Emotional Collection (page 4)

Paradise Lost, 1867 (oil on canvas)
780743 Paradise Lost, 1867 (oil on canvas) by Cabanel, Alexandre (1823-89); 122.6x93.3 cm; Private Collection; (add.info.: Le Paradis Perdu); Photo eChristies Images; French, out of copyright

The Sorrowing Virgin (marble on alabaster base)
5667383 The Sorrowing Virgin (marble on alabaster base) by Italian School; 47.5x30.5x21 cm; Private Collection; (add.info)

Melencolia I, 1514 (engraving)
5863235 Melencolia I, 1514 (engraving) by DAorer or Duerer, Albrecht (1471-1528); 23.8x18.6 cm; Minneapolis Institute of Arts, MN

Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite
1217805 Study for The Black Brunswicker, 1859 (black and grey watercolour over graphite on pale cream paper) by Millais, John Everett (1829-96); 33.7x22 cm; Ashmolean Museum, University of Oxford

Rage or Anger (charcoal on paper)
1214199 Rage or Anger (charcoal on paper) by Scott, William Bell (1811-90); 32.1x50.6 cm; Laing Art Gallery, Newcastle-upon-Tyne, UK; eTyne & Wear Archives & Museums; Scottish, out of copyright

The Parting of David and Jonathan, illustration from a catechism, c. 1860 (colour litho)
CHT370248 The Parting of David and Jonathan, illustration from a catechism, c.1860 (colour litho) by Ronjat, Etienne Antoine Eugene (b.1822); Private Collection; (add.info)

WW1 poster, A Call to Action! to all employees
WW1 poster, A Call to Action! from Woodrow Wilson to all industrial employees working on government contracts, issued by the Navy Department. Date: circa 1917

The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho)
CHT322527 The Fifth Act at the Gaiety Theatre, mid nineteenth century (colour litho) by Daumier, Honore (1808-79); Bibliotheque Nationale, Paris

The Desperate Man (Self Portrait), 1843-45 (oil on canvas)
957039 The Desperate Man (Self Portrait), 1843-45 (oil on canvas) by Courbet, Gustave (1819-77); 45x54 cm; Private Collection; (add.info.: Le desespere); Luisa Ricciarini; French, out of copyright

A softened lustre in her eye, all crimson like the rose
486293 A softened lustre in her eye, all crimson like the rose, scarce tinged her cheek, 1866 (pencil, w/c & bodycolour on paper) by Hassam

Fair Rosamund, 1916 (oil on canvas)
876438 Fair Rosamund, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 96.5x72.5 cm; Private Collection; (add.info)

The Death of Abel, from The Story of Adam and Eve (oil on copper) (see also 742110-14)
742115 The Death of Abel, from The Story of Adam and Eve (oil on copper) (see also 742110-14) by Brueghel, Jan the Younger (1601-78)

A Wife - Illustration to a Poem, 1859 (pencil on paper)
5889088 A Wife - Illustration to a Poem, 1859 (pencil on paper) by Millais, John Everett (1829-96); 10.2x14 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Christ at Prayer, 1585-87 (oil on canvas)
5614495 Christ at Prayer, 1585-87 (oil on canvas) by Greco, El (Domenico Theotocopuli) (1541-1614); 61x46 cm; Narodni Galerie, Prague, Czech Republic; Greek, out of copyright

Yearnings, 1881 (etching)
5864227 Yearnings, 1881 (etching) by Klinger, Max (1857-1920); 48.6x31.8 cm; Minneapolis Institute of Arts, MN, USA; (add.info.: from the series Ein Handschuh (A Glove) 11 1/8 x 4 1/8 in

An Unhappy Woman, or Domestic Sorrows, 1859 (oil on canvas)
3963681 An Unhappy Woman, or Domestic Sorrows, 1859 (oil on canvas) by Israels, Jozef (Josef) (1824-1911); 91.7x125.7 cm; Newport Museum and Art Gallery

The Flight from Antwerp, 1914 (b / w photo)
JHL390986 The Flight from Antwerp, 1914 (b/w photo) by Grant, Thomas E. & Horace Grant (20th Century); Private Collection; (add.info)

The Parting (pen & ink on paper)
405232 The Parting (pen & ink on paper) by Gaudier-Brzeska, Henri (1891-1915); Private Collection; French, out of copyright

The Sawdust Trail, 1917 (litho)
874626 The Sawdust Trail, 1917 (litho) by Bellows, George Wesley (1882-1925); 68.58 x50.8 cm; San Diego Museum of Art, USA; (add.info.: William Ashley Billy Sunday (1862-1935)

Mr Francois Gounod (colour litho)
612938 Mr Francois Gounod (colour litho) by Chartran, Theobald (1849-1907); Private Collection; (add.info.: Mr Francois Gounod, Emotional music, 1 February 1879, Vanity Fair)

The Sacrifice of Iphigenia, from the House of the Tragic Poet, Pompeii
BEN85142 The Sacrifice of Iphigenia, from the House of the Tragic Poet, Pompeii, 4th decorative style, c.30 AD (fresco) by Roman, (1st century AD); 123x126 cm; Museo Archeologico Nazionale, Naples

Misery, Mexico City, 1928 (b / w photo)
472868 Misery, Mexico City, 1928 (b/w photo) by Modotti, Tina (1896-1942); eGalerie Bilderwelt; Italian, out of copyright

Woman hugs Daily Herald war correspondent, WW2
On 28 August 1944 a half English and half French woman, overcome with emotion, flings her arms around the Daily Herald war correspondent, Emery Pearce, at Marseilles, France. 1944

Illustration, Riddles of Love. 1870

Head of a man in a turban looking upwards (chalk & ink on paper)
742108 Head of a man in a turban looking upwards (chalk & ink on paper) by Coecke van Aelst, Pieter (1502-50); 32.3x24.1 cm; Private Collection; (add.info)

Evocation of Love, 1850-55 (oil on panel)
488106 Evocation of Love, 1850-55 (oil on panel) by Corot, Jean Baptiste Camille (1796-1875); 26.7x46.4 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Bequest of J

Depart, they say, and die a little (colour litho)
2809317 Depart, they say, and die a little (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Leave, they say, and a little die)

Nicholas Nickleby: Nicholas and Smike, 1867 (engraving)
2563247 Nicholas Nickleby: Nicholas and Smike, 1867 (engraving) by Darley, F.O.C. & Hinshelwood, R. (19th century); 13x10 cm; Free Library of Philadelphia; (add.info.: Caption: " Hush)

Melancholy III, 1902 (colour woodcut from two blocks, with gouges, chisel & fretsaw
2972679 Melancholy III, 1902 (colour woodcut from two blocks, with gouges, chisel & fretsaw, on paper) by Munch, Edvard (1863-1944); 37.7x47.1 cm; The Art Institute of Chicago, IL

Pieta, engraved by Pieter de Bailliu, 1639 (engraving)
6319763 Pieta, engraved by Pieter de Bailliu, 1639 (engraving) by Carracci, Annibale (1560-1609) (after); 87.8x40.4 cm; Rijksmuseum, Amsterdam, The Netherlands; Italian, out of copyright

Better than the V. C. pub. 1918 (colour litho)
2652856 Better than the V.C. pub. 1918 (colour litho) by Furniss, Harry (1854-1925); Private Collection; The Stapleton Collection; English, out of copyright

Vintage Graphic of Baby Crying, 1906 (chromolithograph)
2622093 Vintage Graphic of Baby Crying, 1906 (chromolithograph) by American School, (20th century); Private Collection; (add.info)

The Prodigal Daughter, 1903 (oil on canvas)
3959480 The Prodigal Daughter, 1903 (oil on canvas) by Collier, John (1850-1934); 166x217 cm; Lincolnshire County Council, Usher Gallery, Lincoln, UK; eUsher Gallery; English, out of copyright

The Expulsion from Paradise, from The Story of Adam and Eve (oil on copper
742113 The Expulsion from Paradise, from The Story of Adam and Eve (oil on copper) (see also 742110-15) by Brueghel, Jan the Younger (1601-78)

Miss Nellie Ganthony of the Criterion Theatre (photo)
609410 Miss Nellie Ganthony of the Criterion Theatre (photo) by English Photographer, (19th century); Private Collection; (add.info.: Miss Nellie Ganthony of the Criterion Theatre, St Georges Hall)

Marie and Germain from The Devils Pool by George Sand, 1851 (engraving)
CHT420004 Marie and Germain from The Devils Pool by George Sand, 1851 (engraving) by Johannot, Tony (1803-52) (after); Bibliotheque Nationale, Paris, France; (add.info.: Ah)

Telemachus and Eucharis, 1824 (oil on canvas)
488140 Telemachus and Eucharis, 1824 (oil on canvas) by Monvoisin, Raymond Quinsac (1794-1870); 116x99 cm; Minneapolis Institute of Arts, MN

After the Reception, 1887 (oil on canvas)
488111 After the Reception, 1887 (oil on canvas) by Volk, Douglas (1856-1935); 88.3x64.8 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Gift of Mr. and Mrs. E.J

Elegance and Misery, Mexico City, 1928 (b / w photo)
472867 Elegance and Misery, Mexico City, 1928 (b/w photo) by Modotti, Tina (1896-1942); eGalerie Bilderwelt; Italian, out of copyright

Washington taking leave of his Officers, December 4th 1783 (litho)
STC306808 Washington taking leave of his Officers, December 4th 1783 (litho) by Pyle, Howard (1853-1911) (after); Private Collection; (add.info)

Death of the Fairy Queen (oil on canvas)
fairy, fairy queen, mourning, sadness, woodland, pansies, fairytale, wood, flowers, pre raphaelite, romanticist, supernatural, grieving, bower, death, emotion, geraniums, foliage, sad, emotional

Forsaken, c. 1913 (engraving)
1067239 Forsaken, c.1913 (engraving) by Uhl, Joseph (1877-1945); 16.8x27.3 cm; Dallas Museum of Art, Texas, USA; (add.info.: Verlassen); gift of Stephen S. Kahn; German, out of copyright

Mr Charles Francois Gounod (colour litho)
613508 Mr Charles Francois Gounod (colour litho) by Chartran, Theobald (1849-1907); Private Collection; (add.info.: Mr Charles Francois Gounod, Emotional music, 1 February 1879)

Folio from a miniature Book of Hours, use of Rome, Bruges
492865 Folio from a miniature Book of Hours, use of Rome, Bruges, 1530-35 (tempera on vellum) (see also 492863-81) by Bening

Congratulating the Newly-Weds in a Manor House, 1860 (oil on canvas)
BAL167464 Congratulating the Newly-Weds in a Manor House, 1860 (oil on canvas) by Mjasoedov, Grigori Grigorievich (1835-1911); 36x43.5 cm; Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Camp Meeting (colour litho)
NYH188438 Camp Meeting (colour litho) by Rider, Alexander (19th century) (after); Collection of the New-York Historical Society, USA; eNew York Historical Society; American, out of copyright

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"Captivating Moments: From Olympic Triumphs to Enigmatic Sea Serpents, Emotions Run High" Moscow Olympic Games British athlete Sebastian Coe celebrates as he crosses the finish line, his face beaming with pure joy and triumph. Off the coast of Kilkee, Ireland, a mesmerizing Irish sea serpent gracefully glides through the waves, evoking a sense of wonder and awe in all who witness its majestic presence. Lady Duff Gordon's exquisite designs take center stage at a glamorous dress show held at Lucile's fashion house, leaving spectators captivated by her artistic vision and attention to detail. In John Everett Millais' poignant artwork "The Order of Release, " emotions overflow as characters experience both relief and sorrow during this pivotal moment in history. A conceptual artwork titled "Anger" captures the intensity of raw emotion, provoking thought and reflection on our own inner turmoil. The enigmatic allure of Lady Duff Gordon continues to fascinate as she leaves an indelible mark on the world of fashion with her innovative creations that effortlessly blend elegance and sophistication. Journeying across North America to Georgia, one can't help but feel a deep connection to the land's rich history and diverse culture—a stirring emotional experience that lingers long after departure. Lady Duff Gordon's influence extends beyond fashion; her spirit shines through timeless photographs capturing moments where laughter intertwines with tears—moments that remind us how complex human emotions truly are. In this captivating collection of images—from sporting victories to mythical creatures—the power of emotions is palpable throughout each frame, reminding us that they shape our experiences in ways both profound and unforgettable.