Negative Concept Collection (page 23)

A Passing Cloud (oil on canvas)
1772137 A Passing Cloud (oil on canvas) by Hughes, Arthur (1832-1915); 98x62 cm; Private Collection; (add.info.: A Passing Cloud. Arthur Hughes (1830-1915). Oil on canvas

The Fisherman, 1890 (oil on canvas)
1769875 The Fisherman, 1890 (oil on canvas) by Richards, Frank (1881-1925); 101.6x76.2 cm; Private Collection; (add.info.: The Fisherman. Frank Richards (1863-1935). Oil on canvas. Painted in 1890

Seascape; Paysage de mer, c. 1870 (oil on paper on panel)
1769858 Seascape; Paysage de mer, c.1870 (oil on paper on panel) by Courbet, Gustave (1819-77); 41.9x61 cm; Private Collection; (add.info.: Seascape; Paysage de mer. Gustave Courbet (1819-1877)

Spring Flowers; Fleurs de printemps, 1873 (oil on canvas)
1768220 Spring Flowers; Fleurs de printemps, 1873 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 34.6x27 cm; Private Collection; (add.info.: Spring Flowers; Fleurs de printemps)

Dancer and Abonne, at the Opera; Danseuse et Abonne, a l opera, c
1768110 Dancer and Abonne, at the Opera; Danseuse et Abonne, a l opera, c.1905 (oil on canvas) by Forain, Jean Louis (1852-1931); 50.2x61 cm; Private Collection; (add.info.: Dancer and Abonne)

Two Girls; Les deux filles, 1918 (oil on canvas)
1768001 Two Girls; Les deux filles, 1918 (oil on canvas) by Modigliani, Amedeo (1884-1920); 100.2x65.1 cm; Private Collection; (add.info.: Two Girls; Les deux filles. Amedeo Modigliani (1884-1920)

Man in a Sleigh, 1920 (oil on canvas)
1769278 Man in a Sleigh, 1920 (oil on canvas) by Gramatte, Walter (1897-1929); 115.7x110.5 cm; Private Collection; (add.info)

A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c
1767808 A Hell Mouth with fangs and a blue demon emerging; Gog and Maggog leading an army, c.1820 (pen, ink, watercolour and gilt on paper) by Russian School (19th century)

Confidence, 1897 (oil on canvas)
1769031 Confidence, 1897 (oil on canvas) by Renoir, Pierre Auguste (1841-1919); 41.3x33.4 cm; Private Collection; (add.info.: Confidence. Pierre-Auguste Renoir (1841-1919). Oil on canvas

The Tax-Gatherers (oil on panel)
1766795 The Tax-Gatherers (oil on panel) by Reymerswaele, Marinus van (c.1490-c.1567) (follower of); 81.8x71.1 cm; Private Collection; (add.info.: The Tax-Gatherers)

Hagar and the Angel (oil on canvas)
1766788 Hagar and the Angel (oil on canvas) by Rosi, Alessandro (1627-1697); 101.3x80.3 cm; Private Collection; (add.info.: Hagar and the Angel. Alessandro Rosi (1627-1707). Oil on canvas

Study for the Head of Christ (black chalk, red, pink and white pastel on light grey paper
1766780 Study for the Head of Christ (black chalk, red, pink and white pastel on light grey paper) by Barocci or Baroccio

A Woman in Underclothes, 1918 (colour woodblock print)
1766590 A Woman in Underclothes, 1918 (colour woodblock print) by Hashiguchi, Goyo (c.1880-1921); Private Collection; (add.info.: A Woman in Underclothes. Hashiguchi Goyo (1880-1921)

Paddy Flannigan, 1905 (oil on canvas)
1764714 Paddy Flannigan, 1905 (oil on canvas) by Bellows, George Wesley (1882-1925); Private Collection; (add.info.: Paddy Flannigan. George Wesley Bellows (1882-1925)

The Little Parisian, 1881 (bronze with dark brown patina)
1768927 The Little Parisian, 1881 (bronze with dark brown patina) by Gauguin, Paul (1848-1903) (after); 26.4 (height) cm; Private Collection; (add.info.: The Little Parisian; La Petite Parisienne)

Pink and White Roses in a Champagne Flute, 1874 (oil on canvas)
1768879 Pink and White Roses in a Champagne Flute, 1874 (oil on canvas) by Fantin-Latour, Ignace Henri Jean (1836-1904); 40.3x35 cm; Private Collection; (add.info)

Stagecoach Pursued by Mounted Indians, 1912 (oil on canvas)
1767356 Stagecoach Pursued by Mounted Indians, 1912 (oil on canvas) by Lorenz, Richard (1858-1915); 62.2x91.4 cm; Private Collection; (add.info.: Stagecoach Pursued by Mounted Indians)

St Columbas Farewell to the White Horse, 1865-1868 (oil on board)
1767287 St Columbas Farewell to the White Horse, 1865-1868 (oil on board) by Boyd, Alice (1825-1897); 35.3x49.5 cm; Private Collection; Photo eChristies Images; British, out of copyright

Amants, 1895 (lithograph in colours)
1766959 Amants, 1895 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 104x138 cm; Private Collection; (add.info.: Amants. Alphonse Mucha (1860-1939)

Lorenzaccio, 1896 (lithograph in colours)
1766954 Lorenzaccio, 1896 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 99x37 cm; Private Collection; (add.info.: Lorenzaccio. Alphonse Mucha (1860-1939). Lithograph in colours, 1896

Hanging Apples (oil on canvas)
822932 Hanging Apples (oil on canvas) by David, Stanley S. (1847-98); 30.7x 25.5 cm; Private Collection; (add.info.: Hanging Apples. Stanley S. David (1847-1898). Oil on canvas. 30.7 x 25.5cm

The Lost Stitch, 1886 (watercolour on paper)
822889 The Lost Stitch, 1886 (watercolour on paper) by Wood, Thomas Waterman (1823-1903); 50.8x35.6 cm; Private Collection; (add.info.: The Lost Stitch. Thomas Waterman Wood (1823-1903)

The Check - Keep Your Distance, 1852 (oil on canvas)
822881 The Check - Keep Your Distance, 1852 (oil on canvas) by Tait, Arthur Fitzwilliam (1819-1905); 75x111.8 cm; Private Collection; (add.info.: The Check - Keep Your Distance)

News of the War of 1812, 1913 (oil on canvas)
822754 News of the War of 1812, 1913 (oil on canvas) by Henry, Edward Lamson (1841-1919); 65x108 cm; Private Collection; (add.info.: News of the War of 1812. Edward Lamson Henry (1841-1919)

The Lonely; Der Einsame, 1911 (bronze with brown patina)
826512 The Lonely; Der Einsame, 1911 (bronze with brown patina) by Barlach, Ernst (1870-1938); 60.5 High cm; Private Collection; (add.info.: The Lonely; Der Einsame. Ernst Barlach (1870-1938)

The Madonna and Child in Glory with Saints Peter and Gregory the Great disputing
827794 The Madonna and Child in Glory with Saints Peter and Gregory the Great disputing and Angels (oil on panel) by Marchesi da Cotignola

An Allegory of the Senses, (oil on canvas)
827778 An Allegory of the Senses, (oil on canvas) by Caroselli, Angelo (1585-1652); 75x99.4 cm; Private Collection; (add.info.: An Allegory of the Senses. Attributed to Angelo Caroselli (1585-1652)

Melpomene, The Muse of Tragedy, (oil on canvas)
827760 Melpomene, The Muse of Tragedy, (oil on canvas) by Sirani, Elisabetta (1638-65); 87x71 cm; Private Collection; (add.info.: Melpomene, The Muse of Tragedy. Elisabetta Sirani (1638-1665)

Saint Mary Magdalen, c. 1624-7 (oil on canvas)
827757 Saint Mary Magdalen, c.1624-7 (oil on canvas) by Reni, Guido (1575-1642); 98x72.5 cm; Private Collection; (add.info.: Saint Mary Magdalen. Guido Reni (1575-1642). Oil on canvas

Held Captive, 1874 (oil on panel)
827491 Held Captive, 1874 (oil on panel) by Martinetti, Angelo (fl.1850-80); 49.2x35 cm; Private Collection; (add.info.: Held Captive. Angelo Martinetti (Active 19th Century). Oil on panel

The Summer Stroll, 1873 (oil on canvas)
827141 The Summer Stroll, 1873 (oil on canvas) by Boldini, Giovanni (1842-1931); 55.8x34.9 cm; Private Collection; (add.info.: The Summer Stroll. Giovanni Boldini (1842-1931). Oil on canvas

Saint Sebastian, (oil on panel)
827704 Saint Sebastian, (oil on panel) by Lorenzo, Fiorenzo di (c.1440-1522/5); 44x30.5 cm; Private Collection; (add.info.: Saint Sebastian. Circle of Fiorenzo di Lorenzo (c.1440-1522). Oil on panel

The Penitent Magdalen, (oil on canvas)
827699 The Penitent Magdalen, (oil on canvas) by Cerezo, Mateo (1626-1666); 102x82.3 cm; Private Collection; (add.info.: The Penitent Magdalen. Mateo Cerezo (1626-1666). Oil on canvas

Lost in the Storm, (oil on canvas)
827525 Lost in the Storm, (oil on canvas) by Ansdell, Richard (1815-85); 82x130.2 cm; Private Collection; (add.info.: Lost in the Storm. Richard Ansdell (1815-1885). Oil on canvas

A Vegetable Market; Un Marche aux Legumes, 1874 (oil on canvas)
827102 A Vegetable Market; Un Marche aux Legumes, 1874 (oil on canvas) by Meerts, Frans (1836-96); 74.3x125.8 cm; Private Collection; (add.info.: A Vegetable Market; Un Marche aux Legumes)

Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board)
825350 Young Woman Sitting; Jeune Fille Assise, 1921 (oil on board) by Pascin, Jules (1885-1930); 65.4x54 cm; Private Collection; (add.info.: Young Woman Sitting; Jeune Fille Assise)

Portrait of the Artist by Himself; Portrait de L Artist Lui-Meme
825291 Portrait of the Artist by Himself; Portrait de L Artist Lui-Meme, 1875-1877 (oil on canvas) by Caillebotte, Gustave (1848-94); 64.3x50.2 cm; Private Collection; (add.info)

Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas)
828419 Ben Jonson describing his Duel to Drummond at Hawthornden, (oil on canvas) by Crawford, Ebenezer (1830-74); 75x62.1 cm; Private Collection; (add.info)

Winding the Skein, (oil on canvas)
828414 Winding the Skein, (oil on canvas) by Godward, John William (1861-1922); 132x152.5 cm; Private Collection; (add.info.: Winding the Skein. John William Godward (1861-1922). Oil on canvas

The Combat, 1847 (oil on canvas)
828394 The Combat, 1847 (oil on canvas) by Ansdell, Richard (1815-85); 182.9x319.3 cm; Private Collection; (add.info.: The Combat. Richard Ansdell (1815-85). Oil on canvas. Dated 1847

Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board)
825742 Pink-Orange; Rosa-Orange, 1929 (oil on paper laid down on by the artist on board) by Jawlensky, Alexej von (1864-1941); 30.7x23.8 cm; Private Collection; (add.info.: Pink-Orange; Rosa-Orange)

Eider Duck, Male and Female, 1835 (hand-coloured etching with aquatint engraving)
985900 Eider Duck, Male and Female, 1835 (hand-coloured etching with aquatint engraving) by Audubon, John James (1785-1851) (after); 98.5x65.5 cm; Private Collection; (add.info.: Eider Duck)

Misty Morning (oil on canvas, framed)
985530 Misty Morning (oil on canvas, framed) by Gillet, Numa Francois (1868-1940); 170x90 cm; Private Collection; (add.info.: Misty Morning; Matin Brumeux. Numa Francois Gillet (1868-1940)

The Six-Footed Serpent Attacking Agnolo Brunelleschi, c
986334 The Six-Footed Serpent Attacking Agnolo Brunelleschi, c.1824-1827 (engraving, india and wove paper) by Blake, William (1757-1827); 27.6x35.3 (approx) cm; Private Collection; (add.info)

Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint)
986313 Magdalen College, Oxford, 1809-1811 (hand-coloured aquatint) by Rowlandson, Thomas (1756-1827); approx. 27x47.4 cm; Private Collection; (add.info.: Magdalen College, Oxford)

Illuminated manuscript depicting a king and his army before a city, 1503-04 (inks
986283 Illuminated manuscript depicting a king and his army before a city, 1503-04 (inks, gouache and gold paint) by Besancon, Jacques de (15th century) (attr)

Woman in a death-bed scene with John the Baptist, c. 1475-1500 (ink
986281 Woman in a death-bed scene with John the Baptist, c.1475-1500 (ink, paints and gold leaf on vellum) by French School

Death of St. Louis at Carthage, 1493 (illuminated printed woodcut on vellum)
986169 Death of St. Louis at Carthage, 1493 (illuminated printed woodcut on vellum) by Verard, Antoine (1450-1519); 38.5x27 cm; Private Collection; (add.info.: Death of St. Louis at Carthage)

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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.