Moral Collection (page 7)

The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief)
LRI4586493 The Seven Works of Mercy: Dress the denudes, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief)
LRI4586485 The Seven Works of Mercy, detail, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586666 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief)
LRI4586546 The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Rat who retired from the world (drawing, circa 1870)
5975830 The Rat who retired from the world (drawing, circa 1870) by Bachereau-Reverchon, Victor (1842-1885); Private Collection; (add.info.: Litterature)

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586656 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy: dress the denudes, 1526-1528 (low Terracotta relief)
LRI4586475 The Seven Works of Mercy: dress the denudes, 1526-1528 (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Allegory of Liberty (painting, 1797)
LRI4700154 Allegory of Liberty (painting, 1797) by Guascone, Felice (d.1830); Museo del Risorgimento e Istituto Mazziniano, Genoa

The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief)
LRI4586715 The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief)
LRI4586570 The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Le genie du mal (sculpture)
JEB4870622 Le genie du mal (sculpture) by Amy, Jean Barnabe (1839-1907); 46x19x31 cm; Palais de Longchamp, Marseille, France; © Jean Bernard. All rights reserved 2022

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586525 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief)
LRI4586545 The Seven Works of Mercy, visiting the Infirm, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief)
LRI4586494 The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Susannah and the Elders (oil on canvas)
3744373 Susannah and the Elders (oil on canvas) by Gentileschi, Artemisia (1597-c.1651) (attr.to); 162.5x121.9 cm; Nottingham City Museums and Galleries (Nottingham Castle); (add.info)

The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief)
LRI4586576 The Seven Works of Mercy, visiting the prisoners, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586509 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Its wise being good than bad, illustration from Rabbi Ben Ezra by Robert Browning (colour litho)
IL370470 Its wise being good than bad, illustration from Rabbi Ben Ezra by Robert Browning (colour litho) by Partridge, Bernard John (1861-1945); Private Collection; (add.info)

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586685 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief)
LRI4586510 The Seven Works of Mercy, shelter the homeless, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief)
LRI4586496 The Seven Works of Mercy, dress the denudes, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this
XEE4156435 Music Hall - Oh! Look at the beautiful Otero! - You, you know, I forgive you to look at her like this. You re going to gater your eye - Caroline Otero (1868-1965)

The Flaquer family. Painting by Joaquin Espalter y Rull (1809-1880). Oil on canvas, 1845, Spanish school, romantic art
AIS5360336 The Flaquer family. Painting by Joaquin Espalter y Rull (1809-1880). Oil on canvas, 1845, Spanish school, romantic art. Museum of Romanticism, Madrid (Spain)

The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief)
LRI4586731 The Seven Works of Mercy, give a drink to those who are thirsty, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586689 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief)
LRI4586652 The Seven Works of Mercy, feeding the Hungry, 1526-1528) (low Terracotta relief) by Buglioni, Santi (1494-1576); Ospedale del Ceppo, Pistoia

So Inger Put on her Smart Clothes and her New Shoes, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by
BAL139079 So Inger Put on her Smart Clothes and her New Shoes, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans Christian Andersen (1805-75) 1920 (w/c on paper) by Appleton

Her Whole Body Was Like a Column of Stone, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans
BAL139077 Her Whole Body Was Like a Column of Stone, from The Girl Who Trod on the Loaf in an edition of Fairy Tales by Hans Christian Andersen (1805-75) 1920 (w/c on paper) by Appleton

A Jewish water-carrier (vellum)
GIA702684 A Jewish water-carrier (vellum) by Italian School, (15th century); Biblioteca Palatina, Parma, Italy; © Giancarlo Costa

Money Changer, illustration from Libro di Givocho di Scacchi by Jacobus de Cessolis, 1493 (woodcut) (b / w photo)
XJF366942 Money Changer, illustration from Libro di Givocho di Scacchi by Jacobus de Cessolis, 1493 (woodcut) (b/w photo) by Italian School

Carlos Del Moral Spain Bmw PGA Championship, Wentworth, Surrey Wentworth Club, Surrey, England 29 May 2011 Date: 29 May 2011

Duties towards oneself: the body. Work and laziness, 1919 (engraving)
DUV4212719 Duties towards oneself: the body. Work and laziness, 1919 (engraving) by Dascher, G. (19th century); Private Collection; (add.info.: Duties towards oneself: the body. Work and laziness)

Illustration from Julie or the New Heloise, c. 1852 (colour litho)
955429 Illustration from Julie or the New Heloise, c.1852 (colour litho) by French School, (19th century); Private Collection; (add.info.: Julie, or the New Heloise (French: Julie)

A white lie, 1918 (oil on canvas)
OVR390536 A white lie, 1918 (oil on canvas) by Krohg, Christian (1852-1925); 102x65.5 cm; Private Collection; (add.info.: Ebbe Roede; ); Photo © O. Vaering

The seven works of bodily misericorde: "giving food to the hungry"
LRI4693277 The seven works of bodily misericorde: " giving food to the hungry" Painting by Cornelis De Wael (1592-1667) (ec.flam) Genes, collection Banco di Chiavari by Wael

Illustration by Jean-Louis Forain (1852-1931) for the Cover of Le Rire
ICA4869286 Illustration by Jean-Louis Forain (1852-1931) for the Cover of Le Rire, 1897-11-6 - Drawers, Art - Painters artists by Forain

Promulgation of a law in Cadiz in Spain prohibiting women deemed immorally clothed
XEE4188174 Promulgation of a law in Cadiz in Spain prohibiting women deemed immorally clothed from entering churches. Cover of " Le petit journal" of 19/09/1920

The Four Gifts: Advice, Intelligence, Wisdom and Holy Spirit, 20th century (print)
LRI4629265 The Four Gifts: Advice, Intelligence, Wisdom and Holy Spirit, 20th century (print) by Anonymous; Private Collection; (add.info.: The Four Gifts: Advice, Intelligence)

Royaumont Bible, New Testament: Madness of Wealth or The Parable of the Rich Man
XEE4138042 Royaumont Bible, New Testament: Madness of Wealth or The Parable of the Rich Man. Jesus Christ speaks against the vanity of a rich man, who applauded himself in his great possessions

The Archangel Raphael refusing Tobits gifts, 14th century (painting)
LRI4602248 The Archangel Raphael refusing Tobits gifts, 14th century (painting) by Biliverti, Giovanni (1576-1644); Palatine Gallery, Pitti Palace

Saint John a Patmos. "Miniature in "
JLJ4601003 Saint John a Patmos. " Miniature in " The very rich hours of the Duke of Berry" by Pol De Limburg (15th century)

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314
LRI4584430 Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): two cardinal virtues (Detail of the sculptures supporting the marble pulpit)

Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314
LRI4584269 Detail of the sculpted groups supporting the Chair realized by Giovanni Pisano (1248-1314): the Theologales Vertus (Detail of the sculptures supporting the marble pulpit)

Benitier at the pillar decorates the three theological virtues
LRI4584818 Benitier at the pillar decorates the three theological virtues and a la vat decoree of the busts of the four cardinal virtues - detail

The Butter Plate, number 338, Satirical in Colours, 1907_9_21
ICA4911872 The Butter Plate, number 338, Satirical in Colours, 1907_9_21: Mother Daughter - Anticlericalism, Social, Adultery, Crowd, Mother Daughters - Crimes of the Church

Cover of "Le Don Quixote", number 45, Satirique en Colours
ICA4925306 Cover of " Le Don Quixote", number 45, Satirique en Colours, 1875_5_1: More perky than ever - Republican, Ordre Moral

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"Moral Lessons from the Victorian Era to Modern Times: Exploring Art, Games, and Literature" In a world where values are constantly evolving, it is essential to reflect on the moral principles that have shaped societies throughout history. The Victorians were known for their strict adherence to rules and etiquette, as depicted in "Rules to be Observed by a Victorian Family. " This guidebook served as a compass for families striving to maintain virtuous behavior. Art has always been a powerful medium for conveying moral messages. Hieronymus Bosch's masterpiece "The Garden of Earthly Delights" challenges viewers with its intricate symbolism and allegorical representations of sin and virtue. It serves as a reminder that our actions have consequences. Even leisure activities held lessons in morality. The strip tease card game within the theater suit highlighted societal boundaries while encouraging self-restraint and modesty among participants. Similarly, the conductor's role emphasized discipline and order within an orchestra. Nursery rhymes like "Three Little Pigs" taught children about perseverance and hard work through the story of three siblings facing adversity. These tales continue to resonate today due to their timeless moral teachings. Adam Smith's renowned work, "The Theory Sentiments, " explored human nature's innate sense of right and wrong—a fundamental aspect guiding ethical decision-making even centuries later. Samurai culture embodied honor, loyalty, and righteousness—an elevated code of conduct rooted in ancient Japan's moral fabric—inspiring generations through their unwavering commitment to justice. Paranormal phrenology may seem unconventional but reminds us that exploring unknown realms should not compromise our ethical standards or infringe upon others' rights. Continuing with the theme of strip tease card games within theater suits, producers played an influential role in maintaining artistic integrity while ensuring entertainment remained tasteful yet captivating audiences' imagination responsibly. Meanwhile, call boys assisted behind-the-scenes during performances—a reminder that every individual contributes significantly towards achieving collective success.