Bardi Collection

Interior view of the church (photo)
BAT201228 Interior view of the church (photo) by Arnolfo di Cambio (c.1245-1310); Santa Croce, Florence, Italy; (add.info)

The Lamentation of Christ, 1841. Creator: Franz Anton Erich Moritz Steinla
The Lamentation of Christ, 1841. After Fra Bartolomeo

Oval portrait of Leopold II, Grand Duke of Tuscany, 1833. 1833. Creator: Paolo Toschi
Oval portrait of Leopold II, Grand Duke of Tuscany, 1833

Madonna and Child with Saints Philip and Agnes, ca. 1425-30. Creator: Donato de Bardi
Madonna and Child with Saints Philip and Agnes, ca. 1425-30

La Fornarina, c1814. Creator: Raphael Morghen
La Fornarina, c1814. So-called portrait of Raphaels mistress, the Fornarina, (in fact after Sebastiano del Piombo). Engraving by Raphael Morghen after a drawing by Pietro Ermini

Evrito Echione Etalide Battaglia nauale rapp. a
Evrito Echione e Etalide, Battaglia nauale rapp.a in Arno per le nozze dell ser.mo principe de Toscana l anno 1608, Cantagallina, Remigio, ca

Donatello (1386-1466). Reliefs for the bronze pulpits in the
Donatello (1386-1466). Renaissance italian sculptor. Reliefs for the bronze pulpits in the church of San Lorenzo, with help from students Bartolomeo Bellano and Bertoldo di Giovanni

Donatello / Larmessin
DONATELLO de Betto di Bardi Florentine sculptor

Elizabeth Hungary / Ville
SAINT ELIZABETH OF HUNGARY As depicted in the Bardi Chapel at the Church of Santa Croce, Florence Date: 1207 - 1231

Franciscan Church of Santa Croce, Florence, Italy. Shows the pulpit and the Bardi Chapel to the right of the High Altar. The fine beamed roof has been cleared of whitewash

DONATELLO, Donato de Betto Bardi, called (1386-1466). Prophet Habakkuk. 1427-1436. Renaissance art. Quattrocento. Sculpture on marble. ITALY. Florence. Opera del Duomo Museum

Donatello / Ilz 1896
DONATELLO de Betto di Bardi Italian sculptor of Firenze

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"Bardi: A Journey Through Art and History" Step into the enchanting world of Bardi, where art and history intertwine to create a captivating narrative. From the masterpieces of Donatello's reliefs for the bronze pulpits in the Franciscan Church of Santa Croce to Franz Anton Erich Moritz Steinla's poignant portrayal of "The Lamentation of Christ, " every corner reveals a story waiting to be discovered. As you explore the interior view of this magnificent church through a mesmerizing photo, your eyes are drawn to Paolo Toschi's oval portrait capturing the essence of Leopold II, Grand Duke of Tuscany. The delicate brushstrokes transport you back to 1833, immersing you in an era filled with grandeur and elegance. Donato de Bardi's masterpiece, "Madonna and Child with Saints Philip and Agnes, " beckons you closer. Created between 1425-30, it exudes divine beauty as saints surround Mary and her child. The intricate details invite contemplation while showcasing Bardi's artistic prowess. Raphael Morghen's exquisite work titled "La Fornarina" transports us further into time – c1814 – as we witness an ethereal beauty captured on canvas. Her gaze holds secrets untold, leaving us yearning for more insight into her mysterious existence. Venturing beyond artworks, we encounter Elizabeth Hungary/Ville – a name that resonates with power and grace. Her presence lingers within these walls; her legacy woven intricately into Bardi’s rich tapestry. Amidst all these wonders stands the Franciscan Church itself - a testament to architectural brilliance that has stood tall throughout centuries. Its sacred aura envelops visitors as they marvel at its grandeur while contemplating their place in history. Let us not forget Donatello himself - Donato de Betto Bardi - whose genius continues to inspire generations.