Collector Gallery

J. Davies Enys, Henry Scott Tuke (1858-1929)

Oil on canvas, Newlyn School, early 20th century. John Davies Enys (1837-1912) was born at Enys, near Penryn, Cornwall, and emigrated to New Zealand in 1861. He was devoted to the natural sciences and travelled widely in search of specimens. Despite his scientific discoveries and published papers, Enys only ever saw himself as a gentleman collector'. He sent many objects back to Cornwall from New Zealand, some of which are in the Royal Cornwall Museum collections. He returned to the Enys Estate in 1891, which he inherited in 1906. Enys was twice President of the Royal Institution of Cornwall, in 1893-1895 and again from 1911 until his death in 1912. Mount Enys, the highest peak in the Craigieburn Range, Canterbury, is named after him. Henry Scott Tuke was born into a Quaker family in Lawrence Street, York. In 1859 the family moved to Falmouth, where his father Daniel Tuke, a physician, established a practice. Tuke was encouraged to draw and paint from an early age and some of his earliest drawings, aged four or five years old, were published in 1895. In 1875, he enrolled in the Slade School of Art. Initially his father paid for his tuition but in 1877 Tuke won a scholarship, which allowed him to continue his training at the Slade and in Italy in 1880. From 1881 to 1883 he was in Paris where he met the artist Jules Bastien-Lepage, who encouraged him to paint en plein air (in the open air) a method of working that came to dominate his practice. While studying in France, Tuke decided to move to Newlyn, Cornwall where many of his Slade and Parisian friends had already formed the Newlyn School of painters. He received several lucrative commissions there, after exhibiting his work at the Royal Academy of Art in London. In 1885, he returned to Falmouth where many of his major works were produced. He became an established artist and was elected to full membership of the Royal Academy in 1914. Tuke suffered a heart attack in 1928 and died in March 1929. In his will he left generous amounts of money to some of the men who, as boys, had been his models. Today he is remembered mainly for his oil paintings of young men, but in addition to his achievements as a figurative painter, he was an established maritime artist and produced as many portraits of sailing ships as he did human figures. He was a prolific artist, over 1,300 works are listed and more are still being discovered

© RIC

1829 Silhouette William & Frank Buckland 1829 Silhouette William & Frank Buckland

Silhouette first produced by Auguste Edouart of "William Buckland and his Wife and Son Frank, Examining Buckland's Natural History Collection. The original is in the Museum of Fine Arts in Boston. This copy is composited from a copy in "The Life of William Buckland" by his daughter Mrs. Gordon (1894). It shows the famous early palaeontologist William Buckland with a range of specimens including (hanging) an Irish Elk skull, in his hand a hyaena skull, on the table an ichthyosaur skull. Baby Frank is next to an elephant or mammoth skull. His wife Mary (ne Moreland) holds nautiloids. Buckland's Christ Church household was famously strange, he kept exotic animals including Hyaenas and a free range black bear called Tiglath Pileser who would raid local sweet shops, Frank - (Francis) Buckland went on to be a famously eccentric naturalist in his own right

© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com

19th Century kit for Collecting Insects

Colour plate by W. Spry in "Instructions for Collecting, Rearing, and Preserving British and Foreign Insects" by Abel Ingpen. Published by William Smith, London. Second edition 1839. The first edition emerged in 1827 when Darwin was at his most fanatical in insect collecting at Cambridge. For him and fellow beetle collector Leonard Jenyns this book remained a valuable guide

© This image is Paul D. Stewart 2009. Do not reproduce without permission of the photographer at Stewartpauld@aol.com