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Grey Ink Collection (page 2)

"Exploring the Shades: A Captivating Journey through Grey Ink Masterpieces" Step into a world where artistry meets subtlety

Background imageGrey Ink Collection: Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil

Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil
651924 Honiton, Devon: Shoes and Hats for Sale Outside The Lion Inn, (pencil, pen and grey ink and watercolour) by Rowlandson

Background imageGrey Ink Collection: Broadstairs (pencil, pen and grey ink and watercolour)

Broadstairs (pencil, pen and grey ink and watercolour)
651902 Broadstairs (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 24.5x37.2 cm; Private Collection; (add.info.: Broadstairs. Thomas Rowlandson (1756-1827)

Background imageGrey Ink Collection: A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)

A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour)
651896 A View of Eton College from the Thames, 1779 (pencil, pen and grey ink and watercolour) by Sandby, Paul (1725-1809); 31.2x48.5 cm; Private Collection; (add.info)

Background imageGrey Ink Collection: Haman, After Michelangelo, (pen and grey ink)

Haman, After Michelangelo, (pen and grey ink)
651824 Haman, After Michelangelo, (pen and grey ink) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 37x24.4 cm; Private Collection; (add.info.: Haman, After Michelangelo)

Background imageGrey Ink Collection: A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)

A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour)
651811 A Set of Twelve Illustrations to Tristram Shandy, (pen and grey ink and watercolour) by Nixon, John (1760-1818); 18.4x9.2 cm; Private Collection; (add.info)

Background imageGrey Ink Collection: The Blind; Les Aveugles, (pen, grey ink and watercolour on paper)

The Blind; Les Aveugles, (pen, grey ink and watercolour on paper)
651427 The Blind; Les Aveugles, (pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); 42x35.5 cm; Private Collection; (add.info.: The Blind; Les Aveugles)

Background imageGrey Ink Collection: At the Cemetary, (pencil, pen, grey ink and watercolour on paper)

At the Cemetary, (pencil, pen, grey ink and watercolour on paper)
651403 At the Cemetary, (pencil, pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); 41.5x32.5 cm; Private Collection; (add.info.: At the Cemetary)

Background imageGrey Ink Collection: In the Bazaar, (pencil, pen, grey ink and watercolour on paper)

In the Bazaar, (pencil, pen, grey ink and watercolour on paper)
651402 In the Bazaar, (pencil, pen, grey ink and watercolour on paper) by Opitz, Georg Emanuel (1775-1841); Private Collection; (add.info.: In the Bazaar. Georg Emanuel Opiz (1775-1841)

Background imageGrey Ink Collection: A Coaching Scene, (pen and grey ink and watercolour)

A Coaching Scene, (pen and grey ink and watercolour)
824083 A Coaching Scene, (pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 22.9x33.6. cm; Private Collection; (add.info.: A Coaching Scene. Thomas Rowlandson (1756-1827)

Background imageGrey Ink Collection: Peterhof, Russia: Elevation of the English Palace and Plan of the Park

Peterhof, Russia: Elevation of the English Palace and Plan of the Park
824079 Peterhof, Russia: Elevation of the English Palace and Plan of the Park, (pen and grey ink and watercolour) by Quarenghi

Background imageGrey Ink Collection: A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil

A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil
823463 A Gothic Cathederal near Bauman; Eine Gotische Kathedrale hinter Baumen, 1814-15 (pencil, pen and grey ink and watercoour) by Schinkel

Background imageGrey Ink Collection: The Infant Jesus Saying His Prayers, c. 1805 (pen and grey ink, watercolour over pencil)

The Infant Jesus Saying His Prayers, c. 1805 (pen and grey ink, watercolour over pencil)
985828 The Infant Jesus Saying His Prayers, c.1805 (pen and grey ink, watercolour over pencil) by Blake, William (1757-1827); 31.6x34 cm; Private Collection; (add.info)

Background imageGrey Ink Collection: The Library, Binfield, Berkshire, with a View Over the Park, (pencil

The Library, Binfield, Berkshire, with a View Over the Park, (pencil
659239 The Library, Binfield, Berkshire, with a View Over the Park, (pencil, pen and grey ink and watercolour heightened with white) by Hassell

Background imageGrey Ink Collection: Section of Findlater Castle from the North West to the South East, 1789 (pen and grey ink

Section of Findlater Castle from the North West to the South East, 1789 (pen and grey ink
659218 Section of Findlater Castle from the North West to the South East, 1789 (pen and grey ink, grey, pink and yellow wash) by Adam

Background imageGrey Ink Collection: On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil

On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil
652013 On the Road to Tonbridge: Travellers Resting on a Band Beside the Road, (pencil, pen and grey ink and watercolour) by Sandby

Background imageGrey Ink Collection: A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)

A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour)
651923 A Cornish Wrestling Match, (pencil, pen and grey ink and watercolour) by Rowlandson, Thomas (1756-1827); 23.4x32.3 cm; Private Collection; (add.info.: A Cornish Wrestling Match)

Background imageGrey Ink Collection: The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)

The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w / c, heightened touches of whi)
1196705 The Jami Masjid, Delhi, 1864 (pencil, pen and grey ink, w/c, heightened touches of whi) by Simpson, William Crimea (1823-99)

Background imageGrey Ink Collection: The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)

The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour)
824111 The Lauerzersee with Schwyz and the Mythen, (pencil, pen and grey ink with watercolour) by Turner, Joseph Mallord William (1775-1851); 22.6x28.6

Background imageGrey Ink Collection: Brighton, showing Miss Widgetts circulating Library, Marlborough House

Brighton, showing Miss Widgetts circulating Library, Marlborough House
824082 Brighton, showing Miss Widgetts circulating Library, Marlborough House, the Castle Inn and Assembly Rooms and the Marine Pavilion, 1792 (pen and brown ink and watercolour) by Nixon

Background imageGrey Ink Collection: A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink

A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink
989703 A Royal Procession descending a Stairway in a Garden, 1869 (black chalk, pen and grey ink, watercolour and bodycolour on can) by Lami

Background imageGrey Ink Collection: Elevation of the south front and Garden Palace of the Suraj Bhawan at Dig, c

Elevation of the south front and Garden Palace of the Suraj Bhawan at Dig, c
990901 Elevation of the south front and Garden Palace of the Suraj Bhawan at Dig, c.1830 (pencil, pen and grey ink and watercolour) by Agra School

Background imageGrey Ink Collection: Durham Cathedral and Castle from the River Wear, 1811 (pencil

Durham Cathedral and Castle from the River Wear, 1811 (pencil
651881 Durham Cathedral and Castle from the River Wear, 1811 (pencil, pen and grey ink and watercolour on two joined sheets) by Towne

Background imageGrey Ink Collection: The Taj from the Garden, c. 1815 (encil, pen, grey ink, w / c)

The Taj from the Garden, c. 1815 (encil, pen, grey ink, w / c)
1196921 The Taj from the Garden, c. 1815 (encil, pen, grey ink, w/c) by Agra School, (19th century); 53.4x68 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageGrey Ink Collection: The Taj Mahal from the Garden, c. 1840 (pen and grey ink, w / c

The Taj Mahal from the Garden, c. 1840 (pen and grey ink, w / c
1196702 The Taj Mahal from the Garden, c.1840 (pen and grey ink, w/c, heightened with touches of white) by Agra School, (19th century)

Background imageGrey Ink Collection: Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior

Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior
824122 Ladies Cutting Out Silhouettes: and Ladies Conversing in an Interior, (pen and grey ink and watercolour) by Burney

Background imageGrey Ink Collection: Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women

Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women
990030 Five Nude Soldiers Holding Poles, Two Wearing a Helmet, and Three Nude Women, 1522 (brush and pen, grey and black ink) by Netherlandish School (16th century)

Background imageGrey Ink Collection: The long shadow, ca 1805. Creator: Tischbein, Johann Heinrich Wilhelm (1751-1829)

The long shadow, ca 1805. Creator: Tischbein, Johann Heinrich Wilhelm (1751-1829)
The long shadow, ca 1805. Found in the Collection of Klassik Stiftung Weimar

Background imageGrey Ink Collection: The embarkation of Louis IX from Aigues-Mortes

The embarkation of Louis IX from Aigues-Mortes. Private Collection

Background imageGrey Ink Collection: Theatre des Tuileries, 1788. Artist: Anonymous

Theatre des Tuileries, 1788. Artist: Anonymous
Theatre des Tuileries, 1788. Private Collection

Background imageGrey Ink Collection: The Competition (Le concours). Artist: Fragonard, Jean Honore (1732-1806)

The Competition (Le concours). Artist: Fragonard, Jean Honore (1732-1806)
The Competition (Le concours). Found in the collection of Stadtische Galerie im Stadelschen Kunstinstitut, Frankfurt am Main

Background imageGrey Ink Collection: Praying Hands, 1508. Artist: Durer, Albrecht (1471-1528)

Praying Hands, 1508. Artist: Durer, Albrecht (1471-1528)
Praying Hands, 1508. Found in the collection of the Albertina, Vienna

Background imageGrey Ink Collection: The German Princes, ca 1515. Artist: Altdorfer, Albrecht (c. 1480-1538)

The German Princes, ca 1515. Artist: Altdorfer, Albrecht (c. 1480-1538)
The German Princes, ca 1515. Found in the collection of the Albertina, Vienna

Background imageGrey Ink Collection: Cottage Hidden Trees Riverbank Adriaen Hendriksz

Cottage Hidden Trees Riverbank Adriaen Hendriksz
A Cottage Hidden Among Trees on a Riverbank; Adriaen Hendriksz. Verboom (Dutch, about 1628 - about 1670); The Netherlands; about 1658 - 1663; Pen and grey ink

Background imageGrey Ink Collection: Wooded Landscape Cows Johann Georg von Dillis

Wooded Landscape Cows Johann Georg von Dillis
Wooded Landscape with Cows; Johann Georg von Dillis (German, 1759 - 1841); Germany; about 1793; Brown and grey ink, watercolor over graphite; 45.7 x 37.9 cm (18 x 14 15, 16 in.)

Background imageGrey Ink Collection: Elevation Boxes Royal Box Presently Constituted

Elevation Boxes Royal Box Presently Constituted
Artokoloro

Background imageGrey Ink Collection: Dining Room Kirtlington Park Oxfordshire ca 1747-48

Dining Room Kirtlington Park Oxfordshire ca 1747-48
Artokoloro

Background imageGrey Ink Collection: Elevation Proscenium Lateral View ca 1750 Pen

Elevation Proscenium Lateral View ca 1750 Pen
Artokoloro

Background imageGrey Ink Collection: Landscape Bridge Village Church ca 1600 Brush

Landscape Bridge Village Church ca 1600 Brush
Artokoloro

Background imageGrey Ink Collection: Woman Standing Open Sash Window Small Boy Beside

Woman Standing Open Sash Window Small Boy Beside
Artokoloro

Background imageGrey Ink Collection: Dancing Pair Accompanied Blindfolded Fortune

Dancing Pair Accompanied Blindfolded Fortune
Artokoloro

Background imageGrey Ink Collection: Design Tabernacle Annunciation 17th century Pen

Design Tabernacle Annunciation 17th century Pen
Artokoloro

Background imageGrey Ink Collection: Man under Tree Bitten Lion Horse Escapes 1692

Man under Tree Bitten Lion Horse Escapes 1692
Artokoloro

Background imageGrey Ink Collection: Figures Surrounding Man Lying Ground verso Group

Figures Surrounding Man Lying Ground verso Group
Artokoloro

Background imageGrey Ink Collection: Saint Margaret Ponting Heaven Globe Next 1693

Saint Margaret Ponting Heaven Globe Next 1693
Artokoloro

Background imageGrey Ink Collection: View Charlottenborg Palace Copenhagen Old Botanical Garden

View Charlottenborg Palace Copenhagen Old Botanical Garden
Artokoloro

Background imageGrey Ink Collection: Arcadian Landscape Figures Music early 18th century

Arcadian Landscape Figures Music early 18th century
Artokoloro

Background imageGrey Ink Collection: Cupid ruse 1792 Brush grey ink pen black red chalk

Cupid ruse 1792 Brush grey ink pen black red chalk
Artokoloro

Background imageGrey Ink Collection: Winter View Courtyard Medieval Castle Ruins 1832

Winter View Courtyard Medieval Castle Ruins 1832
Artokoloro



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"Exploring the Shades: A Captivating Journey through Grey Ink Masterpieces" Step into a world where artistry meets subtlety, as we delve into the captivating realm of grey ink. From The Recalcitrant Donkey to The Slave Market, these masterpieces crafted with pen and grey ink transport us to different eras and narratives. In Figures Outside an Elegant Country House, the delicate strokes of pencil, pen, and grey ink bring to life a scene filled with elegance and charm. Meanwhile, View in the Island of Crakatoa mesmerizes us with its meticulous details created using pencil, pen, and grey ink combined with watercolor. Writing the Will takes us back in time to 1786; this poignant piece captures emotions effortlessly through its expert use of pen and grey ink. On the other hand, The Annunciation enchants us with black chalk lines delicately enhanced by pen and grey ink alongside watercolor highlights. A breathtaking view awaits in A View of Stockholm from Kungsholmen; here we witness majestic landmarks like the Royal Palace brought to life using various techniques including pencil, pen, and grey ink. Similarly enchanting is The Taj - a testament to architectural beauty rendered meticulously in pencil, pen, grey ink accompanied by watercolor. Peterborough's picturesque landscapes come alive through a combination of pencil work intertwined with precise lines drawn using both pen and grey ink alongside subtle touches of watercolor. And speaking of views that captivate our imagination is A View of Stockholm from Soder; it showcases another side of this magnificent city while employing similar techniques as before. The Library at Binfield invites us into a tranquil space captured effortlessly by delicate strokes made possible through pencil work complemented by precise lines executed using both pen and grey ink. Lastly but certainly not least are Alternative Projects for Charleville Castle - showcasing imaginative possibilities brought forth by skilled hands wielding various mediums including pens enriched with shades of grey ink.