Hitchcock Collection (page 8)

Mrs Hitchcock Charless Hart American 1836 1915
Mrs. Hitchcock; Charles S. Hart (American, 1836 - 1915, active Watertown, New Jersey); 1860s; Albumen silver print

Ivor Novello and Isabel Jeans in Downhill 1927)
Ivor Novello and Isobel Jeans in Downhill 1927) directed by Alfred Hitchcock Date: 1929

Alfred Hitchcock and Nita Naldi (1926) filming the Mountain Eagle (1926) Date: 1926

Alfred Hitchcock Date: late 1920s

Ivor Novello and June in The Lodger (1926) directed by Alfred Hitchcock Date: 1927

A scene from The Lodger (1926) directed by Alfred Hitchcock Date: 1927

A scene form The Lodger (1926) directed by Alfred Hitchcock Date: 1927

Ivor Novello and Annette Benson in Downhill (1927) directed by Alfred Hitchcock Date: 1927

Ivor Novello in The Lodger (1926) directed by Alfred Hitchcock Date: 1927

Isobel Jeans & Ian Hunter In Downhill (1927) directed by Alfred Hitchcock Date: 1928

Isabel Jeans in Easy Virtue (1927)
Isobel Jeans in Easy Virtue (1927) directed by Alfred Hitchcock Date: 1927

John Stuart and Virginia Valli in The Pleasure Garden (1926) directed by Alfred Hitchcock Date: 1932

Rex Ingram, director, producer, writer and actor
Rex Ingram (born Reginald Ingram Montgomery Hitchcock, 1892-1950), Irish director, producer, writer and actor. Date: 1925

WW1 - Lady aviator air-gunner demonstration in aeroplane
WW1 - An illustration of Mrs A. S. Hitchcock who was part of the Italian Army for expert skill in aeroplane operation. She is seen here giving a demonstration within Italian lines for a number of

The Jazz Age - scene from Champagne
On with the dance - a study in modernity from the film, Champagne, a British movie shown by the Wardour Company, directed by Alfred Hitchcock

LILLIE HITCHCOCK COIT (1843-1929). Elizabeth Lillie Wyche Hitchcock Coit. American honorary volunteer firefighter. Photographed c1863

Edward Hitchcock (1793-1864), American geologist who was the third President of Amherst College (1845-1854). He carried out geological surveys in Massachusetts

EDWARD HITCHCOCK (1793-1864). American geologist

Street scene outside a London theatre
Street scene outside a Central London theatre. Across the road the film Spellbound (1945) is on show, starring Ingrid Bergman and Gregory Peck. circa 1945

Traditional cottage at Niarbyl, Isle of Man, with film crew
View of a traditional cottage at Niarbyl, on the south west coast of the Isle of Man, with a film crew working on The Manxman (1929, directed by Alfred Hitchcock, based on a novel by Hall Caine)

Edward Hitchcock, US geologist
Edward Hitchcock (1793-1864), American geologist. Hitchcock began his career as a teacher and a clergyman, but later became professor of chemistry at Amherst College, Massachusetts, USA

HITCHCOCK: THE BRIDE, 1900. George Hitchcock: The Bride. Oil on canvas, c1900

The Bridge Builders
The title page of Rudyard Kiplings short story The Bridge Builders, as it first appeared in the Illustrated London News Christmas issue, 1893

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"Hitchcock: The Master of Suspense and Artistic Allusions" Step into the world of Alfred Hitchcock, where art and cinema collide in a thrilling symphony of suspense. Just like Leonardo da Vinci's enigmatic works, Hitchcock's films leave us pondering their hidden meanings. In "Head of a Bear, " da Vinci captures the raw power and intensity that can be found in nature - much like Hitchcock did with his iconic thriller "Jamaica Inn. " Aubrey Mather and Maureen O'Hara bring this gripping tale to life, leaving audiences on the edge of their seats. Hitchcock's early masterpiece "Blackmail" showcases Anny Ondra as she grapples with guilt and deception. With each twist and turn, we are reminded that even the most innocent can be drawn into a web of intrigue. Just as one might borrow books from a lending library, Hitchcock borrows inspiration from various sources. His films often pay homage to great artists like da Vinci, whose equestrian studies come alive in scenes such as "A Horseman Trampling on a Fallen Foe. " Through his lens, Hitchcock expertly crafts allegories that explore the depths of human emotions. In works such as "Allegories of Pleasure and Pain" or "Envy, " he delves into our darkest desires and fears - reminding us that there is always more than meets the eye. But it isn't all darkness; amidst these tales lies beauty too. Like da Vinci's serene landscapes or graceful feline sketches, Hitchcock paints vivid backdrops for his stories - transporting us to worlds both familiar and unknown. As we delve deeper into his filmography, we discover two drawings close to Hitchcock's heart: love stories filled with passion but also heartache. These emotional journeys mirror those depicted in "The Manxman, " directed by none other than Alfred himself. So step into the world of Hitchcock, where art and cinema intertwine.