Flemish Artist Collection (page 8)

Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool)
XOS5886548 Cupid disguised as Aeneas's son, presents gifts to Dido, 1679 (tapestry weave: silk and wool) by Romanelli

The English Besieging La Rochelle, 1480-83 (tempera colours, gold leaf, gold paint & ink)
8677936 The English Besieging La Rochelle, 1480-83 (tempera colours, gold leaf, gold paint & ink) by Master of the Getty Froissart (active c.1475-85); J. Paul Getty Museum, Los Angeles, USA

Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool)
XOS5886550 Dido Sacrifices to Juno, the Goddess of Marriage, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 411x464.5 cm; Cleveland Museum of Art, OH

The Rabbit Hunt, 1560 (etching)
XOS5884317 The Rabbit Hunt, 1560 (etching) by Brueghel, Pieter The Elder (c.1525-69); 24.3x31.8 cm; Cleveland Museum of Art, OH

Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool)
XOS5886553 Dido and Aeneas seek shelter from a storm, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 416.4x418.8 cm; Cleveland Museum of Art, OH

David and Goliath, c.1480-85 (tempera colours & gold)
8677957 David and Goliath, c.1480-85 (tempera colours & gold) by Master of the Dresden Prayer Books (fl.c.1460-1520); J. Paul Getty Museum, Los Angeles

The Death of Dido, 1679 (tapestry weave: silk and wool)
XOS5886561 The Death of Dido, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); 414x466.5 cm; Cleveland Museum of Art, OH

Dido and Aeneas, 1679 (tapestry weave: silk and wool)
XOS5886546 Dido and Aeneas, 1679 (tapestry weave: silk and wool) by Romanelli, Giovanni Francesco (Il Viterbese) (1610-62); Cleveland Museum of Art, OH

Leaf Excised from a Book of Hours: The Nativity, c. 1480 (ink, tempera and liquid gold on vellum)
XOS5884589 Leaf Excised from a Book of Hours: The Nativity, c. 1480 (ink, tempera and liquid gold on vellum) by Master of the First Prayerbook of Maximillian (c.1444-1519)

Saint George and the Dragon, c.1471 ( tempera colours, gold leaf, gold & silver paint and ink)
8677952 Saint George and the Dragon, c.1471 ( tempera colours, gold leaf, gold & silver paint and ink) by Lathem, Lieven van (c.1430-93); J

Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool)
XOS5886549 Dido shows Aeneas the plans for the fortifications of Carthage, 1679 (tapestry weave: silk and wool) by Romanelli

Old woman (witch or fairy) spinning, 1547 (engraving)
532886 Old woman (witch or fairy) spinning, 1547 (engraving) by Holbein the Younger, Hans (1497/8-1543) (after); (add.info)

Mercury kills Argus, 17th century (drawing)
3125033 Mercury kills Argus, 17th century (drawing) by Rembrandt Harmensz. van Rijn (1606-69); (add.info.: Mercury kills Argus. On the left the cow)

Sleeping Diana and her nymphs spied on by satyrs. (print)
7419922 Sleeping Diana and her nymphs spied on by satyrs. (print) by Rubens, Peter Paul (1577-1640) (after); (add.info.: Sleeping Diana and her nymphs spied on by satyrs)

Lobster and Two Witches, c.1602 (pen & w/c on paper)
7443777 Lobster and Two Witches, c.1602 (pen & w/c on paper) by Gheyn, Jacques II de (1565-1629); Stadel Museum, Frankfurt am Main, Germany; (add.info.: By Jacques de Gheyn II)

Winter Landscape with Snowfall near Antwerp, 1575 (mixed media on oak)
7443798 Winter Landscape with Snowfall near Antwerp, 1575 (mixed media on oak) by Valckenborch, Lucas van (c.1535-97); (add.info.: by Lucas van Valckenborch)

Madonna and Child with St. Anne, 1480 (oil on panel)
7432261 Madonna and Child with St. Anne, 1480 (oil on panel) by Memling, Hans (c.1433-94); Alte Pinakothek, Munich, Germany; (add.info.: Diptych of Munich (reverse)); Photo © Fine Art Images

Publius Cornelius Scipio Africanus. Portrait. (print)
7420017 Publius Cornelius Scipio Africanus. Portrait. (print) by Rubens, Peter Paul (1577-1640) (after); (add.info.: Publius Cornelius Scipio Africanus, c.235 BC - 183 BC)

Portrait of the Merchant George Gisze, 1532 (oil on oakwood)
FIA5378990 Portrait of the Merchant George Gisze, 1532 (oil on oakwood) by Holbein the Younger, Hans (1497/8-1543); Gemaldegalerie, Staatliche Museen zu Berlin, Germany; (add.info.: Georg Giese (d)

Wedding Dance, c. 1600 (oil on copper)
8610847 Wedding Dance, c. 1600 (oil on copper) by Brueghel, Jan the Elder (1568-1625); Musee des Beaux-Arts, Bordeaux, France; (add.info)

Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record
8601589 Back view of Roman marble of the Boy with a Goose in his lost drawing book preserved in the Chatsworth record, fol 64v-65r (pen & ink on paper) by Rubens

Studies of the head of Saskia and others, 1636 (etching)
NGW405348 Studies of the head of Saskia and others, 1636 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 15.6x13.2 cm; National Museum Wales; (add.info)

Guardroom with monkeys, c.1633 (oil on panel)
8598700 Guardroom with monkeys, c.1633 (oil on panel) by Teniers, David the Younger (1610-90); 41 x 58 cm; Private Collection; (add.info)

A spear bearer from Flagellation of Christ by Federico Zuccari (pen & ink on paper)
8601588 A spear bearer from Flagellation of Christ by Federico Zuccari (pen & ink on paper) by Rubens, Peter Paul (1577-1640); The Devonshire Collections

Bathsheba (oil on canvas)
8376035 Bathsheba (oil on canvas) by Thys, Peter (Thyssen or Thijs) (1624-1677); 197.5x242.7 cm; Laing Art Gallery, Newcastle-upon-Tyne

Countryside celebration, 1530 (painting)
5613715 Countryside celebration, 1530 (painting) by Beuckelaer or Bueckelaer, Joachim (c.1530-73); 112x163.5 cm; Pushkin Museum, Moscow

Self portrait in velvet cap and plume, 1638 (etching)
NGW405347 Self portrait in velvet cap and plume, 1638 (etching) by Rembrandt Harmensz. van Rijn (1606-69); 13.7x10.5 cm; National Museum Wales; National Museums & Galleries of Wales

Aeneas in the Underworld (oil on panel)
NGW186825 Aeneas in the Underworld (oil on panel) by Rubens, Peter Paul (1577-1640); 47x32 cm; National Museum Wales; National Museums & Galleries of Wales

Flemish tapestry. Series The Spheres. Hercules supporting the celestial sphere (Hercules sostiene la esfera celeste)
7207324 Flemish tapestry. Series The Spheres. Hercules supporting the celestial sphere (Hercules sostiene la esfera celeste). First tapestry in the series

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Imaginary renaissance palace, 1602 (oil on canvas)
7412459 Imaginary renaissance palace, 1602 (oil on canvas) by Aerts, Hendrick (1570-1628); 93--127.5 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: by Hendrick Aerts)

Philip IV and his Queen in a Colonnade, c. 1630 (oil on canvas)
7223711 Philip IV and his Queen in a Colonnade, c.1630 (oil on canvas) by Corte, Juan de la (c.1585-1660); 181 x 303.8 cm; Pollok House Museum, Glasgow

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Musical Company, 1620-1750 (oil on panel)
7412463 Musical Company, 1620-1750 (oil on panel) by Brouwer, Adriaen (1605/6-38) (after); 39--26 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Manner of Adriaen Brouwer)

Map of the English coast between the Isle of Wight and Dover, 1580-83 (engraving)
7415468 Map of the English coast between the Isle of Wight and Dover, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 32.5 -- 51.0 cm; Rijksmuseum, Amsterdam

Map of the South England coast between the Isle of Wight and Dover, 1580-83 (engraving)
7415466 Map of the South England coast between the Isle of Wight and Dover, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 32.5 -- 50.8 cm; Rijksmuseum, Amsterdam

Head studies (oil on panel)
7413299 Head studies (oil on panel) by Rubens, Peter Paul (1577-1640) (circle of); 46.7 x 75 cm; Private Collection; Photo © Christie's Images

Peasants Smoking in an Inn, c. 1640 (oil on wood)
XOS5886595 Peasants Smoking in an Inn, c. 1640 (oil on wood) by Teniers, David the Younger (1610-90); 46.5x37 cm; Cleveland Museum of Art, OH, USA; (add.info.: by David Teniers)

Map part of the coast of Norway and Sweden, 1580-83 (engraving)
7415471 Map part of the coast of Norway and Sweden, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 33-- 51.5 cm; Rijksmuseum, Amsterdam

Map of the coast of Norway and Sweden between Merdoy and Uddevalla, 1580-83 (engraving)
7415469 Map of the coast of Norway and Sweden between Merdoy and Uddevalla, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 33 -- 51.5 cm; Rijksmuseum, Amsterdam

Map of the North coast of England near Newcastle upon Tyne, 1580-83 (engraving)
7415467 Map of the North coast of England near Newcastle upon Tyne, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 33 -- 51.3 cm; Rijksmuseum, Amsterdam

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River view with large rock, 1601 (oil on copper)
7412458 River view with large rock, 1601 (oil on copper) by Brill or Bril, Paul (1554-1626) (after); 22.8x29.3 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: copy after Paul Bril)

Map of the coast of Sweden between Kalmar and Stockholm, 1580-83 (engraving)
7415470 Map of the coast of Sweden between Kalmar and Stockholm, 1580-83 (engraving) by Doetecum, Joannes van (1530-1605); 33 -- 50.7 cm; Rijksprentenkabinet, Amsterdam

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The Flemish artist, known for their exquisite attention to detail and mastery of oil on panel, has left an indelible mark on the art world. From The Wedding Dance to A Spilled Basket of Fruits on a Draped Table with Monkeys, each piece showcases their skillful brushwork and ability to capture everyday scenes with vibrant colors. In Detail of The Entry of Louis XIV and Maria Theresa into Arras, we are transported back in time to witness a grand procession. The artist's use of light and shadow brings the scene to life, while the intricate details in the costumes and architecture add depth and realism. Moving from historical events to imaginative creations, Imaginary Renaissance Palace takes us into a world where opulence knows no bounds. With its towering structures and lush landscapes, this oil on canvas transports us to a bygone era filled with splendor. Philip IV and his Queen in a Colonnade captures the regal elegance of royalty. Through careful composition and delicate brushstrokes, the artist portrays not only their physical likeness but also their grace and poise. Musical Company invites us into an intimate gathering where musicians come together harmoniously. This oil on panel exudes warmth as we observe each musician engrossed in their instrument, creating melodies that fill the air. Maps play an important role in our understanding of geography, history, and exploration. In Map of the English coast between Isle of Wight and Dover or Map part of the coast Norway Sweden, these engravings provide valuable insights into navigation during earlier times. Their meticulous detailing allows us to trace coastal lines with precision while appreciating them as works of art themselves. Head studies offer glimpses into individual personalities through expressive faces captured meticulously on panels using oils. These studies showcase both technical skill as well as an ability to convey emotion through portraiture. Finally, Peasants Smoking in an Inn gives us a glimpse into daily life during the 17th century.