Hanoverian Collection (page 4)

Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child
NCO189793 Gentle Manners, with affections mild, in Wit a Man, Simplicity a Child, published by Hannah Humphrey in 1798 (hand-coloured etching) by Gillray

Fast Asleep, published by Hannah Humphrey in 1806 (hand-coloured etching
NCO189788 Fast Asleep, published by Hannah Humphrey in 1806 (hand-coloured etching) (see also 189789) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite
NCO189723 Le Cochon et ses Deux Petits, or Rich Pickings for a Noble Appetite, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching)
NCO191247 The Vulture of the Constitution, published by Hannah Humphrey in 1789 (etching) by Gillray, James (1757-1815); 24.5x34.7 cm; Courtesy of the Warden and Scholars of New College

The Kettle Hooting the Porridge-Pot, published by P. J. Leatherhead in 1782
NCO191214 The Kettle Hooting the Porridge-Pot, published by P.J. Leatherhead in 1782 (hand-coloured etching) by Gillray, James (1757-1815)

Nevil Maskelyne (1732-1811) from Gallery of Painters
KW189030 Nevil Maskelyne (1732-1811) from Gallery of Painters, published in 1833 (engraving) by English School, (19th century); Private Collection; English, out of copyright

A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803
NCO191726 A Scotch Poney, commonly call d a Galloway, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her
NCO189764 Farmer Giles and his Wife showing off their daughter Betty to their neighbours on her return from school, published by Hannah Humphrey in 1809 (hand-coloured etching) by Gillray

Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings
NCO189746 Exhibition of a Democratic-Transparency, with its Effect upon Patriotic Feelings, published by Hannah Humphrey in 1799 (hand-coloured etching with aquatint) by Gillray

Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether
NCO189731 Middlesex Election, 1804, or A Long Pull, a Strong Pull, and a Pull Alltogether, published by Hannah Humphrey in 1804 (hand-coloured etching) by Gillray

A Sphere Projecting Against a Plane, published by Hannah Humphrey in 1792
NCO189724 A Sphere Projecting Against a Plane, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Loss of the Faro Bank, or The Rooks Pigeon d
NCO191286 The Loss of the Faro Bank, or The Rooks Pigeon d, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

A Cockney and his Wife going to Wycombe, published by Hannah Humphrey in 1805
NCO191245 A Cockney and his Wife going to Wycombe, published by Hannah Humphrey in 1805 (hand-coloured etching with aquatint) by Gillray

Portrait of King George IV, 1820-30 (oil on canvas)
CTS336371 Portrait of King George IV, 1820-30 (oil on canvas) by Lawrence, Thomas (1769-1830) (studio of); 287x199.4 cm; eThe Devonshire Collections

George II at the Battle of Dettingen (oil on canvas)
OJ451965 George II at the Battle of Dettingen (oil on canvas) by Morier, David (c.1705-70); Private Collection; (add.info.: George II (1683-1760); King of England; the Battle of Dettingen

Matins at D-wn-ng College, Cambridge, pub. 1810 (hand coloured engraving)
3051763 Matins at D-wn-ng College, Cambridge, pub. 1810 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

A Bouquet of the Last Century, pub. 1802 (hand coloured engraving)
3051747 A Bouquet of the Last Century, pub. 1802 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Mary)

Portrait of Princess Sophia, 5th daughter of King George III (colour litho)
2775398 Portrait of Princess Sophia, 5th daughter of King George III (colour litho) by Cosway, Richard (1742-1821) (after); Private Collection; (add.info.: Portrait of Princess Sophia)

Gloria Mundi, , or The Devil addressing the Sun, pub. 1782 (hand coloured engraving)
2962522 Gloria Mundi, , or The Devil addressing the Sun, pub. 1782 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info)

The Zoological Gardens, 1826 (colour litho)
3621858 The Zoological Gardens, 1826 (colour litho) by English School, (19th century); Private Collection; (add.info.: The Zoological Gardens, 1826)

A Scene before Kensington Palace - George II and Queen Caroline (engraving)
3099382 A Scene before Kensington Palace - George II and Queen Caroline (engraving) by English School, (19th century); Private Collection; (add.info)

Coronation of King George IV in Westminster Abbey, 1821 (engraving)
3105132 Coronation of King George IV in Westminster Abbey, 1821 (engraving) by English School, (19th century); Private Collection; (add.info.: Coronation of King George IV in Westminster Abbey)

Prince William Frederick, Duke of Gloucester and Edinburgh (1776-1834). circa 1820s

Handels River Concert for George I (gravure)
969244 Handels River Concert for George I (gravure) by Hamman, Edouard Jean Conrad (1819-88) (after); Private Collection; (add.info.: Handels River Concert for George I, 1717)

Queen Charlotte, Consort of King George III
Queen Charlotte (Charlotte of Mecklenburg-Strelitz, 1744-1818), Consort of King George III. 18th century

William III, King of England, 1688-1709 (mezzotint)
5846779 William III, King of England, 1688-1709 (mezzotint) by Later, Jacob de (fl.1680-1728); 33.8x25.9 cm; Private Collection; (add.info.: William III (1650-1702)); Dutch, out of copyright

New London Bridge, 1831 (colour litho)
3621859 New London Bridge, 1831 (colour litho) by English School, (19th century); Private Collection; (add.info.: New London Bridge, 1831. Here is William the Fourth)

King George II (1683-1760), engraved by S. Ravenet (1683-1760) published by David Morier
NAM261126 King George II (1683-1760), engraved by S. Ravenet (1683-1760) published by David Morier, December 1757 (engraving) by Morier, David (c.1705-70); National Army Museum

George III, 1764 (marble) (see also 283568)
XYC283567 George III, 1764 (marble) (see also 283568) by Nost, John van the Younger (fl.1750-87); 63.5x48.9x25.4 cm; Yale Center for British Art, Paul Mellon Collection

Portrait of George IV (oil on canvas)
CTS336372 Portrait of George IV (oil on canvas) by Lawrence, Thomas (1769-1830); 142.6x112.6 cm; eThe Devonshire Collections

Questions and Commands, or The Mistaken Road to H-r-f-rd: a Sunday Evenings Amusement
NCO193425 Questions and Commands, or The Mistaken Road to H-r-f-rd: a Sunday Evenings Amusement, published by Hannah Humphrey in 1788 (hand-coloured etching) by English School

The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792
NCO190498 The Fall of the Wolsey of the Woolsack, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795
NCO190486 A keen sighted Politician warming his Imagination, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

Hanging and Drowning, or Fatal Effects of the French Defeat
NCO190466 Hanging and Drowning, or Fatal Effects of the French Defeat, published by Hannah Humphrey in 1795 (hand-coloured etching) by Gillray

And catch the living Manners as they rise, published by Hannah Humphrey
NCO191293 And catch the living Manners as they rise, published by Hannah Humphrey (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

High Change in Bond Street, or La Politesse du Grande Monde
NCO191285 High Change in Bond Street, or La Politesse du Grande Monde, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray

Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802
NCO191277 Mary of Buttermere, sketched from life in July 1800, published by Hannah Humphrey in 1802 (hand-coloured etching) by Gillray

A March to the Bank, published by S. W. Fores in 1787 (hand-coloured etching)
NCO190403 A March to the Bank, published by S.W. Fores in 1787 (hand-coloured etching) by Gillray, James (1757-1815); 42.4x54.5 cm; Courtesy of the Warden and Scholars of New College

Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in
NCO191240 Modern Hospitality, or A Friendly Party in High Life, published by Hannah Humphrey in 1792 (hand-coloured etching) by Gillray

Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of
NCO190199 Le Diable-Boiteux, or The Devil upon Two Sticks Conveying John Bull to the Land of Promise, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray

The State Tinkers, published by William Humphrey in 1780 (etching)
NCO191225 The State Tinkers, published by William Humphrey in 1780 (etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching)
NCO190115 Portrait of a Man, published by Hannah Humphrey in 1803 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching)
NCO190100 A Prince of the Old School, published by Hannah Humphrey in 1800 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

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"Hanoverian: A Captivating Journey through History and Satire" Step into the world art and satire, where historical events intertwine with witty commentary. Delve into the realm of political cartoons published by Hannah Humphrey in the early 19th century, as we explore a collection that captures both the essence of British society and its royal lineage. In "The King of Brobdingnag and Gulliver" (1803), witness an imaginative portrayal of size disparities between two iconic characters from Jonathan Swift's novel. This hand-colored engraving transports us to a whimsical world where giants reign supreme. "Integrity retiring from Office. " (1801) offers a thought-provoking glimpse into political life. As power shifts hands, this satirical piece reflects on the concept of integrity leaving public service, leaving audiences pondering its implications. With "Bank Notes - Paper Money - French Alarmists - ah. Poor John Bull, " we find ourselves immersed in financial turmoil. Published during uncertain times, this artwork highlights societal concerns surrounding currency fluctuations and their impact on everyday citizens. The grandeur of Westminster Abbey comes alive in "Queen consorts crowned in Westminster Abbey" (1937). This regal depiction showcases the coronation ceremony, honoring royal women who played significant roles alongside their kings throughout history. John Bull takes center stage in "John Bull Ground Down" (1795), revealing his struggles amidst social unrest. Through Hannah Humphrey's hand-colored etching, we witness John Bull's resilience against adversity—a timeless symbol representing ordinary people facing extraordinary challenges. In "Playing in Parts, " etched by James Gillray and published by Hannah Humphrey, theatrical intrigue unfolds before our eyes. The Green Room becomes our backstage pass to witness dilettantes' performances—offering laughter while shedding light on societal norms within entertainment circles. Royalty takes precedence once again with "Her Royal Highness, Princess Royal and her four sisters.