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Hogarth Collection (page 4)

Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works

Background imageHogarth Collection: HOGARTH NOON HUGUENOTS

HOGARTH NOON HUGUENOTS
2. Noon Huguenot refugees attend chapel, opposite an eating house - St Giles in the Field is visible in the background. Date: 1738

Background imageHogarth Collection: HOGARTH NOON

HOGARTH NOON
2. Noon Huguenot refugees attend chapel, opposite an eating house - St Giles in the Field is visible in the background. Date: 1738

Background imageHogarth Collection: Leveridges songs frontispiecey by William Hogarth 1727

Leveridges songs frontispiecey by William Hogarth 1727
3788044 Leveridges songs frontispiecey by William Hogarth 1727 by Hogarth, William (1697-1764); (add.info.: Leveridges songs frontispiecey by William Hogarth 1727 WH: English painter, printmaker)

Background imageHogarth Collection: Mary and Ann Hogarth A shop-bill by William Hogarth 1724

Mary and Ann Hogarth A shop-bill by William Hogarth 1724
3788043 Mary and Ann Hogarth A shop-bill by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Hogarth's advert for his sisters linen-shop.Caption reads)

Background imageHogarth Collection: Mary and Ann Hogarth A shop-bill by William Hogarth 1724

Mary and Ann Hogarth A shop-bill by William Hogarth 1724
3788030 Mary and Ann Hogarth A shop-bill by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Hogarth's advert for his sisters linen-shop. Engraved by Thomas Cook)

Background imageHogarth Collection: The Lottery by William Hogarth 1721

The Lottery by William Hogarth 1721
3788046 The Lottery by William Hogarth 1721 by Hogarth, William (1697-1764); (add.info.: The Lottery by William Hogarth. Criticism of the government by Hogarth for raising money by lottery)

Background imageHogarth Collection: The Lottery by William Hogarth 1721

The Lottery by William Hogarth 1721
3788029 The Lottery by William Hogarth 1721 by Hogarth, William (1697-1764); (add.info.: The Lottery by William Hogarth. Engraved by Thomas Cook)

Background imageHogarth Collection: Mary and Ann Hogarth A shop-bill by William Hogarth 1724

Mary and Ann Hogarth A shop-bill by William Hogarth 1724
3788041 Mary and Ann Hogarth A shop-bill by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Hogarth's advert for his sisters linen-shop.Caption reads)

Background imageHogarth Collection: Foundling Hospital London, receipt signed by William Hogarth, 1697-1764, English artist

Foundling Hospital London, receipt signed by William Hogarth, 1697-1764, English artist
2919886 Foundling Hospital London, receipt signed by William Hogarth, 1697-1764, English artist. by Hogarth, William (1697-1764); Private Collection

Background imageHogarth Collection: Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth

Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth
2913935 Henry Fielding, 1707 - 1754. English novelist and dramatist. After the engraving by William Hogarth. From Impressions of English Literature, published 1944

Background imageHogarth Collection: Some of the Principal Inhabitants of the Moon by William Hogarth 1724

Some of the Principal Inhabitants of the Moon by William Hogarth 1724
3788042 Some of the Principal Inhabitants of the Moon by William Hogarth 1724 by Hogarth, William (1697-1764); (add.info.: Royalty, Episcopacy, and Law by W)

Background imageHogarth Collection: Leveridges songs frontispiecey by William Hogarth 1727

Leveridges songs frontispiecey by William Hogarth 1727
3788037 Leveridges songs frontispiecey by William Hogarth 1727 by Hogarth, William (1697-1764); (add.info.: Leveridges songs frontispiecey by William Hogarth 1727 WH: English painter, printmaker)

Background imageHogarth Collection: Portraits of Great Painters: Hogarth (litho)

Portraits of Great Painters: Hogarth (litho)
5990246 Portraits of Great Painters: Hogarth (litho) by Ross, Gordon (1872-1946); Private Collection; (add.info.: Hogarth)

Background imageHogarth Collection: William Hogarth, from Living Biographies of Great Painters

William Hogarth, from Living Biographies of Great Painters
3960940 William Hogarth, from Living Biographies of Great Painters by Ross, Gordon (1872-1946); (add.info.: William Hogarth, 1697-1764)

Background imageHogarth Collection: A Rakes Progress, Plate 8: In The Madhouse, ca 1735. Creator: Hogarth

A Rakes Progress, Plate 8: In The Madhouse, ca 1735. Creator: Hogarth
A Rakes Progress, Plate 8: In The Madhouse, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 7: The Prison Scene, ca 1735. Creator: Hogarth

A Rakes Progress, Plate 7: The Prison Scene, ca 1735. Creator: Hogarth
A Rakes Progress, Plate 7: The Prison Scene, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 5: Married To An Old Maid, ca 1735

A Rakes Progress, Plate 5: Married To An Old Maid, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 4: Arrested For Debt, ca 1735. Creator: Hogarth

A Rakes Progress, Plate 4: Arrested For Debt, ca 1735. Creator: Hogarth
A Rakes Progress, Plate 4: Arrested For Debt, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 3: The Tavern Scene, ca 1735. Creator: Hogarth

A Rakes Progress, Plate 3: The Tavern Scene, ca 1735. Creator: Hogarth
A Rakes Progress, Plate 3: The Tavern Scene, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 2: Surrounded By Artists And Professors, ca 1735

A Rakes Progress, Plate 2: Surrounded By Artists And Professors, ca 1735. Private Collection

Background imageHogarth Collection: A Rakes Progress, Plate 1: The Young Heir Takes Possession Of The Misers Effects

A Rakes Progress, Plate 1: The Young Heir Takes Possession Of The Misers Effects, ca 1735. Private Collection

Background imageHogarth Collection: An invitation card by Hogarth (engraving)

An invitation card by Hogarth (engraving)
3636510 An invitation card by Hogarth (engraving) by English School, (19th century); Private Collection; (add.info.: An invitation card by Hogarth)

Background imageHogarth Collection: Parliamentary Elections and Electioneering in the Old Days (engraving)

Parliamentary Elections and Electioneering in the Old Days (engraving)
1041253 Parliamentary Elections and Electioneering in the Old Days (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageHogarth Collection: Hogarths House at Chiswick, sold for £1500 (b / w photo)

Hogarths House at Chiswick, sold for £1500 (b / w photo)
1628644 Hogarths House at Chiswick, sold for £ 1500 (b/w photo) by English Photographer, (20th century); Private Collection; (add.info.: Hogarths House at Chiswick, sold for £ 1500)

Background imageHogarth Collection: James Figgs trade card designed by Hogarth (engraving)

James Figgs trade card designed by Hogarth (engraving)
559186 James Figgs trade card designed by Hogarth (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info)

Background imageHogarth Collection: Hogarths Altarpiece - Sealing the Tomb (pen & ink on paper)

Hogarths Altarpiece - Sealing the Tomb (pen & ink on paper)
2831485 Hogarths Altarpiece - Sealing the Tomb (pen & ink on paper) by Withers, John (c.1810); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageHogarth Collection: Nave of St Mary Redcliffe, looking East with the Hogarth Altarpiece

Nave of St Mary Redcliffe, looking East with the Hogarth Altarpiece
2831439 Nave of St Mary Redcliffe, looking East with the Hogarth Altarpiece, 1828 (w/c over pencil on paper) by Johnson, James (1803-34); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageHogarth Collection: Columbus breaking the egg

Columbus breaking the egg
Christopher Columbus breaking the egg - an apocryphal story, supposed to be his response to those who belittled his discovery of the New World. Date: 15th century

Background imageHogarth Collection: Tomb of artist William Hogarth, Chiswick churchyard

Tomb of artist William Hogarth, Chiswick churchyard, Middlesex. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of Antiquaries from his J.T

Background imageHogarth Collection: Grave effigy or Lady Arabella, Countess Dowager

Grave effigy or Lady Arabella, Countess Dowager of Nottingham, in the chancel of St. Mary le Savoy. Copperplate engraving by John Thomas Smith after original drawings by members of the Society of

Background imageHogarth Collection: Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock

Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock
824268 Portrait of Samuel Martin, Bust Length, in a Pink Coat, White Stock and Lace-Edged White Shirt, with His Right Hand Tucked into His Jacket, c.1763 (oil on canvas) by Hogarth

Background imageHogarth Collection: Janet Hogarth at Encyclopedia Britannica dinner 1910

Janet Hogarth at Encyclopedia Britannica dinner 1910
Janet Hogarth speaking at an Encyclopedia Britannica dinner held to celebrate the contribution of women to the recent completion of the eleventh edition

Background imageHogarth Collection: Hogarth in his study (engraving)

Hogarth in his study (engraving)
606874 Hogarth in his study (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Hogarth in his study); Look and Learn / Peter Jackson Collection

Background imageHogarth Collection: The standing and marching salute exercises

The standing and marching salute exercises. Taken from William Hogarths illustrations for John Blackwells Account of the Artillery Company

Background imageHogarth Collection: The standing salute exercises

The standing salute exercises. Taken from William Hogarths illustrations for John Blackwells Account of the Artillery Company

Background imageHogarth Collection: The Distrest Poet, 1741 (etching)

The Distrest Poet, 1741 (etching)
2972950 The Distrest Poet, 1741 (etching) by Hogarth, William (1697-1764); The Geffrye Museum of the Home, London, UK; (add.info)

Background imageHogarth Collection: The Analysis of Beauty II by William Hogarth

The Analysis of Beauty II by William Hogarth -- men and women dancing in a grand salon. 18th century

Background imageHogarth Collection: William Hogarths Tomb Chiswick

William Hogarths Tomb Chiswick
Tomb of William and his wife Jane Hogarth, William Hogarth was a English artist and engraver in Chiswick, Church-yard, West, London

Background imageHogarth Collection: Advert, Hogarths Malt Ketchup

Advert, Hogarths Malt Ketchup, October 1888. 1888

Background imageHogarth Collection: The Artists Costume Ball at Princes Hall, Piccadilly (engraving)

The Artists Costume Ball at Princes Hall, Piccadilly (engraving)
1591105 The Artists Costume Ball at Princes Hall, Piccadilly (engraving) by English School, (19th century); Private Collection; (add.info.: The Artists Costume Ball at Princes Hall, Piccadilly)

Background imageHogarth Collection: The Undertakers Arms (colour litho)

The Undertakers Arms (colour litho)
964655 The Undertakers Arms (colour litho) by English School, (19th century); Private Collection; (add.info.: The Undertakers Arms. From Truth, 25 December 1894.); © Look and Learn

Background imageHogarth Collection: Marriage a la Mode, 1904 (colour litho)

Marriage a la Mode, 1904 (colour litho)
964618 Marriage a la Mode, 1904 (colour litho) by English School, (20th century); Private Collection; (add.info.: Marriage a la Mode, 1904. From Truth, 25 December 1904.); © Look and Learn

Background imageHogarth Collection: Weaving at Spitalfields, England, Industry and Idleness

Weaving at Spitalfields, England, Industry and Idleness
Industry and Idleness by William Hogarth, showing weaving at Spitalfields, England, contrasting the discipline of one apprentice with the slovenly behaviour of another. Date: First published 1747

Background imageHogarth Collection: A Scene from The Beggars Opera, 1728-29 (oil on canvas)

A Scene from The Beggars Opera, 1728-29 (oil on canvas)
5846820 A Scene from The Beggars Opera, 1728-29 (oil on canvas) by Hogarth, William (1697-1764); 51.1x61.2 cm; National Gallery of Art, Washington DC, USA; (add.info.: Macheath)

Background imageHogarth Collection: Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving)

Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving)
3625594 Jotted her Down on the Spot, Hogarth sketching the heroic chambermaid (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Jotted her Down on the Spot)

Background imageHogarth Collection: 'Morning', from Hogarths print (engraving)

"Morning", from Hogarths print (engraving)
3636541 " Morning", from Hogarths print (engraving) by English School, (19th century); Private Collection; (add.info.: " Morning", from Hogarths print)



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Hogarth, the renowned artist of the 18th century, left an indelible mark on the art world with his satirical and thought-provoking works. His famous pieces, "Gin Lane" and "Beer Street, " depicted contrasting scenes of society's indulgence in alcohol. In these engravings, Hogarth highlighted the devastating consequences of excessive drinking and intemperance. "Gin Lane, " created in 1751, portrays a grim scene where poverty, despair, and moral decay prevail due to gin consumption. The image serves as a cautionary tale against the dangers of addiction and its impact on society. Similarly, "Beer Street" presents a stark contrast to Gin Lane by depicting a thriving community fueled by responsible beer consumption. This work aimed to promote moderation while emphasizing that beer could be enjoyed without leading to ruinous outcomes. In another notable piece titled "Four Times of Day: Noon, " Hogarth captured everyday life during midday hours. Through this series of paintings, he showcased various social classes interacting within bustling city streets. One aspect that set Hogarth apart was his ability to expose false perspectives prevalent in society through satire. In his artwork titled "False Perspective, " he ridiculed those who lacked knowledge about perspective in design creation. By highlighting absurdities resulting from this ignorance, Hogarth emphasized the importance of understanding fundamental artistic principles. Furthermore, Hogarth's masterpiece called "A Rake's Progress" delved into themes such as decadence and immorality. Plate III specifically depicts revelry alongside harlots—a vivid portrayal reflecting societal vices prevalent during that era. Lastly, one cannot overlook Hogarth's captivating depiction of nighttime in his work entitled "Four Times of Day: Night. " This engraving captures London after dark with its vibrant nightlife but also exposes darker elements lurking beneath the surface. William Hogarth remains an influential figure whose art continues to resonate today for its powerful social commentary and skillful execution.