Geometrie Collection

Upper course: geometric designs and round writing, c.1880-90 (printing)
8713444 Upper course: geometric designs and round writing, c.1880-90 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Upper course: reproduce olive leaves and oak leaves, Roman ordinary and lean, c.1880-90 (print)
8713438 Upper course: reproduce olive leaves and oak leaves, Roman ordinary and lean, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Upper course: geometric designs and Gothic writing, c.1880-90 (printing)
8713443 Upper course: geometric designs and Gothic writing, c.1880-90 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Elementary course: equilateral triangles, sentences, c.1880-90 (print)
8713422 Elementary course: equilateral triangles, sentences, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Portrait of Euclid (3rd century BC). Greek mathematician, detail of a page of a manuscript representing the allegories
BEN5464424 Portrait of Euclid (3rd century BC). Greek mathematician, detail of a page of a manuscript representing the allegories of Arithmetic and geometry

Elementary course: right angles, acute and obtuse, male and female, c.1880-90 (impression)
8713423 Elementary course: right angles, acute and obtuse, male and female, c.1880-90 (impression); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Upper court: reproduce molding and eggs, ordinary and capillary italics, c.1880-90 (print)
8713440 Upper court: reproduce molding and eggs, ordinary and capillary italics, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Middle course: oval and uppercase letters arranged in five groups, c.1880-90 (printing)
8713428 Middle course: oval and uppercase letters arranged in five groups, c.1880-90 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Elementary course: hexagon, tiles, various writing sizes and Roman numerals, c.1880-90 (printing)
8713426 Elementary course: hexagon, tiles, various writing sizes and Roman numerals, c.1880-90 (printing); 22 x 17 cm; Private Collection; (add.info)

Upper course: reproduce rosette and head in profile, Roman, elongated white and antique black capitals
8713439 Upper course: reproduce rosette and head in profile, Roman, elongated white and antique black capitals, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info)

Workbook No. 10 -- Middle course. Page 7: drawing (perspective of a flower pot), example of a promissory note
8713436 Workbook No. 10 -- Middle course. Page 7: drawing (perspective of a flower pot), example of a promissory note.; 22 x 17 cm; Private Collection; (add.info)

Middle course: perspective drawing of a mallet and rent receipt, c.1880-90 (printing)
8713435 Middle course: perspective drawing of a mallet and rent receipt, c.1880-90 (printing); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Elementary course: circumferences, sentences, c.1880-90 (print)
8713425 Elementary course: circumferences, sentences, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Middle course: reproduce cube in projection and perspective, sentences of one and two lines, c.1880-90 (print)
8713432 Middle course: reproduce cube in projection and perspective, sentences of one and two lines, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info)

Middle course: spiral, Let's love our country, capital letters, c.1880-90 (print)
8713429 Middle course: spiral, Let's love our country, capital letters, c.1880-90 (print); 22 x 17 cm; Private Collection; (add.info.: in "Practical method of writing-reading by A)

Calligraphic title page to Volume 1, Book 1, with a bust of Winkelmann and two putti with instruments of geometry
FLO4703357 Calligraphic title page to Volume 1, Book 1, with a bust of Winkelmann and two putti with instruments of geometry, globe, palette and lyre

An Arab scientist with an astronomy instrument (compass). 14th century
GIA5034672 An Arab scientist with an astronomy instrument (compass). 14th century.; © Giancarlo Costa.

Pythagoras (c. 570-around 480 BC), Greek mathematician and philosopher. Detail of a page of a manuscript representing
BEN5464408 Pythagoras (c. 570-around 480 BC), Greek mathematician and philosopher. Detail of a page of a manuscript representing the allegories of arithmetic and geometry

Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints
XIR53827 Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas) by Signac

A Trip to Chinatown, 1899 (lithography)
397472 A Trip to Chinatown, 1899 (lithography) by Nicholson, William (1872-1949) & Pryde, James (1866-1941); JMK Archiv, Bremen, Germany; (add.info.: " A Trip to Chinatown")

Title page of La Geometrie by Rene Descartes, 1664 (engraving & print)
477915 Title page of La Geometrie by ReneDescartes, 1664 (engraving & print) by French School, (17th century); 22.4x16.3 cm; Private Collection; (add.info.: Published by Charles Angot)

Ms 235 f. 32 & 33 Geometry, from a Traite d Astronomie (vellum)
NUL166697 Ms 235 f.32 & 33 Geometry, from a Traite d Astronomie (vellum) by French School, (12th century); Bibliotheque Municipale, Avranches, France; French, out of copyright

Vue de l Hotel-Dieu du cote du Petit-Pont, en 1702; d apres la Geometrie pratique de Manesson-Mallet (engraving)
963449 Vue de l Hotel-Dieu du cote du Petit-Pont, en 1702; d apres la Geometrie pratique de Manesson-Mallet (engraving) by French School

Maths / Geometrie
The study of Geometrie from Caxtons Myrrour of the Worlde, printed in 1481

Greenwich Obs / Geometrie
A view of Greenwich Observatory

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"Geometrie: A Harmonious Symphony of Shapes and Perspectives" Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones and Tints, Portrait of Felix Feneon in 1890 (oil on canvas), Equilibrium, A Trip to Chinatown, 1899 (lithography), During the bag of Syracuse, an enemy soldier kills Archimede occupies plotting geometry figures - engraving, 17th century. . These diverse hints from art history converge into a captivating exploration of geometrie. In Opus 217's mesmerizing oil painting, geometric forms dance against an enamel background. The artist masterfully blends beats and angles with tones and tints to create a symphony for the eyes, and is as if shapes themselves have come alive. Equilibrium takes us on a visual journey through balanced compositions where lines intersect at precise points. Geometry becomes not just a mathematical concept but also an aesthetic principle that brings harmony to artistic creations. A lithograph titled A Trip to Chinatown transports us into bustling streets filled with vibrant energy. Amidst this lively scene, geometric patterns emerge subtly yet powerfully – reminding us that even amidst chaos, there exists order in form. History intertwines with geometry in an intriguing engraving depicting Archimedes during the siege of Syracuse. As he plots his famous figures under duress from an enemy soldier's attack, we witness how geometry has long been intertwined with human progress – even in times of conflict. The title page of La Geometrie by Rene Descartes showcases the elegance and precision inherent in this discipline. Through intricate engravings and prints dating back to 1664, we glimpse into Descartes' world where mathematics meets philosophy – paving the way for modern scientific thought. From vellum manuscripts illustrating astronomical concepts to practical engravings like Vue de l'Hôtel-Dieu du côté du Petit-Pont, en 1702.