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Cope Collection (page 3)

"Coping with History: From Charles I to the Albion Printing Press" In this captivating collection of images

Background imageCope Collection: Cartoon, Liberal Prime Minister Asquith

Cartoon, Liberal Prime Minister Asquith
Political cartoon, Liberal Prime Minister Asquith, I can't get all this washed in time - cat washerwoman attempting to cope with Parliamentary Bills in the form of laundry

Background imageCope Collection: STUART/ELIZABETH/COPE

STUART/ELIZABETH/COPE
PRINCESS ELIZABETH Death of the second daughter of Charles I, at Carisbrooke Castle on 8 September 1650 Date: 1635 - 1650

Background imageCope Collection: Portable Altarpiece: Pieta, Saints Francis, Sebastian, John the Evangelist, Jerome

Portable Altarpiece: Pieta, Saints Francis, Sebastian, John the Evangelist, Jerome, and John the Baptist, c
3577022 Portable Altarpiece: Pieta, Saints Francis, Sebastian, John the Evangelist, Jerome, and John the Baptist, c.1500 (oil on panel) by Bermejo

Background imageCope Collection: Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93)

Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail)
GRL153305 Aeneas Sylvius Piccolomini (1405-64) presents Eleonora of Aragon to Frederick III (1415-93), 1503-08 (fresco) (detail) by Pinturicchio

Background imageCope Collection: The Cardinals Processing through the Crowd of Secular Onlookers

The Cardinals Processing through the Crowd of Secular Onlookers, detail from Aeneas Sylvius Piccolomini (1405-64)
GRL153310 The Cardinals Processing through the Crowd of Secular Onlookers, detail from Aeneas Sylvius Piccolomini (1405-64), elected Pope with the name Pius II, enters St

Background imageCope Collection: Jamie Cope & Joe Perry

Jamie Cope & Joe Perry World Snooker Championship World Snooker Championship The Crucible, Sheffield, England 20 April 2009 Date: 20 April 2009

Background imageCope Collection: Andrew Pagett Looks On As Jamie Cope Pots The Balls

Andrew Pagett Looks On As Jamie Cope Pots The Balls World Snooker Championship Betfred.Com World Snooker Championship The Crucible, Sheffield, England 16 April 2011 Date: 16 April 2011

Background imageCope Collection: Jamie Cope

Jamie Cope World Snooker Championship Betfred.Com, World Snooker Championship The Crucible, Sheffield, England 19 April 2010 Date: 19 April 2010

Background imageCope Collection: Cope, France, 1775 / 1825. Creator: Unknown

Cope, France, 1775 / 1825. Creator: Unknown
Cope, France, 1775/1825

Background imageCope Collection: Cope with Hood and Orphrey Band, France, 1725 / 75. Creator: Unknown

Cope with Hood and Orphrey Band, France, 1725 / 75. Creator: Unknown
Cope with Hood and Orphrey Band, France, 1725/75

Background imageCope Collection: Cope (without Orphrey or Hood), Florence, 1575 / 1600. Creator: Unknown

Cope (without Orphrey or Hood), Florence, 1575 / 1600. Creator: Unknown
Cope (without Orphrey or Hood), Florence, 1575/1600

Background imageCope Collection: Panel from a Cope, Venice, 1708 / 10. Creator: Unknown

Panel from a Cope, Venice, 1708 / 10. Creator: Unknown
Panel from a Cope, Venice, 1708/10

Background imageCope Collection: Cope, Venice, c. 1500. Creator: Unknown

Cope, Venice, c. 1500. Creator: Unknown
Cope, Venice, c. 1500

Background imageCope Collection: Cope, Italy, 1601 / 75. Creator: Unknown

Cope, Italy, 1601 / 75. Creator: Unknown
Cope, Italy, 1601/75

Background imageCope Collection: Cope, Venice, 1460-70. Creator: Unknown

Cope, Venice, 1460-70. Creator: Unknown
Cope, Venice, 1460-70

Background imageCope Collection: Cope, Italy, 1500 / 25. Creator: Unknown

Cope, Italy, 1500 / 25. Creator: Unknown
Cope, Italy, 1500/25

Background imageCope Collection: Cope, Italy, 1675 / 1725. Creator: Unknown

Cope, Italy, 1675 / 1725. Creator: Unknown
Cope, Italy, 1675/1725

Background imageCope Collection: Cope with Hood, Italy, 19th century (adaptation of a 17th century textile design)

Cope with Hood, Italy, 19th century (adaptation of a 17th century textile design)

Background imageCope Collection: Cope, Italy, 18th century. Creator: Unknown

Cope, Italy, 18th century. Creator: Unknown
Cope, Italy, 18th century

Background imageCope Collection: Cope with Orphrey Band, Hood and Remnants of a Morse, Italy, 1775 / 1800. Creator: Unknown

Cope with Orphrey Band, Hood and Remnants of a Morse, Italy, 1775 / 1800. Creator: Unknown
Cope with Orphrey Band, Hood and Remnants of a Morse, Italy, 1775/1800

Background imageCope Collection: Cope, England, 1490 / 1517, with later restoration. Creator: Unknown

Cope, England, 1490 / 1517, with later restoration. Creator: Unknown
Cope, England, 1490/1517, with later restoration. Robe worn by a priest or bishop, velvet with gold thread embroidery

Background imageCope Collection: Cope, France, 1750 / 1800. Creator: Unknown

Cope, France, 1750 / 1800. Creator: Unknown
Cope, France, 1750/1800

Background imageCope Collection: Cope with Self-Orphrey Band, France, c. 1765. Creator: Unknown

Cope with Self-Orphrey Band, France, c. 1765. Creator: Unknown
Cope with Self-Orphrey Band, France, c. 1765

Background imageCope Collection: Saint Romanus of Antioch and Saint Barulas, 1638. Creator: Francisco de Zurbaran

Saint Romanus of Antioch and Saint Barulas, 1638. Creator: Francisco de Zurbaran
Saint Romanus of Antioch and Saint Barulas, 1638. [Emperor Galerius commandanded that Romanus tongue was cut out. Barulas, a Christian child, was martyred alongside Romanus]

Background imageCope Collection: Saint Augustine, 1477 / 85. Creator: Bartolome Bermejo

Saint Augustine, 1477 / 85. Creator: Bartolome Bermejo
Saint Augustine, 1477/85

Background imageCope Collection: St. Gerardo Sagredo, Bishop of Csanad, 1633. Creator: Bernardo Strozzi

St. Gerardo Sagredo, Bishop of Csanad, 1633. Creator: Bernardo Strozzi
St. Gerardo Sagredo, Bishop of Csanad, 1633

Background imageCope Collection: Saint Augustine of Hippo (354-430) 1590

Saint Augustine of Hippo (354-430) 1590
XJL86551 Saint Augustine of Hippo (354-430) 1590 by Greco, El (Domenico Theotocopuli) (1541-1614); 110x86 cm; Museo de Santa Cruz, Toledo, Spain; Greek, out of copyright

Background imageCope Collection: Hood of a Cope, Embroidered by hand in silks and gold, with the Adoration of the Magi

Hood of a Cope, Embroidered by hand in silks and gold, with the Adoration of the Magi
3632270 Hood of a Cope, Embroidered by hand in silks and gold, with the Adoration of the Magi, and bordered with green and yellow silk fringe, Flemish 16th century (colour litho) by English School

Background imageCope Collection: Cope of Charles Borromeo

Cope of Charles Borromeo
3708704 Cope of Charles Borromeo by Italian School, (16th century); Milan Cathedral, Milan, Italy; (add.info.: Duomo, Sacristy)

Background imageCope Collection: Saint Damien, c. 1490 (oil on wood)

Saint Damien, c. 1490 (oil on wood)
898004 Saint Damien, c.1490 (oil on wood) by Bermejo, (Bartolome de Cardenas) (c.1435/40-1500); 165.5x77 cm; Museu Nacional de Arte Antiga, Lisbon

Background imageCope Collection: (Stephanus Johannes) Paulus Kruger (1825-1904) known as Oom Paul

(Stephanus Johannes) Paulus Kruger (1825-1904) known as Oom Paul
538021 (Stephanus Johannes) Paulus Kruger (1825-1904) known as Oom Paul. South African politician. In 2nd Boer War (1899-1900)

Background imageCope Collection: Saint Augustine, 1477-85 (oil on panel)

Saint Augustine, 1477-85 (oil on panel)
2970587 Saint Augustine, 1477-85 (oil on panel) by Bermejo, (Bartolome de Cardenas) (c.1435/40-1500); 49x27.7 cm; The Art Institute of Chicago, IL, USA; (add.info.: Augustine of Hippo (354-430)

Background imageCope Collection: St. Gregory of Palamas, icon (tempera on panel)

St. Gregory of Palamas, icon (tempera on panel)
RIK84136 St. Gregory of Palamas, icon (tempera on panel) by Russian School (19th century); 32.3x10.9 cm; Private Collection; eRichard and Kailas Icons, London, UK; Russian, out of copyright

Background imageCope Collection: St. Nicholas of Myra (tempera on panel)

St. Nicholas of Myra (tempera on panel)
AII80559 St. Nicholas of Myra (tempera on panel) by Pacino di Buonaguida, (fl.1303-39); Galleria dell Accademia & Museo degli Strumenti Musicali, Florence, Tuscany, Italy; Italian, out of copyright

Background imageCope Collection: The Virgin Mary appearing to St. Philip Neri

The Virgin Mary appearing to St. Philip Neri
AII79613 The Virgin Mary appearing to St. Philip Neri by Maratta or Maratti, Carlo (1625-1713); Palazzo Pitti, Florence, Italy; (add.info.: founder of congregation of the Oratory; ); Italian

Background imageCope Collection: Portrait of John Alcock (c. 1430-1500), Founder of Jesus College, Cambridge

Portrait of John Alcock (c. 1430-1500), Founder of Jesus College, Cambridge
STC133106 Portrait of John Alcock (c. 1430-1500), Founder of Jesus College, Cambridge, from The History of Cambridge, pub. by R

Background imageCope Collection: Pope Gregory I, the Great (c. 540-604) in his Study, from a series depicting the four

Pope Gregory I, the Great (c. 540-604) in his Study, from a series depicting the four
EHL92805 Pope Gregory I, the Great (c.540-604) in his Study, from a series depicting the four Fathers of the Church, engraved by Anton Wierix (c.1552-c.1624) pub

Background imageCope Collection: St. Ambrose and St. Augustine, right panel from The Virgin Enthroned with Saints Jerome

St. Ambrose and St. Augustine, right panel from The Virgin Enthroned with Saints Jerome
FTB160896 St. Ambrose and St. Augustine, right panel from The Virgin Enthroned with Saints Jerome, Gregory, Ambrose and Augustine, 1446 (oil on canvas) (post restoration) (see 160893-99) by Vivarini

Background imageCope Collection: Madonna and Child with SS. Andrew and Prosper, 1466 (tempera and gold leaf on panel)

Madonna and Child with SS. Andrew and Prosper, 1466 (tempera and gold leaf on panel)
BAT192545 Madonna and Child with SS. Andrew and Prosper, 1466 (tempera and gold leaf on panel) by Gozzoli, Benozzo di Lese di Sandro (1420-97); 137x138 cm; Pinacoteca Civica, San Gimignano

Background imageCope Collection: Green Chasuble with Mary Magdalene at the foot of the Cross, 1482 (velvet, linen

Green Chasuble with Mary Magdalene at the foot of the Cross, 1482 (velvet, linen
NMG146040 Green Chasuble with Mary Magdalene at the foot of the Cross, 1482 (velvet, linen, satin and embroidery) by Convent Workshop of St

Background imageCope Collection: Saint Lawrence (San Lorenzo), c. 1850 (water-based paint on wood panel)

Saint Lawrence (San Lorenzo), c. 1850 (water-based paint on wood panel)
BRN195802 Saint Lawrence (San Lorenzo), c. 1850 (water-based paint on wood panel) by Aragon, Jose Rafael (c.1795-1862); 48.9 x 27.9 cm; The Barnes Foundation, Philadelphia, Pennsylvania

Background imageCope Collection: St. Charles Borromeo (1538-84), Archbishop of Milan

St. Charles Borromeo (1538-84), Archbishop of Milan
AII79562 St. Charles Borromeo (1538-84), Archbishop of Milan by Dolci, Carlo (1616-86); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Background imageCope Collection: Madonna in Glory with Four Saints (panel)

Madonna in Glory with Four Saints (panel)
AII79480 Madonna in Glory with Four Saints (panel) by Sarto, Andrea del (1486-1530); Palazzo Pitti, Florence, Italy; Italian, out of copyright

Background imageCope Collection: Pope Gregory the Great

Pope Gregory the Great
KAB76926 Pope Gregory the Great by Saraceni, Carlo (c.1580-1620); Palazzo Barberini, Gallerie Nazionali Barberini Corsini, Rome, Italy; eDario Grimaldi; Italian, out of copyright

Background imageCope Collection: Chasuble (Opus Anglicanum), early 16th century (velvet & embroidery)

Chasuble (Opus Anglicanum), early 16th century (velvet & embroidery)
FIT277194 Chasuble (Opus Anglicanum), early 16th century (velvet & embroidery) by English School, (16th century); Fitzwilliam Museum, University of Cambridge



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"Coping with History: From Charles I to the Albion Printing Press" In this captivating collection of images, we are transported through time and witness various individuals and events that exemplify the human ability to cope with challenges. Firstly, we encounter a powerful depiction of Charles I and Speaker Lenthall during a crucial moment in history around 1850. Their resolute expressions hint at their determination to navigate through turbulent times. Moving forward, we find ourselves amidst the Blackheath Rugby Team, united in their pursuit of victory on the field. Their camaraderie serves as a reminder that together, we can overcome any obstacle. The Yarmouth One Design Greywing from 1922 showcases the ingenuity and craftsmanship of Kirk & Sons of Cowes. This vessel represents resilience in the face of adversity as it sails against rough waters. Maiden Meditation by Charles West Cope transports us into a serene scene from 1847. Amidst chaos and uncertainty (c1915), this artwork reminds us that finding solace within ourselves is essential for coping with life's trials. The Government leaders depicted during The General Strike symbolize strength under pressure as they grapple with societal unrest. Their actions demonstrate how leadership can help societies cope during challenging times. We then delve into history further back to witness the epic Battle of Prestopans unfold before our eyes. This battle illustrates humanity's indomitable spirit when faced with conflict – an enduring testament to our capacity for resilience. A glimpse into pigeon fancier culture from early 1900s reveals an unexpected but fascinating example of coping mechanisms adopted by enthusiasts who found solace in nurturing these remarkable creatures. Saint Blaise of Sebaste (3rd-4th centuries) emerges next, embodying perseverance amidst persecution. His unwavering faith inspires us all to endure hardships while remaining true to our beliefs.