English Landscape Collection

Gypsy Encampment, Appleby, 1919 (w / c on paper) (see also 54655)
XPG329621 Gypsy Encampment, Appleby, 1919 (w/c on paper) (see also 54655) by Atkinson, John (1863-1924); Private Collection; English, out of copyright

A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill (gouache on paper)
XYC238475 A Distant View of Maidstone, from Lower Bell Inn, Boxley Hill (gouache on paper) by Sandby, Paul (1725-1809); 55.2x77.5 cm; Yale Center for British Art, Paul Mellon Collection

The Worcester: Coming In, engraved by Charles Hunt (colour litho)
BSA266822 The Worcester: Coming In, engraved by Charles Hunt (colour litho) by Hunt, Charles (Snr.) (1803-77); 65x76 cm; Private Collection; (add.info)

Europe, England, North Yorkshire, Castle Howard

Salisbury Cathedral (oil)
PCD282337 Salisbury Cathedral (oil) by Ginner, Charles (1878-1952); Private Collection; Piccadilly Gallery, London, UK

Borrowdale (oil on canvas)
TW426690 Borrowdale (oil on canvas) by Bough, Samuel (1822-78); 33.1x43 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; (add.info.: Borrowdale)

Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas)
STC5737 Hampstead Heath, Branch Hill Pond, 1828 (oil on canvas) by Constable, John (1776-1837); Victoria & Albert Museum, London, UK; The Stapleton Collection; English, out of copyright

Near Stratford-on-Avon (oil on canvas)
TW426736 Near Stratford-on-Avon (oil on canvas) by Hill, James John (1811-82); 51x61.5 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English, out of copyright

Quayside at North Shields, c. 1890-1910 (oil on canvas)
TW426806 Quayside at North Shields, c.1890-1910 (oil on canvas) by Slater, John Falconar (1857-1937); 93x123 cm; Laing Art Gallery, Newcastle-upon-Tyne

Belah Viaduct, 1869 (w / c and gouache with pen & ink on paper)
XYC281126 Belah Viaduct, 1869 (w/c and gouache with pen & ink on paper) by Brown, John Osborn (fl.1868); 52.5x95.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English

Brixham Harbour (hand-coloured photo)
908024 Brixham Harbour (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Last Gleam, 1872 (oil on canvas)
TW426743 The Last Gleam, 1872 (oil on canvas) by Linnell, James Thomas (1826-1905); 71.8x102 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; eTyne & Wear Archives & Museums; English

In the heart of the Cotswolds (oil on canvas)
TW429356 In the heart of the Cotswolds (oil on canvas) by Milner, Frederick (1855-1939); 51.5x61.5 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; English

Roundhay Park, Leeds (w / c on paper)
LMG139563 Roundhay Park, Leeds (w/c on paper) by Carmichael, John Wilson (1800-68); 26.6x36.8 cm; Leeds Museums and Galleries (Leeds Art Gallery) U.K.; eLeeds Museums and Galleries; English

Red House Farm, Tunstall Road (oil on canvas)
TW429367 Red House Farm, Tunstall Road (oil on canvas) by Hedley, Johnson (1848-1914); 25.4x36.4 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; eSunderland Museums; British, out of copyright

Sandown Bay, Isle of Wight (hand-coloured photo)
908099 Sandown Bay, Isle of Wight (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Impregnable, Plymouth (hand-coloured photo)
908083 The Impregnable, Plymouth (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Plymouth Dock from Mount Edgecombe, from Cookes Picturesque Views of the
XYC213888 Plymouth Dock from Mount Edgecombe, from Cookes Picturesque Views of the Southern Coast of England engraved by William Bernard Cooke (1778-1855) 1814-26 (etching) by Turner

A Meltonian, As He Was, from The Meltonians, engraved by George Hunt
BSA266450 A Meltonian, As He Was, from The Meltonians, engraved by George Hunt, 1823 (colour litho) by Alken, Henry Thomas (1785-1851) (after); 54.5x61 cm; Private Collection; (add.info)

England, North Yorkshire, Castle Howard

Halswell House, Somerset, 1764 (oil on canvas)
NGW342633 Halswell House, Somerset, 1764 (oil on canvas) by Richards, John Inigo (1731-1810); National Museum Wales; National Museums & Galleries of Wales

Lyndra, Sunset, Aldbourne (oil on panel)
NGW344331 Lyndra, Sunset, Aldbourne (oil on panel) by Lees, Derwent (1885-1931); 41.1x32.4 cm; National Museum Wales; National Museums & Galleries of Wales

Maples at Cuckfield, Sussex, 1914 (oil on canvas)
NGW185014 Maples at Cuckfield, Sussex, 1914 (oil on canvas) by Bevan, Robert Polhill (1865-1925); 51.5x61.2 cm; National Museum Wales; National Museums & Galleries of Wales

Dover Castle (oil on canvas)
NGW185759 Dover Castle (oil on canvas) by Wilson, Richard (1713/14-82); 90.5x116.8 cm; National Museum Wales; National Museums & Galleries of Wales

Near Boston, Lincolnshire (graphite & w/c on paper)
NGW322618 Near Boston, Lincolnshire (graphite & w/c on paper) by Bonington, Richard Parkes (1802-28); 13.4x21.1 cm; National Museum Wales; National Museums & Galleries of Wales

Bolton Abbey, Yorkshire, 1809 (w/c over pencil on card)
NGW322601 Bolton Abbey, Yorkshire, 1809 (w/c over pencil on card) by Girtin, Thomas (1775-1802); 33.3x54 cm; National Museum Wales; National Museums & Galleries of Wales

Herstmonceaux Castle, East Sussex, from The English Country House (b/w photo)
CLF306251 Herstmonceaux Castle, East Sussex, from The English Country House (b/w photo) by English Photographer, (20th century); (add.info)

Distant view of Lumley Castle, from The Country Houses of Sir John Vanbrugh by Jeremy Musson
CLF327783 Distant view of Lumley Castle, from The Country Houses of Sir John Vanbrugh by Jeremy Musson, published 2008 (b/w photo) by English Photographer

View of Alnwick Castle, from The English Country House (b/w photo) (see 306275)
CLF306363 View of Alnwick Castle, from The English Country House (b/w photo) (see 306275) by English Photographer, (20th century); (add.info.: earliest parts of castle built by Yves de Vescy)

B1975. 3. 254
cropped to image

Hampstead Heath (oil on canvas)
GLS224024 Hampstead Heath (oil on canvas) by Constable, John (1776-1837); 63.5x96.5 cm; Art Gallery and Museum, Kelvingrove, Glasgow, Scotland; © CSG CIC Glasgow Museums Collection

Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper)
AGN270953 Winchelsea, Sussex, from the Rye Road (w/c & bodycolour on paper) by Turner, Joseph Mallord William (1775-1851); 12.7x20 cm; Private Collection; Photo © Agnew's, London

Cliveden Woods, c. 1812 (w/c on paper)
MAN277405 Cliveden Woods, c.1812 (w/c on paper) by Barret, George the Younger (1767-1842); 20.8x33.9 cm; Manchester Art Gallery, UK

Oak Trees in Sherwood Forest, 1877 (oil on canvas)
MAN276843 Oak Trees in Sherwood Forest, 1877 (oil on canvas) by MacCallum, Andrew (1821-1902); 78.5x119 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

The River Tees at Rokeby, Yorkshire, c. 1860 (oil on canvas)
MAN277423 The River Tees at Rokeby, Yorkshire, c.1860 (oil on canvas) by Creswick, Thomas (1811-69); 48.2x66.3 cm; Manchester Art Gallery

Study of an Ash Tree in Summer, 1883 (oil on canvas)
MAN277425 Study of an Ash Tree in Summer, 1883 (oil on canvas) by Davies, James Hey (c.1844-1930); 55.2x39.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Ludlow Castle, Shropshire, 1792 (oil on canvas)
MAN278069 Ludlow Castle, Shropshire, 1792 (oil on canvas) by Ibbetson, Julius Caesar (1759-1817); 33x46 cm; Manchester Art Gallery, UK; (add.info.: from Whitcliffe;); © Manchester Art Gallery

Windermere, Westmorland (w/c on paper)
MAN434075 Windermere, Westmorland (w/c on paper) by Turner, Joseph Mallord William (1775-1851); Manchester Art Gallery, UK; © Manchester Art Gallery

Study of an Ash Tree in Winter, 1883 (oil on canvas)
MAN277426 Study of an Ash Tree in Winter, 1883 (oil on canvas) by Davies, James Hey (c.1844-1930); 55.2x39.2 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Oxford from North Hinksey (w/c on paper)
MAN291499 Oxford from North Hinksey (w/c on paper) by Turner, Joseph Mallord William (1775-1851); 37x51.5 cm; Manchester Art Gallery, UK; © Manchester Art Gallery

Valley Landscape (oil on board)
TW426647 Valley Landscape (oil on board) by McEune, Robert Ernest (1876-1952); 55.7x65.7 cm; Shipley Art Gallery, Gateshead, Tyne & Wear, UK; Tyne & Wear Archives & Museums

Village Rooftops (oil)
PCD282363 Village Rooftops (oil) by Ginner, Charles (1878-1952); Private Collection; (add.info.: possibly Oxted, Surrey?;); Piccadilly Gallery, London, UK

In the Valency Valley, 1920 (oil on canvas)
PCD282339 In the Valency Valley, 1920 (oil on canvas) by Ginner, Charles (1878-1952); 50.5x61 cm; Private Collection; (add.info.: near Boscastle, Cornwall;); Piccadilly Gallery, London, UK

Penally Hill, Cornwall, 1916 (oil on canvas)
PCD282360 Penally Hill, Cornwall, 1916 (oil on canvas) by Ginner, Charles (1878-1952); 61x51 cm; Private Collection; Piccadilly Gallery, London, UK

A garden folly, 1850 (w / c on paper)
CJP343960 A garden folly, 1850 (w/c on paper) by English School, (19th century); Private Collection; © Charles Plante Fine Arts

Durham Cathedral (oil on canvas)
TW429306 Durham Cathedral (oil on canvas) by Lee, Sydney (1866-1949); 90.2x127 cm; Sunderland Museum & Winter Gardens, Tyne & Wear, UK; (add.info.: Durham Cathedral was built from 1093 to 1132)

The Silver Sunset (oil on canvas laid on board)
BIR189255 The Silver Sunset (oil on canvas laid on board) by Nicholson, William (1872-1949); 32.8x40.9 cm; Birmingham Museums and Art Gallery; Birmingham Museums Trust

River Scene with Fisherman (oil on canvas)
TW427177 River Scene with Fisherman (oil on canvas) by Everett, John (1876-1949); 55.9 x 86.8 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Tyne & Wear Archives & Museums

Oxenbridge Pond, 1927-28 (oil on canvas)
BIR189249 Oxenbridge Pond, 1927-28 (oil on canvas) by Nash, Paul (1889-1946); 99.7x87.6 cm; Birmingham Museums and Art Gallery

River Scene with a Farmhouse (oil on canvas)
BWM160878 River Scene with a Farmhouse (oil on canvas) by Wilson, Richard (1713/14-82); The Bowes Museum, Barnard Castle, County Durham, UK; © Bowes Museum

Dover, c. 1746-47 (oil on canvas)
XYC168490 Dover, c.1746-47 (oil on canvas) by Wilson, Richard (1713/14-82); 43.2x54.6 cm; Yale Center for British Art, Paul Mellon Collection, USA; Welsh, out of copyright

King John signing the Magna Carta, illustration from Madame Tussauds (colour litho)
IL352871 King John signing the Magna Carta, illustration from Madame Tussauds (colour litho) by Davie, Howard (fl.1914-44); Private Collection; (add.info)

Girdle Cake Cottage on the Wear, 1899 (oil on canvas)
TW429377 Girdle Cake Cottage on the Wear, 1899 (oil on canvas) by Drinkwater, H.F.C. (1862-1949); 71.8x92.4 cm; Sunderland Museum & Winter Gardens, Tyne & Wear

Dover Cliffs (oil on board)
TW426884 Dover Cliffs (oil on board) by Bland, Emily Beatrice (1864-1951); 21.8x27.1 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; Tyne & Wear Archives & Museums

Black Country Church (etching)
WAG423031 Black Country Church (etching) by Bayliss, Edwin Butler (1874-1950); Wolverhampton Art Gallery, West Midlands, UK; © Wolverhampton Art Gallery; British, out of copyright

Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c. 1910 (colour litho)
IL314804 Illustration from The Book of Old English Songs and Ballads, published by Hodder and Stoughton, c.1910 (colour litho) by Fortescue-Brickdale

Lancaster Sands, Morecambe Bay (Treasures) 1842 (oil on canvas)
WRD274282 Lancaster Sands, Morecambe Bay (Treasures) 1842 (oil on canvas) by Cox, David, the younger (1809-85); 33x48 cm; Wordsworth Trust; © The Wordsworth Trust

Shadow and Reflection, 1939 (oil on canvas)
Ma312068 Shadow and Reflection, 1939 (oil on canvas) by James, Alan Gosset (1875-1950); 66x101 cm; Private Collection; (add.info.: The Manor)

The R. A. F Assists to Break the Transport Strike, 1919, illustration from Flying Memories by John Hamilton
STC400420 The R.A.F Assists to Break the Transport Strike, 1919, illustration from Flying Memories by John Hamilton, 1934 (litho) by Bradshaw

Royden Hill, Essex, 1919 (w / c on paper)
UCL273748 Royden Hill, Essex, 1919 (w/c on paper) by Knights, Winifred (1899-1947); 22.5x29.0 cm; UCL Art Museum, University College London, UK; © UCL Art Museum, University College London

The Bailiffs Daughter of Islington, illustration from The Book of Old English Songs and Ballads
IL314817 The Bailiffs Daughter of Islington, illustration from The Book of Old English Songs and Ballads, published by Stodder and Houghton, c

Blackberrying, 1917 (oil on canvas)
TW427971 Blackberrying, 1917 (oil on canvas) by Harvey, Harold (1874-1941); 71.4x71.8 cm; South Shields Museum & Art Gallery, South Shields, UK; Tyne & Wear Archives & Museums

The Edge of the Common (oil on canvas)
SOU189691 The Edge of the Common (oil on canvas) by Barker of Bath, Thomas (1769-1847); Southampton City Art Gallery, Hampshire, UK

Landscape.AdobeRGB.Engraved around 1840 and edited By Sydney Armytage

The Little Mushroom Gatherers, 1902 (oil on canvas)
TW426928 The Little Mushroom Gatherers, 1902 (oil on canvas) by Hornel, Edward Atkinson (1864-1933); 91x76.5 cm; Laing Art Gallery, Newcastle-upon-Tyne

A View of Eton from the Playing Fields (oil on canvas)
CH24113 A View of Eton from the Playing Fields (oil on canvas) by Bristow, Edmund (1787-1876); Private Collection; Photo eChristies Images; English, out of copyright

Landscape with Figures by a Windmill (oil on canvas)
CH19493 Landscape with Figures by a Windmill (oil on canvas) by Watts, Frederick Waters (1800-62); Private Collection; Photo eChristies Images; English, out of copyright

Haddon Hall with Sheep, Cattle, a Stag and a Pony (oil on canvas)
CH27314 Haddon Hall with Sheep, Cattle, a Stag and a Pony (oil on canvas) by Barraud, Henry (1811-74); 82.6x137.2 cm; Private Collection; Photo eChristies Images; English, out of copyright

Norham Castle: Morning, c. 1797 (pencil & w / c on paper)
6041474 Norham Castle: Morning, c.1797 (pencil & w/c on paper) by Turner, Joseph Mallord William (1775-1851); Private Collection; English, out of copyright

Pier Head II, Lowestoft (hand-coloured photo)
908072 Pier Head II, Lowestoft (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Burroughs, Wellcome & Company Factory, Dartford (hand-coloured photo)
908069 Burroughs, Wellcome & Company Factory, Dartford (hand-coloured photo) by English School, (19th century); Private Collection; (add.info)

The Regatta Course II, Henley-on-Thames (hand-coloured photo)
908065 The Regatta Course II, Henley-on-Thames (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Clovelly Harbour (hand-coloured photo)
908037 Clovelly Harbour (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

View of Blackpool (hand-coloured photo)
908017 View of Blackpool (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Teignmouth (hand-coloured photo)
908094 Teignmouth (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Southport from pier (hand-coloured photo)
908091 Southport from pier (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Pier, Southampton (hand-coloured photo)
908087 The Pier, Southampton (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Magdalen Tower, Oxford (hand-coloured photo)
908082 Magdalen Tower, Oxford (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Parade looking west, Morecambe (hand-coloured photo)
908080 Parade looking west, Morecambe (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Western Pier, Morecambe (hand-coloured photo)
908078 Western Pier, Morecambe (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

Bradda Head, Isle of Man (hand-coloured photo)
908075 Bradda Head, Isle of Man (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

The Royal Exchange, London (hand-coloured photo)
908056 The Royal Exchange, London (hand-coloured photo) by English School, (19th century); Private Collection; The Stapleton Collection; English, out of copyright

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"Captivating English Landscapes: A Glimpse into Nature's Masterpieces" Immerse yourself in the enchanting world of English landscapes, where beauty and tranquility intertwine. From the vibrant Gypsy Encampment in Appleby, 1919, painted with watercolors on delicate paper, to the captivating A Distant View of Maidstone from Lower Bell Inn, Boxley Hill, depicted with meticulous gouache strokes on paper. Step back in time and witness The Last Gleam of 1872 through an oil-on-canvas masterpiece that captures a fleeting moment as sunlight dances upon rolling hills. Marvel at Brixham Harbour's charm frozen in a hand-colored photograph that brings life to this coastal gem. Discover Roundhay Park's serene allure portrayed with watercolors on paper—an oasis nestled within Leeds' bustling cityscape. Lose yourself amidst Red House Farm's rustic charm immortalized by skillful brushstrokes on canvas—a testament to England's agricultural heritage. Experience the grandeur of The Impregnable captured through a hand-colored photograph—Plymouth standing tall against crashing waves. Journey to Castle Howard in North Yorkshire and be awestruck by its majestic presence—a true architectural marvel nestled within Europe. Indulge your senses as you explore In the heart of the Cotswolds—an oil-on-canvas masterpiece that transports you to idyllic countryside bliss. Behold Sandown Bay's breathtaking vistas brought to life through a hand-colored photograph—the Isle of Wight beckoning you towards serenity. Marvel at Plymouth Dock from Mount Edgecombe—a picturesque view immortalized by Cooke’s Picturesque Views—where history meets natural splendor. Finally, revel in Friesian Cows' magnificence painted meticulously onto canvas—a contemporary ode celebrating England's rural traditions. These diverse glimpses into English landscapes offer an escape into nature’s embrace—one filled with rich history, stunning scenery, and timeless beauty.