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Ir Collection (page 2)

"Exploring the Mysteries of 'ir': From the Hubble Ultra Deep Field 2012 to the Richat Structure" Witnessing the wonders of our universe

Background imageIr Collection: Purple Pines

Purple Pines
Filippo Manini

Background imageIr Collection: DDE-90032859

DDE-90032859
Malta, Valletta, Maltese architecture, buildings on Triq ir-Repubblika, Republic Street Date: 29/11/2006

Background imageIr Collection: DDE-90032864

DDE-90032864
Malta, Valletta, building detail, Trip il-Repubblika street Date: 29/11/2006

Background imageIr Collection: DDE-90032863

DDE-90032863
Malta, Valletta, building detail, Triq il-Repubblika street Date: 29/11/2006

Background imageIr Collection: Abandoned (IR)

Abandoned (IR)
Rob Darby

Background imageIr Collection: The colorless world

The colorless world
Akira Nagase

Background imageIr Collection: Surreal Wineglass Bay

Surreal Wineglass Bay
As seen from the summit of Mt Amos, in Freycinet National Park, Tasmania

Background imageIr Collection: L Ornement Des Tissus: I-VIIth Century, du Ir au VIIe Siecle, I-VIItes Jahrhundert (colour litho)

L Ornement Des Tissus: I-VIIth Century, du Ir au VIIe Siecle, I-VIItes Jahrhundert (colour litho)
6016906 L Ornement Des Tissus: I-VIIth Century, du Ir au VIIe Siecle, I-VIItes Jahrhundert (colour litho) by French School, (19th century); Private Collection; (add.info.: I-VIIth Century)

Background imageIr Collection: IL, IM, IN, IO, IS, IP, IR, IT, IX, IW, IZ (chromolitho)

IL, IM, IN, IO, IS, IP, IR, IT, IX, IW, IZ (chromolitho)
984306 IL, IM, IN, IO, IS, IP, IR, IT, IX, IW, IZ (chromolitho) by English School, (20th century); Private Collection; (add.info.: IL, IM, IN, IO, IS, IP, IR, IT, IX, IW, IZ)

Background imageIr Collection: L Ornement Des Tissus: I-VIIIth Century, du Ir au VIIIe Siecle, I-VIIItes Jahrhundert (colour litho)

L Ornement Des Tissus: I-VIIIth Century, du Ir au VIIIe Siecle, I-VIIItes Jahrhundert (colour litho)
6016905 L Ornement Des Tissus: I-VIIIth Century, du Ir au VIIIe Siecle, I-VIIItes Jahrhundert (colour litho) by French School, (19th century); Private Collection; (add.info.: I-VIIIth Century)

Background imageIr Collection: Tracks to nowhere

Tracks to nowhere
Nicolas Marino

Background imageIr Collection: winter in summer

winter in summer
Piotr Krol (Bax)

Background imageIr Collection: Soft tree

Soft tree
Hilde Ghesquiere

Background imageIr Collection: Ice Cold Summer

Ice Cold Summer
David Johansson

Background imageIr Collection: IRenka

IRenka
Piotr Krol (Bax)

Background imageIr Collection: white

white
Piotr Krol (Bax)

Background imageIr Collection: Hohe Wand

Hohe Wand
Marcel Rebro

Background imageIr Collection: Lunar Surf Graveyard

Lunar Surf Graveyard
Paulo Abrantes

Background imageIr Collection: Bioalthletic stadium

Bioalthletic stadium
Marcel Rebro

Background imageIr Collection: Where Shadows Lie

Where Shadows Lie
Paulo Abrantes

Background imageIr Collection: Memories of another day

Memories of another day
Lior Yaakobi

Background imageIr Collection: Kirill Volkov

Kirill Volkov

Background imageIr Collection: Brothers in A Little Rain

Brothers in A Little Rain
Jun Zuo

Background imageIr Collection: Ice and Fire

Ice and Fire
Jure Kravanja

Background imageIr Collection: Tah-teck-a-da-hair, Steep Wind, a Brave of the Bad Arrow Points Band, 1832

Tah-teck-a-da-hair, Steep Wind, a Brave of the Bad Arrow Points Band, 1832

Background imageIr Collection: Morane-Saulnier MS. 760 Paris IR ME-070

Morane-Saulnier MS. 760 Paris IR ME-070
Armee de l Air - Morane-Saulnier MS.760 Paris IR ME-070 (msn 14), of Ea 601, at Portes Ouvertes de Chateaudun on 27 May 1979; used as a station hack to ferry aircrew for aircraft delivereto or

Background imageIr Collection: Marine-Fliegerabteilung - Friedrichshafen FF. 31 274

Marine-Fliegerabteilung - Friedrichshafen FF. 31 274
Marine-Fliegerabteilung - Friedrichshafen FF.31 274 pusher float-plane Two FF.31 float-planes were Built for the Marine-Fliegerabteilung

Background imageIr Collection: Miss Horton as Morgana, 1830-44. Creator: Isaac Robert Cruikshank

Miss Horton as Morgana, 1830-44. Creator: Isaac Robert Cruikshank
Miss Horton as Morgana, 1830-44

Background imageIr Collection: Mr. Kean in the Character of Richard the Third, ca. 1814. ca. 1814

Mr. Kean in the Character of Richard the Third, ca. 1814. ca. 1814
Mr. Kean in the Character of Richard the Third, ca. 1814. After Isaac Robert Cruikshank

Background imageIr Collection: Well known Characters in the Pump Room, Bath, taking a sip with King Bladud, 1825

Well known Characters in the Pump Room, Bath, taking a sip with King Bladud, 1825. Crowds in the fashionable watering place of Bath in Somerset

Background imageIr Collection: Outside White Horse Cellar, Piccadilly, 1821, (1920). Artists: Isaac Robert Cruikshank

Outside White Horse Cellar, Piccadilly, 1821, (1920). Artists: Isaac Robert Cruikshank
Outside White Horse Cellar, Piccadilly, 1821, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageIr Collection: The Green Rooom at Drury Lane Theatre, 1821, (1920). Artists: Isaac Robert Cruikshank

The Green Rooom at Drury Lane Theatre, 1821, (1920). Artists: Isaac Robert Cruikshank
The Green Rooom at Drury Lane Theatre, 1821, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageIr Collection: At the Royal Cockpit, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank

At the Royal Cockpit, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank
At the Royal Cockpit, 1821, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageIr Collection: After the Opera, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank

After the Opera, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank
After the Opera, 1821, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageIr Collection: In the Saloon at Covent Garden, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank

In the Saloon at Covent Garden, 1821, (1920). Artists: Isaac Robert Cruikshank, George Cruikshank
In the Saloon at Covent Garden, 1821, 1920. From Londoners Then and Now As Pictured By Their Contemporaries, edited by Geoffrey Holme. [The Studio Ltd. London, 1920]

Background imageIr Collection: A Visit to the Fives Court, 1822. Artist: Isaac Robert Cruikshank

A Visit to the Fives Court, 1822. Artist: Isaac Robert Cruikshank
A Visit to the Fives Court, 1822. Scene showing a prizefight in progress at a venue in St Martins Street, Westminster, London

Background imageIr Collection: A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. Artist

A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. Artist
A civic louse in the state bed!!!, or the Corporation conglomorated!!, 1824. The City aldermen and Lord Mayor John Garratt examining an enormous louse on the Mansion House state bed

Background imageIr Collection: Scene in Covent Garden, Westminster, London, 1830. Artist: Isaac Robert Cruikshank

Scene in Covent Garden, Westminster, London, 1830. Artist: Isaac Robert Cruikshank
Scene in Covent Garden, Westminster, London, 1830. One of the afflicting occurrences in life in London, Tom, Jerry and Logic arrested in their progress home by the melancholy discovery of Corinthian

Background imageIr Collection: A frolic at the melon shop in Piccadilly, 1826

A frolic at the melon shop in Piccadilly, 1826. The scene is set in the garden of Mrs Coutts house, Stratton Street where she threatens the Duke of St Albans with a horse-whip

Background imageIr Collection: Exterior of Fishmongers Hall, a Regular break down, 1824

Exterior of Fishmongers Hall, a Regular break down, 1824. A scene in front of Crockfords club in St Jamess Street. Members look from the windows at a gig

Background imageIr Collection: The secret insult! or bribery & corruption rejected!!!, 1820

The secret insult! or bribery & corruption rejected!!!, 1820. Queen Caroline stands facing Lord Hutchinson, who begs her to abandon her claim to the throne; on the right is Alderman Matthew Wood in

Background imageIr Collection: Ceremony in Vauxhall Gardens, Lambeth, London, 1833. Artist: Isaac Robert Cruikshank

Ceremony in Vauxhall Gardens, Lambeth, London, 1833. Artist: Isaac Robert Cruikshank
Ceremony in Vauxhall Gardens, Lambeth, London, 1833. View of a benefit for CH Simpson, who had been Master of Ceremonies at Vauxhall Gardens for 36 years

Background imageIr Collection: View of a crowded room in Bagnigge Wells, London, 1772. Artist: IR Smith

View of a crowded room in Bagnigge Wells, London, 1772. Artist: IR Smith
View of a crowded room in Bagnigge Wells, London, 1772. Bagnigge Wells which was a popular spa that thrived from 1760 to the end of the eighteenth century

Background imageIr Collection: The evening after a mock election in the Fleet Prison, June 1835

The evening after a mock election in the Fleet Prison, June 1835

Background imageIr Collection: llustration of a scene at the Fleet Prison, from Pierce Egans Life in London, 1820

llustration of a scene at the Fleet Prison, from Pierce Egans Life in London, 1820. Logic visiting his old acquaintances on board the Fleet, accompanied by Tom and Jerry

Background imageIr Collection: The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821

The Royal Extinguisher, or the King of Brobdingnag & the Lilliputians, 1821. George IV, surrounded by admiring ministers, holds up an extinguisher made of paper

Background imageIr Collection: The Protestants Champion!!, 1825. Artist: Isaac Robert Cruikshank

The Protestants Champion!!, 1825. Artist: Isaac Robert Cruikshank
The Protestants Champion!!, 1825. Frederick, Duke of York walks down Whitehall past Horse Guards, the head-quarters of the commander-in-chief of the British Army

Background imageIr Collection: Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank

Fracas Royal Extraordinaire, 1820. Artist: Isaac Robert Cruikshank
Fracas Royal Extraordinaire, 1820. The Duke of York punching King George IV in the face, watched by Queen Caroline, Alderman Matthew Wood and others. With satirical verses beneath



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"Exploring the Mysteries of 'ir': From the Hubble Ultra Deep Field 2012 to the Richat Structure" Witnessing the wonders of our universe, the Hubble Ultra Deep Field 2012 captures ethereal beauty in every pixel, revealing distant galaxies bathed in 'ir' light. Behold the Orion nebula, a celestial masterpiece painted with vibrant hues of 'ir', showcasing stellar nurseries and newborn stars amidst swirling cosmic dust. Jupiter and its enigmatic moon Io dance together in this mesmerizing New Horizons image, where 'ir' unveils hidden details of their intricate relationship. The Crab nebula comes alive through a captivating composite image, blending visible and 'ir' wavelengths to expose remnants of an ancient supernova explosion. Prepare to be awestruck by M81, a spiral galaxy that reveals its true splendor when viewed through an 'ir' lens - unveiling delicate arms adorned with countless stars. As shadows cast upon Jupiter's surface come into focus, we marvel at this stunning composition captured by astronomers using advanced infrared technology. Delve into the depths of space as Spitzer's infrared eyes capture the Helix nebula's intricate structures - unveiling layers upon layers of interstellar gas and dust. Once again, M81 takes center stage as we explore its mesmerizing beauty through a composite image that merges visible light with tantalizing hints of infrared radiance. A thermogram captures more than just warmth; it paints a vivid picture as a teapot pours forth hot liquid - each temperature gradient telling its own story through subtle shades of 'ir'. Gaze upon Earth from above as satellite imagery unveils breathtaking patterns etched across Syria's vast desert landscape - an abstract artwork created by nature itself in invisible wavelengths.