End Of The World Collection (page 4)

La Comete de Halley (colour litho)
3642940 La Comete de Halley (colour litho) by Sager, Xavier (1870-1930); Private Collection; (add.info.: La Comete de Halley. Postcard, early 20th century.); © Look and Learn

Grand Ascension of the Miller Tabernacle, Broadside depicting the End of
1077620 Grand Ascension of the Miller Tabernacle, Broadside depicting the End of the World, 1844 (litho) by American School, (19th century); Collection of the New-York Historical Society

Christ from the apocalypse to the double edged sword that comes from the mouth
LRI4583062 Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century by Unknown Artist, (13th century); Anagni Cathedral, Anagni, Lazio

The Apocalypse of Saint John: the Fall of the Rebel Angels, ca. 1496-1498 (woodcut)
AIS5386228 The Apocalypse of Saint John: the Fall of the Rebel Angels, ca. 1496-1498 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); Biblioteca Museo Correr, Venice, Italy; German

The fall of the stars Miniature is taken from the commentaries of "
JLJ4590632 The fall of the stars Miniature is taken from the commentaries of " The Apocalypse according to Saint John" written in 775 by the monk Beatus of Liebana, 1086

Hanging of the Revelation (1373-1383), n. 69: the verb of God loads the Betes. N
JLJ4599459 Hanging of the Revelation (1373-1383), n. 69: the verb of God loads the Betes. N. 73: the Holy City or New Jerusalem. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion
JLJ4599364 Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion
JLJ4599355 Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion. Tapestry by Nicolas Bataille (1330-1405), 14th century

The end of the world. Detail representing the damns. 1499-1504 (fresco)
LRI4611479 The end of the world. Detail representing the damns. 1499-1504 (fresco) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613403 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613351 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century)
LRI4613308 The open tombs, detail of the Last Judgement. (Detrempe on wood, 15th century) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

The lamb of Revelation. Anonymous painter of Central Italy, 13th center
LRI4690097 The lamb of Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd by Italian School, (13th century); Anagni Cathedral, Anagni

View of the tympanum of last judgment, detail of hell (sculpture, 1130-1140)
LRI4721011 View of the tympanum of last judgment, detail of hell (sculpture, 1130-1140) by Romanesque, (12th century); Church of St

Opening of the fourth seal: Death riding the green horse
JLJ4670933 Opening of the fourth seal: Death riding the green horse. Miniature taken from " The Apocalypse of Cambrai" enluminated by the French School of the 13th century. Ms. 422

Hanging of Revelation (1373 -1383), n. 30: the Dead on the ground
JLJ4670548 Hanging of Revelation (1373 -1383), n. 30: the Dead on the ground. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl)

The Apocalypse. Miniature page of a Byzantine manuscript from the 10th century
GIA4762740 The Apocalypse. Miniature page of a Byzantine manuscript from the 10th century. Venice, Bibl. Marciana. by Byzantine, (10th century); Biblioteca Nazionale Marciana, Venice

Reproduction of a scene of the Apocalypse, painted by Jean Cousin the Elder (1490-1560)
LSE4095775 Reproduction of a scene of the Apocalypse, painted by Jean Cousin the Elder (1490-1560), Holy Chapel of Vincennes, 17th century by Cousin

Royaumont Bible, New Testament: Death of the two Prophetes
XEE4137931 Royaumont Bible, New Testament: Death of the two Prophetes. The vision Saint John had of two dead Prophetes, who then resurrected. Seventh trumpet of Revelation. Illustration from 1811

Royaumont Bible, New Testament: Open Heaven. A trone appears surrounded by a lion, an ox
XEE4137923 Royaumont Bible, New Testament: Open Heaven. A trone appears surrounded by a lion, an ox, a man and an eagle (tetramorph) and seven lamps

Fantastic representation of the world system in the middle of the Middle Ages
XEE4113628 Fantastic representation of the world system in the middle of the Middle Ages. Italian Picture of the 18th century in " L atmosphere: meteorologie populaire" (Paris)

Leaf from a Beatus Manuscript, c. 1180 (tempera, gold, and ink on parchment)
3615967 Leaf from a Beatus Manuscript, c.1180 (tempera, gold, and ink on parchment) by Spanish School; 44.5x30 cm; Metropolitan Museum of Art, New York

Apocalypse (oil on canvas)
NUL116741 Apocalypse (oil on canvas) by Danby, Francis (1793-1861); Private Collection; English, out of copyright

Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N
JLJ4599564 Hanging of Revelation (1373-1383), n. 70: the Word of God loads the Beets. N. 74: Saint John before the Angel and Jerusalem New. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of Revelation (1373-1383), n. 24: the fifth trumpet
JLJ4599509 Hanging of Revelation (1373-1383), n. 24: the fifth trumpet: a key releases the grasshoppers. Below, n. 27, the Angel in the book appears to Saint John who transcribes the divine message

Hanging of Revelation (1373-1383), n. 24: the seventh trumpet. N
JLJ4599571 Hanging of Revelation (1373-1383), n. 24: the seventh trumpet. N. 39: Adoration of the Dragon. Tapestry by Nicolas Bataille (1330-1405), 14th century

The curtain of the Revelation (1373-1383), n. 5: the elderly prostrate before Christ in
JLJ4599466 The curtain of the Revelation (1373-1383), n. 5: the elderly prostrate before Christ in majesty (Jesus Christ in glory is represented inside a mandorla). N. 11: the souls of the martyrs

Gothic Art: Last judgment, Damned in hell, detail of reliefs of Pulpit, 1265-1268
LRI4584178 Gothic Art: Last judgment, Damned in hell, detail of reliefs of Pulpit, 1265-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena

The end of the world, souvenir of 19 May 1910 (litho)
3094500 The end of the world, souvenir of 19 May 1910 (litho) by French School, (20th century); Private Collection; (add.info.: The end of the world, souvenir of 19 May 1910)

Royaumont Bible, New Testament: The Last Judgment
XEE4137970 Royaumont Bible, New Testament: The Last Judgment. by Unknown Artist, (19th century); Private Collection; (add.info.: Royaumont Bible)

Royaumont Bible, New Testament: Seven Angels sounding the trumpets of Revelation after
XEE4137938 Royaumont Bible, New Testament: Seven Angels sounding the trumpets of Revelation after the opening of the seventh seal of the book by the Lamb

Royaumont Bible, New Testament: Dragon Chains. The Dragon of Revelation
XEE4137896 Royaumont Bible, New Testament: Dragon Chains. The Dragon of Revelation, symbol of the Devil, is chained by an Angel holding the key of the abime. Illustration from 1811

Hanging of Revelation (1373 -1383), n. 28: the miracle. Fideles servants of God
JLJ4672032 Hanging of Revelation (1373 -1383), n. 28: the miracle. Fideles servants of God and prophets look at the river turned into blood. Tapestry by Nicolas Bataille (1330-1405), 14th century

The curtain of the Revelation (1373 -1383): the fire of the sky (darkness)
JLJ4672036 The curtain of the Revelation (1373 -1383): the fire of the sky (darkness). Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl)

Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille
JLJ4672031 Hanging of Revelation (1373 -1383), n. 71: Judges. Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl)

The Opening of the Sixth Seal: an earthquake takes place and the sun turns black
JLJ4670912 The Opening of the Sixth Seal: an earthquake takes place and the sun turns black. The moon becomes blood red. kings

Detail of a scene of the Apocalypse depicting a group of invalids
LRI4662580 Detail of a scene of the Apocalypse depicting a group of invalids, sick eclopes and beggars.The triumph of Death (Fresco, 1350-1360) by Orcagna, Andrea di Cione (c.1308-68); Santa Croce

The Celestial Harvest (tempera on panel)
XIR439278 The Celestial Harvest (tempera on panel) by Alberegno, Jacopo (d. 1397); Gallerie dell Accademia, Venice, Italy; (add.info.: La Vendage celeste; ); Italian, out of copyright

The Sounding of the Seventh Trumpet and the Chant of the Twenty-Four Elders, no
XIR243421 The Sounding of the Seventh Trumpet and the Chant of the Twenty-Four Elders, no.34 of the Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl)

The Ascension of the Lamb, no. 48 from The Apocalypse of Angers
XIR181981 The Ascension of the Lamb, no. 48 from The Apocalypse of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers, France; French, out of copyright

The supersitions of the year thousand (thousand, 1000): the end of the world
XEE4169854 The supersitions of the year thousand (thousand, 1000): the end of the world. Engraving in " Histoire des Papes-Rois-Queen

Royaumont Bible, New Testament: Bete of Revelation. Saint John sees a monstrous beast
XEE4137913 Royaumont Bible, New Testament: Bete of Revelation. Saint John sees a monstrous beast with seven heads and ten horns and a pregnant woman surrounded by light

Hanging of Revelation (1373-1383), n. 47: the Lamb on Mount Zion. Below, n
JLJ4599529 Hanging of Revelation (1373-1383), n. 47: the Lamb on Mount Zion. Below, n. 55, the Angel picks up the vine of the earth, which poured into the great vat of Gods anger

Hanging of Revelation (1373-1383), n. 59: the second and third bottles pouring over
JLJ4599500 Hanging of Revelation (1373-1383), n. 59: the second and third bottles pouring over the sea and the waters. Downstairs, n. 66, Babylon is invaded by demons

Hanging of Revelation (1373-1383), n. 28: Saint John a Patmos
JLJ4599448 Hanging of Revelation (1373-1383), n. 28: Saint John a Patmos and the seven churches of Asia and below First seal: The winner with the white horse

Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268
LRI4584211 Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613380 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The last judgment Jesus Christ in a mandorle (Detrempe on wood, 15th century)
LRI4613321 The last judgment Jesus Christ in a mandorle (Detrempe on wood, 15th century) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

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"Unveiling the Terrifying Beauty: A Glimpse into the End of the World" In a world where art imitates life, these haunting masterpieces transport us to a realm where darkness prevails and humanity teeters on the edge of oblivion. From Peter Bruegel's "Triumph of Death" to Gustave Dore's chilling illustration for The Bible, each stroke of paint or etched line reveals an apocalyptic vision that sends shivers down our spines. Bruegel's "Triumph of Death, " painted in 1562, depicts a desolate landscape overrun by skeletal figures and decaying corpses. It serves as a stark reminder that death is an inevitable fate awaiting all living beings. Similarly, Hans Holbein the Younger's "The End of Mankind" captures the essence of despair as mankind faces its ultimate demise. The Apocalypse Tapestry or Apocalypse of Angers, created between 1375-80, weaves together intricate scenes portraying destruction and chaos. These tapestries serve as harbingers of doom with their vivid depictions of fire raining from the sky and monstrous creatures emerging from dark corners. Among these nightmarish visions emerge The Four Horsemen - symbols synonymous with cataclysmic events. In Albrecht Durer's engraving from 1511, they gallop forth on their steeds; War brandishing his sword, Famine holding scales tipped towards starvation, Pestilence spreading disease like wildfire, and finally Death himself astride a pale horse followed closely by Hell. Gustave Dore adds another layer to this grim narrative with his illustration showcasing Death riding upon his pale mount in eerie harmony with biblical prophecy. As he passes through our mortal realm, Hell follows relentlessly at his heels – an ominous signifier that damnation awaits those left behind. Even amidst Bosch’s surreal masterpiece "The Garden Of Earthly Delights, " we find a panel dedicated to the horrors of Hell.