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Naive Collection (page 7)

"Exploring the World of Naive Art

Background imageNaive Collection: The Republican Rattle-Snake fascinating the Bedford Squirrel

The Republican Rattle-Snake fascinating the Bedford Squirrel
NCO190437 The Republican Rattle-Snake fascinating the Bedford Squirrel, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Background imageNaive Collection: Opening of the Battle of the Little Big Horn (ink on paper)

Opening of the Battle of the Little Big Horn (ink on paper)
STC168258 Opening of the Battle of the Little Big Horn (ink on paper) by Amos Bad Heart Buffalo (1869-1913); Private Collection; (add.info)

Background imageNaive Collection: Figurine (clay)

Figurine (clay)
BLP449472 Figurine (clay) by Egyptian 12th Dynasty (1991-1786 BC); Private Collection; (add.info.: the inscription, in Heratic script, lists Egypts enemies, amongst them Jerusalem; the figurine)

Background imageNaive Collection: Cycladic Figurine, Naxos, c. 3000-2000 BC (marble)

Cycladic Figurine, Naxos, c. 3000-2000 BC (marble)
AMQ419865 Cycladic Figurine, Naxos, c.3000-2000 BC (marble) by Greek; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; Greek, out of copyright

Background imageNaive Collection: Bell, Mixtec Culture (gold)

Bell, Mixtec Culture (gold)
XBP397505 Bell, Mixtec Culture (gold) by Pre-Columbian; height: 5.1 cm; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: Jesus Went to His Disciples, c. 1810-20 (pen & ink and w / c on paper)

Jesus Went to His Disciples, c. 1810-20 (pen & ink and w / c on paper)
483691 Jesus Went to His Disciples, c.1810-20 (pen & ink and w/c on paper) by Rudy, Durs Sr. (1766-1843) & Rudy, Durs Jr. (1789-1850)

Background imageNaive Collection: Jaguar, Olmec Culture (jade)

Jaguar, Olmec Culture (jade)
XBP394479 Jaguar, Olmec Culture (jade) by Pre-Columbian; height: 8.9 cm; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: Seated figure, Jalisco Culture (ceramic)

Seated figure, Jalisco Culture (ceramic)
XBP394466 Seated figure, Jalisco Culture (ceramic) by Pre-Columbian; 16.5 cm; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: Figurine, Chupicuaro Culture (ceramic)

Figurine, Chupicuaro Culture (ceramic)
XBP394461 Figurine, Chupicuaro Culture (ceramic) by Pre-Columbian; American Museum of Natural History, New York, USA; Photo eBoltin Picture Library; South American, out of copyright

Background imageNaive Collection: The Wedding, 1907 (oil on canvas)

The Wedding, 1907 (oil on canvas)
NUL445557 The Wedding, 1907 (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); Private Collection; Russian, out of copyright

Background imageNaive Collection: Farmhouse in Mahantango Valley (oil on canvas)

Farmhouse in Mahantango Valley (oil on canvas)
4073402 Farmhouse in Mahantango Valley (oil on canvas) by American School, (19th century); 72x72.1 cm; National Gallery of Art, Washington DC, USA; (add.info.: Farmhouse in Mahantango Valley)

Background imageNaive Collection: Billy Purvis (oil on board)

Billy Purvis (oil on board)
1212612 Billy Purvis (oil on board) by English School, (19th century); 40.1x50.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

Background imageNaive Collection: The Falls of Niagara, c. 1825 (oil on canvas)

The Falls of Niagara, c. 1825 (oil on canvas)
3746320 The Falls of Niagara, c.1825 (oil on canvas) by Hicks, Edward (1780-1849); 80x96.5 cm; Metropolitan Museum of Art, New York

Background imageNaive Collection: The Newbus Ox, engraved by W. Ward, 1812 (colour engraving)

The Newbus Ox, engraved by W. Ward, 1812 (colour engraving)
AJ211651 The Newbus Ox, engraved by W. Ward, 1812 (colour engraving) by Weaver, Thomas (1774-1843) (after); Private Collection; (add.info.: bred by Mr Hutchinson of Eglestone; ); English

Background imageNaive Collection: The Habertoft Short Horned Prize Cow, engraved by C. Hunt, 1842 (colour engraving)

The Habertoft Short Horned Prize Cow, engraved by C. Hunt, 1842 (colour engraving)
AJ211650 The Habertoft Short Horned Prize Cow, engraved by C. Hunt, 1842 (colour engraving) by Hubbard, B. (fl.1839-64) (after); Private Collection; (add.info)

Background imageNaive Collection: A Leicester Sow, 2 years old, the property of Samuel Wiley (litho)

A Leicester Sow, 2 years old, the property of Samuel Wiley (litho)
AJ18291 A Leicester Sow, 2 years old, the property of Samuel Wiley (litho) by Davis, William Henry (fl.1803-d.1865); Private Collection; English, out of copyright

Background imageNaive Collection: Rural Scene with Coach and Horse, c. 1835 (oil on canvas)

Rural Scene with Coach and Horse, c. 1835 (oil on canvas)
CK93272 Rural Scene with Coach and Horse, c.1835 (oil on canvas) by English School, (19th century); 139x155 cm; Private Collection; Photo eCrane Kalman, London; English, out of copyright

Background imageNaive Collection: Sevres Bridge (oil on canvas)

Sevres Bridge (oil on canvas)
NUL113434 Sevres Bridge (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); Private Collection; French, out of copyright

Background imageNaive Collection: Myself: Portrait-Landscape, 1890 (oil on canvas)

Myself: Portrait-Landscape, 1890 (oil on canvas)
5614491 Myself: Portrait-Landscape, 1890 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 146x113 cm; Narodni Galerie, Prague

Background imageNaive Collection: Portrait of Lydia and William Anderson

Portrait of Lydia and William Anderson
5983978 Portrait of Lydia and William Anderson by Prior, William Matthew (1806-73); Private Collection; American, out of copyright

Background imageNaive Collection: The Happy Quartet, 1902 (oil on canvas)

The Happy Quartet, 1902 (oil on canvas)
NUL121805 The Happy Quartet, 1902 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 94.6x60.3 cm; Private Collection; French, out of copyright

Background imageNaive Collection: Powdered wallpaper design, 1874

Powdered wallpaper design, 1874
WMA82923 Powdered wallpaper design, 1874 by Morris, William (1834-96); Private Collection; The Stapleton Collection; English, out of copyright

Background imageNaive Collection: Detail from the facade of the parish church of Santa Maria (photo)

Detail from the facade of the parish church of Santa Maria (photo)
KAB159695 Detail from the facade of the parish church of Santa Maria (photo) by Italian School; Vicopisano, near Pisa, Tuscany, Italy; eDario Grimaldi; Italian, out of copyright

Background imageNaive Collection: Boy with a Tin Drum, c. 1845 (oil on canvas)

Boy with a Tin Drum, c. 1845 (oil on canvas)
NYH154580 Boy with a Tin Drum, c.1845 (oil on canvas) by Bartol, William (fl.1845); 65.7x55.6 cm; Collection of the New-York Historical Society, USA; eNew York Historical Society; American

Background imageNaive Collection: Landscape with Fisherman, 1909 (oil on canvas)

Landscape with Fisherman, 1909 (oil on canvas)
BRN160614 Landscape with Fisherman, 1909 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); The Barnes Foundation, Philadelphia, Pennsylvania, USA; eBarnes Foundation; French

Background imageNaive Collection: Outskirts of Paris, c. 1900 (oil on canvas)

Outskirts of Paris, c. 1900 (oil on canvas)
5672880 Outskirts of Paris, c.1900 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 37.8 x 45.8 cm; Cleveland Museum of Art, OH

Background imageNaive Collection: Sea Monsters, illustration from Historiae Animalium by Conrad Gesner

Sea Monsters, illustration from Historiae Animalium by Conrad Gesner
GIA877028 Sea Monsters, illustration from Historiae Animalium by Conrad Gesner, 1560 (colour litho) by Swiss School, (16th century); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNaive Collection: Sea Monster attacking a Ship, illustration from Historiae Animalium

Sea Monster attacking a Ship, illustration from Historiae Animalium
GIA877027 Sea Monster attacking a Ship, illustration from Historiae Animalium by Conrad Gesner, 1560 (colour litho) by Swiss School, (16th century); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNaive Collection: Sea Monster eating a human, illustration from Historiae Animalium

Sea Monster eating a human, illustration from Historiae Animalium
GIA877026 Sea Monster eating a human, illustration from Historiae Animalium by Conrad Gesner, 1560 (colour litho) by Swiss School, (16th century); Biblioteca Nazionale Braidense, Milan, Lombardy

Background imageNaive Collection: Winter Scene in Moonlight, 1869 (w / c and gouache on white wove paper)

Winter Scene in Moonlight, 1869 (w / c and gouache on white wove paper)
3614062 Winter Scene in Moonlight, 1869 (w/c and gouache on white wove paper) by Farrer, Henry (1843-1903); 30.2x38.6 cm; Metropolitan Museum of Art, New York

Background imageNaive Collection: The Peaceable Kingdom, 1832-34 (see also 84503)

The Peaceable Kingdom, 1832-34 (see also 84503)
PHD480 The Peaceable Kingdom, 1832-34 (see also 84503) by Hicks, Edward (1780-1849); 43.1x58.1 cm; Private Collection; (add.info.: William Penns Treaty with the Indians November 1682; ); American

Background imageNaive Collection: The Bridge at Charenton, France

The Bridge at Charenton, France
PWI83724 The Bridge at Charenton, France by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 32.7x40.8 cm; Private Collection; ePeter Willi; French, out of copyright

Background imageNaive Collection: In the Fields, 1910

In the Fields, 1910
PWI83700 In the Fields, 1910 by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 46x55 cm; Bridgestone Museum of Art, Tokyo, Japan; ePeter Willi; French, out of copyright

Background imageNaive Collection: Portrait of a Small Girl

Portrait of a Small Girl
BOO74383 Portrait of a Small Girl by Russian School (18th century); 108x86.5 cm; State Hermitage Museum, St. Petersburg, Russia; Russian, out of copyright

Background imageNaive Collection: Shorthorn Cow, c. 1850

Shorthorn Cow, c. 1850
CHA55561 Shorthorn Cow, c.1850 by Anonymous; Marsham Hall, Abingdon, Oxfordshire, UK; out of copyright

Background imageNaive Collection: The Midshipmans Mess on Board the Honourable Cos Ship Marchioness of Ely, c

The Midshipmans Mess on Board the Honourable Cos Ship Marchioness of Ely, c
CH406799 The Midshipmans Mess on Board the Honourable Cos Ship Marchioness of Ely, c.1826-32 (pen & ink and w/c on paper) by Allen, Anthony P

Background imageNaive Collection: Mask, Olmec Culture (wood)

Mask, Olmec Culture (wood)
XBP394474 Mask, Olmec Culture (wood) by Pre-Columbian; height: 17.1 cm; American Museum of Natural History, New York, USA; (add.info)

Background imageNaive Collection: Brooch in the form of horse and riders (bronze) (detail of 201447)

Brooch in the form of horse and riders (bronze) (detail of 201447)
AMQ419848 Brooch in the form of horse and riders (bronze) (detail of 201447) by Roman; Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; out of copyright

Background imageNaive Collection: Birth and baptismal certificate for Eva Eissenhaer, c. 1773 (pen & ink and w / c on paper)

Birth and baptismal certificate for Eva Eissenhaer, c. 1773 (pen & ink and w / c on paper)
483698 Birth and baptismal certificate for Eva Eissenhaer, c.1773 (pen & ink and w/c on paper) by Sussel-Washington Artist (fl.c.1760-79); 16.5x20 cm; Free Library of Philadelphia; (add.info)

Background imageNaive Collection: Mixed Dahlias in a Green Vase, with a Book on a Chequered Tablecloth (oil on canvas)

Mixed Dahlias in a Green Vase, with a Book on a Chequered Tablecloth (oil on canvas)
475552 Mixed Dahlias in a Green Vase, with a Book on a Chequered Tablecloth (oil on canvas) by Hunter, George Leslie (1877-1931); Private Collection; Photo eChristies Images; Scottish

Background imageNaive Collection: Native American inscriptions on a rock on Lake Erie, from

Native American inscriptions on a rock on Lake Erie, from
TRV228846 Native American inscriptions on a rock on Lake Erie, from Information Respecting the History, Condition and Prospects of the Indian Tribes of the United States by Schoolcraft

Background imageNaive Collection: The wedding party, c. 1905 (oil on canvas)

The wedding party, c. 1905 (oil on canvas)
XIR309523 The wedding party, c.1905 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 163x114 cm; Musee de l Orangerie, Paris, France; (add.info.: La noce; ); French, out of copyright

Background imageNaive Collection: Little Red Riding Hood and the Wolf, illustration from

Little Red Riding Hood and the Wolf, illustration from
IL258499 Little Red Riding Hood and the Wolf, illustration from The Beautiful Book of Nursery Rhymes, Stories and Pictures, by Frank Adams, published by Blackie & Son (colour litho) by Adams



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"Exploring the World of Naive Art: From Haiti to Brazil and Beyond" Immerse yourself in the vibrant world art as we take you on a journey through various captivating scenes. Starting in Santo Domingo, Dominican Republic, discover the enchanting Naive Haitian painting that beautifully captures the essence of Caribbean culture. Traveling across continents, we find ourselves in St Ives, Cornwall, where Alfred Wallis' Cottage stands as a testament to his unique artistic style. The simplicity and charm of this piece transport us to a tranquil seaside village. Venturing further into Haiti's bustling capital city, Port-au-Prince, we witness a lively market scene depicted with vivid colors and intricate details. This Haitian masterpiece showcases the raw energy and spirit of its people. Next up is an enchanting circus scene illustrated by Gérard Laplau. With whimsical characters and dazzling performances, this artwork transports us back to childhood wonderment and joy. Our journey then takes us to Salvador in Brazil where naive art flourishes. Here we encounter stunning paintings that depict everyday life with a touch of magic realism - truly capturing the soulful essence of South America. As night falls along Walton-on-Thames towpath, an oil on canvas painting evokes tranquility amidst nature's beauty. The serene ambiance invites contemplation as moonlight dances upon calm waters. Returning once more to Haiti, we are greeted by captivating portraits showcasing women painted with naivety yet profound emotion. These pieces from private collections offer glimpses into personal stories told through brushstrokes. Innocence knows no bounds as we witness a little boy engrossed in play with his model plane - reminding us all to embrace our inner childlike curiosity and imagination. Nature reveals its elegance through an exquisite portrayal of a grey heron captured gracefully within its habitat. This artwork reminds us to appreciate the delicate balance between man and wildlife coexisting harmoniously.