Hand Coloured Etching Collection

Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. Jamess Street, London, August 12, 1821

Ald Wood in the Character of Paul Pry, 1826. Creator: Isaac Robert Cruikshank
Ald Wood in the Character of Paul Pry, 1826

The Spanish Bull Fight, or The Corsican Matador in Danger, published by Hannah Humphrey in 1808 (hand-coloured etching)
NCO191275 The Spanish Bull Fight, or The Corsican Matador in Danger, published by Hannah Humphrey in 1808 (hand-coloured etching) by Gillray

The Arms of France
2911030 The Arms of France by Gillray, James (1757-1815); (add.info.: 1803 Hand-coloured etching titled The Arms of France by James Gillray (1751-1815)

The Hand-Writing Upon the Wall
2911029 The Hand-Writing Upon the Wall by Gillray, James (1757-1815); (add.info.: 1804 Hand-coloured etching and aquatint titled The Hand-Writing Upon the Wall by James Gillray (1751-1815)

Waggoners Frocks or No Bodys of 1795, August 4, 1795. Creator: Anon
Waggoners Frocks or No Bodys of 1795, August 4, 1795

King Henry IV, ca. 1827. Creator: William Heath
King Henry IV, ca. 1827

The Royal Allied Oak and Self-Created Mushroom Kings, May 29, 1815

Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay There s
Modern Oddities by P. Pry Esq. Plate 1st: The Sleeves Curiously Cut, Ay Theres the Villainy - vide Shakespeare, June 30, 1829

Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835. Creator: Theodore Lane
Theatrical Pleasures, Plate 2: Contending for a Seat, ca. 1835

O Tempora, O Mores!, December 1799. Creator: Samuel Alken
O Tempora, O Mores!, December 1799

Locomotion: Walking by Steam, Riding by Steam, Flying by Steam, ca. 1830

Caricature Shop of Piercy Roberts, 28 Middle Row, Holborn, 1801. Creator: Piercy Roberts
Caricature Shop of Piercy Roberts, 28 Middle Row, Holborn, 1801

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 1, January-June 1809. [Fabric samples]

Dandies in Rotten Row, January 21, 1819. Creator: William Heath
Dandies in Rotten Row, January 21, 1819

Long Thomas and Mad-le G-d Going to the Pantheon in Their Natural Masks, May 1, 1773

Botheration, Dec. 17, 1793. Creator: Samuel Alken
Botheration, Dec. 17, 1793

Implements Animated, Pl. 1, Dedicated to the Carpenters and Gardeners of Great Britain, 1811

Imperial Botany - or a Peep at Josephines Collection of English Exoticks, vide the Champion Jany 30, 1814, March 1, 1814. Attributed to Charles Williams. Also attributed to George Cruikshank

The Margate Hoy, January 12, 1795. Creator: Charles Catton the Younger
The Margate Hoy, January 12, 1795

Elephantine Performances, pub. C. 1854 (hand coloured etching)

Montpellier Rotunda, Cheltenham, 1833
Montpellier Rotunda, Cheltenham, pub. 1833 (hand coloured etching)

Consular Coachmanship!!, 1803
Consular Coachmanship!!, pub. By William Holland, May 22, 1803 (hand coloured engraving)

Auctioneer & Lawyer, Auctioneer Knocking Down a Bad Lot, early 19th century. [Kings Columbian Jester]

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"Hand-Coloured Etching: A Glimpse into Artistic Mastery and Satirical Wit" Step into the world of hand-coloured etchings, where artistry meets humor and social commentary. Honi. Soi. Qui. Mal. Y. Pense: The Caricature Shop of G. Humphrey, 27 St. James takes us back to a bustling shop in London during the early 19th century. Intriguingly titled The Spanish Bull Fight, or The Corsican Matador in Danger, published by Hannah Humphrey in 1808 showcases the vibrant colors meticulously added by skilled artists to bring life to this captivating scene. The Arms of France proudly display their heraldry through delicate strokes and carefully chosen hues, symbolizing power and nobility. Discovering hidden messages within art becomes an exciting endeavor with pieces like The Hand-Writing Upon the Wall, where cryptic inscriptions invite viewers to decipher their meaning. Waggoners Frocks or No Bodys of 1795 transports us back to August 4th as we witness anonymous creators capturing society's quirks through playful illustrations that have stood the test of time. King Henry IV emerges from ca. 1827 courtesy of William Heath's artistic prowess; his masterful use of color breathes life into historical figures while adding depth to their stories. The Royal Allied Oak and Self-Created Mushroom Kings transport us back to May 29th, 1815 - a visual representation celebrating unity amidst political turmoil with its vivid palette and intricate detailing. William Heath strikes again with The Rival Richards or Sheakspear in Danger on May 18th, 1814 - a satirical masterpiece showcasing his ability to blend humor seamlessly with skillful craftsmanship. Modern Oddities by P. Pry Esq. , Plate 1st.