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The Sistine Madonna, 1512, (1911). Artist: Raphael
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The Sistine Madonna, 1512, (1911). Artist: Raphael
The Sistine Madonna, 1512, (1911). The Sistine Madonna was commissioned by Pope Julius II in honour of his late uncle, Pope Sixtus IV (1414-1484), as an altarpiece for the basilica church of the Benedictine Monastery of San Sisto in Piacenza, Italy. Painting held at the Gemaldegalerie Alte Meister, Dresden. From Bibbys Annual 1911, [J. Bibby & Sons, Liverpool, 1911]
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Media ID 14992330
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Altarpiece Annual Bibby Bibbys Annual Commission Della Rovere Francesco Giuliano Giuliano Della Giuliano Della Rovere J Bibby Sons Joseph Bibby Julius Ii Pope Pope Jules Ii Pope Julius Ii Rafaello Sanzio Raffaello Santi Raffaello Sanzio Raffaello Sanzio Da Urbino Raphael Raphael Sanzio Rovere Sanzio Sistine Chapel Vatican Pope Sixtus Iv Sixtus Iv
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EDITORS COMMENTS
This print showcases the iconic masterpiece, "The Sistine Madonna" painted by Raphael in 1512. Commissioned by Pope Julius II to honor his late uncle, Pope Sixtus IV, this altarpiece was originally displayed at the Benedictine Monastery of San Sisto in Piacenza, Italy. Capturing the essence of Renaissance artistry and religious devotion, this photograph allows us to admire the intricate details of Raphael's brushwork. The image reveals a scene filled with profound symbolism and emotion. In the center stands the Virgin Mary holding baby Jesus tenderly in her arms while surrounded by cherubic angels on clouds. The composition is enriched further as two young boys gaze up at the heavenly figures with awe-struck expressions. This juxtaposition between innocence and divinity adds depth to Raphael's portrayal of spiritual enlightenment. Displayed within an interior setting at Dresden's Gemaldegalerie Alte Meister museum, this timeless artwork continues to inspire viewers from all walks of life. Its monochrome palette enhances its ethereal quality while emphasizing every delicate stroke made by Raphael's skilled hand. As we contemplate this remarkable piece through time-honored lens captured in 1911, we are reminded of its enduring significance within Christian iconography and Renaissance art history. It serves as a testament to both Raphael's artistic genius and his ability to evoke profound emotions through his masterful technique. This print offers us a glimpse into a moment frozen in time - an eternal connection between humanity and divinity that transcends centuries.
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