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Della Rovere Collection

"Della Rovere: A Legacy of Power, Art, and Influence" The name "Della Rovere" echoes through history as a symbol of strength and significance

Background imageDella Rovere Collection: Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature

Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco
868145 Della Rovere emblem, 1508, Raphael, 1483-1520, ceiling of the room of the signature, Raphael rooms, fresco, Vatican museums, Rome

Background imageDella Rovere Collection: Portrait of Guidobaldo II della Rovere (1514-1574), 1531. Creator: Bronzino, Agnolo (1503-1572)

Portrait of Guidobaldo II della Rovere (1514-1574), 1531. Creator: Bronzino, Agnolo (1503-1572)
Portrait of Guidobaldo II della Rovere (1514-1574), 1531. Found in the Collection of the Galleria Palatina, Florence.

Background imageDella Rovere Collection: Portrait of Vittoria della Rovere (1622-1694), Mid of 17th cen.. Creator: Anonymous

Portrait of Vittoria della Rovere (1622-1694), Mid of 17th cen.. Creator: Anonymous
Portrait of Vittoria della Rovere (1622-1694), Mid of 17th century. Private Collection

Background imageDella Rovere Collection: Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Creator: Sustermans

Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Creator: Sustermans, Justus (Giusto) (1597-1681)
Portrait of Vittoria della Rovere (1622-1694), ca 1635-1640. Found in the collection of the Accademia Carrara, Bergamo

Background imageDella Rovere Collection: The School of Athens, detail of Plato & Aristotle, 1508-1511. Artist: Raphael

The School of Athens, detail of Plato & Aristotle, 1508-1511. Artist: Raphael
The School of Athens, detail of Plato & Aristotle, 1508-1511. The School of Athens was painted by Raphael Sanzio for Pope Julius II (1503-1513)

Background imageDella Rovere Collection: Breastplate from an armour of Francesco Maria II della Rovere

Breastplate from an armour of Francesco Maria II della Rovere (1548-1631), Duke of Urbino, Italian, probably Milan, ca. 1570

Background imageDella Rovere Collection: Arms of the Medici with Della Rovere, 1637. Creator: Stefano della Bella

Arms of the Medici with Della Rovere, 1637. Creator: Stefano della Bella
Arms of the Medici with Della Rovere, 1637

Background imageDella Rovere Collection: Portrait of Bernardino Ricci, 1637. Creator: Stefano della Bella

Portrait of Bernardino Ricci, 1637. Creator: Stefano della Bella
Portrait of Bernardino Ricci, 1637

Background imageDella Rovere Collection: Pope Julius II, c1500s, (1890). Creator: Unknown

Pope Julius II, c1500s, (1890). Creator: Unknown
Pope Julius II, c1500s, (1890). Head of the Roman Catholic Church and ruler of the Papal States from 1503 to 1513, Julius II was a central figure of the High Renaissance

Background imageDella Rovere Collection: Julius II, (1933). Creator: Unknown

Julius II, (1933). Creator: Unknown
Julius II, (1933). Portrait of Julius II (1443-1513), pope from 1503 to 1513. He was a patron of many Renaissance artists, including Bramante, Raphael, and Michelangelo

Background imageDella Rovere Collection: Pope Julius II, c1512, (c1912). Artist: Raphael

Pope Julius II, c1512, (c1912). Artist: Raphael
Pope Julius II, c1512, (c1912). Painting in the Uffizi Gallery, Florence, Italy. Julius II (1443-1513), was born Giuliano della Rovere and was pope from 1503 to 1513

Background imageDella Rovere Collection: Vittoria della Rovere as Saint Margaret

Vittoria della Rovere as Saint Margaret. Found in the Collection of Museo di Casa Martelli, Firenze

Background imageDella Rovere Collection: Portrait of Vittoria della Rovere (1622-1694) as Saint Catherine, 1640s

Portrait of Vittoria della Rovere (1622-1694) as Saint Catherine, 1640s. Artist: Dolci, Carlo (1616-1686)
Portrait of Vittoria della Rovere (1622-1694) as Saint Catherine, 1640s. Found in the collection of Ambras Castle, Innsbruck

Background imageDella Rovere Collection: Papst Julus II. 1443-1513, 1934

Papst Julus II. 1443-1513, 1934. Pope Julius II. Julius II (1443-1513), was born Giuliano della Rovere and was pope from 1503 to 1513

Background imageDella Rovere Collection: The Sistine Madonna, 1512, (1911). Artist: Raphael

The Sistine Madonna, 1512, (1911). Artist: Raphael
The Sistine Madonna, 1512, (1911). The Sistine Madonna was commissioned by Pope Julius II in honour of his late uncle, Pope Sixtus IV (1414-1484)

Background imageDella Rovere Collection: Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael

Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). Artist: Raphael
Cardenal Scarramuccia Trivulzio, (Portrait of a cardinal), c1510, (c1934). The picture represents a cardinal, probably a member of the papal court of Julius II

Background imageDella Rovere Collection: Moses, sculpture by Michelangelo in the Church of San Pietro in Vincoli, Rome, Italy, c1926 (1927)

Moses, sculpture by Michelangelo in the Church of San Pietro in Vincoli, Rome, Italy, c1926 (1927). The sculpture was commissioned in 1505 by Pope Julius II (1443-1513) for his tomb

Background imageDella Rovere Collection: Pope Jules II, 1898. Artist: Henri Thiriat

Pope Jules II, 1898. Artist: Henri Thiriat
Pope Jules II, 1898. A print from Les Francais Illustres, by Gustave Demoulin, Hachette, Paris, 1898

Background imageDella Rovere Collection: Michelangelos statue of Moses, Church of San Pietro in Vincoli, Rome, Italy

Michelangelos statue of Moses, Church of San Pietro in Vincoli, Rome, Italy. Artist: Underwood & Underwood
Michelangelos statue of Moses, Church of San Pietro in Vincoli, Rome, Italy. This statue was intended to be the central feature of the tomb of Pope Julius II

Background imageDella Rovere Collection: Episodes of the Life of Famous Painters: Raphael, (c1900)

Episodes of the Life of Famous Painters: Raphael, (c1900). Raphael Sanzio (1483-1520) joins Pope Giulio II in admiring the statue of Apollo di Belvedere, recently discovered

Background imageDella Rovere Collection: Renaissance Art in Italy: Michelangelo, (c1900)

Renaissance Art in Italy: Michelangelo, (c1900). Michelangelo (1475-1564) shows Pope Julius II his colossal sculpture of Moses. French advertisement for Liebigs extract of meat

Background imageDella Rovere Collection: Pope Julius II

Pope Julius II. Julius II (1443-1513) was born Giuliano della Rovere and was pope from 1503 to 1513. He was a patron of many Renaissance artists, including Bramante, Raphael, and Michelangelo

Background imageDella Rovere Collection: Pope Sixtus IV, 1471-1484, (1843). Artist: Henry Shaw

Pope Sixtus IV, 1471-1484, (1843). Artist: Henry Shaw
Pope Sixtus IV, 1471-1484, (1843). Portrait of the pope after the painting by Piero della Francesca. Illustration from Dresses

Background imageDella Rovere Collection: Disputa. Detail: Architect Bramante and Francesco Maria Della Rovere (right), 1509

Disputa. Detail: Architect Bramante and Francesco Maria Della Rovere (right), 1509. Artist: Raphael (1483-1520)
Disputa. Detail: Architect Bramante and Francesco Maria Della Rovere (right), 1509. Found in the collection of the Apostolic Palace, Vatican

Background imageDella Rovere Collection: Letter from Michelangelo Buonarroti to his father, June 1508. Artist: Michelangelo Buonarroti

Letter from Michelangelo Buonarroti to his father, June 1508. Artist: Michelangelo Buonarroti
Letter from Michelangelo Buonarroti to his father, June 1508. Letter written from Rome, in Italian, from Michelangelo to his father, Lodovico di Leonardo di Buonarotti di Simoni, at Florence

Background imageDella Rovere Collection: The Disputation on the Holy Sacrament, (detail), 1508-1509. Artist: Raphael

The Disputation on the Holy Sacrament, (detail), 1508-1509. Artist: Raphael
The Disputation on the Holy Sacrament, (detail), 1508-1509. The fresco can be seen as a portrayal of the Church Militant below, and the Church Triumphant above

Background imageDella Rovere Collection: The Mass at Bolsena detail, 1512. Artist: Raphael

The Mass at Bolsena detail, 1512. Artist: Raphael
The Mass at Bolsena detail, 1512. Vatican Museums and Galleries, Vatican City, Italy

Background imageDella Rovere Collection: The Disputation on the Holy Sacrament, 1508-1509. Artist: Raphael

The Disputation on the Holy Sacrament, 1508-1509. Artist: Raphael
The Disputation on the Holy Sacrament, 1508-1509. The fresco can be seen as a portrayal of the Church Militant below, and the Church Triumphant above

Background imageDella Rovere Collection: The Mass at Bolsena, 1512. Artist: Raphael

The Mass at Bolsena, 1512. Artist: Raphael
The Mass at Bolsena, 1512. Vatican Museums and Galleries, Vatican City, Italy

Background imageDella Rovere Collection: Pope Leo I, Repulsing Attila, (detail), 1511-14. Artist: Raphael

Pope Leo I, Repulsing Attila, (detail), 1511-14. Artist: Raphael
Pope Leo I, Repulsing Attila, (detail), 1511-14. Vatican Museums and Galleries, Vatican City, Italy

Background imageDella Rovere Collection: The Liberation of St Peter detail, 1514. Artist: Raphael

The Liberation of St Peter detail, 1514. Artist: Raphael
The Liberation of St Peter detail, 1514. An angel leads the stunned and still-sleepy St Peter past a sleeping guard

Background imageDella Rovere Collection: The Expulsion of Heliodorus from the Temple, 1512-1514. Artist: Raphael

The Expulsion of Heliodorus from the Temple, 1512-1514. Artist: Raphael
The Expulsion of Heliodorus from the Temple, 1512-1514. Heliodorus and his followers, profaning the Temple of Jerusalem, are driven out by an armed rider and two running figures


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"Della Rovere: A Legacy of Power, Art, and Influence" The name "Della Rovere" echoes through history as a symbol of strength and significance. From the papacy to artistic masterpieces, this noble family has left an indelible mark on the world. One notable figure associated with the Della Rovere name is Pope Leo I. Known for his leadership during challenging times, he played a crucial role in repulsing Attila's invasion. Raphael immortalized this momentous event in his artwork titled "Repulsing Attila, " capturing every detail with precision and skill. Speaking of Raphael, it is impossible to discuss the Della Rovere without mentioning their close connection to this renowned artist. In 1508, Raphael created the emblem of the Della Rovere family that adorned the ceiling of the Room of the Signature in Vatican museums. This fresco stands as a testament to their patronage and support for artistry. The armor worn by Francesco Maria II della Rovere tells another tale altogether – one of bravery and valor on battlefields. The breastplate from his armor showcases intricate craftsmanship while reflecting his status as a prominent military leader. Intermingling with other influential families, such as Medici, Stefano della Bella captured their alliance through arms bearing both names. This depiction serves as a reminder that alliances were forged not only through politics but also through marriages and shared ambitions. Portraits have always been powerful tools for preserving legacies, and Bernardino Ricci's portrait by Stefano della Bella exemplifies this notion perfectly. Through brushstrokes infused with depth and character, Ricci's image lives on even centuries later. Pope Julius II was yet another significant figure linked closely to both Raphael's artistry and the Della Rovere lineage. His portrayal in various artworks throughout history showcases different interpretations but consistently emphasizes his influence during turbulent times.