Moral Collection (page 6)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899624 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)
CUL4905553 Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry)
CUL4905664 Story of Gideon, Judge and warrior of the Hebrews, late 16th century (tapestry) by Heemskerck, Maerten van (1498-1574); 371x406 cm; Museo Diocesano, Albarracin, Teruel

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907712 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4900000 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The parable of the laborers in the vineyard, c. 1500 (tapestry)
CUL4899812 The parable of the laborers in the vineyard, c.1500 (tapestry) by Coecke van Aelst, Pieter (1502-50) (studio of); 410x620 cm; Catedral de Zamora, Castilla y Leon

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907821 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

"Plan of the Road from the City of Destruction to the Celestial City
XND76023 "Plan of the Road from the City of Destruction to the Celestial City, engraved expressly for Williams's Elegant Edition of The Pilgrim's Progress"

Title page of Volpone or the fox (1609) written by Ben Johnson, 1898 (engraving)
CUL4857712 Title page of Volpone or the fox (1609) written by Ben Johnson, 1898 (engraving) by Beardsley, Aubrey (1872-98); (add.info.: designed by BEARDSLEY)

Susannah and the Elders (oil on canvas)
3822231 Susannah and the Elders (oil on canvas) by Lely, Peter (1618-80) (after); 82.3x67 cm; Calderdale Museums Service, West Yorkshire, UK; © Calderdale Borough Council

L Assiette au Beurre, number 298, Satirical in Colours, 1906_12_15
ICA4907907 L Assiette au Beurre, number 298, Satirical in Colours, 1906_12_15 by Camara, Leal de (1877-1948); (add.info.: Automobile, Sexual Sex)

In Warsaw, a wealthy and elegant woman is assaulted by the faithful in a church because she wore a short skirt that
XEE4183137 In Warsaw, a wealthy and elegant woman is assaulted by the faithful in a church because she wore a short skirt that only happened to her knees

Mercenary love, c. 1511 (woodcut)
2653554 Mercenary love, c.1511 (woodcut) by Graf, Urs (The Elder) (1485-1528); Private Collection; (add.info.: Satirical attack against women receiving payment for sexual favours; an old man gropes a)

A jackal devours a hare from Lights of Canopus, 1847 (ink and pigment on paper)
3619852 A jackal devours a hare from Lights of Canopus, 1847 (ink and pigment on paper) by Persian School, (19th century); 35x21.5 cm; Walters Art Museum, Baltimore

The Ill-matched Pair, 1566 (oil on wood)
3588384 The Ill-matched Pair, 1566 (oil on wood) by Massys or Metsys, Jan (1509-75); 97x134 cm; National Museum, Stockholm, Sweden

La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving)
1202216 La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (after); 39x26 cm; Private Collection; Photo © Christies Images

The Dog and the Wolf, illustration for Fables of La Fontaine, published by H. Fournier Aine, 1838 (engraving)
498846 The Dog and the Wolf, illustration for Fables of La Fontaine, published by H. Fournier Aine, 1838 (engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47)

Irresolute Virtue (oil on canvas)
490412 Irresolute Virtue (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 48.5x39 cm; Private Collection; (add.info.: La Vertu Irresolue); Photo © Christies Images

The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)
LRI4586493 The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief)
LRI4586485 The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586666 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief)
LRI4586546 The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Rat who retired from the world (drawing, circa 1870)
5975830 The Rat who retired from the world (drawing, circa 1870) by Bachereau-Reverchon, Victor (1842-1885); Private Collection; (add.info.: Litterature)

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586656 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy: dress the denudes, 1526-1528 (low Terracotta relief)
LRI4586475 The Seven Works of Mercy: dress the denudes, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Allegory of Liberty (painting, 1797)
LRI4700154 Allegory of Liberty (painting, 1797) by Guascone, Felice (d.1830); Museo del Risorgimento e Istituto Mazziniano, Genoa

The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief)
LRI4586715 The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief)
LRI4586570 The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Le genie du mal (sculpture)
JEB4870622 Le genie du mal (sculpture) by Amy, Jean Barnabe (1839-1907); 46x19x31 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586525 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief)
LRI4586545 The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief)
LRI4586494 The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Susannah and the Elders (oil on canvas)
3744373 Susannah and the Elders (oil on canvas) by Gentileschi, Artemisia (1597-c.1651) (attr.to); 162.5x121.9 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief)
LRI4586576 The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586509 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Its wise being good than bad, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)
IL370470 Its wise being good than bad, illustration from Rabbi Ben Ezra by Robert Browning (colour litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info)

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586685 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586510 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief)
LRI4586496 The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this
XEE4156435 Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this. You re going to gater your eye - Caroline Otero (1868-1965)

The Flaquer family. Painting by Joaquin Espalter y Rull (1809-1880). Oil on canvas, 1845, Spanish school, romantic art
AIS5360336 The Flaquer family. Painting by Joaquin Espalter y Rull (1809-1880). Oil on canvas, 1845, Spanish school, romantic art. Museum of Romanticism, Madrid (Spain)

The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief)
LRI4586731 The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586689 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586652 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

So Inger Put on her Smart Clothes and her New Shoes, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by
BAL139079 So Inger Put on her Smart Clothes and her New Shoes, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans Christian Andersen (1805-75) 1920 (w/c on paper) by Appleton

Her Whole Body Was Like a Column of Stone, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans
BAL139077 Her Whole Body Was Like a Column of Stone, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans Christian Andersen (1805-75) 1920 (w/c on paper) by Appleton

A Jewish water-carrier (vellum)
GIA702684 A Jewish water-carrier (vellum) by Italian School, (15th century); Biblioteca Palatina, Parma, Italy; © Giancarlo Costa

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"Moral Lessons from the Victorian Era to Modern Times: Exploring Art, Games, and Literature" In a world where values are constantly evolving, it is essential to reflect on the moral principles that have shaped societies throughout history. The Victorians were known for their strict adherence to rules and etiquette, as depicted in "Rules to be Observed by a Victorian Family. " This guidebook served as a compass for families striving to maintain virtuous behavior. Art has always been a powerful medium for conveying moral messages. Hieronymus Bosch's masterpiece "The Garden of Earthly Delights" challenges viewers with its intricate symbolism and allegorical representations of sin and virtue. It serves as a reminder that our actions have consequences. Even leisure activities held lessons in morality. The strip tease card game within the theater suit highlighted societal boundaries while encouraging self-restraint and modesty among participants. Similarly, the conductor's role emphasized discipline and order within an orchestra. Nursery rhymes like "Three Little Pigs" taught children about perseverance and hard work through the story of three siblings facing adversity. These tales continue to resonate today due to their timeless moral teachings. Adam Smith's renowned work, "The Theory Sentiments, " explored human nature's innate sense of right and wrong—a fundamental aspect guiding ethical decision-making even centuries later. Samurai culture embodied honor, loyalty, and righteousness—an elevated code of conduct rooted in ancient Japan's moral fabric—inspiring generations through their unwavering commitment to justice. Paranormal phrenology may seem unconventional but reminds us that exploring unknown realms should not compromise our ethical standards or infringe upon others' rights. Continuing with the theme of strip tease card games within theater suits, producers played an influential role in maintaining artistic integrity while ensuring entertainment remained tasteful yet captivating audiences' imagination responsibly. Meanwhile, call boys assisted behind-the-scenes during performances—a reminder that every individual contributes significantly towards achieving collective success.