End Of The World Collection (page 3)

The sounding of the first four of the seven angels trumpets (engraving)
7172493 The sounding of the first four of the seven angels trumpets (engraving) by European School, (17th century); Private Collection; (add.info)

Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille
7208103 Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 18, L ange a l ascensoir, 1373-1380 (textile) by Bataille, Nicolas (fl)

Apocalypse of St John, c. 1750 (miniature)
UIG5325258 Apocalypse of St John, c.1750 (miniature) by Russian School (18th century); (add.info.: Russian Slavonic, Orthodox Christian miniature); UIG

Flemish tapestry. Series The Apocalypse: Saint Michael defeating the dragon. Atelier Willem Dermoyen, Brussels
7208898 Flemish tapestry. Series The Apocalypse: Saint Michael defeating the dragon. Atelier Willem Dermoyen, Brussels. Ca 1553-1555. Detail

Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille
7208101 Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 15, Les quatre vents, 1373-1380 (textile) by Bataille, Nicolas (fl)

Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille
7208100 Apocalypse Tapestry, Cartons of the painter Hennequin de Bruges, atelier Nicolas Bataille. no 13, Cinquieme sceau: Les ames des martyrs, 1373-1380 (textile) by Bataille, Nicolas (fl)

People worshipping the seven-headed beast out of the sea (engraving)
7172496 People worshipping the seven-headed beast out of the sea (engraving) by European School, (17th century); Private Collection; (add.info)

The Triumph of Death, c. 1562 (oil on panel)
XIR457 The Triumph of Death, c.1562 (oil on panel) by Bruegel, Pieter the Elder (c.1525-69); 117x162 cm; Prado, Madrid, Spain; (add.info.: (for details see 69068-71 and 156438)); Flemish

Apocalypse Hanging, 1373 - 1383: Angel and Dragon (n. 29 and 36)
JLJ4687041 Apocalypse Hanging, 1373 - 1383: Angel and Dragon (n. 29 and 36). Tapestry by Nicolas Bataille (1330-1405), 14th century. Angers, Musee De La Tapestry by Bataille, Nicolas (fl)

Curtain of Revelation: n. 33, a dragon embodies the devil post in front of a woman about
JLJ4686959 Curtain of Revelation: n. 33, a dragon embodies the devil post in front of a woman about to give birth n. 39 stockings: John looks at a crowd amazed by the power of beets. 1373-1383

Curtain of Revelation (1373 -1383). Na 31 high: Jean surprised by the resurrection of
JLJ4673694 Curtain of Revelation (1373 -1383). NA 31 high: Jean surprised by the resurrection of the two friends. NA 38 bottom

The Miniature Universal Deluge taken from the commentaries of "
JLJ4670574 The Miniature Universal Deluge taken from the commentaries of " The Apocalypse according to Saint John" written in 775 by the monk Beatus of Liebana, 1086

Royaumont Bible, New Testament: Seven seals of the book opened by the Lamb
XEE4137920 Royaumont Bible, New Testament: Seven seals of the book opened by the Lamb. The twenty four elders prostrate before the throne surrounded by a lion, an ox

Royaumont Bible, New Testament: The fifth and sixth trumpet of Revelation
XEE4137926 Royaumont Bible, New Testament: The fifth and sixth trumpet of Revelation. The grasshoppers and the four angels. Illustration from 1811

Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268
LRI4584332 Gothic Art: Last judgment, Damned in hell, Detail of reliefs of Pulpit, 1265-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena

The Deluge, the Ark of Noe on the right Engraving of the 19th century
JLJ4590506 The Deluge, the Ark of Noe on the right Engraving of the 19th century. Paris, Museum of Popular Arts and Traditions by French School, (19th century); Musee Nat

Last judgment, the elected, detail from the Pulpit, 1266-1268
LRI4584134 Last judgment, the elected, detail from the Pulpit, 1266-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena, Italy; (add.info)

The enigma. Painting by Gustave Dore (1832 - 1883), 1871. Oil on canvas
JLJ4675809 The enigma. Painting by Gustave Dore (1832 - 1883), 1871. Oil on canvas. Dim: 1, 30 X 1, 95m. Paris, Musee d Orsay by Dore, Gustave (1832-83); Musee d Orsay, Paris

The old men of the Revelation. Anonymous painter of Central Italy, 13th center
LRI4690095 The old men of the Revelation. Anonymous painter of Central Italy, 13th center.Italy, Anagni, Crypt of the Cathedrale, central absyd by Italian School, (13th century); Anagni Cathedral

The destruction of Babylon Miniature taken from "The Apocalypse of Cambrai"
JLJ4670942 The destruction of Babylon Miniature taken from " The Apocalypse of Cambrai" enluminated by the French School of the 13th century. Ms. 422

Watching the comet on the Boulevards in 1857, 1898 (litho)
5913086 Watching the comet on the Boulevards in 1857, 1898 (litho) by Courboin, Francois (1865-1926); (add.info.: Fashionable people watching the comet of 1857 from a boulevard balcony, Paris)

Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion
JLJ4599379 Hanging of the Revelation (1373-1383), angels carrying instruments of the Passion. Tapestry by Nicolas Bataille (1330-1405), 14th century

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613324 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

La terre struck by a comet - Cover of the book "Fin du monde"
LSE4097726 La terre struck by a comet - Cover of the book " Fin du monde" by Francheville, ill. by A. BarrAre, Tallandier, 1910

The Apocalypse. (engraving, 1606)
5975532 The Apocalypse. (engraving, 1606) by German School, (17th century); Private Collection; (add.info.: Religion. Bible. New Testament. Revelation: resurrection of the dead)

Ms 422 The Opening of the Sixth Seal, from an Apocalypse (vellum)
XCM240232 Ms 422 The Opening of the Sixth Seal, from an Apocalypse (vellum) by French School, (13th century); Bibliotheque Municipale, Cambrai, France; French, out of copyright

Representation of the Revelation in "Catena in Job"
GIA4816295 Representation of the Revelation in " Catena in Job", Greek manuscript from the beginning of the 10th century. Bibl. Marciana from Venice

Hanging of Revelation (1373 -1383), No. 6 and No. 10: No
JLJ4669067 Hanging of Revelation (1373 -1383), No. 6 and No. 10: No. 6 high: John cries for not being able to open the book, an old man the console; No

Hanging of Revelation (1373-1383), n. 72: Satan besieges the City. N
JLJ4599561 Hanging of Revelation (1373-1383), n. 72: Satan besieges the City. N. 74: Saint John before Christ. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of Revelation (1373-1383), n. 46: the Bete brings its number to all: 666
JLJ4599527 Hanging of Revelation (1373-1383), n. 46: the Bete brings its number to all: 666. Below, n. 53, the harvest of the elected. Tapestry by Nicolas Bataille (1330-1405), 14th century

Hanging of Revelation (1373-1383). N. 44 high: the bete has seven heads. N
JLJ4575014 Hanging of Revelation (1373-1383). N. 44 high: the bete has seven heads. N. 51 low: The sleep of the righteous. Tapestry by Nicolas Bataille (1330-1405), 14th century

The Resurrection of the Dead (Fresco, 1499-1504)
LRI4580260 The Resurrection of the Dead (Fresco, 1499-1504) by Signorelli, Luca (c.1450-1523); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

View of the tympanum of last judgment, christ between paradise and hell (sculpture
LRI4721013 View of the tympanum of last judgment, christ between paradise and hell (sculpture, 1130-1140) by Romanesque, (12th century); Church of St

The supersitions (fear) of the year thousand (1000): the end of the world
GIA4707327 The supersitions (fear) of the year thousand (1000): the end of the world. Engraving in " Histoire des Papes-Rois-Queen

Last judgment, the elected, detail from the Pulpit, 1266-1268
LRI4584185 Last judgment, the elected, detail from the Pulpit, 1266-1268 by Pisano, Nicola (c. 1220-84); Duomo, Siena, Italy; (add.info)

Hanging of Revelation (1373-1383), 14: seven angels before God. Below, n
JLJ4686966 Hanging of Revelation (1373-1383), 14: seven angels before God. Below, n. 19, an angel resounds his olifant (oliphant). Tapestry by Nicolas Bataille (1330-1405), 14th century

The ten kings of the apocalypse weapons of spears and shields with their troops
JLJ4686590 The ten kings of the apocalypse weapons of spears and shields with their troops. Miniature in " Beatus de Liebana, Commentary on the Apocalypse" (Folio 193), by Stephanus Garcia

The Last Judgment: Hell (tempera on wood, 1432-1435)
LRI4613341 The Last Judgment: Hell (tempera on wood, 1432-1435) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence, Italy; Luisa Ricciarini; Italian

The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453)
LRI4613261 The last Judgment. Life of Christ, Armadio degli Argenti. (Tempera on wood, 1451-1453) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); Museo di San Marco, Florence

Royaumont Bible, New Testament: Dragon of Revelation. Seven Angels pour out the contents
XEE4137909 Royaumont Bible, New Testament: Dragon of Revelation. Seven Angels pour out the contents of their cup, symbol of Gods anger, on earth. Illustration from 1811

Royaumont Bible, New Testament: Ruin of Babylon. Babylon on fire
XEE4137906 Royaumont Bible, New Testament: Ruin of Babylon. Babylon on fire, an angel throws a stone at the sea, symbolizing the destruction of this city during the Revelation

The Reader, from the Apocalypse Tapestry of Angers, 1373-87 (tapestry)
902032 The Reader, from the Apocalypse Tapestry of Angers, 1373-87 (tapestry) by Bataille, Nicolas (fl. 1363-1400); Musee des Tapisseries, Angers

La Comete de Halley (colour litho)
3642940 La Comete de Halley (colour litho) by Sager, Xavier (1870-1930); Private Collection; (add.info.: La Comete de Halley. Postcard, early 20th century.); © Look and Learn

Grand Ascension of the Miller Tabernacle, Broadside depicting the End of
1077620 Grand Ascension of the Miller Tabernacle, Broadside depicting the End of the World, 1844 (litho) by American School, (19th century); Collection of the New-York Historical Society

Christ from the apocalypse to the double edged sword that comes from the mouth
LRI4583062 Christ from the apocalypse to the double edged sword that comes from the mouth, fresco 13th century by Unknown Artist, (13th century); Anagni Cathedral, Anagni, Lazio

The Apocalypse of Saint John: the Fall of the Rebel Angels, ca. 1496-1498 (woodcut)
AIS5386228 The Apocalypse of Saint John: the Fall of the Rebel Angels, ca. 1496-1498 (woodcut) by DAorer or Duerer, Albrecht (1471-1528); Biblioteca Museo Correr, Venice, Italy; German

The fall of the stars Miniature is taken from the commentaries of "
JLJ4590632 The fall of the stars Miniature is taken from the commentaries of " The Apocalypse according to Saint John" written in 775 by the monk Beatus of Liebana, 1086

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"Unveiling the Terrifying Beauty: A Glimpse into the End of the World" In a world where art imitates life, these haunting masterpieces transport us to a realm where darkness prevails and humanity teeters on the edge of oblivion. From Peter Bruegel's "Triumph of Death" to Gustave Dore's chilling illustration for The Bible, each stroke of paint or etched line reveals an apocalyptic vision that sends shivers down our spines. Bruegel's "Triumph of Death, " painted in 1562, depicts a desolate landscape overrun by skeletal figures and decaying corpses. It serves as a stark reminder that death is an inevitable fate awaiting all living beings. Similarly, Hans Holbein the Younger's "The End of Mankind" captures the essence of despair as mankind faces its ultimate demise. The Apocalypse Tapestry or Apocalypse of Angers, created between 1375-80, weaves together intricate scenes portraying destruction and chaos. These tapestries serve as harbingers of doom with their vivid depictions of fire raining from the sky and monstrous creatures emerging from dark corners. Among these nightmarish visions emerge The Four Horsemen - symbols synonymous with cataclysmic events. In Albrecht Durer's engraving from 1511, they gallop forth on their steeds; War brandishing his sword, Famine holding scales tipped towards starvation, Pestilence spreading disease like wildfire, and finally Death himself astride a pale horse followed closely by Hell. Gustave Dore adds another layer to this grim narrative with his illustration showcasing Death riding upon his pale mount in eerie harmony with biblical prophecy. As he passes through our mortal realm, Hell follows relentlessly at his heels – an ominous signifier that damnation awaits those left behind. Even amidst Bosch’s surreal masterpiece "The Garden Of Earthly Delights, " we find a panel dedicated to the horrors of Hell.