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Naive Collection (page 9)

"Exploring the World of Naive Art

Background imageNaive Collection: The town and country belle, 1852 (oil on board)

The town and country belle, 1852 (oil on board)
CH355392 The town and country belle, 1852 (oil on board) by Solomon, Abraham (1824-62); 29.8x33 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageNaive Collection: Seated man, Colima Culture (ceramic)

Seated man, Colima Culture (ceramic)
XBP394469 Seated man, Colima Culture (ceramic) by Pre-Columbian; height: 40.6 cm; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: Details of Seated Figure, Chinesco Culture, (ceramic)

Details of Seated Figure, Chinesco Culture, (ceramic)
XBP394464 Details of Seated Figure, Chinesco Culture, (ceramic) by Pre-Columbian; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: f. 177v T-in-O map, with letterpress place names, from Isidore of Seville

f. 177v T-in-O map, with letterpress place names, from Isidore of Seville
473521 f.177v T-in-O map, with letterpress place names, from Isidore of Seville, Liber Etimologiarvm (woodcut) by German School, (15th century); Newberry Library, Chicago, Illinois

Background imageNaive Collection: European bartering at the river port of the Miranhas Tribe, Amiro Japara

European bartering at the river port of the Miranhas Tribe, Amiro Japara
STC450363 European bartering at the river port of the Miranhas Tribe, Amiro Japara, illustration from the Atlas of a Journey in Brasil (litho) by German School

Background imageNaive Collection: Christ the Teacher (fresco)

Christ the Teacher (fresco)
704191 Christ the Teacher (fresco) by Paleo-Christian; Cimitero Maggiore, Rome, Italy; out of copyright

Background imageNaive Collection: Portrait of Nancy Riley (oil on canvas)

Portrait of Nancy Riley (oil on canvas)
714795 Portrait of Nancy Riley (oil on canvas) by Stock, Joseph Whiting (1815-55); 113x91.4 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageNaive Collection: Pigeon box from the Talashkino workshops, c. 1908 (bronze and enamel)

Pigeon box from the Talashkino workshops, c. 1908 (bronze and enamel)
QED9582 Pigeon box from the Talashkino workshops, c.1908 (bronze and enamel) by Tenisheva, Princess Maria (1858-1928); Private Collection; (add.info.: Talashkino near Smolensk)

Background imageNaive Collection: Young Girl in a Landscape with Primroses, c. 1850 (oil on canvas)

Young Girl in a Landscape with Primroses, c. 1850 (oil on canvas)
GG11781 Young Girl in a Landscape with Primroses, c.1850 (oil on canvas) by English School, (19th century); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Background imageNaive Collection: Lip plug, Mixtec Culture (gold)

Lip plug, Mixtec Culture (gold)
XBP397506 Lip plug, Mixtec Culture (gold) by Pre-Columbian; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: Peaceable Kingdom (oil on canvas)

Peaceable Kingdom (oil on canvas)
6069363 Peaceable Kingdom (oil on canvas) by Hicks, Edward (1780-1849); 74.9x90.8 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageNaive Collection: Study of Sheep in a Landscape

Study of Sheep in a Landscape
GG42419 Study of Sheep in a Landscape by Whitford, Richard (c.1821-90); Private Collection; Photo eGavin Graham Gallery, London, UK; English, out of copyright

Background imageNaive Collection: The Battle of Lexington and Concord (pen & ink & w / c on paper)

The Battle of Lexington and Concord (pen & ink & w / c on paper)
AQS257151 The Battle of Lexington and Concord (pen & ink & w/c on paper) by American School, (18th century); American Antiquarian Society, Worcester, Massachusetts

Background imageNaive Collection: The Red Tree, 1928-30 (oil on canvas)

The Red Tree, 1928-30 (oil on canvas)
XIR240212 The Red Tree, 1928-30 (oil on canvas) by Louis, Seraphine (Seraphine) (1864-1942); 193x130 cm; Musee National d Art Moderne, Centre Pompidou, Paris

Background imageNaive Collection: Retreat of Major Marcus Renos command (ink on paper)

Retreat of Major Marcus Renos command (ink on paper)
STC168265 Retreat of Major Marcus Renos command (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: a warrior, upper left)

Background imageNaive Collection: Major Marcus Renos retreat before the Indian counter-attack (ink on paper)

Major Marcus Renos retreat before the Indian counter-attack (ink on paper)
STC168259 Major Marcus Renos retreat before the Indian counter-attack (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info.: Battle of Little Big Horn)

Background imageNaive Collection: The Yorkshire Rose, engraved by C. Turner (fl. 1773 -1857) 1838

The Yorkshire Rose, engraved by C. Turner (fl. 1773 -1857) 1838
AJ84606 The Yorkshire Rose, engraved by C. Turner (fl.1773 -1857) 1838 by Horner, G. (1829-1881) after; Private Collection; English, out of copyright

Background imageNaive Collection: Boy with a Toy Horse, c. 1845 (oil on canvas)

Boy with a Toy Horse, c. 1845 (oil on canvas)
NYH154577 Boy with a Toy Horse, c.1845 (oil on canvas) by Stock, Joseph Whiting (1815-55); 128.3x101.6 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

Background imageNaive Collection: William Henry Harrison, The Ohio Farmer, 1840 (cotton)

William Henry Harrison, The Ohio Farmer, 1840 (cotton)
NYH154295 William Henry Harrison, The Ohio Farmer, 1840 (cotton) by American School, (19th century); 73x62.9 cm; Collection of the New-York Historical Society

Background imageNaive Collection: Ballston Spring, New York, 1807 (w / c on paper)

Ballston Spring, New York, 1807 (w / c on paper)
NYH154268 Ballston Spring, New York, 1807 (w/c on paper) by Hyde de Neuville, Anne Marguerite (c.1749-1849); 17.8x24.8 cm; Collection of the New-York Historical Society

Background imageNaive Collection: The Schuyler Family, 1824 (w / c on paper)

The Schuyler Family, 1824 (w / c on paper)
NYH154241 The Schuyler Family, 1824 (w/c on paper) by Andrews, Ambrose (1805-59); 24.1x30.8 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

Background imageNaive Collection: Path in the Buttes Chaumont Park, Paris, 1908 (oil on canvas)

Path in the Buttes Chaumont Park, Paris, 1908 (oil on canvas)
NUL121174 Path in the Buttes Chaumont Park, Paris, 1908 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 46.7x39.4 cm; Private Collection; French, out of copyright

Background imageNaive Collection: Portrait of Captain William Manfull in Full Military Dress, 1822 (w / c

Portrait of Captain William Manfull in Full Military Dress, 1822 (w / c
CJP107792 Portrait of Captain William Manfull in Full Military Dress, 1822 (w/c, gouache and pencil on paper) by English School

Background imageNaive Collection: Roundel depicting the Annunciation to the Shepherds (stained glass)

Roundel depicting the Annunciation to the Shepherds (stained glass)
BAL177069 Roundel depicting the Annunciation to the Shepherds (stained glass) by English School; Victoria & Albert Museum, London, UK; English, out of copyright

Background imageNaive Collection: Reclining Nude c. 1919 (oil on canvas)

Reclining Nude c. 1919 (oil on canvas)
60889 Reclining Nude c.1919 (oil on canvas) by Modigliani, Amedeo (1884-1920); 72.4 x 116.5 cm; Museum of Modern Art, New York, USA; Italian, out of copyright

Background imageNaive Collection: Birth certificate, 1821 (pen & ink and w / c on paper)

Birth certificate, 1821 (pen & ink and w / c on paper)
BRN189678 Birth certificate, 1821 (pen & ink and w/c on paper) by American School, (19th century); The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Saint John of Nepomuk (San Juan Nepomuceno), c. 1795-1810 (water-based paint on wood panel

Saint John of Nepomuk (San Juan Nepomuceno), c. 1795-1810 (water-based paint on wood panel
BRN198260 Saint John of Nepomuk (San Juan Nepomuceno), c.1795-1810 (water-based paint on wood panel) by Spanish School, (18th century); 27 x 17.8 cm; The Barnes Foundation, Philadelphia

Background imageNaive Collection: Fireboard depicting a view of Beverly, 1800-20 (oil on panel)

Fireboard depicting a view of Beverly, 1800-20 (oil on panel)
PEM199339 Fireboard depicting a view of Beverly, 1800-20 (oil on panel) by American School, (19th century); 80x124.5 cm; Peabody Essex Museum, Salem, Massachusetts

Background imageNaive Collection: Saint Joseph the Patriarch, c. 1830 (water-based paint on wood panel)

Saint Joseph the Patriarch, c. 1830 (water-based paint on wood panel)
BRN195825 Saint Joseph the Patriarch, c. 1830 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 22.2 x 16.2 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Saint Barbara, c. 1890 (water-based paint on wood panel)

Saint Barbara, c. 1890 (water-based paint on wood panel)
BRN195823 Saint Barbara, c. 1890 (water-based paint on wood panel) by Spanish School, (19th century); 43.8 x 29.2 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Saint Raymond Nonnatus, c. 1830-1860 (water-based paint on wood panel)

Saint Raymond Nonnatus, c. 1830-1860 (water-based paint on wood panel)
BRN195809 Saint Raymond Nonnatus, c. 1830-1860 (water-based paint on wood panel) by Spanish School, (19th century); 31.1 x 23.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageNaive Collection: Blindmans Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795

Blindmans Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795
NCO191207 Blindmans Buff, or Too Many for John Bull, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageNaive Collection: The Peaceable Kingdom, c. 1816-18 (oil on canvas)

The Peaceable Kingdom, c. 1816-18 (oil on canvas)
5672969 The Peaceable Kingdom, c.1816-18 (oil on canvas) by Hicks, Edward (1780-1849); 47.6 x 59.7 cm; Cleveland Museum of Art, OH

Background imageNaive Collection: Pigeon box from the Talashkino workshops, c. 1908 (bronze and enamel)

Pigeon box from the Talashkino workshops, c. 1908 (bronze and enamel)
5320737 Pigeon box from the Talashkino workshops, c.1908 (bronze and enamel) by Tenisheva, Princess Maria (1858-1928); Private Collection; (add.info.: Talashkino near Smolensk)

Background imageNaive Collection: Basket of Fruit with Flowers, c. 1830 (oil on wood)

Basket of Fruit with Flowers, c. 1830 (oil on wood)
4073431 Basket of Fruit with Flowers, c.1830 (oil on wood) by American School, (19th century); 35.1X45.5 cm; National Gallery of Art, Washington DC, USA; American, out of copyright

Background imageNaive Collection: Portrait of a Child, c. 1880 (oil on canvas)

Portrait of a Child, c. 1880 (oil on canvas)
3956058 Portrait of a Child, c.1880 (oil on canvas) by Mexican School, (19th century); 41.9 x 30.5 cm; Yale University Art Gallery, New Haven, CT, USA; Mexican, out of copyright

Background imageNaive Collection: Portrait of Sarah Prince, c. 1801 (oil on canvas)

Portrait of Sarah Prince, c. 1801 (oil on canvas)
3956064 Portrait of Sarah Prince, c.1801 (oil on canvas) by Brewster, John (1766-1854); 133.03 x 101.28 cm; Yale University Art Gallery, New Haven, CT

Background imageNaive Collection: Young Lady with a Rose, 1732 (oil on canvas)

Young Lady with a Rose, 1732 (oil on canvas)
3746310 Young Lady with a Rose, 1732 (oil on canvas) by Vanderlyn, Pieter (c.1687-1778); 82.6x68.6 cm; Metropolitan Museum of Art, New York

Background imageNaive Collection: The Buildings of Lalibela, Ethiopia (illuminated manuscript)

The Buildings of Lalibela, Ethiopia (illuminated manuscript)
3849872 The Buildings of Lalibela, Ethiopia (illuminated manuscript) by Ethiopian School, (19th century); (add.info.: Illuminated manuscript)

Background imageNaive Collection: Sea Monster and Ship, illustration from Historiae Animalium bu Conrad Gesner

Sea Monster and Ship, illustration from Historiae Animalium bu Conrad Gesner
GIA877025 Sea Monster and Ship, illustration from Historiae Animalium bu Conrad Gesner, 1560 (colour litho) by Swiss School, (16th century); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNaive Collection: Dogs at Play, 1927 (oil on canvas)

Dogs at Play, 1927 (oil on canvas)
907859 Dogs at Play, 1927 (oil on canvas) by Wood, Christopher (1901-30); 81.3x85 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageNaive Collection: Seated figure with upraised knee, Highland Olmec, San Martin Texmelucan

Seated figure with upraised knee, Highland Olmec, San Martin Texmelucan
1066393 Seated figure with upraised knee, Highland Olmec, San Martin Texmelucan, (serpentine & cinnabar) by Mexican School; 19.4x13.7x7.8 cm; Dallas Museum of Art, Texas

Background imageNaive Collection: The Railway (oil on canvas)

The Railway (oil on canvas)
BRM176780 The Railway (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); Private Collection; (add.info.: Le Chemin de Fer de Ceinture; ); French, out of copyright



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"Exploring the World of Naive Art: From Haiti to Brazil and Beyond" Immerse yourself in the vibrant world art as we take you on a journey through various captivating scenes. Starting in Santo Domingo, Dominican Republic, discover the enchanting Naive Haitian painting that beautifully captures the essence of Caribbean culture. Traveling across continents, we find ourselves in St Ives, Cornwall, where Alfred Wallis' Cottage stands as a testament to his unique artistic style. The simplicity and charm of this piece transport us to a tranquil seaside village. Venturing further into Haiti's bustling capital city, Port-au-Prince, we witness a lively market scene depicted with vivid colors and intricate details. This Haitian masterpiece showcases the raw energy and spirit of its people. Next up is an enchanting circus scene illustrated by Gérard Laplau. With whimsical characters and dazzling performances, this artwork transports us back to childhood wonderment and joy. Our journey then takes us to Salvador in Brazil where naive art flourishes. Here we encounter stunning paintings that depict everyday life with a touch of magic realism - truly capturing the soulful essence of South America. As night falls along Walton-on-Thames towpath, an oil on canvas painting evokes tranquility amidst nature's beauty. The serene ambiance invites contemplation as moonlight dances upon calm waters. Returning once more to Haiti, we are greeted by captivating portraits showcasing women painted with naivety yet profound emotion. These pieces from private collections offer glimpses into personal stories told through brushstrokes. Innocence knows no bounds as we witness a little boy engrossed in play with his model plane - reminding us all to embrace our inner childlike curiosity and imagination. Nature reveals its elegance through an exquisite portrayal of a grey heron captured gracefully within its habitat. This artwork reminds us to appreciate the delicate balance between man and wildlife coexisting harmoniously.