Fraud Blocker Skip to main content

Hogarth Collection (page 2)

Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works

Background imageHogarth Collection: Hogarth / Rakes / Tailor

Hogarth / Rakes / Tailor
The Rakes Progress 1. The young heir is measured for new clothes

Background imageHogarth Collection: Hogarth Faces 1807

Hogarth Faces 1807
A myriad of faces looking in different directions: Characters and Caricatures

Background imageHogarth Collection: HOGARTH / THE BENCH

HOGARTH / THE BENCH
The difference between character and caricature. The central figure is Sir John Willes, Chief Justice, lecher and scourge of rioters

Background imageHogarth Collection: Cock Pit / Hogarth

Cock Pit / Hogarth
THE COCK PIT Satirical illustration showing blindness of man drawn into betting on match, and other debauchery

Background imageHogarth Collection: A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth

A Rakes Progress, Plate 1, June 25, 1735. Creator: William Hogarth
A Rakes Progress, Plate 1, June 25, 1735

Background imageHogarth Collection: The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth

The Bruiser, August 1, 1763. August 1, 1763. Creator: William Hogarth
The Bruiser, August 1, 1763

Background imageHogarth Collection: A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth

A Rakes Progress - 2: The Levee, 1733. Artist: William Hogarth
A Rakes Progress - 2: The Levee, 1733. Tom holds a morning reception at his new palatial town lodgings. Vistors offer their services: a jockey, a dancing-master (with violin)

Background imageHogarth Collection: Tristram Shandy by Hogarth

Tristram Shandy by Hogarth, designed by Mr. Hogarth for Mr. Sternes comic novel, incomparable Tristram Shandy. The characters in the representation so graphically depicted are Mr

Background imageHogarth Collection: HOGARTH: ELECTION. Chairing the Member. Engraving after the etching by William Hogarth (1697-1764)

HOGARTH: ELECTION. Chairing the Member. Engraving after the etching by William Hogarth (1697-1764)

Background imageHogarth Collection: HOGARTH: CRUELTY, 1751. The Four Stages of Cruelty. First Stage of Cruelty

HOGARTH: CRUELTY, 1751. The Four Stages of Cruelty. First Stage of Cruelty. Engraving after the etching, 1751, by William Hogarth

Background imageHogarth Collection: A Rakes Progress, 1763; plate VIII of VIII. Artist: William Hogarth

A Rakes Progress, 1763; plate VIII of VIII. Artist: William Hogarth
A Rakes Progress, 1763; plate VIII of VIII. True to his nature Tom Rakewell has run through a vast fortune through indulgence in all the luxuries of modern living

Background imageHogarth Collection: Masquerades and operas, 1724. Artist: William Hogarth

Masquerades and operas, 1724. Artist: William Hogarth
Masquerades and operas, 1724. Illustration from Social Caricature in the Eighteenth Century... With over two hundred illustrations by George Paston [pseudonym of Emily Morse Symonds], (London, 1905)

Background imageHogarth Collection: Beggars Opera / Hogarth

Beggars Opera / Hogarth
a burlesqued version of John Gays opera: several of the characters are wearing animal heads Date: 18th century

Background imageHogarth Collection: Sleeping Congregation

Sleeping Congregation
The Sleeping Congregation A preacher is reading his sermon to a sleeping congregation

Background imageHogarth Collection: Lord Mayors / Hogarth

Lord Mayors / Hogarth
Industry and Idleness - the Lord Mayors Procession

Background imageHogarth Collection: Hogarth / Industry / Idle 2

Hogarth / Industry / Idle 2
2. The industrious prentice performing the duty of a christian

Background imageHogarth Collection: Hogarth Election / 4Of4(C)

Hogarth Election / 4Of4(C)
THE ELECTION Chairing the Member after the election plate 4 of 4

Background imageHogarth Collection: A Rakes Progress, Plate 6: Scene In A Gaming House, ca 1735

A Rakes Progress, Plate 6: Scene In A Gaming House, ca 1735. Private Collection

Background imageHogarth Collection: Southwark Fair, after Hogarths picture (engraving)

Southwark Fair, after Hogarths picture (engraving)
3637048 Southwark Fair, after Hogarths picture (engraving) by English School, (19th century); Private Collection; (add.info.: Southwark Fair, after Hogarths picture)

Background imageHogarth Collection: Hogarth, Beer Street

Hogarth, Beer Street. A political print supporting a ministerial measure against the unlimited sale of gin. A scene of London life in which happy and healthy tradesmen

Background imageHogarth Collection: The Four Stages Of Cruelty The Reward Of Cruelty Engraved By I Romney After Hogarth From The Works

The Four Stages Of Cruelty The Reward Of Cruelty Engraved By I Romney After Hogarth From The Works Of Hogarth Published London 1833

Background imageHogarth Collection: The Four Stages Of Cruelty Cruelty In Perfection Engraved By I Romney After Hogarth From The Works

The Four Stages Of Cruelty Cruelty In Perfection Engraved By I Romney After Hogarth From The Works Of Hogarth Published London 1833

Background imageHogarth Collection: The Four Stages Of Cruelty Second Stage Of Cruelty Engraved By F F Walker After Hogarth From The

The Four Stages Of Cruelty Second Stage Of Cruelty Engraved By F F Walker After Hogarth From The Works Of Hogarth Published London 1833

Background imageHogarth Collection: View of David Loudons Bun House, Pimlico Road, Chelsea, London

View of David Loudons Bun House, Pimlico Road, Chelsea, London. Above are two coats of arms and several figures, two of them armed

Background imageHogarth Collection: William Hogarth drawing at Queensborough

William Hogarth drawing at Queensborough
William Hogarth (1697-1764), artist, drawing in the street at Queensborough and attracting attention from passers-by. Date: circa 1730

Background imageHogarth Collection: Hogarth / Harlots Prog. / 4

Hogarth / Harlots Prog. / 4
The Harlots Progress 4. Hogarths Harlot in Bridewell Prison

Background imageHogarth Collection: Hogarth / Harlots Prog. / 5

Hogarth / Harlots Prog. / 5
The Harlots Progress 5. Hogarths Harlot expires while two doctors quarrel over her treatment

Background imageHogarth Collection: Coram / Hogarth / Holl

Coram / Hogarth / Holl
THOMAS CORAM philanthropist and founder of the Foundling Hospital

Background imageHogarth Collection: Rakes Progress 6

Rakes Progress 6
The Rakes Progress 6. Gaming house scene - a rowdy bunch

Background imageHogarth Collection: Hogarth / Marriage-Mode 6

Hogarth / Marriage-Mode 6
6. Death of the Countess

Background imageHogarth Collection: Hogarth / Marriage-Mode 5

Hogarth / Marriage-Mode 5
5. Death of the Earl

Background imageHogarth Collection: A club of artist's (etching)

A club of artist's (etching)
1574340 A club of artist's (etching); (add.info.: Etching shows four persons seated at a table, a waiter drawing a cork from a jug, and William Hogarth, "A", standing, saying)

Background imageHogarth Collection: Portrait of Martin Folkes (1690-1754), 1742. Creator: Hogarth, William (1697-1764)

Portrait of Martin Folkes (1690-1754), 1742. Creator: Hogarth, William (1697-1764)
Portrait of Martin Folkes (1690-1754), 1742. Private Collection

Background imageHogarth Collection: Self-portrait (Hogarth painting the Comic Muse), 1764. Creator: Hogarth, William (1697-1764)

Self-portrait (Hogarth painting the Comic Muse), 1764. Creator: Hogarth, William (1697-1764)
Self-portrait (Hogarth painting the Comic Muse), 1764. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 12: The Industrious Prentice Lord-Mayor of London, 1747

Series "Industry and Idleness", Plate 12: The Industrious Prentice Lord-Mayor of London, 1747. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 10: The Industrious Prentice Alderman of London... 1747

Series "Industry and Idleness", Plate 10: The Industrious Prentice Alderman of London... 1747
Series "Industry and Idleness", Plate 10: The Industrious Prentice Alderman of London, the Idle one brought before him... 1747. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 8: The Industrious Prentice grown rich... 1747

Series "Industry and Idleness", Plate 8: The Industrious Prentice grown rich... 1747
Series "Industry and Idleness", Plate 8: The Industrious Prentice grown rich, and Sheriff of London, 1747. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 5: The Idle Prentice turn'd away, and sent to Sea, 1747

Series "Industry and Idleness", Plate 5: The Idle Prentice turn'd away, and sent to Sea, 1747. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 6: The Industrious Prentice out of his Time, and... 1747

Series "Industry and Idleness", Plate 6: The Industrious Prentice out of his Time, and... 1747
Series "Industry and Idleness", Plate 6: The Industrious Prentice out of his Time, and Married to his Master's Daughter, 1747. Private Collection

Background imageHogarth Collection: Series 'Industry and Idleness', Plate 3: The Idle Prentice at Play in the Church Yard... 1747

Series "Industry and Idleness", Plate 3: The Idle Prentice at Play in the Church Yard... 1747
Series "Industry and Idleness", Plate 3: The Idle Prentice at Play in the Church Yard, during Divine Service, 1747. Private Collection

Background imageHogarth Collection: Four Prints of an Election: Chairing the Member, Plate IV, 1758

Four Prints of an Election: Chairing the Member, Plate IV, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: Chairing the Member, Plate IV, 1758. Private Collection

Background imageHogarth Collection: Four Prints of an Election: Canvassing for Votes, Plate II, 1758

Four Prints of an Election: Canvassing for Votes, Plate II, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: Canvassing for Votes, Plate II, 1758. Private Collection

Background imageHogarth Collection: Four Prints of an Election: The Polling, Plate III, 1758. Creator: Hogarth, William (1697-1764)

Four Prints of an Election: The Polling, Plate III, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: The Polling, Plate III, 1758. Private Collection

Background imageHogarth Collection: Four Prints of an Election: An Election Entertainment, Plate I, 1758

Four Prints of an Election: An Election Entertainment, Plate I, 1758. Creator: Hogarth, William (1697-1764)
Four Prints of an Election: An Election Entertainment, Plate I, 1758. Private Collection

Background imageHogarth Collection: Marriage a la Mode. Plate V: The Bagnio, 1745. Creator: Hogarth, William (1697-1764)

Marriage a la Mode. Plate V: The Bagnio, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate V: The Bagnio, 1745. Private Collection

Background imageHogarth Collection: Marriage a la Mode. Plate VI: The Lady's Death, 1745. Creator: Hogarth, William (1697-1764)

Marriage a la Mode. Plate VI: The Lady's Death, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate VI: The Lady's Death, 1745. Private Collection

Background imageHogarth Collection: Marriage a la Mode. Plate IV: The Toilette, 1745. Creator: Hogarth, William (1697-1764)

Marriage a la Mode. Plate IV: The Toilette, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate IV: The Toilette, 1745. Private Collection

Background imageHogarth Collection: Marriage a la Mode. Plate III: The Inspection, 1745. Creator: Hogarth, William (1697-1764)

Marriage a la Mode. Plate III: The Inspection, 1745. Creator: Hogarth, William (1697-1764)
Marriage a la Mode. Plate III: The Inspection, 1745. Private Collection



All Professionally Made to Order for Quick Shipping

Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works. His famous pieces, "Gin Lane" and "Beer Street, " depicted contrasting scenes of society's indulgence in alcohol. In these engravings, Hogarth highlighted the devastating consequences of excessive drinking and intemperance. "Gin Lane, " created in 1751, portrays a grim scene where poverty, despair, and moral decay prevail due to gin consumption. The image serves as a cautionary tale against the dangers of addiction and its impact on society. Similarly, "Beer Street" presents a stark contrast to Gin Lane by depicting a thriving community fueled by responsible beer consumption. This work aimed to promote moderation while emphasizing that beer could be enjoyed without leading to ruinous outcomes. In another notable piece titled "Four Times of Day: Noon, " Hogarth captured everyday life during midday hours. Through this series of paintings, he showcased various social classes interacting within bustling city streets. One aspect that set Hogarth apart was his ability to expose false perspectives prevalent in society through satire. In his artwork titled "False Perspective, " he ridiculed those who lacked knowledge about perspective in design creation. By highlighting absurdities resulting from this ignorance, Hogarth emphasized the importance of understanding fundamental artistic principles. Furthermore, Hogarth's masterpiece called "A Rake's Progress" delved into themes such as decadence and immorality. Plate III specifically depicts revelry alongside harlots—a vivid portrayal reflecting societal vices prevalent during that era. Lastly, one cannot overlook Hogarth's captivating depiction of nighttime in his work entitled "Four Times of Day: Night. " This engraving captures London after dark with its vibrant nightlife but also exposes darker elements lurking beneath the surface. William Hogarth remains an influential figure whose art continues to resonate today for its powerful social commentary and skillful execution.