paper)
437412 Architectural Sketch from Travels in England, c.1766 (pencil on paper) by Belanger, Francois-Joseph (1744-1818); Bibliotheque de l Ecole des Beaux-Arts, Paris, France; French, out of copyright

Architectural Sketch from Travels in England, c. 1766 (pencil on paper)
437408 Architectural Sketch from Travels in England, c.1766 (pencil on paper) by Belanger, Francois-Joseph (1744-1818); Bibliotheque de l Ecole des Beaux-Arts, Paris, France; French, out of copyright

A Capriccio of Classical Ruins with the Pyramid of Cestius and Figures in a Landscape
659365 A Capriccio of Classical Ruins with the Pyramid of Cestius and Figures in a Landscape, (oil on canvas) by Pannini or Panini

Sweetwilliam, a Bay Racehorse, in a Paddock, 1779 (oil on panel)
652165 Sweetwilliam, a Bay Racehorse, in a Paddock, 1779 (oil on panel) by Stubbs, George (1724-1806); 57.1x73 cm; Private Collection; (add.info.: Sweetwilliam, a Bay Racehorse, in a Paddock)

Contadina, 1859 (painting)
5983966 Contadina, 1859 (painting) by Leighton, Frederic (1830-96); 84.5x70 cm; Private Collection; English, out of copyright

Study of a Male Nude, seen from Behind, 1774 (red chalk)
1197623 Study of a Male Nude, seen from Behind, 1774 (red chalk) by Suvee, Joseph Benoit (1743-1807); 56.9x31.7 cm; Private Collection; Photo eChristies Images; Belgian, out of copyright

Penitent Magdalene, c. 1765 (oil on canvas)
3928619 Penitent Magdalene, c.1765 (oil on canvas) by Mengs, Anton Raphael (1728-79); 110x89 cm; Prado, Madrid, Spain; (add.info.: Based on an earlier Bolognese painting)

Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna
1196946 Embassy of Hyderbeck to Calcutta, from the Vizier of Oude, by Way of Patna, in the Year 1788, to Meet Lord Cornwallis, c

Oedipus at Colonus, 1788 (oil on canvas)
1070624 Oedipus at Colonus, 1788 (oil on canvas) by Giroust, Jean-Antoine-Theodore (1753-1817); 164x194 cm; Dallas Museum of Art, Texas, USA; Foundation for the Arts Collection, Mrs. John B

Tuccia, the Vestial Virgin, three quarter length, holding a lamp, (oil on canvas)
824218 Tuccia, the Vestial Virgin, three quarter length, holding a lamp, (oil on canvas) by Kauffmann, Angelica (1741-1807); 92x73.7 cm; Private Collection; (add.info.: Tuccia, the Vestial Virgin)

Portrait of the Louise Marie Josephine, Comtesse de Provence
990179 Portrait of the Louise Marie Josephine, Comtesse de Provence, later Queen of France (1733-1810), half-length, wering a white dress with a blue sash and ribbons

Portrait of Joseph-Nicolas Barbeau Dubarran, half-length, his Arms Folded, (black chalk
990036 Portrait of Joseph-Nicolas Barbeau Dubarran, half-length, his Arms Folded, (black chalk, brush and gray wash) by David, Jacques Louis (1748-1825); 19 diam

A Seated Female Nude, (black and white chalk on blue paper)
989642 A Seated Female Nude, (black and white chalk on blue paper) by Prud hon, Pierre-Paul (1758-1823); 52x31.1 cm; Private Collection; (add.info.: A Seated Female Nude)

Lachrymae, c. 1894-95 (oil on canvas)
3472190 Lachrymae, c.1894-95 (oil on canvas) by Leighton, Frederic (1830-96); 157.5x62.9 cm; Metropolitan Museum of Art, New York, USA; English, out of copyright

Odalisque in Grisaille, c. 1824-34 (oil on canvas)
3493192 Odalisque in Grisaille, c.1824-34 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 83.2 x 109.2 cm; Metropolitan Museum of Art, New York

Joseph-Antoine Moltedo, c. 1810 (oil on canvas)
3493142 Joseph-Antoine Moltedo, c.1810 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); 75.2x58.1 cm; Metropolitan Museum of Art, New York

Inauguration Of The Monument To Giuseppe Parini, In Milan, 26 November 1899 (colour litho)
2798247 Inauguration Of The Monument To Giuseppe Parini, In Milan, 26 November 1899 (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

The fireplace in the state drawing room (marble)
BAL1147 The fireplace in the state drawing room (marble) by Adam, Robert (1728-92); Kedleston Hall, Derbyshire, UK; English, out of copyright

Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl
824254 Portrait of Elizabeth Ewer, full-length, seated in a White Dress with a Yellow Shawl, Playing a Harp, in an Interior, c.1768-73 (oil on canvas) by Kauffmann

Girl Reading at Corinthian Temple, c. 1710 (oil on canvas)
3930920 Girl Reading at Corinthian Temple, c.1710 (oil on canvas) by Carlieri, Alberto (1672-1720); 65x49 cm; National Museum, Stockholm, Sweden; (add.info.: Girl Reading: Corinthian Temple Front)

A Bay Arab in a Coastal Landscape, 1779 (oil on panel)
991596 A Bay Arab in a Coastal Landscape, 1779 (oil on panel) by Stubbs, George (1724-1806); 82.5x101.5 cm; Private Collection; (add.info.: A Bay Arab in a Coastal Landscape)

Portrait of Count Francais de Nantes (1756-1836), seated three-quarter length
990391 Portrait of Count Francais de Nantes (1756-1836), seated three-quarter length, wearing the Blue Velvet Uniform of a Conseiller d etat, the Legion d Honeur

Portrait of an Echevin (Alderman) of the Town of Paris, c. 1725 (oil on canvas)
990177 Portrait of an Echevin (Alderman) of the Town of Paris, c.1725 (oil on canvas) by Troy, Francois de (1645-1730); 92.5x72.6 cm; Private Collection; (add.info)

The Little Sleeper; Le Petit Dormeur, 1795 (oil on canvas)
827738 The Little Sleeper; Le Petit Dormeur, 1795 (oil on canvas) by Drolling, Martin (1752-1817); 25x33 cm; Private Collection; (add.info.: The Little Sleeper; Le Petit Dormeur)

A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour)
827572 A View of the Port of Palermo, 1777 (black chalk, pen and black ink and watercolour) by Desprez, Louis Jean (1743-1804); 21.3x34.8 cm; Private Collection; (add.info)

Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders
827913 Portrait study of Francesco, Crown Prince of Naples, as a boy, head and shoulders, (oil on canvas) by Kauffmann, Angelica (1741-1807); 32.4x22.2 cm; Private Collection; (add.info)

The Preparation of Theriac in Venice, for the "Chinea"Festival, 1773
The Preparation of Theriac in Venice, for the " Chinea" Festival, 1773

Sepulcher for the Kings of France, 1739. Creator: Giuseppe Vasi
Sepulcher for the Kings of France, 1739

Porch, Old Custom House, Wall Street, 1905. Creator: Charles Frederick William Mielatz
Porch, Old Custom House, Wall Street, 1905

The Seconda Macchina for the Chinea of 1785: A Pleasure Palace with an Air Balloon, 1785

The Prima Macchina for the Chinea of 1782: The Temple of Janus... 1782
The Prima Macchina for the Chinea of 1782: The Temple of Janus Built by Numa Pompilius, 1782

The Prima Macchina for the Chinea of 1785. Creator: Francesco Barbazza
The Prima Macchina for the Chinea of 1785: The Temple of Jupiter Begun by Tarquinius Priscus with the Marvel of Accius Naevius, 1785

A Temple Dedicated to Jupiter, Juno, and Minerva, for the "Chinea"Festival
A Temple Dedicated to Jupiter, Juno, and Minerva, for the " Chinea" Festival, 1785

The Seconda Macchina for the Chinea of 1782: A Countryside Festival at Night, 1782

A Place of Delight with an Aerial Balloon, for the "Chinea"Festival, 1785
A Place of Delight with an Aerial Balloon, for the " Chinea" Festival, 1785

The Prima Macchina for the Chinea of 1764: A Capitol Building, 1764

The Seconda Macchina for the Chinea of 1751: The Palace of Wisdom, Studies... 1751
The Seconda Macchina for the Chinea of 1751: The Palace of Wisdom, Studies, and the Sciences, 1751

The Prima Macchina for the Chinea of 1752: A "Deliziosa"
The Prima Macchina for the Chinea of 1752: A " Deliziosa" Alluding to Villa Carl Amalia in Caserta, 1752

The Seconda Macchina for the Chinea of 1754: An Allegory of Waterworks, 1754

The Prima Macchina for the Chinea of 1751: Triumphal Arch for Roger I of Sicily, 1751

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"Neo Classicism: A Journey through Time and Elegance" Step into the world of Neo Classicism, where art, architecture, and history intertwine to create a timeless aesthetic. From the grandeur of Marylebone Town Hall to the iconic portrayal of Napoleon Crossing the Grand Saint-Bernard Pass, this artistic movement captivates with its refined beauty. In Antonio Canova's masterpiece "The Graces and Venus, " we witness the sculptor's mastery in capturing divine grace and sensuality. Meanwhile, Eclipse, a magnificent dark chestnut racehorse held by a groom with a jockey atop, symbolizes power and strength in motion. Upton House stands as an architectural gem from the mid-19th century, showcasing intricate details that epitomize Neo Classicism's attention to symmetry and proportion. Queen Mary's Chinese Chippendale Room at Buckingham Palace transports us to another era with its opulent furnishings and exquisite craftsmanship. As we stroll through Trafalgar Square in London during 1910, The National Gallery and St Martin in the Fields greet us with their neoclassical facades. Across continents lies The Red House in Port of Spain, Trinidad - an early 20th-century government building exuding elegance amidst tropical surroundings. Randolph Rogers' sculpture "The Lost Pleiade" evokes emotions as it immortalizes Greek mythology within marble. Pilgrims beside Classical Buildings takes us back to c. 1710 when artists sought inspiration from ancient ruins for their creations. Lauderdale House offers a glimpse into 1820s England; its charming exterior reflects Neo Classicism's influence on domestic architecture during that time. And finally, stepping inside Rome's Pantheon reveals an awe-inspiring interior captured on canvas around 1734 - a testament to human ingenuity throughout centuries. Neo Classicism transcends mere trends; it is an enduring homage to classical antiquity fused with contemporary vision.