Fraud Blocker Skip to main content

Decorative Technique Collection (page 7)

"Unveiling the Artistry: Exploring the World of Decorative Techniques" Step into a realm where art and craftsmanship intertwine

Background imageDecorative Technique Collection: An Iznik border tile, with a central flowerhead between scrolling palmette and leafy vine

An Iznik border tile, with a central flowerhead between scrolling palmette and leafy vine
1196731 An Iznik border tile, with a central flowerhead between scrolling palmette and leafy vine, c.1570 (ceramic) by Turkish School

Background imageDecorative Technique Collection: Rosa centifolia foliacea (hundred leaved / petaled rose), 1824-1826

Rosa centifolia foliacea (hundred leaved / petaled rose), 1824-1826
991248 Rosa centifolia foliacea (hundred leaved/petaled rose), 1824-1826 (stipple-engraving printed in colours and finished by hand) by RedoutA©

Background imageDecorative Technique Collection: A leaded glass trellised window depicting clematis vines

A leaded glass trellised window depicting clematis vines
991177 A leaded glass trellised window depicting clematis vines, early 20th century (leaded glass) by Tiffany Studios (1902-32); 287x151.8x10 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: A Japanese Yaconin, c. 1864-1866 (albumen print, mounted, pencil)

A Japanese Yaconin, c. 1864-1866 (albumen print, mounted, pencil)
990462 A Japanese Yaconin, c.1864-1866 (albumen print, mounted, pencil) by Beato, Felice (Felix) (1825-c.1908); 22.23x28.57 (approx) cm; Private Collection; (add.info.: A Japanese Yaconin)

Background imageDecorative Technique Collection: Canton Mandarins, circa 1860s, c. 1860s (albumen print)

Canton Mandarins, circa 1860s, c. 1860s (albumen print)
990456 Canton Mandarins, circa 1860s, c.1860s (albumen print) by Miller, Milton M. (fl.1850-1900); Private Collection; (add.info.: Canton Mandarins, circa 1860s)

Background imageDecorative Technique Collection: A bronze figure of H. R. H. The Prince of Wales, later Edward VIII, dressed for tennis, c

A bronze figure of H. R. H. The Prince of Wales, later Edward VIII, dressed for tennis, c
991009 A bronze figure of H.R.H. The Prince of Wales, later Edward VIII, dressed for tennis, c.1920s-1930s (bronze, light brown patina) by Jagger

Background imageDecorative Technique Collection: Inset panel of a Weiner Werkstatte white painted single bed depicting a naked androgynous

Inset panel of a Weiner Werkstatte white painted single bed depicting a naked androgynous
990940 Inset panel of a Weiner Werkstatte white painted single bed depicting a naked androgynous figure (detail), c.1904 (silver, lapis lazuli, moonstones, malachite, coral, wood) by Moser

Background imageDecorative Technique Collection: Profile portrait of a gentleman, identified as Charles Dickens, c

Profile portrait of a gentleman, identified as Charles Dickens, c
990447 Profile portrait of a gentleman, identified as Charles Dickens, c.1853-1855 (daguerreotype, mounted as oval vithin gilt mount) by Mayall

Background imageDecorative Technique Collection: Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border)

Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border)
990438 Aubrey Beardsley, 1894, 1894 (photogravure, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 12.38x9.52 cm; Private Collection; (add.info.: Aubrey Beardsley)

Background imageDecorative Technique Collection: Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)

Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border)
990437 Aubrey Beardsley, 1894, 1894 (platinum print, mounted on buff paper, gilt paper border) by Evans, Frederick Henry (1853-1943); 13.65x9.84 cm; Private Collection; (add.info.: Aubrey Beardsley)

Background imageDecorative Technique Collection: Portrait of King Louis XV, bust-length, in a Painted Oval, a Trompe l Oeil Medallion

Portrait of King Louis XV, bust-length, in a Painted Oval, a Trompe l Oeil Medallion
990312 Portrait of King Louis XV, bust-length, in a Painted Oval, a Trompe l Oeil Medallion, (oil on canvas) by Roland de la Porte

Background imageDecorative Technique Collection: Amaryllis Brasiliensis (Brazilian Amaryllis), 1802-1816

Amaryllis Brasiliensis (Brazilian Amaryllis), 1802-1816
986435 Amaryllis Brasiliensis (Brazilian Amaryllis), 1802-1816 (stipple engraving printed in colours and finished by hand) by Redoute

Background imageDecorative Technique Collection: Red Bird of Paradise (No. 6), 1801-1806 (engraved plate printed in colours

Red Bird of Paradise (No. 6), 1801-1806 (engraved plate printed in colours
986402 Red Bird of Paradise (No. 6), 1801-1806 (engraved plate printed in colours and finished by hand) by Barraband, Jacques (1767-1809) (after); 50.5x32.5 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen

Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen
986381 Death with his Spear Pointing at Three Figures, a Pope, a King, a King and a Queen, Standing in Front of a Gothic Church, c.1470 (hand-painted vellum leaf) by Unknown Artist

Background imageDecorative Technique Collection: Ivy-leaved cyclamen - Cyclamen neapolitanum, 1811-1838 (stipple-engraving

Ivy-leaved cyclamen - Cyclamen neapolitanum, 1811-1838 (stipple-engraving
986305 Ivy-leaved cyclamen - Cyclamen neapolitanum, 1811-1838 (stipple-engraving, printed in colour and finished by hand) by Italian School

Background imageDecorative Technique Collection: California Gold Mining Town, c. 1852 (half-plate daguerreotype, embossed leather case)

California Gold Mining Town, c. 1852 (half-plate daguerreotype, embossed leather case)
991557 California Gold Mining Town, c.1852 (half-plate daguerreotype, embossed leather case) by American School, (19th century); 8.89x12.06 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Portrait of Princess Margaret von Sachsen (1518-1535), small three-quarter length

Portrait of Princess Margaret von Sachsen (1518-1535), small three-quarter length
991425 Portrait of Princess Margaret von Sachsen (1518-1535), small three-quarter length, wearing Court Dress, (oil on panel) by Cranach, Lucas

Background imageDecorative Technique Collection: Shepherd with Sheep, 1888 (detrempe on linen laid down on canvas)

Shepherd with Sheep, 1888 (detrempe on linen laid down on canvas)
988886 Shepherd with Sheep, 1888 (detrempe on linen laid down on canvas) by Pissarro, Camille (1830-1903); 22.2x27 cm; Private Collection; (add.info.: Shepherd with Sheep; Berger avec Moutons)

Background imageDecorative Technique Collection: The Eternal Spring, first state, before 1892 (bronze with brown patina)

The Eternal Spring, first state, before 1892 (bronze with brown patina)
987396 The Eternal Spring, first state, before 1892 (bronze with brown patina) by Rodin, Auguste (1840-1917); 63.5 cm; Private Collection; (add.info.: The Eternal Spring)

Background imageDecorative Technique Collection: Ovids Metamorphoses, c. 1892-1899 (bronze with green patina)

Ovids Metamorphoses, c. 1892-1899 (bronze with green patina)
987395 Ovids Metamorphoses, c.1892-1899 (bronze with green patina) by Rodin, Auguste (1840-1917); 33 cm; Private Collection; (add.info.: Ovids Metamorphoses; Les Metamorphoses d Ovide)

Background imageDecorative Technique Collection: Portrait of Miss Sunning, head and shoulders, (oil on canvas)

Portrait of Miss Sunning, head and shoulders, (oil on canvas)
824213 Portrait of Miss Sunning, head and shoulders, (oil on canvas) by Hone, Nathaniel (1718-84); 63.5x50.2. cm; Private Collection; (add.info.: Portrait of Miss Sunning, head and shoulders)

Background imageDecorative Technique Collection: Amour, 1913 (alabaster and gilding)

Amour, 1913 (alabaster and gilding)
826800 Amour, 1913 (alabaster and gilding) by Gaudier-Brzeska, Henri (1891-1915); 47 high cm; Private Collection; (add.info.: Amour. Henri Gaudier-Brzeska (1891-1915). Alabaster and Gilding

Background imageDecorative Technique Collection: Face of Adolescent; Visage d Adolescente, c. 1928-1929 (cuivre repousse)

Face of Adolescent; Visage d Adolescente, c. 1928-1929 (cuivre repousse)
826083 Face of Adolescent; Visage d Adolescente, c.1928-1929 (cuivre repousse) by Gonzalez, Julio (1876-1942); 21 high cm; Private Collection; (add.info.: Face of Adolescent; Visage d Adolescente)

Background imageDecorative Technique Collection: The Sleeping Beauty, 1921 (oil on canvas)

The Sleeping Beauty, 1921 (oil on canvas)
1772120 The Sleeping Beauty, 1921 (oil on canvas) by Collier, John (1850-1934); 111.7x142.2 cm; Private Collection; (add.info.: The Sleeping Beauty. John Collier (1850-1934). Oil on canvas

Background imageDecorative Technique Collection: Upper and lower covers with 39 miniature portraits, 1824

Upper and lower covers with 39 miniature portraits, 1824
1195371 Upper and lower covers with 39 miniature portraits, 1824 (royal blue crushed levant morocco, gilt fillet, sprays of leafy) by English School

Background imageDecorative Technique Collection: Upper cover, with an illustration of the Piper followed by children

Upper cover, with an illustration of the Piper followed by children
1195362 Upper cover, with an illustration of the Piper followed by children, 1893 (dark brown morocco with single gilt fillet border and onlaid dec) by Thomson

Background imageDecorative Technique Collection: A pair of leaded glass windows, (glass, wood, jewels)

A pair of leaded glass windows, (glass, wood, jewels)
1195243 A pair of leaded glass windows, (glass, wood, jewels) by La Farge or Lafarge, John (1835-1910); 92.8x42.5x4.5 cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageDecorative Technique Collection: St. John sees the resurrection of the two witness, as people flee the city walls, c

St. John sees the resurrection of the two witness, as people flee the city walls, c
1767807 St. John sees the resurrection of the two witness, as people flee the city walls, c.1820 (Pen, ink, watercolour and gilt on paper) by Russian School (19th century)

Background imageDecorative Technique Collection: Pushing Men, a pair of bookends (bronze with brown patina)

Pushing Men, a pair of bookends (bronze with brown patina)
1767779 Pushing Men, a pair of bookends (bronze with brown patina) by Konti, Isidore (1862-1938); 15.9 (height) cm; Private Collection; Photo eChristies Images; Hungarian, out of copyright

Background imageDecorative Technique Collection: Steelworker, 1926 (bronze with brownish-green patina)

Steelworker, 1926 (bronze with brownish-green patina)
1767758 Steelworker, 1926 (bronze with brownish-green patina) by Kalish, Max (1891-1945); 45.7 (height) cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageDecorative Technique Collection: A Moments Rest, 1932 (bronze with dark brown patina)

A Moments Rest, 1932 (bronze with dark brown patina)
1767757 A Moments Rest, 1932 (bronze with dark brown patina) by Kalish, Max (1891-1945); 48.3 (height) cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageDecorative Technique Collection: Foundryman (bronze with dark brown patina)

Foundryman (bronze with dark brown patina)
1767754 Foundryman (bronze with dark brown patina) by Kalish, Max (1891-1945); 48.3 (height) cm; Private Collection; Photo eChristies Images; American, out of copyright

Background imageDecorative Technique Collection: The Cheyenne (bronze with brown patina)

The Cheyenne (bronze with brown patina)
1767496 The Cheyenne (bronze with brown patina) by Remington, Frederic (1861-1909); 57.2 (height) cm; Private Collection; (add.info.: The Cheyenne. Frederic Remington (1861-1909)

Background imageDecorative Technique Collection: The Broncho Buster, 1895 (bronze with brown patina)

The Broncho Buster, 1895 (bronze with brown patina)
1767495 The Broncho Buster, 1895 (bronze with brown patina) by Remington, Frederic (1861-1909); 61 (height) cm; Private Collection; (add.info.: The Broncho Buster. Frederic Remington (1861-1909)

Background imageDecorative Technique Collection: A semi formal robe of red satin embroidered in silks and gilt thread with dragons amidst

A semi formal robe of red satin embroidered in silks and gilt thread with dragons amidst
1767226 A semi formal robe of red satin embroidered in silks and gilt thread with dragons amidst scrolling clouds above a turbulent sea wave border (satin)

Background imageDecorative Technique Collection: A length of red satin woven with undulating stems with gilt flower heads

A length of red satin woven with undulating stems with gilt flower heads
1767216 A length of red satin woven with undulating stems with gilt flower heads by Ottoman School, (17th century); 67x132 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Shou Xing, the god of longevtity (satin)

Shou Xing, the god of longevtity (satin)
1767205 Shou Xing, the god of longevtity (satin) by Chinese School (19th century); 236x90 cm; Private Collection; (add.info.: Shou Xing, the god of longevtity)

Background imageDecorative Technique Collection: A kang cover of yellow facecloth, with five dragons in gilt thread among clouds

A kang cover of yellow facecloth, with five dragons in gilt thread among clouds
1767204 A kang cover of yellow facecloth, with five dragons in gilt thread among clouds and bats carrying peaches and wan, within a border of clouds and bats

Background imageDecorative Technique Collection: A three-fold screen with three embroidered panels within a glazed mahogany frame

A three-fold screen with three embroidered panels within a glazed mahogany frame
1767196 A three-fold screen with three embroidered panels within a glazed mahogany frame by Morris & Company; Private Collection; (add.info)

Background imageDecorative Technique Collection: An embroidered dress of red muslin (muslin)

An embroidered dress of red muslin (muslin)
1767191 An embroidered dress of red muslin (muslin) by Arabic School, (19th Century); Private Collection; (add.info.: An embroidered dress of red muslin)

Background imageDecorative Technique Collection: An embroidered prayer hanging of ice blue silk (silk)

An embroidered prayer hanging of ice blue silk (silk)
1767189 An embroidered prayer hanging of ice blue silk (silk) by Turkish School, (18th century); 114x170 cm; Private Collection; (add.info.: An embroidered prayer hanging of ice blue silk)

Background imageDecorative Technique Collection: Three chintz prayer arches mounted as a single hanging

Three chintz prayer arches mounted as a single hanging
1767183 Three chintz prayer arches mounted as a single hanging by Indian School, (19th century); 126x270 cm; Private Collection; (add.info.: Three chintz prayer arches mounted as a single hanging)

Background imageDecorative Technique Collection: A Teotihuacan stone mask, carved with the youthful face of a dignitary, c. 450-650 (stone)

A Teotihuacan stone mask, carved with the youthful face of a dignitary, c. 450-650 (stone)
1767133 A Teotihuacan stone mask, carved with the youthful face of a dignitary, c.450-650 (stone) by Mayan; 14.5 high cm; Private Collection; (add.info.: A Teotihuacan stone mask)

Background imageDecorative Technique Collection: Krajinska Vystava V Ivancicich, 1912 (lithograph in colours)

Krajinska Vystava V Ivancicich, 1912 (lithograph in colours)
1766956 Krajinska Vystava V Ivancicich, 1912 (lithograph in colours) by Mucha, Alphonse Marie (1860-1939); 94x60 cm; Private Collection; (add.info.: Krajinska Vystava V Ivancicich)

Background imageDecorative Technique Collection: A Bottger Kakiemon flared beaker painted with chrysanthemum and grasses, c

A Bottger Kakiemon flared beaker painted with chrysanthemum and grasses, c
1766900 A Bottger Kakiemon flared beaker painted with chrysanthemum and grasses, c.1725 (porcelain) by German School, (18th century); 10.5 high cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Papeterie, c. 1820-35 (porcelain)

Papeterie, c. 1820-35 (porcelain)
1766894 Papeterie, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Papeterie. A Sevres plate from the Service des Art Industriel depicting figures trimming)

Background imageDecorative Technique Collection: Porcelaine de Sevres, c. 1820-35 (porcelain)

Porcelaine de Sevres, c. 1820-35 (porcelain)
1766886 Porcelaine de Sevres, c.1820-35 (porcelain) by Develly, Jean-Charles (1783-1849); Private Collection; (add.info.: Porcelaine de Sevres)

Background imageDecorative Technique Collection: Horse without a Saddle; Cheval sans Selle, c. 1915 (bronze)

Horse without a Saddle; Cheval sans Selle, c. 1915 (bronze)
1766620 Horse without a Saddle; Cheval sans Selle, c.1915 (bronze) by Bourdelle, Emile-Antoine (1861-1929); Private Collection; (add.info.: Horse without a Saddle; Cheval sans Selle)



All Professionally Made to Order for Quick Shipping

"Unveiling the Artistry: Exploring the World of Decorative Techniques" Step into a realm where art and craftsmanship intertwine, as we delve into the captivating world of decorative techniques. From sepia-toned photographs to vibrant oil paintings, each piece tells a unique story through its intricate details and skilled execution. A signed photograph of Sigmund Freud, captured in 1921, transports us back in time with its nostalgic sepia tones. The subtle hues evoke a sense of history and wisdom, inviting us to ponder the depths of human psychology. The Iris Germanica, an exquisite stipple-engraving printed in colors from 1805-1816, showcases nature's beauty with delicate precision. Each stroke meticulously captures the essence of these German Irises, bringing them to life on paper. Witnessing Her Majesty Queen Victoria's First Entry into Brighton in October is like stepping into a grand historical event. This tinted lithograph from 1842-1849 immerses us in regal splendor as we admire the majestic Grand Portico of the Temple of Philae in Nubia. Intriguingly sensual yet tastefully composed is "A Semi-Nude Woman Amongst Trees, " an albumen print dating back to the mid-19th century. The interplay between light and shadow adds depth to this enigmatic scene that invites contemplation about femininity and nature's allure. Within ruled borders lies "Three Nude Women on a Chaise Lounge, " another mesmerizing albumen print from around 1850. This composition exudes elegance while celebrating female beauty—a testament to both artistic skill and societal norms at that time. Marvel at Florentine pietra dura panels depicting birds—an epitome of meticulous craftsmanship—where semi-precious stones are intricately arranged like puzzle pieces. These masterpieces exemplify how art can be found not only on canvas but also within the realm of decorative objects. A standing female nude, captured in a c.