"Judged: Weighing the Heart in the Book of the Dead" Ingeborg Kober's Plate 4 brings forth a captivating depiction of the ancient Egyptian ritual known as "Weighing of the Heart. " As souls journeyed through the Underworld, their hearts were weighed against Ma'at's feather to determine their fate. Meanwhile, at the Royal Highland Show in Edinburgh, Beltex sheep stand before judges, showcasing their elegance and beauty. The Domestic Sheep compete for recognition and honor, just like humans seeking validation. Dunlop low-pressure tires advertise themselves as "the standard against which all tires are judged. " A scenic illustration with fairies and flowers captures our imagination while emphasizing Dunlop's superior quality. Norman Morrow's illustration portrays Aino Ackte as Salome holding an empty platter. This haunting image symbolizes her role in an opera where she played Salome without John the Baptist's head—a performance that defied convention and challenged societal norms. Mythology takes us to France, where mythical sea rocks stand tall along its coastlines. These majestic formations have been subjects of awe and fascination for centuries—judging human insignificance against nature's grandeur. Yet amidst these external judgments lies a reminder from scripture: "Judge not lest ye be judged. " It is a call for empathy and understanding rather than hasty condemnation or prejudice towards others. History reveals moments when judgment took center stage. Robert Francois Damiens stood before judges in Paris after attempting to assassinate Louis XV—an engraving immortalizing this pivotal moment that altered his life forever. Gustave Doré illustrates Don Quixote encountering a company he deemed worthy of his attention—a reminder that even fictional characters judge those they encounter based on appearances or assumed status. Lastly, we witness Aion judging a beauty contest between Cassiopeia and Nereids at House of Aion in Paphos.