Canaletto Collection (page 5)

The Locks at Dolo, an oval-shaped basin with boats at center, buildings on either side, a fruit vendor and groups of figures in the foreground

Title page with a large wall of a classical ruin, with a figure seated at right pointing to the dedication, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

A three-arched portico with an open lantern hanging at center, a triumphal arch and ruins of a classical temple in the background

Imaginary View of Padua, with a campanile and domed church at left, a column surmounted by a statue of a saint at center, and a cottage and water-mill at right in the foreground

View of Mestre, an inn at left and other various buildings lining the canal, from Views (Vedute altre prese da i luoghi altre ideate da Antonio Canal), 1735-46

Portraits of Canaletto and Visentini, 1735. 1735. Creator: Antonio Visentini
Portraits of Canaletto and Visentini, 1735

View of London
Engaving depicting London from Clerkenwell (City & East End). From a view by Canaletto published in 1753. Date: 1753

Campo Santa Maria Zobenigo, Venice, 1730s. Creator: Canaletto
Campo Santa Maria Zobenigo, Venice, 1730s

Piazza San Marco, late 1720s. Creator: Canaletto
Piazza San Marco, late 1720s

A Lock, a Column, and a Church beside a Lagoon. Creator: Canaletto
A Lock, a Column, and a Church beside a Lagoon

Warwick Castle, 1748. Creator: Canaletto
Warwick Castle, 1748

Campo Sant Angelo, Venice, 1730s. Creator: Canaletto
Campo Sant Angelo, Venice, 1730s

Imaginary View with a Tomb by the Lagoon, early 1740s. Creator: Canaletto
Imaginary View with a Tomb by the Lagoon, early 1740s

Pirna: The Obertor from the South, mid-1750s. Creator: Bernardo Bellotto
Pirna: The Obertor from the South, mid-1750s

Vaprio d Adda, 1744. Creator: Bernardo Bellotto
Vaprio d Adda, 1744

Venice: The Bacino di San Marco on Ascension Day 1729, (1943). Creator: Canaletto
Venice: The Bacino di San Marco on Ascension Day 1729, (1943). View of the Doges palace and his galleon, the Bucintoro, at anchor, probably for the ceremony of the Marriage of the Sea

English Landscape Capriccio with a Column, c. 1754 (oil on canvas)
3428124 English Landscape Capriccio with a Column, c.1754 (oil on canvas) by Canaletto, (Giovanni Antonio Canal) (1697-1768); 134x106.4 cm; National Gallery of Art, Washington DC, USA; Italian

(1697-1768) Canaletto
Fine Art Finder Artists: (1697-1768) Canaletto

Repairing the Campanile, 1746-1756, (1925). Creator: Canaletto
Repairing the Campanile, 1746-1756, (1925). Repairs to the Campanile of St Marks Cathedral in Venice, Italy, drawing in the British Museum, London

View of Old Palace Yard from the south, Westminster, London, c1750

Horse Guards Parade from the south-west, Westminster, London, 1753. Artist: Thomas Bowles
Horse Guards Parade from the south-west, Westminster, London, 1753. A view of the Parade of St Jamess Park, the New Buildings for the Horse Guards, the Admiralty

The canal in St Jamess Park, Westminster, London, c1740. Artist: John Stevens
The canal in St Jamess Park, Westminster, London, c1740

The Thames and the City of London from Richmond House, Whitehall, Westminster, c1747. View showing St Pauls in the distance, barges and rowing boats on the Thames

View of the River Thames, London, c1750. Artist: Canaletto
View of the River Thames, London, c1750. View of the Thames, with the City of London in the distance, from the terrace of Somerset House, City of Westminster; showing boats and barges on the water

North prospect of Westminster Bridge, London, c1750. View with vessels and passengers on the River Thames. Also including a key to the buildings and the vessels

South-west view of Horse Guards, Westminster, London, 1809

View of Northumberland House, Charing Cross, Westminster, London, 1794. Also showing a street scene, including a man begging on the left, shops fronts, horse-drawn carriages and pedestrians

View of London and the River Thames from under Westmister Bridge, 1747. Showing the Lambeth shore to the right and the Thames, from below an arch in Westminster Bridge, whilst under construction

Monument, London, 1794. Artist: George Bickham
View south along Fish Street Hill, London, 1794 with Monument and St Magnus the Martyr on left. Also showing are shop fronts, figures, a cart and a coach

Vauxhall Gardens, Lambeth, London, c1752. Artist: Edward Rooker
View of the Grand Walk in Vauxhall Gardens, Lambeth, London, c1752; with figures in the foreground

Westminster Bridge, 1747. Artist: Samuel Wale
North prospect of Westminster Bridge, London, 1747; with boats including company barges on the River Thames. Also including a description and a key to the main buildings

A View on the Grand Canal Venice, c1740, (c1915). Artist: Canaletto
A View on the Grand Canal Venice, c1740, (c1915). Held by the National Gallery, London. From International Art: Past and Present by Alfred Yockney. [Virtue & Company, London, c1915]

The Campanile of St. Marks While Undergoing Repair in 1745, 1903. Artist: Canaletto
The Campanile of St. Marks While Undergoing Repair in 1745, 1903. From The Burlington Magazine for Connoisseurs, Volume 1 - March to May 1903. [The Burlington Magazine, Limited, London, 1903]

Ranelagh in 1752, after Canaletti, c1750, (1904). Artist: Charles Grignion
Ranelagh in 1752, after Canaletti, c1750, (1904). After Giovanni Antonio Canaletto (1697-1768). Ranelagh Gardens were public pleasure gardens located in Chelsea, then just outside London

The Canal in St. Jamess Park with the Queens House taken from the Parade, 1794, (1910). Artists: Unknown, John Stevens
The Canal in St. Jamess Park with the Queens House taken from the Parade, 1794, (1910). St Jamess Park is a 23-hectare (57-acre) park in the City of Westminster, central London

Northumberland House, Charing Cross, Westminster, c1753 (1911). Artist: Thomas Bowles
Northumberland House, Charing Cross, Westminster, c1753 (1911). Northumberland House was a large Jacobean townhouse, so called because it was the London residence of the Percy family

Old Walton Bridge, 1754. Artist: Canaletto
Old Walton Bridge, 1754. Painting held at the Dulwich Picture Gallery, London. From The Connoisseur Volume XC. [The Connoisseur Ltd, London, 1932]

Whitehall from Richmond House, 1746. Artist: Canaletto
Whitehall from Richmond House, 1746. Painting held at Goodwood House, Chichester. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

The Thames from Richmond House, 1746. Artist: Canaletto
The Thames from Richmond House, 1746. Painting held at Goodwood House, Chichester. From The Studio Volume 83. [London Offices of the Studio, London, 1922]

Westminster Bridge, c1746. Artist: Canaletto
Westminster Bridge, c1746. From The Studio Volume 87. [London Offices of the Studio, London, 1924]

Proession of the Order of the Bath, 1749, (1929). Artist: Canaletto
The Proession of the Order of the Bath, Westminster Abbey, London, 1749. The Most Honourable Order of the Bath (formerly the Most Honourable Military Order of the Bath)

Venice: The Feast Day of Saint Roch, 1735, (1938). Artist: Canaletto
Venice: The Feast Day of Saint Roch, 1735. Also known as Scuola Di San Rocco. The feast commemorated the end of the terrible plague of 1576. After an original work after Canaletto (1697-1768)

London from Islington City and East End. From a view by Canaletti, published 1753. Artist: Canaletto
London from Islington City and East End. From a view by Canaletti, published in 1753.Engraving from Old and New London Volume 2.by Walter Thornbury.Published by Cassell, Petter and Galpin. 1878

The Piazza, Venice, c1756 (1956). A view of St Marks Square with the basilica and campanile in the background. From the National Gallery, London

A coach in Rome, 18th century (1956). Detail from Piazza del Campidoglio by Bernardo Bellotto. Bellotto (1721-1780) was the nephew and pupil of Canaletto

The Piazza and Church of Santa Maria Maggiore in Rome, 1739. Artist: Bernardo Bellotto
The Piazza and Church of Santa Maria Maggiore in Rome, 1739. Originally built in the 5th century, the Basilica of Santa Maria Maggiore it is one of the four major papal basilicas of Rome

The Old Market Place in Dresden, c1750-c1752. Artist: Bernardo Bellotto
The Old Market Place in Dresden, c1750-c1752. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

The Market Place in Pirna, c1752-c1755. Artist: Bernardo Bellotto
The Market Place in Pirna, c1752-c1755. Pirna is a town near Dresden, Saxony, Germany. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

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"Canaletto: Capturing the Essence of Venice's Grandeur" Step into the mesmerizing world of Canaletto, a renowned Italian artist whose masterpieces beautifully depict the enchanting city of Venice. With his keen eye for detail and impeccable skill, Canaletto transports us to a bygone era filled with elegance and grandeur. In "The Grand Canal, Venice, Looking Southeast, with the Campo della Carita to the Right, " painted in the 1730s, we are immersed in the bustling atmosphere of one of Venice's most iconic waterways. The vibrant colors and intricate architecture bring this scene to life as gondolas gracefully glide through its waters. Canaletto's talent extends beyond his beloved hometown; he also captured London's charm in works like "CANALETTO: THAMES. " This painting showcases his versatility as he portrays a different landscape while maintaining his signature attention to architectural details. One cannot mention Canaletto without mentioning his masterpiece "Bridge of Sighs, Ducal Palace and Custom-House, Venice: Canaletti Painting" from 1833. Here we witness Venetians adorned in bauta masks enjoying a leisurely ride on a gondola. Their mysterious allure adds an air of intrigue to this already captivating scene. Another gem among Canaletto's collection is "VENICE: GRAND CANAL, " which presents Riva degli Schiavoni looking eastward. The play between light and shadow creates depth within each brushstroke, transporting viewers back in time to experience Venetian life firsthand. "The Square of Saint Mark s" captures another iconic location in Venice during 1742-1744. Canaletto expertly depicts every architectural detail surrounding this famous square while infusing it with an undeniable sense of vibrancy that only he could achieve. Moving along the canals once more brings us to "Grand Canal Looking South-East from the Campo Santa Sophia.