Bartolomeo Collection (page 2)

Francesco I d Este Aids the Duke of Mantua After his Territories were Devastated by the German Armies, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Secures the Fort and the Land to Protect from the German Troops, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Punishes a Soldier by Death who had Stolen a Chalice from the Holy Church, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Sentences a Noble French Official to Death as an Example to Prevent Future Scandalous Excesses within the Church

Francesco I d Este Liberates the City of Turin and Leaves it in the Hands of the Duke of Savoy, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Receiving the Affection of the People, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, with his Gentle Manner, is Loved by All of the Noblemen in his Court, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este, Despite his Discomfort, Displays his Piety While Traveling in the Snow and Ice to Receive the Holy Sacrament, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Remains Dedicated to the Cause of the War, Having been Involved for Many Years, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Keeps his State Intact During the Descent of the Germans into Mantua, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Combines Forces with The Republic of Venice and Genoa Against the Ottoman Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Soldiers Enlisting to Defend the Faith agains the Turks, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Instructing for Alms to be Given to the Poor, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Intervenes for an Agreement between Pope Urban VIII and the Duke of Parma, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...]

Francesco I d Este Presents Himself with Warmth and Humility with Representatives of the Republic of Venice and the Duke of Savoy, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este Goes to Pinarola for the Security of his States, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Builds the Fortresses of Modena for the Security of his People, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco d Este Leads the French Army After the Difficult Resolution of Cremona without Losing Men or Belongings due to the Dukes Prudence and Corageous Strength

The Duke and his troops at Casalmaggiore, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Approches the Camp of the Enemy Under the Pretext of Battle, Although he Obtains their Surrender Without Battle, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este

Francesco I d Este is Generous in Pardoning the Offenders, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Sentencing the Guilty with Great Difficulty, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Speaks About his Victories with an Honest Comportment, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Sustains Himself While on His War Campaign, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Orders Fete Decorations, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Builds the Palazzo di Sassuolo, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Dissolved the Seige of Reggio, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

Francesco I d Este Drives Troops Back Outside of Reggiano, from L Idea di un Principe ed Eroe Cristiano in Francesco I d Este, di Modena e Reggio Duca VIII [...], 1659

The Holy Family with the infant St John the Baptist at right, 1650-57

The finding of Moses who is rescued from the Nile by the maidservants of Pharaohs daughter, 1650-57

The Nativity with Angels, 1650-57. Creator: Bartolomeo Biscaino
The Nativity with Angels, 1650-57

Bergami Pears, or Choice Fruit, October 1820. Creator: Unknown
Bergami Pears, or Choice Fruit, October 1820. Caricature referring to Queen Caroline and Bertolommeo Bergami, her courier

A group of elegantly dressed people playing the harp and a guitar, 1740-68

The descent from the cross, 1565. Creator: Bartolommeo da Brescia
The descent from the cross, 1565

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

A group of elegantly dressed people playing cards, 1740-68

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Plate 2: cross-section of the Hall of the Institute of Bologna, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

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Bartolomeo, the renowned Italian anatomist of the 16th century, left an indelible mark on the world of medicine. Born in Pistoia, Tuscany, Italy, his contributions to the field are still celebrated today. As we delve into his life and works, we discover a man whose brilliance knew no bounds. One notable connection to Bartolomeo lies in the Chiesa di San Bartolomeo in Pantano. This church stands as a testament to his legacy and serves as a reminder of his deep-rooted influence on anatomy. Venturing further into Italy, we encounter The Colleoni Statue in Venice. Although not directly linked to Bartolomeo himself, this magnificent sculpture symbolizes power and strength – qualities that resonated with him throughout his career. Another architectural wonder associated with Venice is Porta Della Carta. While it may seem unrelated at first glance, this grand entranceway represents the rich history and culture that surrounded Bartolomeo during his lifetime. As evening falls over picturesque landscapes like A Sera (The Evening), one can imagine how Bartolomeo's mind must have been filled with curiosity about human anatomy. His thirst for knowledge drove him to explore every facet of the human body meticulously. Art also played a significant role in Bartolomeo's life. Works such as Madonna And Child showcase both his appreciation for religious iconography and artistic talent. Additionally, Portrait of Vittoria Colonna by Bartolomeo Cancellieri reveals connections between influential figures during that era. History intertwines with science when examining Gian Galeazzo Visconti and His Three Sons – a masterpiece created by an artist named after our protagonist himself: Ab. Bartolomeo Borghi's Map of Italy from 1836 offers insight into how geography shaped society during those times. Delving deeper into artistry brings us face-to-face with bas-relief polychrome glazed terracotta.