Gerbault Collection

Tatler cover - Gabrielle Chanel & Alain Gerbault
Front cover of The Tatler featuring a snapshot taken at Eaton Hall, Cheshire seat of the Duke of Westminster, where Alain Gerbault, captain of the Firecrest and French lawn tennis star, was staying

Alain Gerbault Sails
Intrepid French yachtsman ALAIN GERBAULT prepares to cross the Pacific, alone, in his boat the Firecrest

Are You A Stockbroker?
An illustration portraying a finely dressed lady looking down at a short man through her hand held spectacles, asking if he is a stockbroker. Date: circa 1901

Les Cerises
An illustration showing a number of ladies, all of whom have cherries lavishly decorating their fashionable dresses, hats and hair, birds are swooping between them. Date: circa 1901

A Sa Toilette
A portrait illustration of a young lady sat at her dressing table, looking into the mirror. Date: circa 1901

Une Enfant Qui Sait Compter
This illustration, the title of which translates as The Child Who Can Count, shows a pupil speaking with an examiner, having the following conversation

La Coupe Au Roi De Thule
A comical illustration showing a scene in which a king sits in a barber's chair holding his sceptre in one hand, the hairdresser is styling what little hair he has left

Jeunes Trottins
This illustration portrays three young women standing close together by a lamp post, surrounded by flitting butterflies, one of the girls is looking over her shoulder, cheekily cocking a snook

Lettres D'Amour
This illustration portrays a young lady nonchalantly placing her love letters into the fire, causing the oaths to go up in smoke, as it were. Date: circa 1901

Vieux Marcheurs
A series of side profile illustrations of old men wearing different kinds of hats including boaters, bowlers and top hats. Date: circa 1901

Pleine Eau
This illustration portrays a group of three older ladies standing in the shallow waters of the sea, the nearest is holding a dog under her arm. Date: circa 1901

L'Heure Des Betises
This illustration's title translates to The Hour Of Nonsense, and depicts a smiling young lady listening to a floating child satyr or faun creature whispering in her ear. Date: circa 1901

Sketch Studies Of Women
A series of sketch studies of young women wearing clothes for different occasions and performing various activities, including bathing, relaxing, going to the seaside

Lady and Cupid
This sketch depicts a scene in which a smiling young lady is bowing slightly to look down at Cupid who has arrived at her door step, apparently not for the first time

Un Maitre D'Hotel
A side profile portrait sketch of a rather large butler, standing with his hand sbehind his back, holding a white cloth. Date: circa 1901

Songe D'Amours!
This illustration depicts a heavenly scene in which a young lady is experiencing a dream of love a group of children's heads with angelic wings are hovering around her as she lie in her bed

Un Petit Pierrot Dans Son Nid
This sketch shows a small child placed in a nest, on the branch of a tree, he represents the pantomime stock character, Pierrot the clown. Date: circa 1901

Un Laureat Du Conservatoire
A portrait sketch of a laureate pianist sat upright, playing from a music sheet in front of him. Date: circa 1901

Fairy Illustration
An illustration of fairy-like young woman, wearing a sequin dress with pink ribbons strapped around her shoulders, bursting through some paper

Belgian Proverb - He who drank will drink. Date: circa 1908

Belgian Proverb - Like Master, Like Valet (man/servant). Date: circa 1908

Belgian Proverb - Needing help, no matter whom provides it
Belgian Proverb - " Everyone needs someone to look down on" - It simply means you may need help from a " lower class" person

Belgian Proverb - Never did a big nose have a beautiful face (!!). A quite wonderful card - note the large nose in evidence throughout the scene... Date: circa 1908

A Modern Ulysses. Gerbault photographed at Suva, in the Fiji Islands, 1936. From Shipping Wonders of the World, Vol. 1, edited by Clarence Winchester. [The Amalgamated Press Ltd. London]

The Yacht that sailed round the world, 1936. The cutter Firecrest. From Shipping Wonders of the World, Vol. 1, edited by Clarence Winchester. [The Amalgamated Press Ltd. London]

Harlequin, c1880-1930. Artist: Henry Gerbault
Harlequin, c1880-1930

Poster for le Chocolat Carpentier. Gerbault, Henry (1863-1930), Artist

Advertisement of the chocolate brand Carpentier
" Advertisement of the chocolate brand " Carpentier" (1895). Poster by Henri Gerbault. Engraving."

Alain Gerbault / Ils 1929
ALAIN GERBAULT French solo sailor on the Firecrest

GERBAULT (1893-1941)
ALAIN GERBAULT A French tennis star turned sailor, with his boat the Firecrest. Buried on Bora Bora in the Pacific Ocean

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Gerbault, a name that resonates with adventure and elegance. From gracing the cover of Tatler alongside Gabrielle Chanel to his daring sailing expeditions, Alain Gerbault was a man who lived life on his own terms. In the world of high society, Gerbault's presence was undeniable. His charismatic charm and impeccable style made him a favorite among the elite. Whether it was donning fashionable attire or showcasing his sailing prowess in "Alain Gerbault Sails, " he always left an impression. But there was more to Gerbault than meets the eye. Behind the glamorous facade lay a multifaceted individual with diverse interests. "Are You A Stockbroker?" hinted at his financial acumen, while "Les Cerises" revealed his appreciation for simple pleasures. Gerbault's love for beauty extended beyond fashion and finance; it encompassed all aspects of life. In "A Sa Toilette, " he showcased meticulous grooming habits, while "Une Enfant Qui Sait Compter" highlighted his admiration for intellectual curiosity. Yet, amidst all these pursuits, Gerbault never lost touch with nature and its wonders. "La Coupe Au Roi De Thule" captured his fascination with exploration and discovery as he embarked on thrilling adventures across uncharted waters. His zest for life also found expression in social circles through works like "Jeunes Trottins. " Here, Gerbault celebrated youthfulness and camaraderie that transcended societal boundaries. However, beneath this veneer of glamour lay deeper emotions conveyed through pieces like "Lettres D'Amour. " These heartfelt letters spoke volumes about Gerbault's romantic inclinations and tender affections towards those close to him. As time went by, age brought wisdom but did not dampen Gerbault's spirit. In works such as "Vieux Marcheurs, " he paid homage to seasoned travelers who had weathered countless journeys, embodying resilience and experience.