Cope Collection (page 4)

Chasuble (Opus Anglicanum), early 16th century (velvet & embroidery)
FIT277194 Chasuble (Opus Anglicanum), early 16th century (velvet & embroidery) by English School, (16th century); Fitzwilliam Museum, University of Cambridge

Women packing cigarettes at Copes factory, Liverpool 1891
Women packing cigarettes at Copes factory, Liverpool. Date: 1891

Avatar of Thaling, Bhutan, South Asia
Avatar of Thaling and others, Bhutan, South Asia. The Avatar is seen here in his Buddhist vestments, including an embroidered cope and an ornate mitre. 1922

Advanced Ritual in the Church of England, II (engraving)
1037651 Advanced Ritual in the Church of England, II (engraving) by English School, (19th century); Private Collection; (add.info.: Advanced Ritual in the Church of England, II)

Cope of Charles Borromeo, detail
3708707 Cope of Charles Borromeo, detail by Italian School, (16th century); Milan Cathedral, Milan, Italy; (add.info.: Duomo, Sacristy)

Saint Peter, c. 1500-24
3573965 Saint Peter, c.1500-24 by Alibrando, Girolamo (1470-1524); Museo Nazionale, Messina, Italy; (add.info.: Artist: Alibrandi Girolamo (1470-1524); Alibrando Girolamo Date of Artwork

(Stephanus Johannes) Paulus Kruger (1825-1904) known as Oom Paul
538018 (Stephanus Johannes) Paulus Kruger (1825-1904) known as Oom Paul. South African politician. In 2nd Boer War (1899-1900)

Saint Jerome, c. 1825-30 (water-based paint on wood panel)
BRN195818 Saint Jerome, c. 1825-30 (water-based paint on wood panel) by Spanish School, (19th century); 22.2 x 14.9 cm; The Barnes Foundation, Philadelphia, Pennsylvania, USA; (add.info.: by The A)

Virgin and Child with Saints and a Donor, 1505-1515 (oil on canvas)
BIR185833 Virgin and Child with Saints and a Donor, 1505-1515 (oil on canvas) by Boccaccino, Boccaccio (c.1467-1525); Birmingham Museums and Art Gallery; Italian, out of copyright

St. Nicholas of Bari and St. Michael, c. 1423 (tempera on wood)
CP9992 St. Nicholas of Bari and St. Michael, c.1423 (tempera on wood) by Angelico, Fra (Guido di Pietro/Giovanni da Fiesole) (c.1387-1455); 35.5x14 cm; Private Collection; eLady Inglewood; Italian

Madonna and Child with SS. Peter, Jerome and Mary Magdalene with a Bishop
PWI91629 Madonna and Child with SS. Peter, Jerome and Mary Magdalene with a Bishop, 1500 (oil on panel) by Vivarini, Alvise (c.1445/6-1503/5); Musee de Picardie, Amiens

St. Jeromes Bible and St. Gregorys Dove, detail of the left panel from The
FTB160899 St. Jeromes Bible and St. Gregorys Dove, detail of the left panel from The Virgin Enthroned with Saints Jerome, Gregory, Ambrose and Augustine

The Virgin appearing to St. Louis of Toulouse
AII79546 The Virgin appearing to St. Louis of Toulouse by Dolci, Carlo (1616-86); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Ms 557 f. 61v Historiated initial U depicting Pope Martin V (1368-1431
AII78838 Ms 557 f.61v Historiated initial U depicting Pope Martin V (1368-1431) concecrating the Church of Sant. Egidio, from an antiphonal from San Marco e Cenacoli 1420 (vellum) (detail of 100098)

St. Proculus (tempera on panel)
AII80558 St. Proculus (tempera on panel) by Pacino di Buonaguida, (fl.1303-39); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

St. Nicholas, from the St. Reparata Polyptych (far right panel reverse) (detail of 66558
BAT66568 St. Nicholas, from the St. Reparata Polyptych (far right panel reverse) (detail of 66558, see also 66564-66567) by Giotto (Giotto di Bondone) (c.1266-1337); Duomo, Florence, Tuscany

Head of St. Zenobius, 1505 (mosaic)
VLS64921 Head of St. Zenobius, 1505 (mosaic) by Monte del Fora, or di Giovanni (1448-1529); 91x60 cm; Museo dell Opera del Duomo, Florence, Tuscany, Italy; eGiuliano Valsecchi; Italian

Mathieu Schiner (1465-1522) (oil on canvas)
PWI261822 Mathieu Schiner (1465-1522) (oil on canvas) by French School, (16th century); Chateau de Beauregard, France; (add.info.: Cardinal de Sion; ); ePeter Willi; French, out of copyright

St. Nicholas Resurrecting Three Children (oil on canvas)
LST204445 St. Nicholas Resurrecting Three Children (oil on canvas) by La Hyre, Marguerite de (fl.1629-53) (attr. to); 55x72.3 cm; Private Collection; (add.info)

St. Lanfranc of Pavia enthroned between St. John the Baptist and St. Liberius, c
FIT74984 St. Lanfranc of Pavia enthroned between St. John the Baptist and St. Liberius, c.1515-16 (oil on panel) by Cima da Conegliano, Giovanni Battista (c.1459-1517); 145.1x129

Saint Raymond Nonnatus, c. 1830-1860 (water-based paint on wood panel)
BRN195809 Saint Raymond Nonnatus, c. 1830-1860 (water-based paint on wood panel) by Spanish School, (19th century); 31.1 x 23.5 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Portrait of Pope Pius II, c. 1560 (oil on canvas)
5055813 Portrait of Pope Pius II, c.1560 (oil on canvas) by Altissimo, Cristofano dell (c.1525-1605) (and workshop); 77.5 x 64.5 cm; Kunstmuseum, Basel

Saint Raymond Nonnatus, c. 1830 (water-based paint on wood panel)
BRN195820 Saint Raymond Nonnatus, c. 1830 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 22.9 x 17.8 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Black waves
Jef Van den Houte

Car Park
Jeroen van de Wiel

No Worries Mixture
Series a┬Ç┬×Enchanted tea". Dina Belenko

Autograph of Sir John Cope, 1845. Creator: Unknown
Autograph of Sir John Cope, 1845. The signature of British soldier and Whig politician Sir John Cope who was defeated at Prestonpans in Scotland

The Exhibition of Cartoons in Westminster Hall, 1845. Creator: Unknown
The Exhibition of Cartoons in Westminster Hall, 1845. Art show in the medieval hall at the Palace of Westminster in London....a general view of the Hall

Jacob and Rachel - fresco by Mr. Cope, 1844. Creator: Unknown
Jacob and Rachel - fresco by Mr. Cope, 1844. Old Testament scene after a fresco by Charles West Cope, exhibited at Westminster Hall in London. From " Pictorial Times", 1844

Portrait of Samuel Palmer, 1884. Creator: Charles West Cope
Portrait of Samuel Palmer, 1884

Portrait of Pope Pius IV, mid-16th century. mid-16th century. Creator: Nicolas Beatrizet
Portrait of Pope Pius IV, mid-16th century

[Charles West Cope], 1860s. Creator: John & Charles Watkins
[Charles West Cope], 1860s

FIREMAN
London characters: Man is born to trouble, as the sparks fly upward, and with a coal fire burning in every hearth, the FIREMAN is all too often called to cope with it. Date: circa 1870

Rolling cigars by hand at Copes factory, Liverpool
Hand-rolling cigars at Copes factory in Liverpool. Date: 1891

Saint Donatian; Saint Victor Presenting a Donor. Creator: Unknown
Saint Donatian; Saint Victor Presenting a Donor

Priests Red Cope, Orphrey and Hood, late 1500s - early 1600s. Creator: Unknown
Priests Red Cope, Orphrey and Hood, late 1500s - early 1600s. Liturgical copes are used for processions especially by those who assist the celebrant

Detail of the Syon Cope, 1310-1320. (1881). Creator: J. I. Williamson
Detail of the Syon Cope, 1310-1320. (1881). Etching of embroidered figures on an ecclesiastical cape made in England in the early 14th century

Holland House, from the North, c1876. Creator: Unknown
Holland House, from the North, c1876. Jacobean country house in Kensington built 1605 for Sir Walter Cope by architect John Thorpe, a noted gathering-place for Whigs in the 19th century

Grand Staircase, Holland House, c1876. Creator: Unknown
Grand Staircase, Holland House, c1876. Jacobean country house in Kensington built in 1605 for Sir Walter Cope by architect John Thorpe, destroyed by German firebombing during the Blitz

Holland House, c1876. Creator: Unknown
Holland House, c1876. Jacobean country house in Kensington built 1605 for Sir Walter Cope by architect John Thorpe, a noted gathering-place for Whigs in the 19th century

Rogers Seat and Inigo Jones Gateway, Holland House, c1876. Creator: Unknown
Rogers Seat and Inigo Jones Gateway, Holland House, c1876. Rogers Seat, named after Samuel Rogers, poet and banker and comissioned gateway of Portland stone by Inigo Jones

Holland House, Kensington, c1876. Creator: Unknown
Holland House, Kensington, c1876. Holland House, originally known as Cope Castle, an early Jacobean country house built in 1605 by diplomat Sir Walter Cope to designs by Inigo Jones

St. Nicholas, 1563 (oil on panel)
WLT206727 St. Nicholas, 1563 (oil on panel) by Poindre, Jacques de (c.1527-post 1572); 85.5x57.5 cm; Walters Art Museum, Baltimore, USA; Flemish, out of copyright

Yarmouth One Designs racing, 1922. Creator: Kirk & Sons of Cowes
Yarmouth One Designs racing, 1922. The Yarmouth One Design class was established at the Solent Yacht Club in 1910, on the instigation of Sir Arthur Cope, RA

Othello Relating His Adventures, c1870. Artist: T. Vernon
Othello Relating His Adventures, c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

BSA 3 wheeler of EF Cope, winner of a premier award at the MCC Torquay Rally, July 1937
BSA 3 Wheeler 1075 cc. Vehicle Reg. No. AOC727. Event Entry No: 7 Driver: Cope, E.F. Award: Premier. Place: M.C.C. Torquay Rally. Date: 16/17.7.37

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"Coping with History: From Charles I to the Albion Printing Press" In this captivating collection of images, we are transported through time and witness various individuals and events that exemplify the human ability to cope with challenges. Firstly, we encounter a powerful depiction of Charles I and Speaker Lenthall during a crucial moment in history around 1850. Their resolute expressions hint at their determination to navigate through turbulent times. Moving forward, we find ourselves amidst the Blackheath Rugby Team, united in their pursuit of victory on the field. Their camaraderie serves as a reminder that together, we can overcome any obstacle. The Yarmouth One Design Greywing from 1922 showcases the ingenuity and craftsmanship of Kirk & Sons of Cowes. This vessel represents resilience in the face of adversity as it sails against rough waters. Maiden Meditation by Charles West Cope transports us into a serene scene from 1847. Amidst chaos and uncertainty (c1915), this artwork reminds us that finding solace within ourselves is essential for coping with life's trials. The Government leaders depicted during The General Strike symbolize strength under pressure as they grapple with societal unrest. Their actions demonstrate how leadership can help societies cope during challenging times. We then delve into history further back to witness the epic Battle of Prestopans unfold before our eyes. This battle illustrates humanity's indomitable spirit when faced with conflict – an enduring testament to our capacity for resilience. A glimpse into pigeon fancier culture from early 1900s reveals an unexpected but fascinating example of coping mechanisms adopted by enthusiasts who found solace in nurturing these remarkable creatures. Saint Blaise of Sebaste (3rd-4th centuries) emerges next, embodying perseverance amidst persecution. His unwavering faith inspires us all to endure hardships while remaining true to our beliefs.