Madness Collection (page 7)

Ophelia or Evangeline (oil on panel)
Ma201381 Ophelia or Evangeline (oil on panel) by Gale, William (1823-1909); 19.7x14.6 cm; Private Collection; Photo eThe Ms Gallery, London; British, out of copyright

Passionate Attitudes: Augustine in ecstasy, from Iconographie de la Salpetriere
CHT164118 Passionate Attitudes: Augustine in ecstasy, from Iconographie de la Salpetriere by Desire Magloire Bourneville (1840-1909) & Paul Regnard (1850-1927) 1878 (b/w photo) by Londe

The fascines of Charity (Doctor Luyss service). Scene at the Hopital de la Charite
JLJ4621993 The fascines of Charity (Doctor Luyss service). Scene at the HA'pital de la Charite in Paris: patients with hysteria

Letter I: Light up. Engraving in "Comic Alphabet"
DUV4203600 Letter I: Light up. Engraving in " Comic Alphabet". New Epinal imaging. Lithography Pinot et Sagaire, editors, between 1860 and 1888

La Hyene de la Salpetriere or monomaniac of envy Portrait of an old woman suffering
LRI4605932 La Hyene de la Salpetriere or monomaniac of envy Portrait of an old woman suffering from mental illness, 1822 (oil on canvas) by Gericault

"Not every fool is in the hospital. "Illustration from a collection of 18th
GIA4786419 " Not every fool is in the hospital." Illustration from a collection of 18th century proverbs by Unknown artist

The skeleton of Death looks out from behind deaths door, to see the crowd of obese, lame, crippled
FLO4690312 The skeleton of Death looks out from behind deaths door, to see the crowd of obese, lame, crippled, old and insane people waiting for release from lifes torments

The Life of St Martin of Tours stained glass window - Stained glass window of
JLJ4642706 The Life of St Martin of Tours stained glass window - Stained glass window of the Cathedrale de Chartres (ca. 1215-1225): details of the life of Saint Martin de Tours: upper left

Operation, c. 1753-1754 (oil on canvas)
LSE4315809 Operation, c.1753-1754 (oil on canvas) by Traversi, Gaspare (1732-69); Staatsgalerie, Stuttgart, Germany; Photo eLeonard de Selva; Italian, out of copyright

Charles VI (in his madness) in the forest of Le Mans - in "L
XEE4410378 Charles VI (in his madness) in the forest of Le Mans - in " L Histoire de France" by Henri Martin, 19th century

Paris, Church Sainte Genevieve (Sainte-Genevieve) (1599)
XEE4407508 Paris, Church Sainte Genevieve (Sainte-Genevieve) (1599): a Capuchin monk trying to exorcise a woman, Martha, claiming to be possessed by the Devil. Engraving of the 19th century

Cretine, -in "Etude de la physionomie des alienes"
LSE4402581 Cretine, -in " Etude de la physionomie des alienes", drawing by Gabriel, 1818 by Gabriel, Georges Francois (1775-1846); Private Collection; (add.info.: Cretine)

Hypnotism phenomena: Hypnotism produced by fixing a pencil holder places between the eyes
XEE4407740 Hypnotism phenomena: Hypnotism produced by fixing a pencil holder places between the eyes. Engraving from 1881

Hystero Epilepsie - Contracture in "Photographic iconography of
LSE4094772 Hystero Epilepsie - Contracture in " Photographic iconography of the SalpetriAre: service of Mr. Charcot" by Paul Regnard and Bourneville, 1875 by Unknown Artist

Dr. Jean Martin Charcots experience on a patient at the school of the psychiatric
LSE4112658 Dr. Jean Martin Charcots experience on a patient at the school of the psychiatric hospital of Salpetriere. Charcot-Salpetriere library

Portrait of General Cambronne (1770 - 1842) during a battle
LSE4085874 Portrait of General Cambronne (1770 - 1842) during a battle. Illustration of " Petity Journal" in 1891

Old Woman Tearing at her Hair, 1525-30 (oil on panel)
3619029 Old Woman Tearing at her Hair, 1525-30 (oil on panel) by Massys or Metsys, Quentin (c.1466-1530); 55x40 cm; Prado, Madrid, Spain; Photo eFine Art Images; Netherlandish, out of copyright

Don Quijote, Montesinos and Durandarte, in Montesinos cave - from "
XEE4157516 Don Quijote, Montesinos and Durandarte, in Montesinos cave - from " Don Quixote de la Mancha" by Miguel Cervantes (1547-1616) (Don Quixote)

Allegory of madness - allegorie de la folie (The woman and the fool
XEE4155336 Allegory of madness - allegorie de la folie (The woman and the fool) German engraving of the 16th century. by German School

L Amour et la Folie - Love and Madness - from Fables
XEE4155983 L Amour et la Folie - Love and Madness - from Fables by Jean de La Fontaine (Lafontaine) (1621-95) - engraving after Gustave Dore (1832-83) - Private collection by Dore

The Breedwell Family, 1807 (pen, ink and watercolour)
1765022 The Breedwell Family, 1807 (pen, ink and watercolour) by Rowlandson, Thomas (1756-1827); 9, 8x17, 7 cm; Private Collection; (add.info.: The Breedwell Family. Thomas Rowlandson (1756-1827)

The Desperate Man (Self Portrait), 1843-45 (oil on canvas)
957039 The Desperate Man (Self Portrait), 1843-45 (oil on canvas) by Courbet, Gustave (1819-77); 45x54 cm; Private Collection; (add.info.: Le desespere); Luisa Ricciarini; French, out of copyright

Portrait of Wally Neuzil, 1912 (oil on wood)
FIA5378459 Portrait of Wally Neuzil, 1912 (oil on wood) by Schiele, Egon (1890-1918); 32, 7x39, 8 cm; Leopold Museum, Vienna, Austria; Austrian, out of copyright

The Bicycle Messenger, (pencil on paper)
650803 The Bicycle Messenger, (pencil on paper) by Homer, Winslow (1836-1910); 21x26 cm; Private Collection; (add.info.: The Bicycle Messenger. Winslow Homer (1836-1910). Pencil on paper

Weird Sisters: Ministers of Darkness: Minions of the Moon, pub
3025364 Weird Sisters: Ministers of Darkness: Minions of the Moon, pub. 1791 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

"There was an Old Man of Peru, who never knew what he should do", from A Book of Nonsense
LLM386614 " There was an Old Man of Peru, who never knew what he should do", from A Book of Nonsense, published by Frederick Warne and Co

Hamlet plots how he will talk viciously to his mother, from Hamlet
IL388130 Hamlet plots how he will talk viciously to his mother, from Hamlet by William Shakespeare, edition published by Hodder & Stoughton in 1915 (colour litho) by Simmonds, W. G

The Convulsionaries of the parish cemetery Saint-Medard in Paris
CHT382713 The Convulsionaries of the parish cemetery Saint-Medard in Paris, illustration from La verite des miracles de M. de Paris

The narrator and the Horla, illustration from Le Horla
CHT382603 The narrator and the Horla, illustration from Le Horla by Guy de Maupassant (1850-93) engraved by Georges Lemoine, Paris, Editions Albin Michel, c.1910 (wood engraving) by Julian-Damazy

Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la
STC415863 Procne, Philomela, and Tereus Driven Insane or Progne e Filomena presentano a Teseo la Testa di suo Figlio da Loro Ucciso, Book VI, illustration from Ovids Metamorphoses, Florence

Detail from Majnun in the wilderness, c. 1595 (opaque w / c & gold on paper)
874279 Detail from Majnun in the wilderness, c.1595 (opaque w/c & gold on paper) by Indian School, (16th century); 23.2 x15 cm; San Diego Museum of Art, USA; (add.info.: Layla and Majnun)

Mademoiselle Nicolle teaching her class of Idiot Children
498146 Mademoiselle Nicolle teaching her class of Idiot Children at La SalpetriAre Hospital, Paris(engraving) by Meyer, Henri (1841-99) (after); Private Collection; (add.info)

Maureen O?Sullivan in Spring Madness (1938)
A ?workaday outfit? designed by Dolly Tree for Maureen O?Sullivan in Spring Madness (1938). A lumberjack blouse of plaid spouting reds, black and yellow was worn with a velveteen skating skirt

Ophelia, 1910 (oil on canvas)
HTL94075 Ophelia, 1910 (oil on canvas) by Waterhouse, John William (1849-1917); 100.3x62.2 cm; Private Collection; (add.info)

High Priest Coresus Sacrificing Himself to Save Callirhoe
PWI89786 High Priest Coresus Sacrificing Himself to Save Callirhoe, scene from Description of Greece by Pausanias (2nd century AD) 1765 (oil on canvas) by Fragonard

Dementia, illustration from Des Maladies Mentales considerees sous le rapport
CHT280166 Dementia, illustration from Des Maladies Mentales considerees sous le rapport medical, hygienique et medico-legal by Etienne Esquirol (1772-1840) 1838 (engraving) (b/w photo) by Tardieu

A proud dressmaker, profile, illustration from an unpublished treatise by Jean Etienne
CHT280163 A proud dressmaker, profile, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum

Hysterical epilepsy, contortions, plate XXXVIII from
REV287072 Hysterical epilepsy, contortions, plate XXXVIII from Iconographie Photographique de La Salpetriere by Bourneville et P

Hysterical epilepsy, hallucinations, repugnance, plate XXXV from
REV287069 Hysterical epilepsy, hallucinations, repugnance, plate XXXV from Iconographie Photographique de La Salpetriere by Bourneville et P

Hysterical epilepsy, first signs of attack, illustration from
REV287046 Hysterical epilepsy, first signs of attack, illustration from Iconographie Photographique de La Salpetriere by Bourneville et P

Hysterical epilepsy, plate V from Iconographie Photographique de La Salpetriere
REV287042 Hysterical epilepsy, plate V from Iconographie Photographique de La Salpetriere by Bourneville et P. Regnard, Paris, 1876 (albumen print) by Regnard

Cretin, front view, illustration from an unpublished treatise by Jean Etienne Dominique
CHT280149 Cretin, front view, illustration from an unpublished treatise by Jean Etienne Dominique Esquirol (1772-1840) on the lunatics of the Salpetriere asylum

Hysterical epilepsy, hallucinations, anguish, plate XXIX from
REV239595 Hysterical epilepsy, hallucinations, anguish, plate XXIX from Iconographie Photographique de La Salpetriere by Bourneville et P

Hysterical epilepsy, attack, crucifixion, plate VI from
REV239594 Hysterical epilepsy, attack, crucifixion, plate VI from Iconographie Photographique de La Salpetriere by Bourneville et P

Cover of Mistress Branican by Jules Verne (1828-1905)
CHT211373 Cover of Mistress Branican by Jules Verne (1828-1905), early 20th century (colour litho) by Hungarian School, (20th Century); Private Collection; (add.info)

How to stop the cataleptic state and bring back the dream capacity
CHT213236 How to stop the cataleptic state and bring back the dream capacity, late 19th century (engraving) (b/w photo) by French School, (19th century); Bibliotheque de la Faculte de Medecine

Mania, illustration from Nouveau traite elementaire et pratique des maladies
CHT213234 Mania, illustration from Nouveau traite elementaire et pratique des maladies mentales by Henri Dagonet (1823-1902) Paris, Bailliere, 1876 (b/w photo) by French Photographer

Hysterical Woman (pencil on paper) (b / w photo)
CHT213232 Hysterical Woman (pencil on paper) (b/w photo) by Richer, Paul Marie Louis Pierre (1849-1933); Hopital de la Salpetriere, Paris

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"Exploring the Depths of Madness: From Hogarth's Gin Lane to Van Gogh's Asylum" Step into a world where madness reigns, as depicted by artists throughout history. In Hogarth's iconic "Gin Lane, " we witness the devastating consequences of excessive alcohol consumption on society. The moon casts an eerie glow, fueling Moon Madness and distorting reality. Venturing further down the rabbit hole, Alice encounters the enigmatic Cheshire Cat, whose mischievous grin embodies the essence itself. Meanwhile, in England's Lunacy era, a man dressed as a chicken runs wild across fields and hills, embodying both absurdity and freedom. William Hogarth returns with "A Rake's Progress, " illustrating the descent into melancholy and raving madness within Bedlam Hospital walls. Erik XIV of Sweden also succumbs to insanity during his reign—a reminder that even kings are not immune to its grip. Irish Drunk Pat stumbles through life with his drinking logic, blurring lines between reason and chaos. Ophelia floats amidst flowers in her tragic demise—an embodiment of fragile sanity shattered by heartbreak. Goya takes us inside The Madhouse (Asylum), exposing humanity at its most vulnerable state—struggling against inner demons while society looks away. Vincent van Gogh invites us into the Vestibule of Asylum; brushstrokes convey swirling emotions that mirror his own battle with mental illness. In these artistic depictions lies a fascination with madness—a reflection of our collective curiosity about what lies beyond rationality’s boundaries. They remind us that within this realm exists both tragedy and beauty—an exploration worth undertaking for those brave enough to delve into its depths.