Hitchcock Collection (page 5)

Study of a Horse and of a Horses Head, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse and of a Horses Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Sheet of Studies of Horses, a Cat and of St. George and the Dragon, c1480 (1945). Artist: Leonardo da Vinci
Sheet of Studies of Horses, a Cat and of St. George and the Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses Heads and of a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses Heads and of a Rearing Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Notes on Astronomy and Study of a Horses Head, c1480 (1945). Artist: Leonardo da Vinci
Notes on Astronomy and Study of a Horses Head, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Forepart and Hind-Quarters of a Dog, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Forepart and Hind-Quarters of a Dog, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Cart, Etc. c1480 (1945). Artist: Leonardo da Vinci
Studies of a Cart, Etc. c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Harnessed Cart-Horse and Studies of Harness, c1480 (1945). Artist: Leonardo da Vinci
A Harnessed Cart-Horse and Studies of Harness, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Heads of Monsters, c1480 (1945). Artist: Leonardo da Vinci
Two Heads of Monsters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Four Studies of the Paws of a Dog or Wolf, c1480 (1945). Artist: Leonardo da Vinci
Four Studies of the Paws of a Dog or Wolf, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Bear, c1480 (1945). Artist: Leonardo da Vinci
Study of a Bear, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Measured Drawing of the Near Fore-Leg of a Horse, c1480 (1945). Artist: Leonardo da Vinci
Measured Drawing of the Near Fore-Leg of a Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses Fore-Legs and Measured Drawings of Horses Heads, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses Fore-Legs and Measured Drawings of Horses Heads, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Four Studies of Horses Legs, c1480 (1945). Artist: Leonardo da Vinci
Four Studies of Horses Legs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Measured Drawing of a Horse in Profile to the Left, c1480 (1945). Artist: Leonardo da Vinci
Measured Drawing of a Horse in Profile to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Sketches of a Horses Hind-Quarters and one of its Nostrils, c1480 (1945). Artist: Leonardo da Vinci
Three Sketches of a Horses Hind-Quarters and one of its Nostrils, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Four Sketches of Horses, c1480 (1945). Artist: Leonardo da Vinci
Four Sketches of Horses, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horse in Profile to the Right and its Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
A Horse in Profile to the Right and its Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Horse Seen from the Front, c1480 (1945). Artist: Leonardo da Vinci
A Horse Seen from the Front, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Horsemen, c1480 (1945). Artist: Leonardo da Vinci
Two Horsemen, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Rider on a Rearing Horse, c1480 (1945). Artist: Leonardo da Vinci
A Rider on a Rearing Horse, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Dog and of a Cat, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Dog and of a Cat, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Dragon, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Dragon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of a Horse Marked Out for Measurement, c1480 (1945). Artist: Leonardo da Vinci
Study of a Horse Marked Out for Measurement, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Fight Between a Horseman and a Griffin, c1480 (1945). Artist: Leonardo da Vinci
Fight Between a Horseman and a Griffin, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). Artist: Leonardo da Vinci
Studies of a Rearing Horse and a Horses Hind-Quarters, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Unicorn Dipping Its Horn into the Water, c1480 (1945). Artist: Leonardo da Vinci
A Unicorn Dipping Its Horn into the Water, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of Horses, One of a Galloping Horseman and Others of Horses Legs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Horses Grazing, c1480 (1945). Artist: Leonardo da Vinci
Studies of Horses Grazing, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Asses and of an Ox, c1480 (1945). Artist: Leonardo da Vinci
Studies of Asses and of an Ox, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Perspective of the Background of the Adoration of the Magi, 1481 (1945). Artist: Leonardo da Vinci
Study of the Perspective of the Background of the Adoration of the Magi, 1481 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci

Group of Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Group of Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Three Seated Figures and Studies of Machinery, 1480-1481 (1945). Artist: Leonardo da Vinci
Three Seated Figures and Studies of Machinery, 1480-1481 (1945). The drawing is held by the Ashmolean Museum, Oxford. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Figures in Conversation, c1480 (1945). Artist: Leonardo da Vinci
Two Figures in Conversation, c1480 (1945). The drawing is held by the Royal Library, Windsor. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Draped Figure, Studies of Machinery Etc. c1480 (1945). Artist: Leonardo da Vinci
A Draped Figure, Studies of Machinery Etc. c1480 (1945). The drawing is held by the Galleria degli Uffizi, Florence. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Various Groups and Single Figures, c1480 (1945). Artist: Leonardo da Vinci
Various Groups and Single Figures, c1480 (1945). The drawing is held by the Ecole nationale superieure des Beaux-Arts de Paris, Paris. From The Drawings of Leonardo da Vinci

Studies of Single Figures and of a Profile, c1480 (1945). Artist: Leonardo da Vinci
Studies of Single Figures and of a Profile, c1480 (1945). The drawing is held by the British Museum, London. From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). Artist: Leonardo da Vinci
Machine for Shaping Iron Rods for Making Cannon, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawings of a Square Castle, c1480 (1945). Artist: Leonardo da Vinci
Drawings of a Square Castle, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945] From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Drawing of a Flying Machine with a Man Operating It, c1480 (1945). Artist: Leonardo da Vinci
Drawing of a Flying Machine with a Man Operating It, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). Artist: Leonardo da Vinci
Studies of Violas and of Methods of Soldering Lead Roofs, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

A Lily, c1480 (1945). Artist: Leonardo da Vinci
A Lily, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Rocks and Stream, c1480 (1945). Artist: Leonardo da Vinci
Rocks and Stream, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). Artist: Leonardo da Vinci
Study of the Back View of a Skeleton, Showing the Tendons of the Neck, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). Artist: Leonardo da Vinci
Two Studies of the Upper Part of an Old Man and Two Studies of Arms, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). Artist: Leonardo da Vinci
Six Studies of an Arm Showing in Three Cases the Bones, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Head of Cesare Borgia from Three Points of View, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). Artist: Leonardo da Vinci
Studies of the Drapery of a Figure Seated to the Left, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

Study of the Drapery of a Seated Figure to the Right, c1480 (1945). Artist: Leonardo da Vinci
Study of the Drapery of a Seated Figure to the Right, c1480 (1945). From The Drawings of Leonardo da Vinci. [Reynal & Hitchcock, New York, 1945]

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"Hitchcock: The Master of Suspense and Artistic Allusions" Step into the world of Alfred Hitchcock, where art and cinema collide in a thrilling symphony of suspense. Just like Leonardo da Vinci's enigmatic works, Hitchcock's films leave us pondering their hidden meanings. In "Head of a Bear, " da Vinci captures the raw power and intensity that can be found in nature - much like Hitchcock did with his iconic thriller "Jamaica Inn. " Aubrey Mather and Maureen O'Hara bring this gripping tale to life, leaving audiences on the edge of their seats. Hitchcock's early masterpiece "Blackmail" showcases Anny Ondra as she grapples with guilt and deception. With each twist and turn, we are reminded that even the most innocent can be drawn into a web of intrigue. Just as one might borrow books from a lending library, Hitchcock borrows inspiration from various sources. His films often pay homage to great artists like da Vinci, whose equestrian studies come alive in scenes such as "A Horseman Trampling on a Fallen Foe. " Through his lens, Hitchcock expertly crafts allegories that explore the depths of human emotions. In works such as "Allegories of Pleasure and Pain" or "Envy, " he delves into our darkest desires and fears - reminding us that there is always more than meets the eye. But it isn't all darkness; amidst these tales lies beauty too. Like da Vinci's serene landscapes or graceful feline sketches, Hitchcock paints vivid backdrops for his stories - transporting us to worlds both familiar and unknown. As we delve deeper into his filmography, we discover two drawings close to Hitchcock's heart: love stories filled with passion but also heartache. These emotional journeys mirror those depicted in "The Manxman, " directed by none other than Alfred himself. So step into the world of Hitchcock, where art and cinema intertwine.