Copperplate Collection (page 70)

New and Accurate Illustration of Germany in its Entirety by Willem Janszoon Blaeu, copperplate, printed in Amsterdam
Cartography, Germany, 17th century. New and accurate illustration of Germany in its entirety. Created by Willem Janszoon Blaeu, Amsterdam 1639. Copperplate. 157 x 200 cm

Map of Turin, from Theatrum Statuum Regie Celestitudini Sabaudia Ducis, by Giovanni Tommaso Borgonio, copperplate
Cartography, Italy, 17th century. Map of Turin. From the Theatrum Statuum Regie Celestitudini Sabaudia Ducis, atlas made by Giovanni Tommaso Borgonio. Amsterdam, 1682. Copperplate. 60.5 x 78.5 cm

Map of Piedmont, from the Theatrum Statuum Regie Celestitudini Sabaudia Ducis, by Giovanni Tommaso Borgonio
Cartography, Italy, 17th century. Map of Piedmont. From the Theatrum Statuum Regie Celestitudini Sabaudia Ducis, atlas made by Giovanni Tommaso Borgonio. Amsterdam, 1682. Copperplate. 60.5 x 78.5 cm

Map of Piedmont from Theatrum Statuum Regie Celestitudini Sabaudia Ducis, atlas by Giovanni Tommaso Borgonio
Cartography, 17th century. Map of Piedmont. From Theatrum Statuum Regie Celestitudini Sabaudia Ducis, atlas by Giovanni Tommaso Borgonio, Amsterdam, 1682. Copperplate

Planisphere of the Earth from the Most Recent Astronomical Observations by James Cassini
Cartography, 17th century. Planisphere of the Earth from the most recent astronomical observations. Created by James Cassini. Copperplate by Frans Halma, Amsterdam, after 1696. 60 x 73 cm

Map of Sicily, or the Kingdom of Naples by Giovanni Antonio Rizzi-Zannoni, copperplate
Cartography, Italy, 18th century. Map of Sicily (or the Kingdom of Naples) commissioned by the King of the Two Sicilies. Created by Giovanni Antonio Rizzi-Zannoni, Paris 1691-1693 ca

Turin, capital of Piedmont by Matthaeus Seutter, copperplate, printed in Augusta 1720
Cartography, Italy, 18th century. Turin, capital of Piedmont, by Matthaeus Seutter, Augusta 1720 ca. Copperplate 50 x 59 cm

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"Copperplate: A Glimpse into the Magnificent 17th Century" Step back in time to the enchanting world of the 17th century, where copperplate engravings adorned prestigious institutions and captured the essence of a bygone era. In this captivating collection, we delve into various aspects that defined this remarkable period. The Inns of Court, renowned centers of legal education and practice, proudly displayed their armorials on copperplates. These intricate designs showcased their rich heritage and noble lineage. Imagine walking through those hallowed halls as you admire these exquisite engravings. One such masterpiece is Andreas Cellarius' Atlas Coelestis seu Harmonia Macrocosmica. Its copperplate engraving depicts Copernicus at lower right and Ptolemy at lower left, with the sun reigning supreme at its center. This celestial artwork from 1660 Amsterdam transports us to a time when astronomers challenged conventional wisdom. Henricus Hondius' Nova totius Terrarum Orbis Geographica ac hydrographica tabula takes us on an exploration across continents through his illustrated copperplate from 1630 Amsterdam. With meticulous detail, he presents a cartographic marvel that captures both land and sea in stunning clarity. Ezekiel's vision comes alive through another mesmerizing copperplate engraving—a chariot soaring amidst clouds while a hand extends from above holding out a book to him. This ethereal depiction hints at divine intervention and leaves us pondering its profound meaning. Nature's beauty finds its place within these delicate etchings too—white flowers dancing alongside green tea leaves (Thea bohea) or perhaps finding solace under the shade of a majestic lime tree (Tilia alba). Such depictions remind us of our connection to the natural world even during times steeped in grandeur. As we journey further into history, we encounter coat-of-arms engravings that symbolize the pride and heritage of prominent families.