Caftan Collection

Man in a turban, c.1675-c.1725. Creator: Anon
Man in a turban, c.1675-c.1725. Man wearing a purple-white striped kaftan, with a sash around his waist

AI IMAGE - Othello, 2023. Creator: Heritage Images
AI IMAGE - Othello, 2023. Leading character from "The Tragedy of Othello, the Moor of Venice" by William Shakespeare, (c1603)

AI IMAGE - Othello, 2023. Creator: Heritage Images
AI IMAGE - Othello, 2023. Leading character from "The Tragedy of Othello, the Moor of Venice" by William Shakespeare, (c1603)

AI IMAGE - Othello, 2023. Creator: Heritage Images
AI IMAGE - Othello, 2023. Leading character from "The Tragedy of Othello, the Moor of Venice" by William Shakespeare, (c1603)

Herundean, Helen, Miss, portrait photograph, 1916 Oct. 12. Creator: Arnold Genthe
Herundean, Helen, Miss, portrait photograph, 1916 Oct. 12

Dolly sister, portrait photograph, 1916. Creator: Arnold Genthe
Dolly sister, portrait photograph, 1916

Gilyak, wearing a kaftan, 1865-1871. Creator: VV Lanin
Gilyak, wearing a kaftan, 1865-1871. This album contains 154 photographs taken in the second half of the 1860s and 1870s by a local photographer from the Far East, V. V. Lanin. The merchant V. P

Dress worn by Isabel Sanford as Louise Jefferson on The Jeffersons, 1979
This dress was worn by African-American actor Isabel Sanford (1917-2004) as the character Louise Jefferson on the television show " The Jeffersons." The maxi dress is made of a synthetic

Russian Merchant, etched by the artist, published 1804 (colour litho) (see also 169212)
STC169211 Russian Merchant, etched by the artist, published 1804 (colour litho) (see also 169212) by Atkinson, John Augustus (1775-1831); Private Collection; The Stapleton Collection; English

Tsars caftan. From the Antiquities of the Russian State, 1849-1853. Private Collection

Silk caftan. From the Antiquities of the Russian State, 1849-1853. Private Collection

Kaftan. From the Antiquities of the Russian State, 1849-1853. Private Collection

Silk caftan of the Tsar Ivan IV. From the Antiquities of the Russian State, 1849-1853. Private Collection

Buttons from Tsars kaftans. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar Clothing of the XVII century. The Princes Repnin. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar Clothing of the XVII century. Afanasiy Kirillovich Naryshkin. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar Clothing of the XVII century. Morning Silk Caftan. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar Clothing of the XVII century. Kaftan. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar Clothing of the XVII century. From the Antiquities of the Russian State, 1849-1853. Private Collection

Boyar kaftan of the XVII century. From the Antiquities of the Russian State, 1849-1853. Private Collection

Ananias, 1922. Creator: Henry Traut
Ananias, 1922. Sebastian Lang as the high priest Annas (or Ananias) in the Oberammergau Passion Play. The play is performed every 10 years, on open-air stages

Arab pearl-dealer, c1928. Creator: Unknown
Arab pearl-dealer, c1928. Merchant in elaborate robes. From " Die Welt in Bildern", (The World in Pictures), cigarette card album, c1928. [Georg A Jasmatzi, A.-G. Dresden, Germany]

Fragments of a Caftan Covered with a Silk Fabric with a Senmurv Pattern. (Moshchevaya Balka Burial M Artist)
Fragments of a Caftan Covered with a Silk Fabric with a Senmurv Pattern. (Moshchevaya Balka Burial Mound), Early 9th century. Found in the collection of State Hermitage, St. Petersburg

Caftan, Mid-19th century. Creator: Unknown
Long saffron yellow colored gown of richly brocaded cloth with wide bell-shaped sleeves and no collar. It is decorated with a double row of buttons worked in thread down to the waist

Sixties kaftans
Model on the left wears a white Grecian style kaftan with silver braiding down the front, by Simon Ellis. The silver sequin sandals are from Magli and the gilt bangles is from India Craft

JORDAN: DRUZE LEADER, c1926. A leader of the Druze religion and political refugee in Bedouin garb, at Azraq, Jordan. Photograph, c1926

MIDDLE EAST: BEDOUINS. Two Bedouins greeting each other. Hand-colored photograph, early 20th century

Poster to advertise Professor Sloanes biography, Life of Napoleon
XIR901541 Poster to advertise Professor Sloanes biography, Life of Napoleon ; published by The Century Company, New York; Napoleon Bonaparte (1769-1821), 1895 (colour lithograph) by Toulouse-Lautrec

Caftans, Fes medina, Morocco

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The caftan, a versatile and timeless garment, has been worn by individuals from various walks of life throughout history. From the iconic dress donned by Isabel Sanford as Louise Jefferson on The Jeffersons in 1979 to its depiction in Russian art and antiquities, the caftan holds a rich cultural significance. In an etching published in 1804, we catch a glimpse of a Russian merchant adorned in a vibrant caftan. This colorful lithograph showcases the intricate details and craftsmanship that went into creating these garments during that era. Moving forward to the mid-19th century, we discover silk caftans featured prominently in The Antiquities of the Russian State. These luxurious pieces were not only reserved for royalty but also found their way into the wardrobes of influential figures like Tsar Ivan IV. Adorned with buttons fit for kings, these kaftans exuded opulence and power. Delving deeper into history, we uncover glimpses of Boyar clothing from the XVII century. Among them is an exquisite morning silk caftan worn by Afanasiy Kirillovich Naryshkin - a testament to both fashion and social status during this period. These kaftans were not merely garments; they represented wealth and nobility. As we explore further within The Antiquities of the Russian State collection from 1849-1853, it becomes evident that boyars favored kaftans as part of their attire. Whether it be Princes Repnin or other notable figures from this time period, these individuals embraced traditional clothing styles while adding their own unique flair. The allure of the caftan lies not only in its historical significance but also its ability to transcend time and cultures. From television screens to works of art dating back centuries ago, this garment continues to captivate us with its elegance and grace.