British Artist Collection (page 10)

Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard
986341 Two pages from the nursery-rhyme book The Comic Adventures of Old Mother Hubbard and Her Dog, 1806 (hand-coloured engravin) by Martin

Great Eared Owl, 1841 (hand-coloured engraving)
986303 Great Eared Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); 67x54 cm; Private Collection; (add.info.: Great Eared Owl. From Illustrations of British Ornithology)

A Mad Bull, 1806 (1824) (aquatint)
986259 A Mad Bull, 1806 (1824) (aquatint) by Dodd, Robert (1748-1815); 42x55.5 cm; Private Collection; (add.info.: A Mad Bull. From Authentic Memoirs of the Late George Morland)

Mocking Bird (Turdus Polyglottus), 1827-1838 (hand-coloured engraving)
986253 Mocking Bird (Turdus Polyglottus), 1827-1838 (hand-coloured engraving) by Audubon, John James (1785-1851); 88x62.4 cm; Private Collection; (add.info.: Mocking Bird (Turdus Polyglottus)

Ring Dove Woodpigeon (Columba Palumbus), 1835 (hand-coloured engraving)
986244 Ring Dove Woodpigeon (Columba Palumbus), 1835 (hand-coloured engraving) by Perrott, Charlotte L. E. (fl.1835) (after); 50x32.5 cm; Private Collection; (add.info)

Bird of prey with snake, 1808-21 (watercolour drawing)
986239 Bird of prey with snake, 1808-21 (watercolour drawing) by Hayes, Charles (1772-1826); 27.6x21.6 cm; Private Collection; (add.info.: Bird of prey with snake. From Portraits of British Birds)

Snowy Owl, 1832-1837 (hand-coloured lithograph)
986236 Snowy Owl, 1832-1837 (hand-coloured lithograph) by Lear, Edward (1812-88); 53x36 cm; Private Collection; (add.info.: Snowy Owl. From The Birds of Europe, by John Gould (1804-1881)

986211

Plate from Plan of the Cities of London and Westminster the Borough of Southwark
986183 Plate from Plan of the Cities of London and Westminster the Borough of Southwark, and Parts Adjoining, c.1792-1799 (engraving) by Horwood

Port Marial: St. Mary s, 1825 (hand-coloured aquatint)
986117 Port Marial: St. Mary s, 1825 (hand-coloured aquatint) by Hakewill, James (1778-1843) (after); 34.6x24.5 cm; Private Collection; (add.info.: Port Marial: St)

Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph)
986076 Upupa Epops (Hoopoe), 1862-1873 (hand-coloured lithograph) by Gould, John (1804-81); Private Collection; (add.info.: Upupa Epops (Hoopoe). From The Birds of Great Britain

Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph)
986066 Arfak Astrapia (Astrapia Nigra), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info.: Arfak Astrapia (Astrapia Nigra)

Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph)
986065 Superb Bird of Paradise (Lophorina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart, William (1823-94); Private Collection; (add.info)

Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph)
986063 Superb Bird of Paradise (Lophorhina Superba), 1875-1888 (hand-coloured lithograph) by Gould, John (1804-81) & Hart

986059

Tawny Owl, 1841 (hand-coloured engraving)
986007 Tawny Owl, 1841 (hand-coloured engraving) by Selby, Prideaux John (1788-1867); Private Collection; (add.info.: Tawny Owl. Plate XXV from Illustrations of British Ornithology)

BKS111192192 01
Long-billed Cockatoo (Licmetis nasicus). From The Birds of Australia. John Gould (1804-1881). Hand-coloured lithograph. Published in 1840-1869. 54.5 x 36cm

Windsor Castle from the Deer Park, c. 1827-1829 (hand-coloured aquatint)
985992 Windsor Castle from the Deer Park, c.1827-1829 (hand-coloured aquatint) by Daniell, William (1769-1837); 30x50 cm; Private Collection; (add.info.: Windsor Castle from the Deer Park)

The Presentation of the Knight, 1843 (hand coloured lithograph)
985986 The Presentation of the Knight, 1843 (hand coloured lithograph) by Nixon, James Henry (1802-57); Private Collection; (add.info.: The Presentation of the Knight)

Epidendrum Vitellinum, c. 1837-41 (hand-coloured lithograph)
985978 Epidendrum Vitellinum, c.1837-41 (hand-coloured lithograph) by Drake, Miss (fl.1885-92) (after); 55x37 cm; Private Collection; (add.info.: Epidendrum Vitellinum)

The Duchess, c. 1865 (pen and brown ink)
985962 The Duchess, c.1865 (pen and brown ink) by Tenniel, John (1820-1914); 9.5x7.8 cm; Private Collection; (add.info.: The Duchess)

The Commencement of the Battle of Trafalgar, October 21st 1805
985907 The Commencement of the Battle of Trafalgar, October 21st 1805, 1817 (hand-coloured aquatint) by Whitcombe, Thomas (c.1752-1824) (after); Private Collection; (add.info)

Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph)
985895 Paradisea Augustae Victoriae, 1891-1898 (hand-coloured lithograph) by Hart, William (1823-94); 55.2x37.3 cm; Private Collection; (add.info.: Paradisea Augustae Victoriae)

The Parrot of Paradise, 1771 (hand-coloured engraving)
985814 The Parrot of Paradise, 1771 (hand-coloured engraving) by Catesby, Mark (1679-1749) (after); 51.7x37 cm; Private Collection; (add.info.: The Parrot of Paradise)

Eights Racing at Putney, (oil on canvas)
651245 Eights Racing at Putney, (oil on canvas) by Gueldry, Ferdinand Joseph (1858-1945); 38x54 cm; Private Collection; (add.info.: Eights Racing at Putney. Ferdinand Joseph Gueldry (1858-1945)

Feline Reflections, (oil on canvas)
651188 Feline Reflections, (oil on canvas) by Laur, Marie Yvonne (1879-1943); 46x55 cm; Private Collection; (add.info.: Feline Reflections. Marie Yvonne Laur (1879-1943). Oil on canvas

Roping A Steer, (watercolour and gouache on paper)
650431 Roping A Steer, (watercolour and gouache on paper) by Borein, Edward (1872-1945); 38.7x51.1 cm; Private Collection; (add.info.: Roping A Steer. Edward Borein (1872-1945)

Portrait of Miss Frances Warren, kneeling full-length in a wooded park
990204 Portrait of Miss Frances Warren, kneeling full-length in a wooded park, wearing a blue dress and holding a lamb, (oil on canvas) by Wright of Derby

Dundas of Dundas seated, three-quarter length wearing a Charcoal Dress, (oil on canvas)
990185 Dundas of Dundas seated, three-quarter length wearing a Charcoal Dress, (oil on canvas) by Raeburn, Henry (1756-1823); 90.2x70.2 cm; Private Collection; (add.info.: Portrait of Mrs)

Portrait of General James Stuart standing three-quarter length
990061 Portrait of General James Stuart standing three-quarter length, wearing a red uniform with gold frogging, (oil on canvas) by Lawrence

The Parting of Lord William and Lady Rachel Russell in 1683
989988 The Parting of Lord William and Lady Rachel Russell in 1683 (The Last Interview of Lord and Lady Russell), 1852 (oil on canvas) by Lucy

The Frog-Prince, 1880 (watercolour heightened with white on paper)
989982 The Frog-Prince, 1880 (watercolour heightened with white on paper) by Brewtnall, Edward Frederick (1846-1902); 78.8x48.8 cm; Private Collection; (add.info.: The Frog-Prince)

A View of London with St, (oil on canvas)
989936 A View of London with St, (oil on canvas) by Gendall, John (1790-1865); 108.6x151.1 cm; Private Collection; (add.info.: A View of London with St. Pauls Cathedral from the Thames)

The Pet Dove, (oil on canvas)
989856 The Pet Dove, (oil on canvas) by Hardy, Heywood (1842-1933); 153.6x90.3 cm; Private Collection; (add.info.: The Pet Dove. Heywood Hardy (1842-1933). Oil on canvas

A Sketch for Nameless and Friendless, c. 1857 (oil on panel)
989815 A Sketch for Nameless and Friendless, c.1857 (oil on panel) by Osborn, Emily Mary (1834-93); 22.7x29.3 cm; Private Collection; (add.info.: A Sketch for Nameless and Friendless)

The Common Vapourer, (watercolour with pen and black ink over pencil)
989783 The Common Vapourer, (watercolour with pen and black ink over pencil) by Carse, Andreas Duncan (1876-1938); 27x21.4 cm; Private Collection; (add.info.: The Common Vapourer. A)

Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving
985796 Queen Marys State Bed-chamber, Hampton Court, 1819 (hand-coloured aquatint engraving) by Cattermole, George (1800-68) (after); 33.7x27.9 (folio) cm; Private Collection; (add.info)

Plan of New York Island with Part of Long Island, Staten Island and East New Jersey
985783 Plan of New York Island with Part of Long Island, Staten Island and East New Jersey and the Engagement on the Woody Heights of Long Island between the British Forces

Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper)
985764 Two Primates on a Tree, 1823 (hand-coloured engraving, on woven paper) by Donovan, Edward (1768-1837) (after); 24.9x15.5 cm; Private Collection; (add.info.: Two Primates on a Tree)

Seleucides Nigricans, (Shaw), c. 1891-1898 (coloured lithograph)
985735 Seleucides Nigricans, (Shaw), c.1891-1898 (coloured lithograph) by Hart, William (1823-94); 54.1x35.4 cm; Private Collection; (add.info.: Seleucides Nigricans, (Shaw)

Mr. Hobbs, said Cedric, an Earl is sitting on this box now
985724 Mr. Hobbs, said Cedric, an Earl is sitting on this box now!, illustration for Little Lord Fauntleroy by Frances Hodgson Burnett, 1886 (black, grey, tan and white washes) by Birch

Primula Sinensis, 1821-1826 (hand-coloured engraving)
985707 Primula Sinensis, 1821-1826 (hand-coloured engraving) by Hooker, William (1779-1832); 41.8x28 cm; Private Collection; (add.info.: Primula Sinensis)

Sobralia Macrantha, c. 1837-43 (hand-coloured litho)
985683 Sobralia Macrantha, c.1837-43 (hand-coloured litho) by Drake, Sarah Ann (1803-57) (after); 72.9x53.1 (folio) cm; Private Collection; (add.info)

The Lover, (painted enamelled earthenware, hammered copper frame)
985572 The Lover, (painted enamelled earthenware, hammered copper frame) by Marks, Henry Stacey (1829-98) (after); 44.6x72.8 cm; Private Collection; (add.info.: The Lover)

Among the Flowers, Giverny, 1890 (oil on canvas)
985443 Among the Flowers, Giverny, 1890 (oil on canvas) by Dawson-Watson, Dawson (1864-1939); 71.2x88.9 cm; Private Collection; (add.info.: Among the Flowers, Giverny)

High Country, 1917 (oil on canvas)
985152 High Country, 1917 (oil on canvas) by Curran, Charles Courtney (1861-1942); 76.8x76.8 cm; Private Collection; (add.info.: High Country. Charles Curran Courtney (1861-1942). Oil on canvas

A Motion Study of a Hand, c. 1872-1885 (collotype plate)
991518 A Motion Study of a Hand, c.1872-1885 (collotype plate) by Muybridge, Eadweard (1830-1904); Private Collection; (add.info.: A Motion Study of a Hand)

1. Crinum arenarium and 2. Cobergia incarnata, 1840-1844 (hand-coloured lithograph)
991245 1. Crinum arenarium and 2. Cobergia incarnata, 1840-1844 (hand-coloured lithograph) by English School, (19th century); 26.8x21 (approx.) cm; Private Collection; (add.info.: 1)

All Professionally Made to Order for Quick Shipping

British Artist: Capturing the Essence of Time and Place From the picturesque landscapes of The Weald of Kent to the vibrant coastal scenes depicted in a Southern Railway advertising poster, British artists have long been celebrated for their ability to transport us to different worlds through their art. In 1939, a Southern Railway poster advertising Ramsgate showcased the artist's mastery of color lithography, enticing viewers with its vivid depiction of sun-kissed beaches and inviting waters. Meanwhile, Children on the Beach, St. Ives painted in 1886 captures the innocence and joy of youth against a backdrop of crashing waves and golden sands. Not limited to capturing idyllic scenes, British artists also excelled at portraying powerful subjects such as Eclipse - a Dark Chestnut Racehorse held by a Groom with a Jockey astride. This masterpiece showcases both strength and elegance while highlighting the bond between man and animal. Moving from grandeur to intimacy, A Lady Walking in a Garden portrays tenderness as she stands full length holding her small child's hand. The artist skillfully captures this fleeting moment that encapsulates love and protection. The Milkmaid created in 1902 using pencil and watercolor demonstrates an artist's attention to detail as they bring everyday life into focus. Similarly, The Wappenshaw: A Shooting Match immerses us in an oil-on-paper scene where we can almost hear gunshots echoing across fields. Delving further into history is Colonel Udnys Bay Colt Truffle by Sorcerer Held by a Groom from 1815 which showcases not only artistic talent but also serves as documentation for equine enthusiasts seeking insight into past bloodlines. Artists throughout history have also found inspiration in nature itself; April from Twelve Months of Flowers transports us back to 1730 with its delicate yet vibrant colors engraved onto paper. Likewise, Laurel Tree hand-coloured etching invites us into lush gardens, evoking a sense of tranquility and beauty.