Emotional Collection (page 3)

Pieta (gouache on paper with gold leaf)
471400 Pieta (gouache on paper with gold leaf) by Smits, Jacobs (1856-1928); Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Inconsolable (oil on canvas)
471336 Inconsolable (oil on canvas) by Verhas, Jan Frans (1834-96); 140x91 cm; Koninklijk Museum voor Schone Kunsten, Antwerp, Belgium; © Art in Flanders

Christ on the Cross with Saint Catherine of Siena, Saint Dominic and an Angel, 1622-27 (oil on canvas)
471195 Christ on the Cross with Saint Catherine of Siena, Saint Dominic and an Angel, 1622-27 (oil on canvas) by Dyck, Anthony van (1599-1641); 314x245 cm; Koninklijk Museum voor Schone Kunsten

The Painter Michelangelo at the Deathbed of Vittoria Colonna (oil on canvas)
471351 The Painter Michelangelo at the Deathbed of Vittoria Colonna (oil on canvas) by Keyser, Nicaise de (1813-87); 57.5x70.5 cm; Koninklijk Museum voor Schone Kunsten, Antwerp

am I the subject of the pain
Charlaine Gerber

Unfeelingness - Advice to a man on venting his temper on the least guilty
708885 Unfeelingness - Advice to a man on venting his temper on the least guilty, from the series The Necessary Qualifications of a Man of Fashion, 1823 (hand-coloured aquatint) by Egerton

La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving)
1202216 La Vertu Irresolue, engraved by Louis Dennel (1741-86) (engraving) by Vigee-Lebrun, Elisabeth Louise (1755-1842) (after); 39x26 cm; Private Collection; Photo © Christies Images

Irresolute Virtue (oil on canvas)
490412 Irresolute Virtue (oil on canvas) by Vigee-Lebrun, Elisabeth Louise (1755-1842); 48.5x39 cm; Private Collection; (add.info.: La Vertu Irresolue); Photo © Christies Images

DDE-90019408
Two young male adult lions bonding showing brotherly love. The hunt during the night included a fight with a very old male Lion. Date: 20/12/2007

dance with the invisible man. a ballerina on punts does by moving her bent arms
Alexandr

Predatoress. ballerina on pointe shoes leaning forward looks through crossed arms
Alexandr

the final time. the ballerina, standing on one knee and leaning forward, spread her arms up
Alexandr

per aspera ad astra. ballerina on pointe shoes in the deflection tends upwards
Alexandr

A member of the St. Martins Spiritual Church, receiving the final... Washington, D.C. 1942. Creator: Gordon Parks
Washington, D.C. A member of the St. Martins Spiritual Church, receiving the final blessing of a flower from Reverend Vondell Gassaway, the pastor at the annual " flower bowl demonstration"

Washington taking leave of his officers, illustration from This Country of Ours, The Story of the United States by H
STC232170 Washington taking leave of his officers, illustration from This Country of Ours, The Story of the United States by H.E. Marshall, 1917 (colour litho) by Michael, Arthur C

On the Tiles, 1921 (wood engraving)
1631655 On the Tiles, 1921 (wood engraving) by Gill, Eric (1882-1940); Private Collection; The Stapleton Collection

Maquette for Hagar, c. 1899 (tinted plaster)
5903366 Maquette for Hagar, c.1899 (tinted plaster) by Toft, Albert (1862-1949); 23x11x17 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

Maquette for Hagar, c. 1899 (plaster)
5903360 Maquette for Hagar, c.1899 (plaster) by Toft, Albert (1862-1949); 23x11x17 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

Maquette for Hagar, c. 1899 (plaster)
5903359 Maquette for Hagar, c.1899 (plaster) by Toft, Albert (1862-1949); 23x11x17 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

Maquette for Hagar, c. 1899 (tinted plaster)
5903365 Maquette for Hagar, c.1899 (tinted plaster) by Toft, Albert (1862-1949); 23x11x17 cm; Leeds Museums and Art Galleries (Leeds City Museum) UK; Leeds Museums and Galleries, UK

An Emotional Nick Faldo 37th Ryder Cup, Valhalla, 37th Ryder Cup, Valhalla Golf Club Louisville, Kentucky, USA 18 September 2008 Date: 18 September 2008

Emotional Moment Ridden By D.J.Casey Cheltenham Festival 2004 Cheltenham Racecourse, Cheltenham, England 17 March 2004 Date: 17 March 2004

From a Sad Town (oil on canvas)
5917533 From a Sad Town (oil on canvas) by Sohlberg, Harald Oscar (1869-1935); 47x38 cm; Private Collection; Photo © O. Vaering

11 p. m. from the series "Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)"
11 p.m. from the series " Twenty-Four Hours at Shinyanagi (Shinyanagi nijuyoji)", 1880

The Return of Tannhauser to the Venusberg, 1895. Creator: Aubrey Beardsley
The Return of Tannhauser to the Venusberg, 1895. Illustration probably made for " Under the Hill", an unfinished erotic novel by Beardsley based on the legend of Tannhauser

Cracked jug and moth
Igor Tokarev

Disconsolate Lovers, ca. 1800. Creator: Momokawa Shiko
Disconsolate Lovers, ca. 1800

Pope Pius VI taking leave of the Augustinian monks in Siena, 1801
Pope Pius VI taking leave of the Augustinian monks in Siena, 26 May 1798, 1801

The Tearful Parting of Su Wu and Li Ling, Ming dynasty, 16th century. Creator: Unknown
The Tearful Parting of Su Wu and Li Ling, Ming dynasty, 16th century. Formerly attributed to Liu Guandao

Christ as the Man of Sorrows, ca. 1522-25. Creator: Frans Crabbe van Espleghem
Christ as the Man of Sorrows, ca. 1522-25

Old Schoolfellows, from "Illustrated London News", July 7, 1855
Old Schoolfellows, from " Illustrated London News", July 7, 1855

red lily
Małgorzata Masarz

butterflies
Małgorzata Masarz

Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas)
LSE746380 Odysseus recognised by his nurse, Euryclee, 1848 (oil on canvas) by Bouguereau, William-Adolphe (1825-1905); Musee des Beaux-Arts, La Rochelle

Sympathy (oil on canvas)
3431716 Sympathy (oil on canvas) by Riviere, Briton (1840-1920); 76.2x63.5 cm; Private Collection; Photo eChristies Images; English, out of copyright

Paradise Lost, 1867 (oil on canvas)
780743 Paradise Lost, 1867 (oil on canvas) by Cabanel, Alexandre (1823-89); 122.6x93.3 cm; Private Collection; (add.info.: Le Paradis Perdu); Photo eChristies Images; French, out of copyright

The Sorrowing Virgin (marble on alabaster base)
5667383 The Sorrowing Virgin (marble on alabaster base) by Italian School; 47.5x30.5x21 cm; Private Collection; (add.info)

Melencolia I, 1514 (engraving)
5863235 Melencolia I, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 23.8x18.6 cm; Minneapolis Institute of Arts, MN

Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite
1217805 Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite on pale cream paper) by Millais, John Everett (1829-96); 33.7x22 cm; Ashmolean Museum, University of Oxford

Rage or Anger (charcoal on paper)
1214199 Rage or Anger (charcoal on paper) by Scott, William Bell (1811-90); 32.1x50.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

The Parting of David and Jonathan, illustration from a catechism, c. 1860 (colour litho)
CHT370248 The Parting of David and Jonathan, illustration from a catechism, c.1860 (colour litho) by Ronjat, Etienne Antoine Eugene (b.1822); Private Collection; (add.info)

WW1 poster, A Call to Action! to all employees
WW1 poster, A Call to Action! from Woodrow Wilson to all industrial employees working on government contracts, issued by the Navy Department. Date: circa 1917

The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho)
CHT322527 The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris

The Desperate Man (Self Portrait), 1843-45 (oil on canvas)
957039 The Desperate Man (Self Portrait), 1843-45 (oil on canvas) by Courbet, Gustave (1819-77); 45x54 cm; Private Collection; (add.info.: Le desespere); Luisa Ricciarini; French, out of copyright

A softened lustre in her eye, all crimson like the rose
486293 A softened lustre in her eye, all crimson like the rose, scarce tinged her cheek, 1866 (pencil, w/c & bodycolour on paper) by Hassam

Fair Rosamund, 1916 (oil on canvas)
876438 Fair Rosamund, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x72.5 cm; Private Collection; (add.info)

The Death of Abel, from The Story of Adam and Eve (oil on copper) (see also 742110-14)
742115 The Death of Abel, from The Story of Adam and Eve (oil on copper) (see also 742110-14) by Brueghel, Jan the Younger (1601-78)

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"Captivating Moments: From Olympic Triumphs to Enigmatic Sea Serpents, Emotions Run High" Moscow Olympic Games British athlete Sebastian Coe celebrates as he crosses the finish line, his face beaming with pure joy and triumph. Off the coast of Kilkee, Ireland, a mesmerizing Irish sea serpent gracefully glides through the waves, evoking a sense of wonder and awe in all who witness its majestic presence. Lady Duff Gordon's exquisite designs take center stage at a glamorous dress show held at Lucile's fashion house, leaving spectators captivated by her artistic vision and attention to detail. In John Everett Millais' poignant artwork "The Order of Release, " emotions overflow as characters experience both relief and sorrow during this pivotal moment in history. A conceptual artwork titled "Anger" captures the intensity of raw emotion, provoking thought and reflection on our own inner turmoil. The enigmatic allure of Lady Duff Gordon continues to fascinate as she leaves an indelible mark on the world of fashion with her innovative creations that effortlessly blend elegance and sophistication. Journeying across North America to Georgia, one can't help but feel a deep connection to the land's rich history and diverse culture—a stirring emotional experience that lingers long after departure. Lady Duff Gordon's influence extends beyond fashion; her spirit shines through timeless photographs capturing moments where laughter intertwines with tears—moments that remind us how complex human emotions truly are. In this captivating collection of images—from sporting victories to mythical creatures—the power of emotions is palpable throughout each frame, reminding us that they shape our experiences in ways both profound and unforgettable.