Bartolomeo Collection (page 5)

Vulcan Building Fence Around Mount Venus late 15th century
Artokoloro

CORIOLANO: SIBYLL, c1640. Sibyll. Woodcut, Bartolomeo Coriolano, c1640

CORIOLANO: SIBYLL, c1640. Sibyll holding a tablet. Woodcut, Bartolomeo Coriolano, c1640

SACCO & VANZETTI, 1927. Riot police guards breaking up a picket line outside of the courthouse in Dedham, Massachusetts, during the trial of Italian anarchists Nicola Sacco and Bartolomeo Vanzetti

SACCO & VANZETTI, 1927. Riot squad guards outside of the courthouse in Dedham, Massachusetts, during the trial of Italian anarchists Nicola Sacco and Bartolomeo Vanzetti. Photograph, 1927

Statue of Bartolomeo Colleoni, Venice

Characters in the new piece now poforming at the Theatre Royal Cotten Garden 1820, 16 vignettes regarding the collection of evidence

Bartolomeo Passarotti, Italian (1529-1592), Studies of a Left Arm, a Young Woman, a Madonna and Child, a Face in Profile, and Nude Figures, pen and iron gall ink on laid paper

Bartolomeo Tarsia, Italian (c. 1690-1765), The Triumph of Wisdom, c. 1750, brown ink with gray and brown wash and white heightening over black chalk, squared for transfer in black chalk on laid paper

Bartolomeo Pinelli, Italian (1781-1835), Four Warriors Supporting Their Dead Comrade, early 19th century, pen and black and gray ink over black chalk on laid paper

Bartolomeo Coriolano after Guido Reni, Italian (active 1627-1653), Herodias and Salome, 1631, chiaroscuro woodcut printed in ochre, brown, and black on laid paper

Attributed to Martino di Bartolomeo di Biagio, Madonna and Child with Saint Peter and Saint Stephen [left panel], Italian, active 1384-1434-1435, c. 1400, tempera on panel

Bartolomeo Veneto, Italian (active 1502-1531), Portrait of a Gentleman, c. 1520, oil on panel transferred to canvas

Bartolomeo Cesi (Italian, 1556 - 1629), A Boy Gazing Upward in Adoration, c. 1594, red chalk heightened with white chalk on blue laid paper

Bartolomeo Guidobono (Italian, 1654 - 1709), Seated Sibyl, brush and brown, blue, and gray ink over black chalk and graphite, heightened with white on laid paper

Bartolomeo Coriolano after Guido Reni, Herodias and Salome, Italian, active 1627-1653, 1631, chiaroscuro woodcut printed in two shades of green and black on blue laid paper

Stage design for L Ortensio, 1589, Bolsi, Girolamo, artist, Neroni, Bartolomeo, approximately 1505-1571, artist, 1589, chiaroscuro woodcut, Print shows the design for the stage

Herodiade, Coriolano, Bartolomeo, approximately 1599-approximately 1676

St. Jerome, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Sibyll holding a tablet, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Study of a giant, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Sibyll, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Head of Cupid, between ca. 1630 and 1675, Coriolano, Bartolomeo, approximately 1599-approximately 1676

The Virgin and Child, Coriolano, Bartolomeo, approximately 1599-approximately 1676

The Virgin, Child, and St. John the Baptist, Coriolano, Bartolomeo, approximately 1599-approximately 1676

S. Carlo Borromeo, Coriolano, Bartolomeo, approximately 1599-approximately 1676

The Virgin and Child, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Head of the Virgin, between 1630 and 1655, Coriolano, Bartolomeo, approximately 1599-approximately 1676

Landscape (with hermit or saint in prayer), Coriolano, Bartolomeo, approximately 1599-approximately 1676

Raphael and Fra Bartolommeo working on a self-made doll, Philippus Jacobus van Bree, c. 1816 - c. 1832

Mystic Marriage of Saint Catherine; Bartolomeo Biscaino, Italian, 1632 - 1657; Italy, Europe; about 1655; Red chalk with white gouache heightening on tan paper; 28.9 x 39.8 cm (11 3/8 x 15 11/16 in.)

Nude Studies; Bartolomeo Passarotti, Italian, 1529 - 1592; Italy, Europe; about 1570 - 1580; Pen and ink; 29.5 x 23.5 cm (11 5/8 x 9 1/4 in.)

The Supper at Emmaus; Attributed to Bartolomeo Cavarozzi, Italian, about 1590 - 1625; about 1615 - 1625; Oil on canvas; Unframed: 139.7 x 194.9 cm (55 x 76 3/4 in.)

Polyptych with Saint James Major, Madonna and Child, and Saints; Bartolomeo Vivarini, Italian (Venetian), about 1432 - 1499; 1490; Tempera and gold leaf on panel; Framed

Lady Playing a Lute; Bartolomeo Veneto and workshop, Italian (Venetian), died 1531, active 1502 - 1555; about 1530; Oil on panel; Unframed: 55.9 x 41.3 cm (22 x 16 1/4 in.)

Bust of Emperor Caracalla (born 188, reigned A. D. 211 - 217)
Bust of Emperor Caracalla (born 188, reigned A.D. 211 - 217); Bartolomeo Cavaceppi, Italian, 1716/1717 - 1799; Rome, Italy, Europe; about 1750 - 1770; Marble; Object: H: 71 cm (27 15/16 in.)

Holy Family with Saint John the Baptist Adored by an Unidentified Figure; Bartolomeo Cesi, Italian, 1556 - 1629; Italy, Europe; about 1590s; Black chalk; 28.9 x 25.7 cm (11 3/8 x 10 1/8 in. )

Bartolomeo Montagna, Madonna and Child, Italian, c. 1450-1454-1523, c. 1490, oil on panel

Bartolomeo Vivarini, Madonna and Child, Italian, c. 1430-1432-c. 1491 or c. 1499, c. 1475, tempera on panel

Bartolomeo Spani, Saint Simeon of Polirone Exorcising the Daughter of the King of Leon, Italian, 1468-1539, probably c. 1516, bronze--Medium brown patina

Bartolomeo Biscaino (Italian, 1632-1657), The Holy Family by a Column, etching

Bartolomeo Coriolano after Guido Reni (Italian, active 1627-1653), Thesis, 1640, chiaroscuro woodcut in green and black

RAVELLO: CATHEDRAL. The Pulpit of the Gospels in the Duomo of Ravello, by Nicolo di Bartolomeo. Photograph, c1900

ITALY: FLORENCE. The Ponte Santa Trinita in Florence, Italy. Photograph, c1870

PALAZZO MEDICI RICCARDI. The Palazzo Medici-Riccardi in Florence, Italy, built in the mid-15th century by Michelozzo de Martolomeo. Stereograph, 1908

BONIFACE VIII (c1235-1303). Pope, 1294-1303. Woodcut from Bartolomeo Platinas Le Vite di Tutti I Pontefici

PHYSIOGNOMY, 1533. Foreheads of vain and lustful men. Woodcut from Bartolommeo Cocles Physiognomonia, Strassburg, Germany, 1533

BARTOLOMEO PLATINA (1421-1481). Italian Renaissance writer. Woodcut portrait from an Italian book, 1504

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Bartolomeo, the renowned Italian anatomist of the 16th century, left an indelible mark on the world of medicine. Born in Pistoia, Tuscany, Italy, his contributions to the field are still celebrated today. As we delve into his life and works, we discover a man whose brilliance knew no bounds. One notable connection to Bartolomeo lies in the Chiesa di San Bartolomeo in Pantano. This church stands as a testament to his legacy and serves as a reminder of his deep-rooted influence on anatomy. Venturing further into Italy, we encounter The Colleoni Statue in Venice. Although not directly linked to Bartolomeo himself, this magnificent sculpture symbolizes power and strength – qualities that resonated with him throughout his career. Another architectural wonder associated with Venice is Porta Della Carta. While it may seem unrelated at first glance, this grand entranceway represents the rich history and culture that surrounded Bartolomeo during his lifetime. As evening falls over picturesque landscapes like A Sera (The Evening), one can imagine how Bartolomeo's mind must have been filled with curiosity about human anatomy. His thirst for knowledge drove him to explore every facet of the human body meticulously. Art also played a significant role in Bartolomeo's life. Works such as Madonna And Child showcase both his appreciation for religious iconography and artistic talent. Additionally, Portrait of Vittoria Colonna by Bartolomeo Cancellieri reveals connections between influential figures during that era. History intertwines with science when examining Gian Galeazzo Visconti and His Three Sons – a masterpiece created by an artist named after our protagonist himself: Ab. Bartolomeo Borghi's Map of Italy from 1836 offers insight into how geography shaped society during those times. Delving deeper into artistry brings us face-to-face with bas-relief polychrome glazed terracotta.