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Decorative Technique Collection (page 4)

"Unveiling the Artistry: Exploring the World of Decorative Techniques" Step into a realm where art and craftsmanship intertwine

Background imageDecorative Technique Collection: A Zand book cover painted with a central seated figure within an interior

A Zand book cover painted with a central seated figure within an interior
1196844 A Zand book cover painted with a central seated figure within an interior, surrounded by floral sprays, mid 18th century (w/c & lacquer on cardboard) by Persian School

Background imageDecorative Technique Collection: A Comb Duck, c. 1800 (w / c on european paper)

A Comb Duck, c. 1800 (w / c on european paper)
1196757 A Comb Duck, c.1800 (w/c on european paper) by Indian School, (18th century); 54x46 cm; Private Collection; Photo eChristies Images; Indian, out of copyright

Background imageDecorative Technique Collection: A tile for an Armenian Catholicos, c. 1850-1900 (painted ceramic)

A tile for an Armenian Catholicos, c. 1850-1900 (painted ceramic)
1196742 A tile for an Armenian Catholicos, c.1850-1900 (painted ceramic) by Persian School, (19th century); 48.3x50 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageDecorative Technique Collection: Portrait of a Young Qajar Prince, c. 1850 (w / c, carved wood frame)

Portrait of a Young Qajar Prince, c. 1850 (w / c, carved wood frame)
1196734 Portrait of a Young Qajar Prince, c.1850 (w/c, carved wood frame) by Persian School, (19th century); 28.6x15.2 cm; Private Collection; Photo eChristies Images; Persian, out of copyright

Background imageDecorative Technique Collection: The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family

The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family
989314 The Reverend John Witherington, Vicar of Tetsworth, Oxon, with his Family, 1854 (oil on canvas) by Bridges, John (fl.1818-54); 90.9x137.2 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Preperation for the Dance, the right foot forward, (bronze with brown patina)

Preperation for the Dance, the right foot forward, (bronze with brown patina)
988586 Preperation for the Dance, the right foot forward, (bronze with brown patina) by Degas, Edgar (1834-1917); 56 cm; Private Collection; (add.info.: Preperation for the Dance)

Background imageDecorative Technique Collection: We are All Hanging On III, (bronze with brown patina)

We are All Hanging On III, (bronze with brown patina)
988179 We are All Hanging On III, (bronze with brown patina) by Varela, Abigail (b.1948); 146.1x58.4x29.2 cm; Private Collection; (add.info.: We are All Hanging On III; Todos Estamos Colgados III)

Background imageDecorative Technique Collection: Silver Rock Melon, 1812 (aquatint and stipple-engraving

Silver Rock Melon, 1812 (aquatint and stipple-engraving
986390 Silver Rock Melon, 1812 (aquatint and stipple-engraving, printed in colour and finished b) by Brookshaw, George (1751-1823); 57.4x45.9 cm; Private Collection; (add.info.: Silver Rock Melon)

Background imageDecorative Technique Collection: Daisies in a Lustre Jug, St. Ives, 1928 (oil on canvas)

Daisies in a Lustre Jug, St. Ives, 1928 (oil on canvas)
826939 Daisies in a Lustre Jug, St. Ives, 1928 (oil on canvas) by Wood, Christopher (1901-30); 30.5x30.5 cm; Private Collection; (add.info.: Daisies in a Lustre Jug, St. Ives)

Background imageDecorative Technique Collection: Portrait of Queen Mariana of Austria, small half-length, (oil on canvas)

Portrait of Queen Mariana of Austria, small half-length, (oil on canvas)
991431 Portrait of Queen Mariana of Austria, small half-length, (oil on canvas) by Velazquez, Diego Rodriguez de Silva (1599-1660) (studio of); 66x52 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph)

Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph)
986316 Georgios Karaiskakis (Greek hero), 1828-1831 (tinted lithograph) by German School, (19th century); 57x43 cm; Private Collection; (add.info.: Georgios Karaiskakis (Greek hero)

Background imageDecorative Technique Collection: Female Peony, c. 1700 (watercolour drawing, framed in black)

Female Peony, c. 1700 (watercolour drawing, framed in black)
986025 Female Peony, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Female Peony; Pivoine femelle)

Background imageDecorative Technique Collection: Double Poppy, c. 1700 (watercolour drawing, framed in black)

Double Poppy, c. 1700 (watercolour drawing, framed in black)
986018 Double Poppy, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Double Poppy; Pavot Double)

Background imageDecorative Technique Collection: Bouquet of Anemones, c. 1700 (watercolour drawing, framed in black)

Bouquet of Anemones, c. 1700 (watercolour drawing, framed in black)
986017 Bouquet of Anemones, c.1700 (watercolour drawing, framed in black) by French School, (18th century); 24.5x18 cm; Private Collection; (add.info.: Bouquet of Anemones; Bouquet d Anemones)

Background imageDecorative Technique Collection: Upper book cover of two shooting-stars, a torch, foliage, faun on pedestal

Upper book cover of two shooting-stars, a torch, foliage, faun on pedestal
985919 Upper book cover of two shooting-stars, a torch, foliage, faun on pedestal, putto and a leg behind a fan, 1893 (contemporary anacreontic binding of dark-blue crushed levant mor)

Background imageDecorative Technique Collection: Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)

Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)
985895 Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph) by Hart, William (1823-94); 55.2x37.3 cm; Private Collection; (add.info.: Paradisea Augustae Victoriae)

Background imageDecorative Technique Collection: Tulipa praecox, 1811-1829 (stipple-engraving, printed in colours and finished by hand)

Tulipa praecox, 1811-1829 (stipple-engraving, printed in colours and finished by hand)
985887 Tulipa praecox, 1811-1829 (stipple-engraving, printed in colours and finished by hand) by Neapolitan School, (19th century); 46.5x31.5 cm; Private Collection; (add.info.: Tulipa praecox)

Background imageDecorative Technique Collection: Black-tailed Hare, c. 1849-1854 (hand-finished colour lithograph)

Black-tailed Hare, c. 1849-1854 (hand-finished colour lithograph)
985864 Black-tailed Hare, c.1849-1854 (hand-finished colour lithograph) by Audubon, John Woodhouse (1812-62) (after); Private Collection; (add.info.: Black-tailed Hare)

Background imageDecorative Technique Collection: Portrait of King Louis XVI of France, bust-length, 1787 (oil on panel)

Portrait of King Louis XVI of France, bust-length, 1787 (oil on panel)
990121 Portrait of King Louis XVI of France, bust-length, 1787 (oil on panel) by Wertmuller, Adolf Ulrich (1751-1811); 16.2x13.3 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Binding for the book The Raven by Edgar Allan Poe

Binding for the book The Raven by Edgar Allan Poe
985747 Binding for the book The Raven by Edgar Allan Poe (chestnut levant morocco leather, green, red and black morocco leather, gilt, mother of pearl)

Background imageDecorative Technique Collection: Asseola, a Seminole Leader, c. 1837-1844 (hand-finished colour lithograph)

Asseola, a Seminole Leader, c. 1837-1844 (hand-finished colour lithograph)
985731 Asseola, a Seminole Leader, c.1837-1844 (hand-finished colour lithograph) by King, Charles Bird (1785-1862) (after); Private Collection; (add.info.: Asseola, a Seminole Leader)

Background imageDecorative Technique Collection: 985682

985682

Background imageDecorative Technique Collection: A triangular brass table clock with engraved floral decoration (brass)

A triangular brass table clock with engraved floral decoration (brass)
985589 A triangular brass table clock with engraved floral decoration (brass) by Peche, Dagobert (1887-1923) (attr. to); 15.5 (height) cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Book cover of Histoire Charmante de l Adolescente Sucre d Amour

Book cover of Histoire Charmante de l Adolescente Sucre d Amour
985575 Book cover of Histoire Charmante de l Adolescente Sucre d Amour by Joseph Charles Mardrus, 1927 (red moroccan leather, painted plate with chinese lacquer) by Schmied

Background imageDecorative Technique Collection: The Lover, (painted enamelled earthenware, hammered copper frame)

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

Background imageDecorative Technique Collection: Job, 1896 (colour lithograph on poster paper, framed)

Job, 1896 (colour lithograph on poster paper, framed)
985556 Job, 1896 (colour lithograph on poster paper, framed) by Mucha, Alphonse Marie (1860-1939); 52.5x39.5 cm; Private Collection; (add.info.: Job. Alphonse Marie Mucha (1860-1939)

Background imageDecorative Technique Collection: A large Emile Diffloth glazed earthenware charger, depicting a Golden Pheasant

A large Emile Diffloth glazed earthenware charger, depicting a Golden Pheasant
985523 A large Emile Diffloth glazed earthenware charger, depicting a Golden Pheasant, (painted and glazed earthenware) by Carriere

Background imageDecorative Technique Collection: Portrait of Mary Turner Austin, c. 1878 (oil on canvas)

Portrait of Mary Turner Austin, c. 1878 (oil on canvas)
985457 Portrait of Mary Turner Austin, c.1878 (oil on canvas) by Sargent, John Singer (1856-1925); 45.7x38.1 cm; Private Collection; (add.info.: Portrait of Mary Turner Austin)

Background imageDecorative Technique Collection: Carte Universelle (World Map), 1624 (ink and watercolour on vellum)

Carte Universelle (World Map), 1624 (ink and watercolour on vellum)
991249 Carte Universelle (World Map), 1624 (ink and watercolour on vellum) by French School, (17th century); 46.7x90.45 (approx.) cm; Private Collection; (add.info.: Carte Universelle (World Map)

Background imageDecorative Technique Collection: Rosa Damascena Coccina (Portland rose), 1817-1824 (stipple-engraving printed in colours

Rosa Damascena Coccina (Portland rose), 1817-1824 (stipple-engraving printed in colours
991246 Rosa Damascena Coccina (Portland rose), 1817-1824 (stipple-engraving printed in colours and finished by hand) by Redoute

Background imageDecorative Technique Collection: A table lamp with the base cast as a peacock holding the glass shade from its mouth, c

A table lamp with the base cast as a peacock holding the glass shade from its mouth, c
991135 A table lamp with the base cast as a peacock holding the glass shade from its mouth, c.1900 (etched and enameled glass, gilt-bronze) by French School

Background imageDecorative Technique Collection: A circular leaded glass window by Tiffany Studios (leaded glass)

A circular leaded glass window by Tiffany Studios (leaded glass)
991117 A circular leaded glass window by Tiffany Studios (leaded glass) by Tiffany Studios (1902-32); 96.5 (diam) cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)

Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash)
991021 Palermo Cathedral, Study of the Entrance Porch, 1891 (pencil, grey wash) by Mackintosh, Charles Rennie (1868-1928); 25.2x33.7 cm; Private Collection; (add.info.: Palermo Cathedral)

Background imageDecorative Technique Collection: Vues de Bresil, c. 1829-1835 (woodblock print in colours)

Vues de Bresil, c. 1829-1835 (woodblock print in colours)
990891 Vues de Bresil, c.1829-1835 (woodblock print in colours) by Rugendas, Johann Moritz (1802-58) (after); 185x652 cm; Private Collection; (add.info.: Vues de Bresil)

Background imageDecorative Technique Collection: Portrait of the Artist, bust length, wearing a Pink Dress

Portrait of the Artist, bust length, wearing a Pink Dress
990421 Portrait of the Artist, bust length, wearing a Pink Dress and a Gold embroidered blue robe, 1767 (oil on canvas) by Kauffmann

Background imageDecorative Technique Collection: A platter of Strawberries with Flowers on a Pillow and a Tazza of Figs on a Table draped

A platter of Strawberries with Flowers on a Pillow and a Tazza of Figs on a Table draped
990397 A platter of Strawberries with Flowers on a Pillow and a Tazza of Figs on a Table draped with an Embroidered Cloth

Background imageDecorative Technique Collection: Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a

Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a
824243 Portrait of Sir Oliver Cromwell, Aged 84, Half Length, in an Embroidered Doublet with a White Collar and Red Sash, 1647 (oil on canvas) by English School

Background imageDecorative Technique Collection: An Interior with a Louis XV Style Ormulu-mounted and Parquetry Bureau Plat

An Interior with a Louis XV Style Ormulu-mounted and Parquetry Bureau Plat
824058 An Interior with a Louis XV Style Ormulu-mounted and Parquetry Bureau Plat and Bibliotheque43.4cm. (pencil, watercolour and bodycolour) by French School

Background imageDecorative Technique Collection: Diana of the Tower, A Bronze Figure, 1899 (bronze, rich greenish brown patina)

Diana of the Tower, A Bronze Figure, 1899 (bronze, rich greenish brown patina)
822957 Diana of the Tower, A Bronze Figure, 1899 (bronze, rich greenish brown patina) by Saint-Gaudens, Augustus (1848-1907); 100 high cm; Private Collection; (add.info.: Diana of the Tower)

Background imageDecorative Technique Collection: Hope, (watercolour with bodycolour)

Hope, (watercolour with bodycolour)
828485 Hope, (watercolour with bodycolour) by Burne-Jones, Edward Coley (1833-98); 167.5x91.5 cm; Private Collection; (add.info.: Hope. Edward Burne-Jones (1833-1898). Watercolour with bodycolour

Background imageDecorative Technique Collection: A Syrian Wife Unveiled, (coloured chalks on linen)

A Syrian Wife Unveiled, (coloured chalks on linen)
828411 A Syrian Wife Unveiled, (coloured chalks on linen) by Hunt, William Holman (1827-1910); 50.8x35.5 cm; Private Collection; (add.info.: A Syrian Wife Unveiled. William Holman Hunt (1827-1910)

Background imageDecorative Technique Collection: Ariadne, (paster relief painted and gilt)

Ariadne, (paster relief painted and gilt)
828391 Ariadne, (paster relief painted and gilt) by Bell, Robert Anning (1863-1933); 62.2x36.2 cm; Private Collection; (add.info.: Ariadne. Robert Anning Bell (1863-1933)

Background imageDecorative Technique Collection: Tilforladelig Kort over Eglandet St. Croix udi America, Copenhagen, 1754

Tilforladelig Kort over Eglandet St. Croix udi America, Copenhagen, 1754
828371 Tilforladelig Kort over Eglandet St. Croix udi America, Copenhagen, 1754, 1754 (hand coloured engraving) by Unknown artist

Background imageDecorative Technique Collection: Portrait of Sir Francis Drake, (copper-engraving)

Portrait of Sir Francis Drake, (copper-engraving)
828370 Portrait of Sir Francis Drake, (copper-engraving) by Hondius, Jodocus (1567-1611); 38.7x30.5 cm; Private Collection; (add.info.: Portrait of Sir Francis Drake. Jodocus Hondius (1567-1611)

Background imageDecorative Technique Collection: Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red

Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red
827896 Portrait of a Gentleman aged 28, three-quarter length, in a black doublet with red sleeves and a black cape, with a purse and a hankerchief embroidered with the initials K

Background imageDecorative Technique Collection: Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with

Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with
827893 Drapery Study for a kneeling figure, (brush and brownish-grey distemper heightened with white on linen) by Vinci, Leonardo da (1452-1519); 28.8x18.1 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Portrait of Elizabeth of Valois, Queen of Spain, three-quarter length, (oil on canvas)

Portrait of Elizabeth of Valois, Queen of Spain, three-quarter length, (oil on canvas)
827766 Portrait of Elizabeth of Valois, Queen of Spain, three-quarter length, (oil on canvas) by Mor, Anthonis van Dashorst (Antonio Moro) (c.1519-1576/77); 116x96 cm; Private Collection; (add.info)

Background imageDecorative Technique Collection: Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)

Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas)
827287 Prayer at the Sultans Tomb; Le Tombeau des Kalifes a Brousse, 1878 (oil on canvas) by Gerome, Jean Leon (1824-1904); 59.6x84.5 cm; Private Collection; (add.info)



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"Unveiling the Artistry: Exploring the World of Decorative Techniques" Step into a realm where art and craftsmanship intertwine, as we delve into the captivating world of decorative techniques. From sepia-toned photographs to vibrant oil paintings, each piece tells a unique story through its intricate details and skilled execution. A signed photograph of Sigmund Freud, captured in 1921, transports us back in time with its nostalgic sepia tones. The subtle hues evoke a sense of history and wisdom, inviting us to ponder the depths of human psychology. The Iris Germanica, an exquisite stipple-engraving printed in colors from 1805-1816, showcases nature's beauty with delicate precision. Each stroke meticulously captures the essence of these German Irises, bringing them to life on paper. Witnessing Her Majesty Queen Victoria's First Entry into Brighton in October is like stepping into a grand historical event. This tinted lithograph from 1842-1849 immerses us in regal splendor as we admire the majestic Grand Portico of the Temple of Philae in Nubia. Intriguingly sensual yet tastefully composed is "A Semi-Nude Woman Amongst Trees, " an albumen print dating back to the mid-19th century. The interplay between light and shadow adds depth to this enigmatic scene that invites contemplation about femininity and nature's allure. Within ruled borders lies "Three Nude Women on a Chaise Lounge, " another mesmerizing albumen print from around 1850. This composition exudes elegance while celebrating female beauty—a testament to both artistic skill and societal norms at that time. Marvel at Florentine pietra dura panels depicting birds—an epitome of meticulous craftsmanship—where semi-precious stones are intricately arranged like puzzle pieces. These masterpieces exemplify how art can be found not only on canvas but also within the realm of decorative objects. A standing female nude, captured in a c.