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Negative Concept Collection (page 19)

"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity

Background imageNegative Concept Collection: The Butcher at the Montmartre Market, 1857-58 (oil on panel)

The Butcher at the Montmartre Market, 1857-58 (oil on panel)
987370 The Butcher at the Montmartre Market, 1857-58 (oil on panel) by Daumier, Honore (1808-79); 20.7x27.6 cm; Private Collection; (add.info.: The Butcher at the Montmartre Market; Le Boucher)

Background imageNegative Concept Collection: Portrait of Countess Karoly, 1865 (oil on canvas)

Portrait of Countess Karoly, 1865 (oil on canvas)
987369 Portrait of Countess Karoly, 1865 (oil on canvas) by Courbet, Gustave (1819-77); 81.6x65.7 cm; Private Collection; (add.info.: Portrait of Countess Karoly; Portrait de la Comtesse Karoly)

Background imageNegative Concept Collection: Death Mask, c. 1886-1891 (plaster cast, light brown patina)

Death Mask, c. 1886-1891 (plaster cast, light brown patina)
986335 Death Mask, c.1886-1891 (plaster cast, light brown patina) by Smith, Charles (fl.1886-91); 27x15x14 cm; Private Collection; (add.info.: Death Mask)

Background imageNegative Concept Collection: Apothecaries and potions, with two boys fighting in the foreground

Apothecaries and potions, with two boys fighting in the foreground
986284 Apothecaries and potions, with two boys fighting in the foreground, 1491 (hand-coloured woodcut) by German School, (15th century); 29.5x20.2 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Joan of Arc (oil on canvas)

Joan of Arc (oil on canvas)
988085 Joan of Arc (oil on canvas) by Costa, Joao Zeferino da (1840-1915); 83.2x64.5 cm; Private Collection; (add.info.: Joan of Arc; Jeanne D Arc. Zeferino da Costa (1840-1915). Oil on canvas

Background imageNegative Concept Collection: Earrings, 1891 (oil on canvas)

Earrings, 1891 (oil on canvas)
989252 Earrings, 1891 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); 121x77.5 cm; Private Collection; (add.info.: Earrings; Boucles d oreilles. William Adolphe Bouguereau (1825-1905)

Background imageNegative Concept Collection: Young Girl Leaning, 1894 (oil on canvas)

Young Girl Leaning, 1894 (oil on canvas)
987498 Young Girl Leaning, 1894 (oil on canvas) by Morisot, Berthe (1841-95); 29x32.1 cm; Private Collection; (add.info.: Young Girl Leaning; Jeune Fille Accoudee. Berthe Morisot (1841-1895)

Background imageNegative Concept Collection: A Story of the Sea, 1883 (oil on canvas)

A Story of the Sea, 1883 (oil on canvas)
987308 A Story of the Sea, 1883 (oil on canvas) by Brown, John George (1831-1913); 63.5x76.2 cm; Private Collection; (add.info.: A Story of the Sea. John George Brown (1831-1913). Oil on canvas

Background imageNegative Concept Collection: The Red Gown, (oil on canvas)

The Red Gown, (oil on canvas)
985495 The Red Gown, (oil on canvas) by Chase, William Merritt (1849-1916); 51x40.5 cm; Private Collection; (add.info.: The Red Gown. William Merritt Chase (1849-1916). Oil on canvas

Background imageNegative Concept Collection: The Nosegay of Violets - Portrait of a Woman, 1905 (oil on canvas)

The Nosegay of Violets - Portrait of a Woman, 1905 (oil on canvas)
985480 The Nosegay of Violets - Portrait of a Woman, 1905 (oil on canvas) by Churchill, William Worcester (1858-1926); 81.3x66 cm; Private Collection; Photo eChristies Images; American

Background imageNegative Concept Collection: Union Refugees, 1865 (oil on canvas)

Union Refugees, 1865 (oil on canvas)
984971 Union Refugees, 1865 (oil on canvas) by Pettit, George W. (1838-1910); 102x137.8 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageNegative Concept Collection: The Connoisseurs, (oil on canvas)

The Connoisseurs, (oil on canvas)
984911 The Connoisseurs, (oil on canvas) by Moeller, Louis Charles (1855-1930); 76.5x106.7 cm; Private Collection; (add.info.: The Connoisseurs. Louis Charles Moeller (1855-1930). Oil on canvas

Background imageNegative Concept Collection: The Parting Cheer, (oil on canvas)

The Parting Cheer, (oil on canvas)
991263 The Parting Cheer, (oil on canvas) by O Neil, Henry Nelson (1817-80); 132x186 cm; Private Collection; (add.info.: The Parting Cheer. Henry Nelson O Neil (1817-80). Oil on canvas

Background imageNegative Concept Collection: A Martin Brothers grotesque jug with a humorous face, 1898 (salt-glazed stoneware)

A Martin Brothers grotesque jug with a humorous face, 1898 (salt-glazed stoneware)
991067 A Martin Brothers grotesque jug with a humorous face, 1898 (salt-glazed stoneware) by Martin Brothers (fl.1885-1900); 22 (height) cm; Private Collection; (add.info)

Background imageNegative Concept Collection: The Blue Gown, (oil on board)

The Blue Gown, (oil on board)
985396 The Blue Gown, (oil on board) by Frieseke, Frederick Carl (1874-1939); 47x38.1 cm; Private Collection; (add.info.: The Blue Gown. Frederick Carl Frieseke (1874-1939). Oil on board

Background imageNegative Concept Collection: A Plan of the Town and Harbour of Boston and the Country adjacent

A Plan of the Town and Harbour of Boston and the Country adjacent
985758 A Plan of the Town and Harbour of Boston and the Country adjacent (with locations of the battles of Concord and Lexington, 19th April, 1775)

Background imageNegative Concept Collection: Hell, (oil on panel)

Hell, (oil on panel)
827765 Hell, (oil on panel) by Bosch, Hieronymus (c.1450-1516) (follower of); 99x137.8 cm; Private Collection; (add.info.: Hell. Follower of Hieronymous Bosch (C.1450-1516). Oil on panel

Background imageNegative Concept Collection: A Lion Driving a Pair of Leopards off a Dead Stag, (oi on canvas)

A Lion Driving a Pair of Leopards off a Dead Stag, (oi on canvas)
827737 A Lion Driving a Pair of Leopards off a Dead Stag, (oi on canvas) by Ruthart, Carl Borromaus Andreas (c.1630-c.1703); 70x60 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas)

In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas)
827283 In Memory of Bouguereau; Souvenir de Bouguereau, (oil on canvas) by Bouguereau, Elizabeth Jane Gardner (1837-1922); 125.7x72.4 cm; Private Collection; (add.info)

Background imageNegative Concept Collection: Departure of Prisoners; Depart de Prisonniers, 1906 (oil on canvas)

Departure of Prisoners; Depart de Prisonniers, 1906 (oil on canvas)
827240 Departure of Prisoners; Depart de Prisonniers, 1906 (oil on canvas) by Cogghe, Remy (1854-1935); 10.7x155 cm; Private Collection; (add.info.: Departure of Prisoners; Depart de Prisonniers)

Background imageNegative Concept Collection: Meditation, 1896 (oil on canvas)

Meditation, 1896 (oil on canvas)
825441 Meditation, 1896 (oil on canvas) by Martin, Henri (1860-1943); 56.2x68.2 cm; Private Collection; (add.info.: Meditation. Henri Martin (1860-1943). Oil on canvas. Painted in 1896

Background imageNegative Concept Collection: The Birthday, (oil on canvas)

The Birthday, (oil on canvas)
828456 The Birthday, (oil on canvas) by Hunt, William Holman (1827-1910); 102.8x72.7 cm; Private Collection; (add.info.: The Birthday. William Holman Hunt (1827-1910). Oil on canvas. 102.8 x 72.7cm

Background imageNegative Concept Collection: The Little Peacemaker, 1895 (pencil and watercolour)

The Little Peacemaker, 1895 (pencil and watercolour)
828429 The Little Peacemaker, 1895 (pencil and watercolour) by Manly, Eleanor (fl.1875-98); 50.8x71.8 cm; Private Collection; (add.info.: The Little Peacemaker. Eleanor E. Manly (fl.1875-1898)

Background imageNegative Concept Collection: Ace of Diamonds; L as de Carreau, 1924 (oil on canvas)

Ace of Diamonds; L as de Carreau, 1924 (oil on canvas)
825782 Ace of Diamonds; L as de Carreau, 1924 (oil on canvas) by Gris, Juan (1887-1927); 22.6x27.3 cm; Private Collection; (add.info.: Ace of Diamonds; L as de Carreau. Juan Gris (1887-1927)

Background imageNegative Concept Collection: Angel with Serpent, (oil on canvas)

Angel with Serpent, (oil on canvas)
828487 Angel with Serpent, (oil on canvas) by Morgan, Evelyn De (1855-1919); 89.5x112 cm; Private Collection; (add.info.: Angel with Serpent. Evelyn De Morgan (1855-1919). Oil on canvas

Background imageNegative Concept Collection: Tired of Waiting, 1881 (pencil and watercolour with touches of white heightening)

Tired of Waiting, 1881 (pencil and watercolour with touches of white heightening)
828478 Tired of Waiting, 1881 (pencil and watercolour with touches of white heightening) by Hopkins, Arthur (1848-1930); 56.5x75.5 cm; Private Collection; (add.info.: Tired of Waiting)

Background imageNegative Concept Collection: Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox

Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox
827937 Studies of a Red Deer, an Ibex, a Wild Boar, three Wolves, two Beavers, two Hares, a Fox, four Domestic Ducks, two Great Bustards, three Barn Owls a Turtle Dove, a Lapwing, a Nutcracker

Background imageNegative Concept Collection: A Man being Escorted to the Gallows (oil on canvas)

A Man being Escorted to the Gallows (oil on canvas)
827910 A Man being Escorted to the Gallows (oil on canvas) by Nuvolone, Carlo Francesco (1609-1662); 187.6x229.5 cm; Private Collection; (add.info.: A Man being Escorted to the Gallows)

Background imageNegative Concept Collection: The Deposition (oil on panel)

The Deposition (oil on panel)
827902 The Deposition (oil on panel) by Italian School, (16th century); 197.8x189.3 cm; Private Collection; (add.info.: The Deposition. School of the Abruzzo, early 16th Century. Oil on panel)

Background imageNegative Concept Collection: The Agony in the Garden, (oil on canvas)

The Agony in the Garden, (oil on canvas)
827888 The Agony in the Garden, (oil on canvas) by Morazzone, Pier Francesco (1573-1626); 111x85.5 cm; Private Collection; (add.info.: The Agony in the Garden)

Background imageNegative Concept Collection: A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an

A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an
827841 A repentant Sinner turning away from Temptation and offered a Palm of Salvation by an Angel, (oil on canvas) by Liss or Lis or von Lys

Background imageNegative Concept Collection: Portrait of a Woman by a Lake, (oil on canvas)

Portrait of a Woman by a Lake, (oil on canvas)
827000 Portrait of a Woman by a Lake, (oil on canvas) by Lynch, Albert (1851-1912); 100.3x76.2 cm; Private Collection; (add.info.: Portrait of a Woman by a Lake. Albert Lynch (1851-1912)

Background imageNegative Concept Collection: Saint Jerome in his Study, (oil on canvas)

Saint Jerome in his Study, (oil on canvas)
827637 Saint Jerome in his Study, (oil on canvas) by Cleve, Joos van (c.1485-1541); 60.7x46.7 cm; Private Collection; (add.info.: Saint Jerome in his Study. Joos Van Cleve (1485-1540). Oil on canvas

Background imageNegative Concept Collection: Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)

Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash)
827602 Hercules at the Crossroads, (black chalk, pen and brown ink and brown wash) by Cades, Giuseppe (1750-99); 32x38.5 cm; Private Collection; (add.info.: Hercules at the Crossroads)

Background imageNegative Concept Collection: A Fallen Horse, (red chalk)

A Fallen Horse, (red chalk)
827599 A Fallen Horse, (red chalk) by Dandini, Pietro (1646-1712); 27x33 cm; Private Collection; (add.info.: A Fallen Horse. Pietro Dandini (1646-1712). Red chalk

Background imageNegative Concept Collection: The War in Italy: Genoa, The Arrival of the Emperor Napoleon III

The War in Italy: Genoa, The Arrival of the Emperor Napoleon III
827351 The War in Italy: Genoa, The Arrival of the Emperor Napoleon III, 1859 (watercolour and gouache) by Bossoli, Carlo (1815-84); 28x48.3 cm; Private Collection; (add.info.: The War in Italy)

Background imageNegative Concept Collection: Nude Child with Dove, (oil on canvas)

Nude Child with Dove, (oil on canvas)
827164 Nude Child with Dove, (oil on canvas) by Perrault, Leon Bazile (1832-1908); 96.5x66 cm; Private Collection; (add.info.: Nude Child with Dove. Leon Bazile Perrault (1832-1908). Oil on canvas

Background imageNegative Concept Collection: Scenes from Romeo and Juliet: The Tomb (V, III), 1882 (gouache, en grisaille)

Scenes from Romeo and Juliet: The Tomb (V, III), 1882 (gouache, en grisaille)
827148 Scenes from Romeo and Juliet: The Tomb (V, III), 1882 (gouache, en grisaille) by Dicksee, Frank (1853-1928); 31.1x43.9 cm; Private Collection; (add.info.: Scenes from Romeo and Juliet)

Background imageNegative Concept Collection: Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze)

Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze)
824484 Man with the Broken Nose; L Homme au Nez Casse, 1864 (bronze) by Rodin, Auguste (1840-1917); 30.5 high cm; Private Collection; (add.info.: Man with the Broken Nose; L Homme au Nez Casse)

Background imageNegative Concept Collection: A Basket of Ribbons, 1869 (oil on panel)

A Basket of Ribbons, 1869 (oil on panel)
1197600 A Basket of Ribbons, 1869 (oil on panel) by Brun, Guillaume Charles (1825-1908); 45.7x33 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageNegative Concept Collection: La Toilette, (pastel on paper laid down on circular canvas)

La Toilette, (pastel on paper laid down on circular canvas)
823515 La Toilette, (pastel on paper laid down on circular canvas) by Enjolras, Delphin (1857-1945); 57.8x57.8 cm; Private Collection; (add.info.: La Toilette. Delphin Enjolras (1857-1945)

Background imageNegative Concept Collection: A Dispute Over Territory, (oil on canvas)

A Dispute Over Territory, (oil on canvas)
651002 A Dispute Over Territory, (oil on canvas) by Brown, John George (1831-1913); 39.1x30.4 cm; Private Collection; (add.info.: A Dispute Over Territory. John George Brown (1831-1913)

Background imageNegative Concept Collection: The Classroom, 1868 (oil on panel)

The Classroom, 1868 (oil on panel)
650862 The Classroom, 1868 (oil on panel) by Bacon, Henry (1839-1912); 27.1x21.6 cm; Private Collection; (add.info.: The Classroom. Henry Bacon (1839-1912). Oil on panel. Signed and dated 1868

Background imageNegative Concept Collection: Lieutenant Jean Julien Lemordant, c. 1918 (oil on canvas)

Lieutenant Jean Julien Lemordant, c. 1918 (oil on canvas)
650802 Lieutenant Jean Julien Lemordant, c. 1918 (oil on canvas) by Beaux, Cecilia (1855-1942); 65.5x50.3 cm; Private Collection; (add.info.: Lieutenant Jean Julien Lemordant)

Background imageNegative Concept Collection: Miss Violet Organ (Katie McNamara), (oil on canvas)

Miss Violet Organ (Katie McNamara), (oil on canvas)
650742 Miss Violet Organ (Katie McNamara), (oil on canvas) by Henri, Robert Cozad (1865-1929); 71.1x51 cm; Private Collection; (add.info.: Miss Violet Organ (Katie McNamara)

Background imageNegative Concept Collection: Roses in a Glass Vase, (oil on canvas laid on masonite)

Roses in a Glass Vase, (oil on canvas laid on masonite)
650381 Roses in a Glass Vase, (oil on canvas laid on masonite) by Curran, Charles Courtney (1861-1942); 55.6x45.7 cm; Private Collection; (add.info.: Roses in a Glass Vase)

Background imageNegative Concept Collection: A Nightmare, (oil on canvas)

A Nightmare, (oil on canvas)
652162 A Nightmare, (oil on canvas) by Holst, Theodor M. von (1810-44); 151.7x91.5 cm; Private Collection; (add.info.: A Nightmare. Theodor M. von Holst (1810-1844). Oil on canvas

Background imageNegative Concept Collection: Satan Exulting, (pencil and watercolour)

Satan Exulting, (pencil and watercolour)
651873 Satan Exulting, (pencil and watercolour) by Westall, Richard (1765-1836); 56.5x38.7 cm; Private Collection; (add.info.: Satan Exulting. Richard Westall (1765-1836). Pencil and watercolour



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"Exploring the Dark Side: A Journey through Negative Concepts in Art" Step into a world where art delves into the depths of negativity, revealing hidden emotions and challenging conventional perceptions. From historical battles to intimate moments, these captivating artworks provoke contemplation on the darker aspects of human existence. "The Battle of Trafalgar" portrays the chaos and destruction of war, capturing the intensity and sacrifice that lie beneath victorious narratives. In contrast, "A Woman Reading at a Window" hints at isolation and introspection, inviting us to ponder upon inner struggles masked by outward tranquility. "A Mediterranean Beauty" unveils an enigmatic allure tainted by melancholy, reminding us that even beauty can harbor shadows. Meanwhile, "Kittens Playing on Desk" may seem innocent at first glance but symbolizes fleeting joy amidst life's uncertainties. "The Jewel Box, " rendered delicately with pencil and watercolor on paper, explores themes of materialism and emptiness within opulence. On another note, "Portrait of Oliver Cromwell in Armour" juxtaposes power with vulnerability as it depicts a leader immersed in battle's turmoil. "Bucking Bronco, " frozen in time on canvas laid down on masonite, captures both strength and danger—a metaphor for life's unpredictable challenges. Similarly evocative is "The Wiltshire Great Coursing Meeting Held at Amesbury, " which illustrates the thrill of competition tinged with underlying tensions. Intriguingly named "The Death of Bhishma, " this artwork immortalizes mortal wounds inflicted by arrows—an allegory for mortality itself. Conversely, "Halt of Prince Charles Edward on the Banks of Nairne" reveals a momentary pause amidst tumultuous times—a reflection on resilience during adversity. "Nude Boy Standing; Stehender Knabenakt" exposes vulnerability while celebrating youthful innocence—an exploration into society's conflicting attitudes towards nudity.